New York City - Portrait Photography

René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subj...

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...

Young women by the Canellopoulos penthouse pool, Athens, July 1961. Framed in white. Slim Aarons Penthouse Pool Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Com...

Debbie Harry Photograph: NYC, 1976: Debbie Harry East Village, 1976 by celebrated New York photographer Fernando Natalici. Cooler than cool, this classic "Blondie" photo was captured...

1970: A desert house in Palm Springs designed by Richard Neutra for Edgar Kaufman. Lita Baron approaches Nelda Linsk, right, wife of art dealer Joseph Linsk who is talking to a frien...

MICHAEL CHILDERS Andy Warhol in his New York studio, 1976 Photographic print Printed in 2007 Signed boldly on the front in black felt tip pen by photographer Michael Childers Frame included: in the original frame as donated by the photographer to the Palm Springs Art Museum This is one of a series of portraits of Andy Warhol by Michael Childers, founding photographer of Warhol's Interview and After Dark magazines, taken in his New York studio and Paris from 1976-1980. This work is signed on the front and framed. It was acquired from the Palm Springs Art Museum, where it was donated by the artist. The verso of the frame bears the works title, original year in felt tip marker, and the artist's studio stamp with copyright of 2007 (year printed) Another example of this work was exhibited at the Palm Springs Art Museum and a different example is part of the Michael Childers collection at the Las Vegas Art Museum Measurements: Artwork (visible): 7 x 9 7/8 inches Frame: 12 x 15 x .4 inches Michael Childers Biography: Since the 1960s, Michael Childers has been photographing famous people...

Patti Astor by Don Rodan circa 1978: A rare polaroid photograph of Patti Astor by Don Rodan whom is most known for his Andy Warhol style polaroid portraits...

Ed. 3/20, estate-stamped. Includes black frame. Milton H. Greene was one of the earliest and best photographers working in the early days of color photography. Aside from his outsta...

16x20” Limited Edition print Signed by the photographer Please allow extra production time. Other sizes available.

Marilyn Monroe (1926 - 1962), wearing a red negligee trimmed with black lace, sorts out her fan mail shortly after her film 'The Asphalt Jungle' had been released. This exquisite ph...

Princess Luciana Pignatelli on a skiing holiday in Lech, Austria. February 1961 Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. S...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “This image probably owes some of its inspiration to the abnormal characters in the stories of Flannery O’Connor’s 1955 collection, "A Good Man is Hard to Find." But Meatyard was also looking at Giorgio de Chirico and the European Surrealists and here employs their penchant for the lifeless mannequin figure. A headless dressmaker’s dummy...

Richard Corman Jean-Michel Basquiat 1984 (Red), 2020 Offset lithograph poster on color archival pigment paper Signed and numbered 2/100 by Richard Corman in silver sharpie on the fro...

Film star Joan Collins relaxes with her pink poodle on her pink bed. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aaron...

Lisa Jack Barack Obama, Occidental College No. 29, 1980 Signed, dated, and numbered on the reverse Gelatin silver print Sight 21 1/2 x 14 1/2 inches Edition 4/50 Provenance: M&B, Lo...

1996 Brooklyn Nocturne 1996 Signed, verso Chromogenic print 5 x 7 inches (12.7 x 17.8 cm) This work is offered by CLAMP in New York City.

Lisa Jack Barack Obama, Occidental College, No. 34, 1980 Signed, dated, and numbered on the reverse Gelatin silver print 12 x 17 3/4 inches Edition 4/75 Provenance: M&B, Los Angeles...

Young women by the Canellopoulos penthouse pool, Athens, July 1961. Slim Aarons Penthouse Pool Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer...

2009, pigment print photograph, 14 x 11 inches, Edition of 12 signed and numbered by the artist on the reverse

Lisa Jack Barack Obama, Occidental College, No. 15, 1980 Signed, dated, and numbered on the reverse Gelatin silver print Sight 21 1/2 x 14 1/2 inches Edition 7/50 Provenance: M&B, L...

The archival photographic pop-art print, ‘Andy Warhol with Red Campbell’s Soup' is an edition of 23 and was created in 1985 by photographer Andrew Unangst. Taken in New York City, Un...

Richard Corman Jean-Michel Basquiat VI: A Portrait, 1984, 2018 Gelatin silver print Signed, titled, dated and numbered 4/30 by Richard Corman in marker on the reverse 20 × 16 inches...

This listing is for William Wegman's photograph, "Frame Work", 2010. This is a limited edition photograph with an edition size of 12. This piece is numbered, titled, signed, and dat...

The archival ‘Portrait of Andy Warhol’ in black and white is a large-scale photographic pop-art print. This print is an edition of 15 and the photo was taken in 1985 by photographer ...

1985/2020 Signed, verso Archival pigment print 5 x 7 inches This photograph by Nan Goldin is offered by CLAMP in New York City.

Dennis Hopper, Out of the Sixties: 1986 exhibit poster published by Tony Shafrazi Gallery, New York 1986 Image features: Dennis Hopper's Biker Couple' (1961) Medium: Off-set lithog...

Nan Goldin Bea with a whip at The Other Side 1973 Gelatin silver print 14 x 11 inches; 36 x 28 cm Edition of 100 Signed, titled, dated, and numbered in graphite (lower right verso) ...

Steve McCurry Afghan Girl 1984 (printed later C-print on Fuji Crystal archival paper 24 x 20 inches Signed and dated Steve McCurry has been one of the most iconic voices in contempo...

Ed. of 21, estate-stamped. Includes black frame. Norman Parkinson was the preeminent fashion photographer in Great Britain from the late 1930s until his death in 1990. Born in 1913,...

Shot on a 20x24 Polaroid camera, "Suzanne and Shark Jaw" from her 1986-91 “Transformations” series is a one-of-a-kind print made only rarer by the limited availability of the device’...

Ed. 44/50, hand-signed and numbered by Terry O'Neill. Includes black frame with white mat. Terry O’Neill CBE is one of the world’s most collected photographers with work hanging in ...

Moody, Figurative, Woman Portrait The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps ...

Figurative , Portrait, Timeless The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fo...

Philip Pearlstein The Complete Paintings, 1984 Hardback monograph with dust jacket Hand signed, dated and inscribed to Nadine by Philip Pearlstein 12 × 10 1/2 × 1 3/4 inches This i...

Ed. 5/25, signed in pencil on verso. Includes black frame with white mat. Herb Ritts regularly photographed the most famous celebrities of the 1980s and 1990s. For an August 1992 co...

This photograph by Jack Pierson is offered by CLAMP in New York City.

La Canzone Del Mare, 1958 Chromogenic Lambda Print Estate edition of 150 La Canzone del Mare in Capri, Italy, July 1958. Estate stamped and hand numbered edition of 150 with certif...

Faye Dunaway at the Beverly Hills Hotel 1977, Printed Later Silver gelatin print 30 x 30 inches Estate signature stamped and numbered edition of 50 with certificate of authenticity Terry O'Neill CBE (1938-2019) was an eminent English photographer known for his masterful documentation of the 1960s fashions, styles, and celebrities. Born in London, his artistry deftly exhibited the keenness of capturing his subjects in candid moments or unconventional environments, reflecting a compelling narrative that was both revealing and authentic. O'Neill's photographic legacy spans across prominent personalities, including influential figures such as Winston Churchill, Nelson Mandela, iconic musicians like Frank Sinatra, Elvis, and Amy Winehouse, eminent actresses like Audrey Hepburn and Brigitte Bardot, supermodel Kate Moss, and every James Bond from Sean Connery to Pierce Brosnan. This diversity underscores O'Neill's proficiency in embracing the breadth of fame and human charisma. His extraordinary contribution to photography won him The Royal Photographic Society's Centenary Medal in 2011, a testament to his enduring influence. His work has graced numerous exhibitions, contributing to the art form's rich history. Terry O'Neill's indelible mark on photographic art continues to be celebrated at IFAC Arts, and elsewhere. For the complete catalogue of Terry O'Neiil on 1stdibs follow us at International Fine Arts...

Richard Corman Madonna NYC '83 (hand signed and numbered 1/1 by the photographer on the front and the back), 2010 Black and white photographic print on archival pigment paper Hand signed, titled and numbered 1/1 on the front as well as the back (signed twice) Frame included: framed in a museum quality black wood frame with UV plexiglass Madonna '83 is a 36 square inch photograph on archival pigment paper, numbered 1 of 1 by the legendary photographer Richard Corman, who began his career as Richard Avedon's apprentice. The work is signed, titled and numbered 1/1 (unique) on both the front of the photograph, as well as the back of the frame. It is elegantly framed in a museum quality black wood frame with UV plexiglass. Measurements: Frame: 37.5 x 37.5 x 2 inches Photograph: 35.5 x 35.5 inches This photograph was taken during Richard Corman's historic photoshoot with Madonna in the early 1980s, and it was reprinted in 2010. Richard Corman's famous photographs of Madonna during that period have been reproduced in books, magazines, tv clips and newspapers - and are considered the most iconic images ever taken of Madonna. We are incredibly honored to be exclusively offering this iconic photograph for the very first time -- in honor of Madonna's 65th birthday. Here, Madonna is just a natural beauty, youthful, confident, vulnerable, natural, and extraordinarily poised. The photograph was taken while she was on the cusp of superstardom, but still anxious, striving, going on casting calls, and waiting for her big break. As Richard Corman explains, she is shown sitting amidst the rubble of the back yard of her Lower East side apartment. In his own words, photographer Richard Corman describes how this famous sitting came about: My mother was Cis Corman, a renowned casting director in New York City. In the summer of 1982 she was casting The Last Temptation of Christ for Martin Scorsese and called me to say they had just tested a girl for the part of the Virgin Mary. She said, “You must meet this girl — she’s an original.” I was 28 and had just finished an apprenticeship with Richard Avedon and was looking for interesting people to shoot. So I got this girl’s number and called. It was Madonna. At the time she was living in Alphabet City [Lower East Side of Manhattan], and she suggested I go to her apartment and chat about what I wanted to do. I had to call her from a phone booth across the street, because the neighborhood was full of drug dealers, and they didn’t let people just walk in and out. There was a group of kids outside the building, on the stoop, in the hallways, and when I said I was there for Madonna the seas parted. I looked up the staircase, and I saw this girl leaning over the edge of the banister, and even from three stories below I could see these catlike eyes just looking down. I knew at that moment that she had something special — I really did. She had her best friend and neighbor, Martin, with her — he later died of AIDS—and we sat and talked. She served me a cup of coffee on a silver tray with three pieces...

Guest at the Carlton, Cannes, 1958 Chromogenic Lambda Print Estate edition of 150 A guest relaxes at the Carlton Hotel, Cannes, France, July 1958. Estate stamped and hand numbered...

Apres Ski, 1963 Chromogenic Lambda Print Estate edition of 150 A group of women reclining on the snow in Gstaad with rugs covering their knees, 1963. Estate stamped and hand number...

Lady Daphne Cameron (Mrs George Cameron) on a tiger skin rug in the trophy room at socialite Laddie Sanford's home in Palm Beach, Florida. Estate stamped and hand numbered edition o...

1980's Fashion photography set of 3 works: This vintage fashion photo tryptic features three editorial style fashion photographs in classic 1980...

Andy Warhol Marcel Proust, ca. 1976 Acetate positive acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by Letter of Provenance from the representative of Chromacomp, Andy Warhol's printer Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass. Measurements: Frame: 17.75 x 14.75 x 1.5 inches Photograph: 10.75 x 7.75 inches This unique photographic positive acetate is of the 19th and early 20th century French novelist Marcel Proust, who's chef d'oeuvre A la recherche du temps perdu inspired some Warhol titles. Warhol would transfer the acetate to a transparency, allowing an image to be magnified and projected onto a screen. Warhol created a silkscreen painting of Marcel Proust and sent this acetate to his printer, Chromacomp, Inc. for consideration as a silkscreen multiple, which was never made. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp,Inc. a fine art printing studio in New York City. During the 1970s and 1980s, it was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Warhol had considered creating limited edition prints with Chromacomp of his famous portrait of Proust based upon this photographic image. The original painting was commissioned by art dealer Marie-Louise Jeanneret for a group of Italian collectors and avid Proust enthusiasts, Warhol's original four acrylic and silkscreen ink on linen works were based on a famous 1895 photograph of the French novelist captured by Otto Wegener. Marcel Proust, the distinguished French novelist, literary critic, and essayist, achieved renowned for his monumental 1908 seven-volume novel In Search of Lost Time. The literary masterpiece delved into the intricacies of memory, time and the profound complexity of the human experience. Proust's literary genius revolutionized the landscape of literature, leaving an enduring impact on the Parisian cultural scene at the turn of the century. About 50 years later, Andy Warhol emerged as a visionary artist who challenged artistic conventions, exploring themes that resonated with Proust's own ideas. Warhol, a trailblazer in his own right, delved into philosophical reflections on consumerism, mass production and the nature of fame. His artistic endeavors mirrored Proust's explorations, albeit through a contemporary lens, as he sought to redefine the boundaries of art and popular culture. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee...

Helen Dzo Dzo Kaptur, 1970 Chromogenic Lambda Print Estate edition of 150 Former fashion model Helen Dzo Dzo Kaptur and other guests at the Kaufmann Desert House in Palm Springs, Ca...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

Lucille Khornak (American), "Three nudes", Black and White print on Harmon paper, 20 x 16, Late 20th Century Hand signed by Lucille Khornak Available sizes: Paper Size 11 x 14, Im...

Venaria Reale XIII Torino, 2018 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated how h...

16x20” Limited Edition Print Hand Signed by the Photographer Other sizes available. Please allow extra production time.

Yeshiva Boys, 1954 is a black-and-white photograph of two young studious boys behind a glass door, an entrance to a Brooklyn brownstone in New York City. A gelatin silver lifetime pr...

Look No Shoes, 1964 Chromogenic Lambda Print Estate edition of 150 1964: Mrs A Atwater Kent Jr dressed in a simple shift dress is crossing the road baref...

Slim Aarons Underwater Drink, 1972 Chromogenic lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A woman drinking from a...

Raquel Welch Poolside 1970 (printed later) Silver Gelatin Print Estate stamped and numbered edition of 50 American actress Raquel Welch relaxes at her home in Beverly Hills, 1970s. ...

Richard Corman Keith Haring 1 - NYC, 1985 (hand signed twice), 2022 Photographic print on Hahnemühle Photo Rag Ultrasmooth paper mounted on Dibond aluminum board. (Hand signed and numbered on both the front and back of the board) Hand signed and numbered 1/10 twice (front and back) and also titled on the back by Richard Corman Frame Included: gorgeously housed in a wood frame, hand painted in orange This photograph of Keith Haring was taken in 1985 at his 676 Broadway studio, by celebrated photographer Richard Corman while on assignment for L'Uomo Vogue. By that time, Corman had already taken some of the most memorable and iconic photographs of Madonna and later Basquiat - so it was fitting that this stylish Italian publication would choose him to photograph Keith Haring - already a major New York art star at the time. Corman's iconic photograph of Haring was reprinted in 2022 in a limited edition, and was featured in the exhibition "I Shot The Messenger!" - a solo presentation of his work at Frevo in New York City from September 11 to November 11, 2022. It is held in a bespoke wooden frame hand painted in orange. This gorgeous print is signed twice: Richard Corman signed, titled, dated and numbered one of only ten (1/10) on the back in black marker, and also boldly signed and numbered in black marker on the front. A video of the artist signing this work will be provided to the purchaser. (see still photos of Corman signing this work.) Measurements: Frame: 41.5 x 38.25 x 2 inches Photograph: 40 x 36.75 inches Exhibition History: "I Shot the Messenger", Frevo Gallery, New York, New York, 2022 Richard Corman speaks on his first encounter with Keith Haring: "To my surprise, when Keith answered the door, this unassuming building revealed to me a labyrinth of finished and unfinished artworks, bursting with color. I was familiar with Keith's graffiti in the subway stations, his murals, and the unique language of his art which raised awareness of AIDS and fought against the infiltration of illegal drugs. However, while positioning him around the space and working to capture something special during our time together, I realized this person was undeniably an original. His calm presence defied his free spirit, which revealed itself as he placed himself in front of my camera. These images offer up a glimpse at the confidence and price that Keith had in his own unique language for communicating his message to the world." About Richard Corman: While Richard Corman’s photography varies widely in subject matter, it is always intensely focused on the infinitely varied expressions of the human spirit. Ken Burns, documentarian and director, describes Richard’s work as: "Artistic vision dedicated to the highest aspirations of human endeavor... the photographs record in big moments and small, among the famous and ordinary, the gifted and challenged, larger truths relevant to all of us." As a portrait photographer, Corman has worked with a thrilling breadth of subjects from Nobel Peace Prize recipients Nelson Mandela and Elie Wiesel...

Alice Topping 1959 (printed later) Chromogenic print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Socialite Alice Topping sit...

Tom Kelley Ann St. Marie c. 1950's C print 38 x 30 inches Edition of 45 Photographs are printed on Archival Hahnemühle paper (luster) estate signed and numbered in the border Captio...

Jean-Michel Basquiat, 1987 Silver Gelatin print image size: 14 x 14 inches Signed William Coupon is an American photographer, born in New York City, known principally for his forma...

Elizabeth Taylor, 1959 by Burt Glinn is a black-and-white photograph shot on film a portrait of Elizabeth Taylor on the beach during the filming of the adaptation of Tennessee Willia...