New York - Sculptures

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Pigmented and Sealed Steel Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the m...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Georges Charpentier, French (1937 - 2024) - L'Arbre de Vie, Year: 1980, Medium: Bronze Sculpture with gold patina on wooden base, signature and numbering inscribed, Edition: 5/8, ...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

10" x 16" x 4" Small Riverstone, Pigmented, and Sealed Steel Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Riverstone/ Pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major fo...

An original mixed media woven paper and staple wall sculpture by Jozef Bajus. This work can be acquired in a shadow box frame presentation for an additional $350.

Line is the operative formal element in the work shown here, but there are many other lines in play. Pieces walk a line between drawings that might be tapestries or sculptures or pa...

Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...

Rosamond Berg (American, 1931 - 2018) Voyage I, 1982 Mixed media construction including hand-dyed cotton cloth pouches 24 x 24 inches Signed, titled an...

Francois Bauer studied graphic design in Chaumont, then went to HEAR, where he deepened his curriculum in object design. He then studied at the European Institute of Ceramic Arts in ...

Pique A Terre VIII, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focu...

Slate, Steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic lev...

Column XIV (Pointer), John Van Alstine. This sculpture will be shipped directly from the artist's studio.

Crossover, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the...

Sisyphean Circle 8-14-17, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a maj...

Sisyphean Circle (Diagonally Down), John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these material...

Granite/ Steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic l...

Granite/Steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic le...

Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level, the work ...

Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is...

RECLINING FIGURE, John Van Alstine. This sculpture will be shipped directly from the artist's studio. Stone and metal, usually granite or slate and found object steel are central i...

Wreathe III, John Van Alstine. This sculpture will be shipped directly from the artist's studio. Stone and metal, usually granite or slate and found object steel are central in my ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Limited edition rainbow colored glass pill sculpture. Edition of 9. Signed and numbered on the back by the artist. The piece is equipped with a D-ring on the back for easy hanging. "Love Wins" is part of Edie Nadelhaft's "Better Living Thru Chemistry: Luv is the Drug" sculpture series consisting of candy-colored glass and mixed media capsule-shaped objects. Each pill is festooned with text messages, social media iconography and the language of pop psychology. Inspired in equal parts by the ubiquitous presence of social media in contemporary culture and the simultaneous rise of direct - to - consumer pharmaceutical marketing. The work pokes fun at the alternately amusing and depressing correlations between the two phenomena as both are enlisted to oversimplify the human condition and expedite contentment through a familiar cocktail of instant gratification and seductive packaging. Edie Nadelhaft is a New York-based painter and mixed media artist whose work has been widely exhibited at museums, art fairs and galleries. She studied painting and art history at the School of the Museum of Fine Arts in Boston and S.U.N.Y. Purchase. She received her BFA with Honors from The Massachusetts College of Art & Design. Glass sculpture, glass pill, pop art, bright colors, multicolor, still life, sculpture, wall installation, contemporary art, chill pill...

My work bridges the divide between sculpture and painting and drawing. Paintings are geometric masses of color in oil paint and wood dowels, on shaped canvas. Often grouped in d...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

This painted porcelain vase is of Chinese origin. Women can be seen socializing in an ancient Chinese garden. The analogous color scheme creates a serene and comfortable design. Or...

Mystery Artist Untitled, 20th century Bronze with wood and acrylic mounting Overall: 19 1/4 x 7 1/4 x 1 1/8 in. Bronze plate: 17 5/8 x 5 3/4 in. Numbered lower left: 7/30 Initialed l...

Artist: Mel Ramos, American (1935 - ) Title: Candy II (Snickers) Year: 2014 Medium: Sculpture Multiple: Lightbox with Steelcut, Acrylic Paint, signed and dated verso Edition: 13/...

This is a limited Edition plate by Jeff Koons, numbered out of 2500 on the verso, published by Bernardaud in France in 2012. The diameter of the plate is 12.5 inches, with a height o...

Michael Todd Welded Brushed Steel Sculpture - geometric abstraction, 1968 Welded Brushed Steel Hand signed and dated 1968 in marker on surface....

Ethan Minsker's descriptors include writer, filmmaker, artist, publisher, and zine creator. His work chronicles the lifestyles and cultures of overlooked and underappreciated artists. He was a founding member of the Antagonist Art Movement, a New York City-based group of artists, writers, and musicians who promoted work by up-and-coming talent between 2000 and 2011. Ethan was the recipient of the Acker Award for Visual Arts in 2017. He was also the creator and editor-in-chief of Psycho Moto Zine, which has been in publication from 1988–present. He received his B.F.A. in Film with honors from the School of the Visual Arts and his masters in Media from the New School. Ethan has written three novels, produced nine feature films, and continues his relationship with under-served artists as a board member and president of Citizens for the Arts, a nonprofit group whose mission is to promote art for kids...

This purple/lavender piece is by Korean artist, Jaena Kwon. Her dimensional relief work is concerned with painting components and how painting space is constructed. She treats painti...

"I create geometric collages, assemblages and sculptures with vintage book parts. My work is a never-ending story where I play with deconstruction and reconstruction, and changing di...

This mixed media plexi sculpture by the American artist Larry Rivers is a modern take on portraiture. River's medium and use of vibrant colors are able to create a sense of playful...

Michele Brody, Re-Blooms, Individual Blooms, Handcast Paper, Bamboo,, each approx 9: diameter, 2019 The essence of Michele Brody’s work thrives on the interaction with new communi...

Eiferman invite’s you to immerse yourself in a world where transformed shapes, lines, and colors are all crafted out of nature's detritus. The inspiration for her drawings come from ...

Artist: Stefan Matty Vladescu, Romanian/American (1952 - ) Title: Pandora's Box Year: 1993 Medium: Bronze Sculpture, signature and date inscribed Size: 34.5 in. x 10 in. x 10 in. (87...

Anne de Villeméjane's sculptures in bronze, crystal and cement are exhibited in galleries and major art shows in the United States, Europe and the Middle East. Anne is a French artis...

"Tripolemus" by Hans Van de Bovenkamp Large-scale, abstract outdoor sculpture in bronze Stainless steel base measures 36"w x 48"d Renowned for his monumental sculpture created prima...

Joan Lurie Untitled #3 White Glazed Porcelain 20" x 14" x 14" 2019 Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the f...

Sculptural folk art piece by listed artist Sharon Yavis. This work is constructed by applying layers of wood to create an almost three dimensional effect ...

Seymour Lipton Maquette for Laureate, ca. 1968-1969 Nickel silver on monel metal Unique 18 × 8 1/2 × 7 inches Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale This unique sculpture by important Abstract Expressionist sculptor Seymour Lipton is a maquette of the monumental sculpture "Laureate" - one of Lipton's most iconic and influential works located on the Riverwalk in downtown Milwaukee, Wisconsin. Laureate is a masterpiece that was commissioned by the Allen-Bradley Company in memory of Harry Lynde Bradley and as an enhancement for the newly constructed Performing Arts Center. It is located on the east bank of the Milwaukee River at 929 North Water Street. The Bradley family in Milwaukee were renowned patrons of modernist sculpture, known for their excellent taste who also founded an eponymous sculpture park. For reference only is an image of the monumental "Laureate" one of Milwaukee's most beloved public sculptures. According to the Smithsonian, which owns a different unique variation of this work, "The full-size sculpture Laureate was commissioned by the Marcus Center for the Performing Arts in Milwaukee. In the initial drawings, Seymour Lipton combined details from the architectural plan with a wide variety of images, ranging from musical instruments to a lighthouse on the island of Tobago. He transformed the basic shapes from these sketches into a welded sculpture, which evokes a figure composed of columns, harp strings, and coiled rope. Lipton created this piece to celebrate achievement in the arts. The dramatic silhouette commands your attention, reflecting the title Laureate, which means worthy of honor and distinction. The final version of the piece is over twelve feet high and stands out against the pale, flat buildings of the arts center.,," Provenance Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale About Seymour Lipton: Born in New York City in 1903, Seymour Lipton (1903-1986) grew up in a Bronx tenement at a time when much of the borough was still farmland. These rural surroundings enabled Lipton to explore the botanical and animal forms that would later become sources for his work. Lipton’s interest in the dialogue between artistic creation and natural phenomena was nurtured by a supportive family and cultivated through numerous visits to New York’s Museum of Natural History as well as its many botanical gardens and its zoos. In the early 1920s, with the encouragement of his family, Lipton studied electrical engineering at Brooklyn Polytechnic Institute and pursued a liberal arts education at City College. Ultimately, like fellow sculptor Herbert Ferber, Lipton became a dentist, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. In addition to providing him with financial security, dentistry gave Lipton a foundation in working with metal, a material he would later use in his artwork. In the early 1930s, though, Lipton’s primary sculptural medium was wood. Lipton led a comfortable life, but he was also aware of the economic and psychological devastation the Depression had caused New York. In response, he generally worked using direct carving techniques—a form of sculpting where the artist “finds” the sculpture within the wood in the process of carving it and without the use of models and maquettes. The immediacy of this practice enabled Lipton to create a rich, emotional and visual language with which to articulate the desperation of the downtrodden and the unwavering strength of the disenfranchised. In 1935, he exhibited one such early sculpture at the John Reed Club Gallery in New York, and three years later, ACA Gallery mounted Lipton’s first solo show, which featured these social-realist-inspired wooden works. In 1940, this largely self-taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965. In the 1940s, Lipton began to devote an increasing amount of time to his art, deviating from wood and working with brass, lead, and bronze. Choosing these metals for their visual simplicity, which he believed exemplified the universal heroism of the “everyman,” Lipton could also now explore various forms of abstraction. Lipton’s turn towards increasing abstraction in the 1940s allowed him to fully develop his metaphorical style, which in turn gave him a stronger lexicon for representing the horrors of World War II and questioning the ambiguities of human experience. He began his metal work with cast bronze sculptures, but, in 1946, he started welding sheet metal and lead. Lipton preferred welding because, as direct carving did with wood, this approach allowed “a more direct contact with the metal.”[ii] From this, Lipton developed the technique he would use for the remainder of his career: “He cut sheet metal, manipulated it to the desired shapes, then joined, soldered, or welded the pieces together. Next, he brazed a metal coating to the outside to produce a uniform texture.”[iii] In 1950, Lipton arrived at his mature style of brazing on Monel metal. He also began to draw extensively, exploring the automatism that abstract expressionist painters were boasting at the time. Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture.The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. In the years following the 1950s, Lipton’s optimism began to rise, and the size of his work grew in proportion. The oxyacetylene torch—invented during the Second World War—allowed him to rework the surfaces of metal sculptures, thus eliminating some of the risks involved with producing large-scale finished works. In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly regarded avant-garde constructivist sculptors. In 1960, he received a prestigious Guggenheim Award, which was followed by several prominent public commissions, including his heroic Archangel, currently residing in Lincoln Center’s David Geffen Hall. A number of important solo exhibitions of his work followed at The Phillips Collection in Washington, DC (1964); the Milwaukee Art Center and University of Wisconsin, Milwaukee (1969); the Virginia Museum of Fine Arts in Richmond (1972); the Everson Museum in Syracuse, NY (1973); the Herbert E. Johnson Museum of Art of Cornell University in Ithaca, NY (1973); the National Collection of Fine Arts, Smithsonian Institution (now the Smithsonian American Art Museum) in Washington, DC (1978); and a retrospective in 1979 at The Jewish Museum in New York. In 1982 and 1984 alone, two exhibitions of his sculpture, organized respectively by the Mint Museum (Charlotte, NC) and the Hillwood Art Gallery of Long Island University (Greenvale, NY), traveled extensively across museums and university galleries around the nation. In 2000, the traveling exhibition An American Sculptor: Seymour Lipton was first presented by the Palmer Museum of Art of Pennsylvania State University in University Park. Most recently, in 2009, the Ackland Art Museum in Chapel Hill, NC mounted The Guardian and the Avant-Garde: Seymour Lipton’s Sentinel II in Context. Since 2004, Michael Rosenfeld Gallery has been the exclusive representative of the Estate of Seymour Lipton and has presented two solo exhibitions of his work—Seymour Lipton: Abstract Expressionist Sculptor (2005) and Seymour Lipton: Metal (2008). In 2013, Michael Rosenfeld Gallery presented Abstract Expressionism, In Context: Seymour Lipton, which included twelve major sculptures by the artist, along with works by Charles Alston, Norman Bluhm, Beauford Delaney, Willem de Kooning, Jay DeFeo, Michael Goldberg, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Conrad Marca-Relli, Boris Margo, Alfonso Ossorio, Richard Pousette-Dart, Milton Resnick, Charles Seliger...

"Fleche (diagonally down)" by John Van Alstine Granite, bronze, stainless steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal,...

Eric Rhein “Leaf Winged Male” 1999 Signed, verso Wire, paper, and found objects 26.25 x 21 x 3.25 inches (53.3 x 8.3 cm), framed This work is offered by CLAMP in New York City.

Artist: Frank Gallo, American (1933 - ) Title: Pink Hat Medium: Ceramic Tile, signed lower right Size: 16 x 14 in. (40.64 x 35.56 cm) Frame: 23.5 x 23.5 inches

"INNER VIEW_Open_Nexus II" by Caroline Ramersdorfer Marble and granite Shippable in 8-10 weeks. Please contact gallery for further information. Ramersdorfer carves slabs of marble ...

"I Love U" (I <3 U) - Limited edition red glass pill sculpture by Edie Nadelhaft. Edition of 9. Signed and numbered on the back by the artist. The piece is equipped with a D-ring on the back for easy hanging. "Love Wins" is part of Edie Nadelhaft's "Better Living Thru Chemistry: Luv is the Drug...