New York City - Portrait Photography

Harlem, 1954 by Leonard Freed, is a 14” x 11” photograph from the photographer's Black in White America book (p. 91). The gelatin silver print from the estate is stamped verso (back ...

Policeman with Puppet and Gun, New York City, USA 1979 by Leonard Freed is a black and white limited edition photograph from Freed's Policework series. The photograph, 13" x 19" is an archival pigment print with the photographer's copyright stamp and estate signature by the photographer's widow, Brigitte Freed. The print is in an edition of 10. Available: 1/10, 10/10. Provenance: Freed Estate *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department (1972-79). Freed's coverage of the American civil rights...

Jean-Michel Basquiat 1987 (printed later) Archival pigment print 48 x 48 inches Signed and numbered edition of 40 William Coupon is an American photographer, born in New York City, ...

Archival pigment print Signed and numbered on label, verso 12 x 18 inches (Edition of 10) 24 x 35.5 inches (Edition of 8) From the series, "Him" This artwork is offered by ClampAr...

A portrait of Helen Frankenthaler (1925-2011) in her studio in New York. Glinn captures the celebrated artist, Frankenthaler, in the process of making art - surrounded by paint, mate...

Artist: Bert Stern Title: Marilyn Monroe -The Last Sitting Year: 1962 (printed 2009) Medium: Color Photograph, signed and numbered in red crayon Edition: 12...

Film star Joan Collins relaxes with her pink poodle on her pink bed. Estate stamped and hand numbered edition of 150 with certificate of authenticity fro...

Fashion Show, 1963, Harlem, USA by Leonard Freed, is a 11” x 14” gelatin silver print, which appears in the photographer's seminal Black in White America book (p. 104). The photograp...

Artist: Lawrence Schiller, American (1936 - ) Title: Marilyn Monroe in Something's Got to Give - 8 Year: 1962 (printed 2007) Medium: Gelatin Silver Print, Signed in ink Edition: AP 3...

Jean-Michel Basquiat 1987 (printed later) Archival pigment print 48 x 48 inches Signed and numbered edition of 40 William Coupon is an American photographer, born in New York City, ...

Listing includes framing with UV plexi, free shipping to the continental US and a 14-day return policy. Nine 4.5 x 3.25 inch unique vintage Kodak print of Pat Cleveland...

The image capturing African-American life in Harlem in the 1960s, Mr. Harlem, 1963 by Leonard Freed, is a 14” x 11” black-and-white photograph from the photographer's book Black in W...

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 11.5" x 9.5" gelatin silver signed by the photographer Leonard Freed (on verso). Provenance: Freed Estate LITERATURE: W. A. Ewing, N...

Yeshiva Boys, 1954 is a black-and-white photograph of two young studious boys behind a glass door, an entrance to a Brooklyn brownstone in New York City. A gelatin silver lifetime pr...

Fiona Campbell-Walter (later Baroness Thyssen) on an English beach wearing an Estrava coat with a raffia hat from Eaton. British Vogue, July 1951 Fiona Campbell-Walter for Vogue, Ju...

Yeshiva Students, New York City, 1954 by Leonard Freed is a black-and-white photograph of three young Jewish Youth, studying at a yeshiva. This is a gelatin silver lifetime print, 16...

Robert Kennedy (RFK) and his wife Ethel Kennedy, campaigning in a small town in Indiana USA in 1968 is a color photograph, 16” x 24,” an archival pigment...

Nomad Princesses, 1996 by Jean-Michel (JM) Voge, is a contemporary color photograph 19" x 13" of two bare-breasted women with painted faces, enlarged ears, and tribal jewelry from th...

Ted Williams Martin Luther King Motorcade, 1964 Silver gelatin print 16 x 20 inches Estate stamped and numbered edition with certificate of authent...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 24" x 20" gelatin silver photograph signed by the photographer on verso (back). Provenance: Freed archive. LITERATURE: W. A. Ewing, N...

Liu Ye in his studio with muse, Beijing, 16 May 2007 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Cert...

This is a newly released platinum print of "The Observer and Observed" by Susan Derges. Printed in 2022. Listing includes framing, a label of authentici...

Gelatin silver print Signed and numbered, verso 10 x 8 inches, sheet (Open Edition, Unsigned) $1400.00 20 x 16 inches, sheet (Edition of 25) $3500.00 30 x 30 inches, sheet (Edition of 5) $12,000.00 This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry in its heyday, as well as the rough-and-tumble dive bars...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 14" x 11" gelatin silver print signed by the photographer on verso (back of photo). Provenance: Freed estate LITERATURE: W. A. Ewin...

Listing includes framing with UV Plexi ($900 value), free shipping, and a 14-day return policy. Seydou Keïta Untitled Portrait, 1952 - 1955 (00089-MA.K...

This is a black and white photograph of three soldiers seated on a bridge, above the Arno River, Florence, Italy 1958 by Leonard Freed. It is a 12" x 16" ge...

Friends, 1989 by Roberta Fineberg is a black-and-white photograph of friends in a Parisian bar in the Marais. The silhouetted figure is contrasted against the contours pf a female fa...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of...

Ormond Gigli's Sardinia, Italy, 1969, is a limited edition archival pigment print. A 22.5" x 20" print in an edition of 8 is signed recto (front of photo). Provenance: the artist's...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, loc...

Archival pigment print Date stamped with facsimile of signature in grey ink, l.r. This photograph is offered by ClampArt, located in New York City. About the artist: Born and raised in South Africa, photographer Sam Haskins moved to London in his early 40s. He is best known for the three books, "Five Girls...

Marc Chagall in His Studio, France, 1984 by Jean-Michel Voge is a 23.4" x 16.5" archival pigment print edition 2/5 printed by the artist on Japanese Awagami handmade paper -- signed ...

Martin Luther King (MLK), 1964 by Leonard Freed is an iconic black and white documentary photograph, a portrait of one of the most influential African American personalities and civi...

Richard Corman Jean-Michel Basquiat 1984 (Red), 2020 Offset lithograph poster on color archival pigment paper Signed and numbered 2/100 by Richard Corman in silver sharpie on the fro...

Nikita Khrushchev in front of Lincoln Memorial, 1959, Washington DC by Burt Glinn is one of the photographer's historical photographs. The portrait i...

Untitled (Hitting the Speed Bag) Mike Tyson hits the speed bag at Cus D’Amato’s gym, Catskill, NY, 1988 Signed and numbered, verso Gelatin silver print 11 x 14 inches (Edition of ...

Polaroid transfer on Rives BFK paper Signed, titled, dated, and numbered in pencil, recto Also blindstamped, l.r. 22 x 15 inches, sheet 10 x 8 inches, image This artwork is offered by CLAMP, located in New York City. Mark Beard writes: “I asked Robert Mapplethorpe to take me to the ‘Mine Shaft,’ a famous S&M club. He agreed but told me it was finished and boring. We made Christmas trees together for New York Magazine. He asked to make nude...

Fanny Ardant, Paris, France, 1990 by Jean-Michel Voge is a contemporary color portrait of the internationally-known and stunning actress Fanny Ardant (b. ...

Norman Parkinson Jane Birkin 1969 (printed later) Estate stamped and numbered edition of 21 English-French actress, singer, songwriter, and model Jane Birkin photographed wearing a ...

Gelatin silver print Signed in pencil, verso This artwork is offered by ClampArt, located in New York City. Born in Vinhedo, a small town on the outskirts of Sao Paulo, Brazil, Walter Briski, Jr. began his interests in photography at the age of thirteen. He later moved to the city of Sao Paulo to pursue his passion, and after completing his studies at the Pontificia Universidade Catolica de Campinas, he began his career as a fashion photographer working with top national magazines such as “Brazilian Vogue,” “Brazilian Interview,” and “Trip.” Soon after, Briski moved to New York City in pursuit of advancing his career. In search of strengthening his art, he learned to master the technique of black-and-white printing while employed at a highly ranked film production house. There, he printed works for artists such as Bruce Weber, Annie Leibovitz, Gordon Parks, Matthew Barney, Steven Klein, Steven Meisel, Steven Sebring, and Ellen Von Unwerth. In the midst of printing images that were reproduced in magazines such as “Vogue,” “Harper’s Bazaar,” “W,” “L’Uomo Vogue,” “I.D.,” “Arena,” “The New York Times Magazine,” and “Interview,” he also began printing his own photographs. Briski has had the wonderful opportunity to work with top models and celebrities, including the Brewer twins, Carole King...

Apres Ski, Gstaad, Switzerland, Estate Edition, Portrait Photography This early 1960s landscape photograph, captured by society photographer Slim Aarons, features a group of women r...

Polaroid transfer on Rives BFK paper Signed and inscribed (AP 1/3) in pencil, recto Also blindstamped, l.r. 22 x 15 inches, sheet 10 x 8 inches, image This artwork is offered by Cl...

Kate #16, 2002 is a vintage 8" x 10" black and white photograph from the series "Kate." Model Kate remains complicit in striking and defining dramatic poses for Freed. The photograph...

American stage actress, author, columnist, horsewoman, fashion designer, and socialite, C. Z. Guest, ( aka Mrs. Winston F. C. Guest, 1920 - 2003) with her personalized Ford Model T t...

Muscle Boy, Harlem, 1963 by Leonard Freed is a signed and numbered archival Iris print. The edition 25/100 was in a planned edition of 100 and halted at 25 prints (as annotated on ve...

Intended for Andy Warhol Marcel Proust, ca. 1976 Acetate positive acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Derivative on acetate, based on a photo by Otto Wegener...

A classic black and white photograph from the late 1930s to early 1940s, Two Women on The Subway in New York City is by a master of ...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

CHRIS BUCK Born 1964, Toronto, Canada Lives and works in New York, NY ​ Eminem 1999 Ed 10 Artist Statement: For any serious photographer their best portraits are ultimately also self-portraits. The discomfort, oddness and frustration in my photographs are the evidence of my uneasiness. As I've grown more mature and more comfortable in my skin I've been able to recognize the struggle and vulnerability in my sitters, bringing my work to a point of collaboration with them. Where once I sought conflict with the subjects now we work to build something strange and wonderful together. ​ Solo Exhibitions 2017 Uneasy, Krause Gallery, New York, NY 2014 Turn of the Century Portraiture, Galerie Youn, Montreal, QC 2013 Presence: The Invisible Portrait, Foley Gallery, New York, NY 2002 The Sound of Music: New portraits of Contemporary Musicians, Other Music, New York 1998 FanClub, Saba Gallery, New York, NY ​ Group Exhibitions 2016 Winning the White House: From Press Prints to Selfies, curated by Susan Carlson and Claartje van Dijk for the International Center of Photography, New York, NY; exhibited at the Southampton Arts Center, Southhampton, NY 2013 Rebels, curated by Carl Saytor, Photoville Brooklyn. 2012 Traces of Myth. Curated by Brenda Massie, Hagedorn Foundation Gallery, Atlanta, GA 2009 Wild Things: Photography for Animal Lovers. Curated by Greg Garry, Stricola Gallery, New York, NY Michael Jackson Doesn’t Quit: An exhibition featuring works related to the entertainer and social phenomenon, Michael Jackson. Curated by Mike Ruiz and Ben Aqua, The Future Gallery, Berlin, Germany 2003 How Human: Group photography exhibition related to DNA, International Center of Photography, New York, NY 1995 Limbo: Collaborative show with Alex & Leja Kress, Limbo, New York, NY 1990 Stretch Camera: Group photography exhibition featuring images made exclusively with the Kodak disposable panoramic camera, The Palmerston, Toronto, Canada ​ Public Collections The International Center of Photography, New York, NY ​ Books 2016 UNEASY: Chris Buck Portraits 1986-2016, Norman Stuart Publishing, New York, NY 2012 PRESENCE: The Invisible Portrait, monograph, Kehrer Verlag, Heidelberg, Germany 2010 New York Portrait of a City, various artists, Taschen, New York, NY 2005 CBGB & OMFUG: Thirty Years from the Home of Underground Rock, various artists, Abrams, New York 2004 The World’s Top Photographers: Portraits, various artists, Rotovision SA, Hove, U.K. 2002 Hip Hop Immortals, various artists, Immortal Brands, New York, NY 1992 Shooting Stars, various artists, Stewart, Tabori & Chang, New York, NY Angry Women, various artists, RE/Search, San Francisco, CA ​ Awards 2016 American Photography Images of the Year (Paul Giamatti) 2015 American Photography Images of the Year (Lena Dunham) 2014 American Photography Images of the Year (Nick Offerman, Vice Office, President Barack Obama) 2013 Lürzer’s Archive 200 Best Ad Photographers 2014/ 2015 (President Barack Obama) Communication Arts Photography Annual Best of 2012 (President Barack Obama) 2012 American Photography Images of the Year (Michele Bachmann, Presence Jack Nicklaus, Presence Michael Stipe) Lürzer’s Archive 200 Best Ad Photographers 2012/ 2013 (George H. W. & Barbara Bush, Steve Coogan, Diesel elephant ad) 2011 American Photography Images of the Year (David Byrne) Photo District News Photo Annual Awards in Editorial (Ayaan Hirsi Ali) Photo District News Photo Annual Awards in Corp/ Design (MS Office for Macs) Communication Arts Photography Annual Best of 2011 (Trey Parker & Matt Stone) 2010 American Photography Images of the Year (Harold Ramis) Photo District News Photo Annual Awards in Editorial (Jay Leno) Photo District News Photo Annual Awards in Advertising (Old Spice) Photo District News Photo Annual Awards in Web Design (Chrisbuck) Communication Arts Photography Annual Best of 2010 (Jeb Bush) 2008 Photo District News Photo Annual Award in Editorial (Vice Boys) Photo District News Photo Annual Award in Personal Work (Isn’t Bill Gates, Isn’t Justin Timberlake) American Photography Images of the Year (Vice Boys, Isn’t Bill Gates, Isn’t Justin Timberlake) 2007 Annual Arnold Newman Portrait Prize (first recipient) Photo District News Photo Annual Award in Personal Work (Imagination, Common Sense) Photo District News Photo Annual Awards in Editorial (Donald Trump) 2006 22nd Annual PDN/Nikon Self-Promotion Award (Group Promo with JR) Photo District News Photo Annual Award in Editorial (Steve Martin, Jerry Stiller, Steve Carell, Rivers Cuomo, David Cronenberg) American Photography Images of the Year (Philip Lorca diCorcia) Photo District News Photo Annual Award in Personal Work 2005 Communication Arts Photography Annual Best of 2005 (Wes Anderson) Photo District News Photo Annual Award in Editorial (Wes Anderson) Photo District News Photo Annual Awards in Advertising (Moviefone) 2004 Communication Arts Photography Annual Best of 2004 (Ryan Adams) Photo District News Photo Annual Award in Editorial (Genesis P-Orridge) American Photography Images of the Year (Ryan Adams, Dave Matthews, Spike Lee) 2003 HOW Self-Promotion Award (Phobias/ Obsessed promo) SPD (Society of Publication Designers) Award (Kato Kaelin) Communication Arts Photography Annual Best of 2003 (Grady Turner/ Museum of Sex) Photo District News Photo Annual Award in Editorial (Phobias) Photo District News Photo Annual Awards in Advertising (Citibank dog) American Photography Images of the Year (Alberto Guerreo/ stomach reduction, Suburban Stoners story) 2002 18th Annual PDN/Nikon Self-Promotion Award (A Nice Pair/ HP promo) Communication Arts Photography Annual Best of 2002 (Spiritualized) American Photography Images of the Year (David Rakoff & Amy Sedaris) SPD (Society of Publication Designers) Award (Korey Stringer, John Lee, Jim Carrey) Art Directors’ Club of New York Photography Merit Award (Ike Turner) 2001 American Photography Images of the Year (James Caan, Bjork, Gillian Anderson, Ryan Adams, Joe/ Singles Dance, Jacqueline & Chaplin, Dr. Edwin Zinman) 2001 (continued) Photo District News Photo Annual Award in Editorial (Gillian Anderson) National Magazine Award (Canada) (Miguel Arteta) Communication Arts Photography Annual Best of 2001 (Shokrian Brothers) 2000 Communication Arts Photography Annual Best of 2000 (Salman Rushdie) Applied Arts Award in Photography (Salman Rushdie) 1999 American Photography Images of the Year (Richard Leacock, Missy Elliott, Elliott Smith...

In the Country, 1988 is by Roberta Fineberg. A black-and-white documentary-style portrait of a French woman in the countryside - from northeast France, the Haute-Marne, the subject is photographed against a backdrop of fresh-cut hay. Far from Paris the French maintain deep connections with the land - owning often an ancestral house in the countryside, often rustic, a nation equally rooted in the agrarian. An 11" x 14" gelatin silver print (analog/film) in an edition of 5, the photograph is signed and editioned on recto (in margin) by the artist. Provenance: RF Studio *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and the development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary photography), play, timelessness, the enduring, and the significance of matter. RF, living in New York City, began her career as an editorial photographer while studying in Paris. In France she contributed both photography and writing to publications, landing a column (photos and text) with The Saturday Review while exhibiting photographs in public spaces. Roberta Fineberg’s freelance photography appeared in Le Monde, Jeune Afrique, Paris Match, L’Officiel Femme, Ms, Weltwoche, Vanguardia, among others with images licensed through stock agencies. Photographs were selected for cover art at W.W. Norton, St. Martin’s Press, Harcourt, Bookspan, Simon & Schuster, etc. Print Regional Design Annual New York (2003) awarded her for book jacket photography for If Wishes Were Horses. In 1997 Macmillan published City Riders: A Story of Riding and Friendship her first book of black-and-white photographs and a story about three teenage girls in the 1990s who rode horses at the now-defunct Claremont Riding Academy and oldest stable in New York City. In 2023, RF created an interactive installation, works on paper on the female body, in a public space. In July 2022, Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2020, 2022), CADAF online art fair (2020), Gallery122 New York pop-up group...

Fashion model Pamela Minchin photographed on the Isle of Wight wearing Fortnum and Mason’s dark burgundy Lastex satin swimsuit with ballet skirt, Harper’s Bazaar, July 1939. 'For ba...

This is a 39" x 39" black and white archival giclée print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. Signed and numbered in the back. It is an exp...

Willy Nelson, 1993 by American photographer Leonard Freed is a series of (3) photographs, gelatin silver press RC prints, which are each signed verso (bac...

Lace curtains, Morocco, 1980 by Jean-Michel (JM) Voge, is a contemporary color photograph, an archival pigment print on handmade Awagami Japanese paper. ...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistica...

ABOUT THIS PIECE: Beauty, elegance and fierce attitude defines Elena’s eye-catching work. She is known for her high impact colorful portraits. Her style is permeated with the passion for highly aesthetic, strong and elegant imagery, with saturated colors and play of light. Diving into her world means opening the doors of a minimalist and stylized world in which sublime female models play freely to the camera. ABOUT THIS ARTIST: Originally from Russia, Elena Iv...

Birmingham Children, 1963 by American photographer Leonard Freed is a 16" x 12" vintage gelatin silver photograph, signed verso (on back) by the photographer. A photo that depicts th...