New York - Abstract Paintings

This piece is part of an exciting collection depicting iconic the "Coco Chanel" with the artist's "Dripping Dots" style, where she incorporates a classic Chanel bottle in her own sty...

Bidwa’s recent paintings are composed of layers of oil, latex, and spray paints on panels that the artist applies with a confident and exuberant brush. Planes of color are disrupted ...

Hunt Slonem "Jackie O Yellow" Single Bunny A black outlined rabbit on a yellow background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is framed - Pleas...

Miami Lights 2021 Large abstract heavy texture, oil on hemp fabric 72x72x3.5, framing optional for additional cost. This painting by Alexander and Natalia Gore...

Hunt Slonem "Amazons & Pionus" Green Birds Green, blue and red parrots on a white background, scored. Unframed Hunt Slonem is a well-renowned American artist known for his neo-expre...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Hunt Slonem "Patch" Blue Butterflies Two black and white butterflies on a blue background in a vintage frame. Unframed: 10 x 8 inches Framed: 14 x 12 inches *Painting is framed - Pl...

This piece depicts a gestural figure of bunny against a golden background. Inspired by nature and a genuine love for animals, Slonem's paintings encompass unique inspirations drawn f...

Antique American school signed abstract oil painting. Oil on canvas. Signed. Framed. Image size, 19L x 13H.

8.5 x 7 inches sold with white 8 ply matte board that is 21.5 x 19 inches This little gem is a unique print made by the artist that she then hand embellished with oil paint. This w...

Antique American abstract mixed media painting. Oil gouache and crayon on board. Signed. Framed. Measuring 24 by 29 inches overall and 15 by 20 painting alone.

With the medium of traditional oil paint, this charming piece by Chaval is exceptionally detailed and thought-provoking. Following a realist approach, yet depicting some playful impe...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Xavi Carbonell (b. 1971) is a Spanish artist known for creating playful, childlike works that invite viewers to engage their imaginations. His pieces remain untitled, encouraging ind...

Parris Jaru's In My Arms is a 30 x 24 inches oil painting. The main colors are aqua blue, yellow, and rust. The surface is defined by a thick impasto of paint, made with plant-based pigments that Jaru collects himself during his long exploratory trips through India. This painting is part of a new series that concentrates on using natural colors only, extracted from plants. Natural Indigo, Turmeric, Hibiscus, Beet Root, Rosemary Leaf, Aloe Extract, and Holi Powders to name a few, mixed with Babul Tree Resin. Though the overall composition is abstract, there is a perception of figuration. A very thin wavy white line runs through the contours of the figures, defining an image within the image. Parris was born in NY and grew up in St. Ann's Bay, Jamaica until he was ten years old. Partly Jamaican and Blackfoot Indian...

PETER HALLEY 6/21/96.9, 1998 Graphite and ink drawing Hand-signed by artist, signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 Frame included: elegantly matted and framed in a hand made museum frame with UV plexiglass signed and dated in graphite lower right front; lower left front bears title: 6/21/96.9 This is a unique work Frame included: elegantly floated and framed in a museum quality hand made white wood frame under UV plexiglass Measurements: Framed 16.5 inches vertical by 13 inches horizontal by 1.5 inches Artwork (visible) 10 inches vertical by 8 inches horizontal Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Nicely painted mid century abstract painting. Signed. Framed.

An oil painting of the wetlands of Sag Harbor. Hues of greens, blues, whites and purples, make up this almost abstract landscape composition. Painted from life, at Noyac bay. Painting dimensions: 36 x 24 inches Framed dimensions: 40 x 28 inches Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also received instruction and support from wonderful and generous members of the East End artistic community. Working exclusively in oils, Lucas sets out almost daily to create plein aire landscapes and seascapes. In her studio, she works directly from life and captures the beauty of natural light as it transforms ordinary objects into visual delights. Lucas wants her work to celebrate all that is well with this world and brilliant in this life, despite its pockets of darkness. For me, she says, I know I am in the Presence of something beautiful, when it steals my breath, silences my mind, pushes out everything else and draws me in. I trust That. I use That to guide my hands as I arrange a still life or scan a landscape to determine where to set down my easel. Ultimately, That is what drives me to paint. Becoming evermore skilled as an oil painter is another of Lucas goals. To that end she remains teachable, finding it refreshing and vital for her own growth to paint with others. She has studied with favorite artists including Michael Klein...

Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. I see the content and story when I look at my work, but shape and color are equally...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Diana Kurz Thelo #5, circa 1959 Oil on canvas 22 x 20 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to Englan...

Title: Rhythm Medium: Oil on canvas Size: 30 x 21 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Art...

Diana Kurz Thelo #1 , 1961 Oil on canvas 64 x 55 1/2 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Renowned artist Hunt Slonem's "Mint" is a 30x24 metallic silver scored oil painting on wood board of contemporary abstract butterflies in white and green. *Painting is framed - Ple...

Diana Kurz Red Chair, 1962 Signed, titled, dated on verso Oil on canvas 53 x 41 1/2 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family...

Oil on canvasboard. Framed. Image size, 20H x 30L. Signed.

Laura Bidwa Artist Talk 15, 2023 oil and latex paints on panel 9 x 8 1/2 in (Bid001) Bidwa’s recent paintings are composed of layers of oil, latex, and spray paints on panels that t...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

This piece, "Saffron Clearing", is a 36x36 oil painting on board by artist Carol Young featuring a vibrant barn in the midst of a yellow golden field and deep blue sky. The barn is a bluish violet with a scarlet red roof. A line of dark green trees are on the horizon. Young's use of complimentary colors make this painting jump out towards the viewer. About the artist: “I've always been an artist. At a young age I painted rocks...

poppy and encaustic on wood panel 14 x 14 x 1 inches This work on panel is being offered by Carrie Haddad Gallery, located in Hudson, NY. This modern encaustic painting by Allyson L...

Jack Wolfe Untitled, 1965 Acrylic and collage on board Hand signed on the front Frame included: held in original vintage frame with original gallery label Unique Provenance: Parker Street 470 Gallery, Boston, Mass (with label verso) Excellent abstract expressionist mixed media work. Measurements: Image: 17" x 24" Framed: 24" x 28" x 1" From Wiki: Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3] Career and Museum Representation Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72" Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10] With his future as one of the great artists of his time laid out neatly before him, Wolfe moved to New York in the early 1950s, which was then the postwar epicenter of the art world and in the midst of experiencing the first real revolution in American Art, now known as Abstract Expressionism.[11] However, almost immediately upon his arrival, he became disenfranchised with the overtly commercial nature of the art scene there, spurning fame and security in an unwillingness to bend his creative vision to the expectations of others.[12] After four short months, he left New York, returned to Massachusetts where he bought property in Stoughton, cleared the land, and built both his home and studio with his own two hands. He would go on to live and paint there, extensively exhibiting and garnering constant critical acclaim.[13] Wolfe became one of the earliest artists championed by the deCordova Museum in Lincoln, MA and the Institute of Contemporary Art in Boston. He was awarded a traveling scholarship in 1958,[6] which allowed him to set up studio in San Miguel de Allende, Mexico and then in San Francisco, California.[14] Upon his return in 1959, the deCordova museum hosted Wolfe’s third solo exhibition, featuring work made during his time in California...

Abstract Figurative city landscape painting of Tompkins Square in Manhattan "Tompkins Square" painted by William Clutz in 1960 Oil on canvas, signed at bottom 30 x 25 inches, 30.5 x...

Abstract geometric drawing on paper in bright sunflower yellow and red, with a custom light wood frame 'Yellow and Red Grid' by Donise English 30 x 22 inches unframed, 37 x 29 inches...

"Clouds, from all sides now, 2025" Cohn delves into the enigmatic qualities of clouds—how they symbolize both the fleeting and the eternal. Cloud illusions are a sensory journey t...

This painting by Modernist painter Stanley Bate is almost monochromatic with dark brown, sandy tan and white geometric shapes. There is a single bright red pop of color at the almost...

Original mixed media painting by Adam Baranello. Size 36 x 36 in. Offered unframed. Mixed media, acrylic, spray paint on canvas. Multidisciplinary artist Adam Baranello creates mus...

Frank Stella Style, Geometric Composition, Acrylic on Canvas, unsigned, unframed. 36" H x 60" W. Provenance: From a New York City Collection. Lindhert Steegen style, Sonia Delaunay s...

An abstract mid century painting by Duayne Hatchett . Oil on canvas, circa 1973. Signed verso. Framed. Duayne Hatchett was a visual artist whose work included prints, painting...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

Landscape painting "Harvest Patterns" 30x24 by artist H.M. Saffer II. Painted in the style of pointillism, a series of tiny painted brushstrokes , this colorful oil painting depicts...

With the medium of traditional oil paint, this charming piece by Chaval is exceptionally detailed and thought-provoking. Following a realist approach, yet depicting some playful impe...

This piece depicts a gestural figure of bunny against a golden background. Inspired by nature and a genuine love for animals, Slonem's paintings encompass unique inspirations drawn f...

Neill is inspired by the fluid geometric qualities of curve and line, in particular how the natural qualities of the earth and sky intermingle with urban elements of object and archi...

Laura Bidwa Pink Thought 7, 2022 oil and spray paints on panel 9 x 8 1/2 in (Bid011) Bidwa’s recent paintings are composed of layers of oil, latex, and spray paints on panels that t...

Vintage American modernist southern school painting. A family portrait on a New Orleans porch. Beautiful detail in the wrought iron. Brilliant color palette here. Signed verso. ...

Stephen Pace Untitled, 57-10, 1957 Signed and dated lower right Oil on canvas 47 x 38 inches Born in Charleston, Missouri, Stephen Pace grew up in Indiana, where his parents operat...

Acrylic on canvas 90 x 210 in Unstretched Vicky Barranguet found her own voice and colorful expression of life, emotions, and music through her studies with master painters, Larry...

Saint Vitus Dance, 2020, David Stern (Germany, b. 1956) Acrylics on canvas 51 inches by 63 inches Hand signed by artist, certificate of authenticity available Colors: Orange, Red, P...

Lyman Kipp Unique painting on paper done with paint roller, 1970 Ink roller painting on paper Signed and dated in ink by Lyman Kipp on the lower right Frame included: elegantly framed in a museum quality wood frame with UV plexiglass This is a unique color oil painting created in 1970 with his signature technique of using a roller, by pioneering Minimalist artist Lyman Kipp, one of the founders of Construct Gallery., which included sculptors Kenneth Snelson and Mark di Suvero. Measurements: Frame: 17.5 x 15.25 x 1.75 inches Artwork: 11 x 8.5 inches About Lyman Kipp: The large, powerful sculptures of Lyman Kipp were part of the Primary Structures movement in the 1960s, that transformed the way sculptors worked, and the way in which sculpture was viewed in America. The Constructivism movement, that began in Moscow in the 1920s, espoused the idea that art should be created for the benefit of society and that artists should be involved in industrial design and construction. It viewed the artist as a creator, designer and constructor. The simplicity of design of the Constructivists had a profound effect on the De Stijl movement in the Netherlands and the Bauhaus movement in Germany during the 1920s and ‘30s. Artists in the United States were slowly embracing the ideas of constructivism and minimalism, but it took a group of artists, including Kipp, to change the way artists, and the public, create and view art. Kipp was born in Dobbs Ferry, New York in 1929. He studied at Pratt Institute in New York and then went on the study and teach at the Cranbook Academy in Michigan. He began making large, steel and aluminum sculptures in the 1960s, that had to be transported and welded together on site. He worked in spare, geometric shapes and primary colors. In 1966, the Jewish Museum in New York organized the Primary Structures exhibit, showing large, minimal style works by young American and British sculptors. The show was a huge success, and got rave reviews by art critics, including those of Time and Newsweek. In an effort to get continued recognition, a group of American sculptors, including Lyman Kipp, founded an artist-owned gallery called, ConStruct. They organized exhibitions throughout the United States to promote their large-scale sculptures. The pieces we have in our gallery are maquettes, preliminary models that Kipp made before he built and assembled his huge, finished sculptures. In addition to painting and creating sculptures for public spaces, Kipp dedicated his life to art education. He taught at Bennington College in Vermont, Hunter College in New York and became the chairman of the art department at Lehman College in New York. Kipp’s works are part of the permanent collections of the Whitney Museum of Art, the Philadelphia Museum of Art and the Smithsonian American Art Museum. Lyman Kipp died in Bonita Springs, Florida on March 30, 2014, leaving a legacy of his work in parks and public spaces around Florida and other states throughout the U.S. Courtesy of Vertu Fine Art

Acrylic and mixed media on paper - Unframed Werfel employs expressive, lyrical gestures that create bursts of movement and energy. Her color choices create a range of tones from the...

Important cubist still life oil painting by Douglas Warner Gorsline (1913 - 1985). Oil on canvas. Framed. Signed.

This Painting, "Happy Horses", is a 30x30 oil painting on canvas by artist Trip Park. Featured in the painting is a repeating and overlapping pattern of a rider and horse in various ...

An acrylic and oil on heavy weight paper piece with bright use of color and texture. We are focused on the simplicity of beauty in the moment as Shaoul creates a translucent but very...

A mid-century modern geometric abstract painting titled Beacon by American artist Richard Huntington. This work features bold colors and incredible texture. Richard Huntington (b. ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a light blue bunny on turquoise resin background with thick use of p...

Diana Kurz Clifford, 1961 Signed and titled on verso Oil on canvas 55 x 50 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Aus...