New York - Portrait Photography

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of...

Digital C-print Signed, dated, and numbered, verso 15 x 15 inches, image (Edition of 25) Sold out. 22 x 22 inches, image (Edition of 15) $9,000 31 x 31 inches, image (Edition of 1...

This photograph of Clint Eastwood taken by Eddie Adams is offered by CLAMP in New York City.

Friends, 1989 by Roberta Fineberg is a black-and-white photograph of friends in a Parisian bar in the Marais. The silhouetted figure is contrasted against the contours pf a female fa...

Christopher Makos, Andy Warhol Portrait of Andy Warhol taken by photographer Christopher Makos (Hand signed by BOTH Andy Warhol and Christopher Makos...

Chromogenic print Signed, titled, dated, and numbered, verso 22.5 x 30 inches (Edition of 5 + 2 APs) 45 x 60 inches (Edition of 3 + 2 APs) This artwork is offered by ClampArt, loc...

Nicole’s Silver Boots Stretched on Floor Studio 54, NY, NY June 1977 Signed, titled, dated, and numbered, verso Gelatin silver print 20 x 16 inches (Edition of 5 + 2 APs) $3000.00...

Harlem, 1954 by Leonard Freed, is a 14” x 11” photograph from the photographer's Black in White America book (p. 91). The gelatin silver print from the estate is stamped verso (back ...

Jean-Michel Basquiat 1987 (printed later) Archival pigment print 48 x 48 inches Signed and numbered edition of 40 William Coupon is an American photographer, born in New York City, ...

Listing includes framing with UV Plexi ($900 value), free shipping, and a 14-day return policy. Seydou Keïta Untitled Portrait, 1952 - 1955 (02158) 23...

Kate Moss Unitard, 1993 Silver Gelatin Print 30 x 30 inches Edition of 50 Cosigned by Terry O'Neill and Kate Moss Portrait of English fashion model Kate Moss, 1993. Terry O'Neill ...

Ormond Gigli's Sardinia, Italy, 1969, is a limited edition archival pigment print. A 22.5" x 20" print in an edition of 8 is signed recto (front of photo). Provenance: the artist's...

Listing includes framing with UV plexi, free shipping to the continental US and a 14-day return policy. One 4.5 x 3.25 inch unique vintage Kodak print of Tina Chow (1975). Prints are on active consignment from the estate of Antonio Lopez. Purchase includes certificates of authenticity from the estate of Antonio Lopez. These Kodak prints are not signed by Antonio Lopez. Antonio Lopez Biography - The foremost fashion illustrator of the 1970s and 80s, Antonio (as he signed his work) was and remains one of the most highly regarded and influential figures in the fashion world. While not initially known as a photographer, Antonio was rarely without his favorite Instamatic camera, and as his career progressed he turned increasingly to photography to create fashion stories, portraits, and elaborate mise-en-scènes. A serial Svengali, as the writer Karin Nelson noted: “Lopez brilliantly transformed the women in his world. Under his tutelage, Jerry Hall, a long tall Texan he met at Paris’s Club Sept, evolved into a golden goddess. He put Jessica Lange in gold lamé evening dresses after discovering her in Paris studying mime, and gave aspiring model Tina Lutz her start (and an introduction to future husband Michael...

Yeshiva Boys, 1954 is a black-and-white photograph of two young studious boys behind a glass door, an entrance to a Brooklyn brownstone in New York City. A gelatin silver lifetime pr...

Francesca Woodman, Providence, Rhode Island (1976) photographed by George Lange. 11 x 14" archival pigment print 17 x 21 x 2" frame with UV plexgia...

Yeshiva Students, New York City, 1954 by Leonard Freed is a black-and-white photograph of three young Jewish Youth, studying at a yeshiva. This is a gelatin silver lifetime print, 16...

Untitled (Powerpuff Girls) 2005 Signed and numbered, verso Digital C-print 30 x 30 inches (Edition of 5) $3500.00 20 x 20 inches (Edition of 10) $2...

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 11.5" x 9.5" gelatin silver signed by the photographer Leonard Freed (on verso). Provenance: Freed Estate LITERATURE: W. A. Ewing, N...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 24" x 20" gelatin silver photograph signed by the photographer on verso (back). Provenance: Freed archive. LITERATURE: W. A. Ewing, N...

Gelatin silver print Signed in pencil, verso 11 x 14 inches, sheet size 9.75 x 12.5 inches, image size This artwork is offered by ClampArt, located in New York City. Lillian Bassm...

Apres Ski, Gstaad, Switzerland, Estate Edition, Portrait Photography This early 1960s landscape photograph, captured by society photographer Slim Aarons, features a group of women r...

Painter Helen Frankenthaler and sculptor David Smith in Frankenthaler's studio in New York City, 1957 is a gelatin silver print, 20” x 16”, signed and stamped by the Glinn estate. Th...

Nikita Khrushchev in front of Lincoln Memorial, 1959, Washington DC by Burt Glinn is one of the photographer's historical photographs. The portrait i...

Norman Parkinson Jerry Hall , 1976 C print 60 x 40 inches each Estate stamped and numbered edition of 21 on verso American model Jerry Hall wearing a swimsuit by Martil and lipstick...

Martin Luther King (MLK), 1964 by Leonard Freed is an iconic black and white documentary photograph, a portrait of one of the most influential African American personalities and civi...

Diane Sawyer Archival pigment print image size: 48 x 48 inches Signed and numbered edition of 25 William Coupon is an American photographer, born in New York City, known principally...

On the Sofa at the Real Dolls Factory, San Diego, 19 February 2015 Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of O...

American photographer Burt Glinn photographed the Hollywood star in conversation with Mike Todd and film director John Huston for a “Stop Arthritis” event which took place in New Yor...

Jean-Michel Basquiat 1987 (printed later) Archival pigment print 48 x 48 inches Signed and numbered edition of 40 William Coupon is an American photographer, born in New York City, ...

Girl with Green Shawl 2002 C-Prints printed on FujiFlex Crystal Archive Super Gloss Paper 24 x 20 inches Signed and numbered edition of 44 of 60 with cert...

Vintage silver print 10 x 8 inches, sheet size This artwork is offered by ClampArt, located in New York City. One of the most famous names in physique photography, Bruce Bellas (1909–1974)—best known under the pseudonym Bruce of Los Angeles—is remembered today as a pioneer of beefcake. Beginning in the 1940s and continuing until his death in the 1970s, Bruce of LA photographed...

Gelatin silver print Signed, dated, and numbered, verso 20 x 16 inches, sheet 15 x 15 inches, image (Edition of 30) From the series, "Primitive Behavior" This artwork is offered by...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5 + 1 AP) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 14" x 11" gelatin silver print signed by the photographer on verso (back of photo). Provenance: Freed estate LITERATURE: W. A. Ewin...

Fanny Ardant, Paris, France, 1990 by Jean-Michel Voge is a contemporary color portrait of the internationally-known and stunning actress Fanny Ardant (b. ...

Ted Williams Martin Luther King Motorcade, 1964 Silver gelatin print 16 x 20 inches Estate stamped and numbered edition with certificate of authent...

Digital C-print Signed, dated, and numbered, verso 15 x 15 inches, image (Edition of 25) 22 x 22 inches, image (Edition of 15) 31 x 31 inches, image (Edition of 15) This artwork is offered by ClampArt, located in New York City. A stylistic precursor of such artists as Pierre et Gilles and David LaChapelle, James Bidgood revolutionized gay male...

Michael Childers Andy Warhol in Paris. from Palm Springs Art Museum, 1976-1980, 2007 Gelatin Silver Print Boldly signed in black felt tip pen on the f...

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

Gelatin silver print Signed in pencil, verso This artwork is offered by ClampArt, located in New York City. Born in Vinhedo, a small town on the outskirts of Sao Paulo, Brazil, Walter Briski, Jr. began his interests in photography at the age of thirteen. He later moved to the city of Sao Paulo to pursue his passion, and after completing his studies at the Pontificia Universidade Catolica de Campinas, he began his career as a fashion photographer working with top national magazines such as “Brazilian Vogue,” “Brazilian Interview,” and “Trip.” Soon after, Briski moved to New York City in pursuit of advancing his career. In search of strengthening his art, he learned to master the technique of black-and-white printing while employed at a highly ranked film production house. There, he printed works for artists such as Bruce Weber, Annie Leibovitz, Gordon Parks, Matthew Barney, Steven Klein, Steven Meisel, Steven Sebring, and Ellen Von Unwerth. In the midst of printing images that were reproduced in magazines such as “Vogue,” “Harper’s Bazaar,” “W,” “L’Uomo Vogue,” “I.D.,” “Arena,” “The New York Times Magazine,” and “Interview,” he also began printing his own photographs. Briski has had the wonderful opportunity to work with top models and celebrities, including the Brewer twins, Carole King...

Jean-Michel Basquiat at The Brooklyn Academy of Music, 1 October 1985 Photographed by Jonathan Becker Contemporary 18" x 18.5" Archival Pigment Print Edition Nº 3 of 9 Certificate...

Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange. 11 x 14" archival pigment print 17 x 21 x 2" frame with UV plexgias Edition 2 of 10, signed and e...

An 11 x 14 black and white print of Buzz Aldrin from the original negative before Nasa added “more” space on the top of the image, which is a more common version of Visor. The 11 x 1...

Artist: Lawrence Schiller, American (1936 - ) Title: Marilyn Monroe in Something's Got to Give - 8 Year: 1962 (printed 2007) Medium: Gelatin Silver Print, Signed in ink Edition: AP 3...

Listing includes framing with UV plexi, free shipping to the continental US and a 14-day return policy. Nine 4.5 x 3.25 inch unique vintage Kodak print of Pat Cleveland...

Film star Joan Collins relaxes with her pink poodle on her pink bed. Estate stamped and hand numbered edition of 150 with certificate of authenticity fro...

Audrey Hepburn, c16_12 -- Audrey Hepburn in her dressing room. Out take from the photo essay shot for the December 7, 1953 issue of LIFE. Image size is 13.75" x 20" (for 17" x 22" pa...

Chromogenic print Signed, titled, dated, and numbered, verso 22.5 x 30 inches (Edition of 5 + 2 APs) 45 x 60 inches (Edition of 3 + 2 APs) This artwork is offered by ClampArt, loc...

Archivio delle Indie II, Siviglia 1990 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches Fra...

Listing includes framing with UV plexi, free express shipping and a 14-day return policy. Four 4.5 x 3.25 inch unique vintage Kodak prints featuring Tina Chow. Prints are on active consignment from the estate of Antonio Lopez. Purchase includes certificates of authenticity from the estate of Antonio Lopez. These Kodak prints are not signed by Antonio Lopez. Frame has some minor damage and is note in the pictures. The price reflects this with a reduction compared to similar listings. Antonio Lopez Biography - The foremost fashion illustrator of the 1970s and 80s, Antonio (as he signed his work) was and remains one of the most highly regarded and influential figures in the fashion world. While not initially known as a photographer, Antonio was rarely without his favorite Instamatic camera, and as his career progressed he turned increasingly to photography to create fashion stories, portraits, and elaborate mise-en-scènes. A serial Svengali, as the writer Karin Nelson noted: “Lopez brilliantly transformed the women in his world. Under his tutelage, Jerry Hall, a long tall Texan he met at Paris’s Club Sept, evolved into a golden goddess. He put Jessica Lange in gold lamé evening dresses after discovering her in Paris studying mime, and gave aspiring model Tina Lutz her start (and an introduction to future husband Michael...

Kate #16, 2002 is a vintage 8" x 10" black and white photograph from the series "Kate." Model Kate remains complicit in striking and defining dramatic poses for Freed. The photograph...

Archival pigment print Signed and numbered, verso 24 x 30 inches (Edition of 6) 30 x 40 inches (Edition of 6) This photograph is offered by ClampArt, located in New York City. Plea...

1980s Keith Haring photograph: Rare vintage original Keith Haring darkroom photograph by New York underground photographer Lawrence Horn. Signed & d...

Gelatin silver print Signed and dated, verso 14 x 11 inches, sheet 10 x 10 inches, image This photograph is offered by ClampArt, located in New York City.

Polaroid transfer on Rives BFK paper Signed, titled, dated, and numbered in pencil, recto Also blindstamped, l.r. 22 x 15 inches, sheet 10 x 8 inches, image This artwork is offered by CLAMP, located in New York City. Mark Beard writes: “I asked Robert Mapplethorpe to take me to the ‘Mine Shaft,’ a famous S&M club. He agreed but told me it was finished and boring. We made Christmas trees together for New York Magazine. He asked to make nude...

Fashion Show, 1963, Harlem, USA by Leonard Freed, is a 11” x 14” gelatin silver print, which appears in the photographer's seminal Black in White America book (p. 104). The photograp...