New York - Vases and Vessels

"Chinese olive green and brown glaze porcelain vase with one tall tube surrounded by four shorter tubes, all extending from a bulbous shape, on a circular foot. Necks have been repa...

Art Pottery, Studio Ceramic /weed pot , feelie by Brenda Williams.. Northern California artist.. Stunning form,, wonderful glaze.. Last pho...

"Antique Chinese (Late 19th Century) large white, ceramic urn with blue peacocks amid florals and two light blue scrolled handles along the neck. Damage to the glaze near bird."

Very Large hand painted and decorated / gilt Japanese floor vases in the Imari porcelain. The vase features exterior / interior hand painted Japane...

Belgian Arts & Crafts glazed beige porcelain vase with cover having an open black finial and trimmed with black decoration and various heads (signed: S HUBLET, marked 213D)

English Renaissance-style (19th Century) pewter chalice with hunter and gun relief and finial on lid.  

The grand and superb Ormolu-Mounted Verde Antico Marble Urns modeled with entwined serpent handles. The body applied with flowers swags jointed by a bow and the fluted foot is covere...

"Antique Chinese (Early 20th Century) white porcelain urn decorated with green and blooming orange florals with two birds perched on a nearby branch, and accented with orange dog...

Vase A by Cesar Baldaccini for Daum, France, 1970s, is a magnificent work of art that seamlessly combines form and function. Designed by renowned French sculptor Cesar Baldaccini, this multi-faceted vase is a stunning example of his mastery of sculptural forms. Made by renowned French glassmaker Daum, this vase features a highly polished, multi-faceted surface that reflects and refracts light in fascinating ways. The veneers are perfectly aligned and flawlessly executed, creating a breathtaking sense of depth and texture. The vase is signed "Daum France", which adds a touch of authenticity and provenance to the piece. This is a true collector's item, sought after by art lovers and collectors around the world. Functional, the Argos vase is ideal for presenting flowers or other decorative objects. Its sculptural form and multi-faceted surface create a dynamic backdrop that enhances the beauty of any arrangement. Overall, the Argos vase by Cesar Baldaccini for Daum, France, 1970s, is a masterpiece of design and craftsmanship. Its striking form, impeccable craftsmanship and exceptional provenance make it a highly coveted piece that is sure to impress and enchant anyone who sees it. Cesar Badaccini (1921-1998) His parents, Omer and Lelia Baldaccini, Italians of Tuscan origin, ran a bar in Marseille where César was born, with his twin sister Amandine, in 1921 in the popular district of Belle-de-Mai, at 71 rue Loubon, in the 3rd arrondissement1. "I am basically an absolute self-taught," he will say2. At the time, he designed and tinkered with carts for his little brother with cans. Nevertheless, after first working for his father (he also helped a butcher neighbor for a meager salary after leaving school at the age of twelve), he followed the courses of the École supérieure des beaux-arts de Marseille from 1935 to 1939; in 1937, he obtained three prizes, in engraving, drawing and architecture3. Not mobilized during the war (he also escaped the STO), he lived on scams before settling in Paris to be admitted, in 1943, to the École nationale supérieure des beaux-arts with Michel Guino, Albert Féraud, Daniel David, Eugène Dodeigne and Philippe Hiquily, like him in the workshop of Marcel Gimond. In 1945, he returned to Marseille to marry Maria Astruc, with whom he set up a business (they divorced in 1959). He returned to Paris in 1946 where he occupied a studio in an old brothel at 21 rue de l'Échaudé, whose rooms, following the Marthe Richard law, had been assigned to students4. There he met Émilenne Deschamps, who would later become one of his muses. Faced with the impossibility for him to work the stone, because of its cost, he turned to other materials3. From 1947, he worked on plaster and iron. In 1949, he was introduced to arc welding in an industrial carpentry in Trans-en-Provence and used lead in pushed sheets and welded iron wires. In 1951, he visited Pompeii and remained marked by the casts of the bodies of the inhabitants caught in the lava3. In 1952, he used inexpensive recovered materials and made his first sculptures in welded scrap metal: his means were then still modest. Thus, for lack of money and to afford marble, César will recover in the scrap dumps the materials of his first sculptures: tubes, bolts, screws that become insects or end up in the powerful curves of the Venus de Villetaneuse (1962). In 1954, he exhibited at the Lucien Durand gallery in Paris and obtained the "collabo" prize for a sculpture entitled Le Poisson5, made in Villetaneuse, a city where he worked for a dozen years thanks to the help of a local industrialist, Léon Jacques6. He gained fame when his work was bought for 100,000 francs in 1955 by the State for the National Museum of Modern Art7. The same year, he exhibited at the Salon de Mai. The following year, the MNAM bought Chauve-souris from 1954 and the museum of modern art in the city of Paris Le scorpion from 1955. From 1954 (Torse, MOMA), he also made sculptures in welded metal, then in partially polished bronze, of busty women (Ginette, 1958, Victoire de Villetaneuse, 1965). In 1956, he participated in the Venice Biennale then in the São Paulo Biennale and in the Documenta II in 1959. In 1958, he signed a contract with the Parisian gallery Claude Bernard3. In 1961, he approached Marino di Teana and joined the group of Nouveaux réalistes, a movement founded by art critic Pierre Restany8, including Arman, Jean Tinguely, Niki de Saint Phalle and Gérard Deschamps. When he could afford a workshop in 1957, rue Campagne-Première in Paris, he married Rosine Groult-Baldaccini (met at the Beaux-Arts in 1948) with whom he had a daughter, Anna, a year later. He also begins to frequent the world of the In 1968, he created at the National Manufacture of Sèvres a porcelain Ashtray published in fifty copies. Made of porcelain with a semi-matt pearly cover, it represents a plaster mold used for the production of the pieces, and was produced from an original aluminum model. In 1971, during a premiere at the Lido, he found more media than him: Salvador Dalí, the master of extravagance. He debates the same year in Italiques with François Truffaut, Lucien Bodard and Asher Ben...

A Very Fine Pair of Mid 1800's Swedish Neoclassical/Louis XVI Style Cobalt Blue Glass Ormolu Mounted Vases with Hanging Ormolu Chains. Each vase con...

A pair of fine quality French ormolu-mounted rouge marble urns and cover, each with a bulbous body on a stepped plinth Origin: French Date: 19th century Dimension: 19 in x 9 in.

Vintage vase was decorated with Art Deco style design of a child, looking at the flowers they are holding. Johansfors Glassbruk employed the traditional copper-wheel engraving metho...

This small vase is ribbed and richly glazed in light brown. Signed and numbered 128.

Vintage figural swan bud vases are made in Art Deco style. Handles are formed as swan's head and neck; swan's wings, done in relief, direct the eye to the fluted details on the rim ...

Beautifully hand painted with lovers to the front and a bouquet to the reverse and with figural ormolu-mounted handles. Date: 19th century Origin: French Dimension: 27 in. x 14 in.

19th century Pair of verdigris vessels. Found in France. Copper construction with iron handles. Fabulous weathered verdigris finish. Handles measure 1...

Turn of the century American Art Nouveau green glass silver overlay perfume. Ovoid with flattened ball stopper. Semi-abstract flowers and cu...

Japanese Emperor Shōwa Mashiko-Ware White Glazed Porcelain Vase, Ca. 1980 Emperor Shōwa Period - from 1926 to 1989 Signed box DIMENSIONS Height: 10 inches Width: 5.5 inches ABO...

A fine quality pair of Sèvres style ormolu-mounted porcelain urns with cherubs and flowers. Origin: French Late 19th-early 20th century Measure: H...

An incredible and quite large Jeweled 19th-century Viennese enamel on silver cornucopia. This elaborate piece is constructed entirely of silver, with its surface meticulously covere...

Small Asymmetrical Crystal Vase with Brass Accents by Dainte Dimensions: D 11.5 x W 11.5 x H 18 cm. Materials: Crystal and brass. A modern crystal vase made of clear multifaceted cr...

The beautiful abstract graphics vase in rich deep blues and grays. No marking but this vintage piece definitely has a look of Picasso!

"Antique Chinese (Late 19th Century) large white, porcelain urn depicting a blue scene of a village along the water, and finished with two dark blue scrolled handles along the neck. ...

Each decorated with a central oval cartouche enclosing birds and foliage with diaperwork and flowerhead reserve.

"Antique Chinese (Late 19th Century) white porcelain urn painted with a blue pattern featuring urns, furniture, and florals with blue scrolled handles on the neck. Light wear."

Signed: Jaimal Odedra Each piece is modeled and cast by hand using a traditional Moroccan sand casting method. "In creating these works, I was interested in exploring and enhan...

Sculptural rectangular glass vase features striking, jewel-like deep orange glass color and lightly textured surfaces that add detail and visual interest to a minimally shaped piece...

Although unmarked, this rare and important, grand but at the same exquisite patinated bronze vase has just a very few little details, defying the shape of the handles, as well as the...

Mid century glass artist Nils Landberg's Red Expo Tulip Vase was designed for Orrefors glassworks in the 1950's. This delicately tinted vase is hand blown glass signed with incised s...

Contemporary thrown clay vase with a cylindrical form with rounded bottom and incised vertical stripes, finished with a metallic bronze and black glaze. (GARY DI PASQUALE...

'Mezza Filigrana' Murano glass vase by Dino Martens. Clear glass, fused ribbons, white and dark purple, base with fused gold foil. Marked: Maker's label.

A Khmer urn or vase with a sober, classic form from the Khmer region of ancient Cambodia. Classic form, sober pieces such as these compliment sober, m...

Signed: Valdemar Engelhardt, mounted by the Royal Silversmith Michelson with hallmarks.

English Renaissance style (20th Cent) silver plate on copper cylindrical container with fluted and etched design.  

A beautiful Celadon vase from Thailand, late 19th Century. While the golden age of Thai ceramics ended around the 15-16th Centuries, Thai artisans transmitted the craft through generations, later producing smaller numbers of pieces with different clays and glazing techniques, inspired by the original Celadon masters of Places like Si-Satchanalai or Sawankalokh. This vase is beautifully preserved, measuring approximately 6 inches in diameter and 10 inches high. Its crackled finish and beautiful green color is reminiscent of the impeccable craft of Southeast Asia ceramics.

Sculptural vintage bud vase features textured elements made of volcanic lava rock applied to a hand-thrown ceramic. It was glazed in color block sty...

Post-War West Germany purple and white speckled ceramic vase with elongated handles and long taped neck.  

Claude Conover (American, 1907-1994) "Arcella" large stoneware pottery. Signed underside.

Art Nouveau copper veneered square shaped vase with tapered neck and incised floral design with opaline inserts as flowers.

Pair of Chinese yellow vases.... outstanding color!

Pair of Turkish hammered copper vases with lids and original traces of silver plated finish, 1940s. Measurements: Total height 30".

This is a super-cool deep green faceted Murano glass oversized vase with lovely details throughout. The intentional rough finish to exterior adds ...

A sterling silver perfume bottle with a modernism design. It has swirls around the front and back with a scalloped edge. On top a lapis stone cr...

Louis XV-style Ormolu-Mounted and Fleur de Pêcher Marble Cassolets by Jollet & CIE Each with the stamp 'Jollet et Cie, Ave. Mon Colin A Paris' to the und...

A beautiful ceramic from Ciboure Pottery, this piece was executed by Garcia de Diego, and features a arabesque pattern in brown and black glazes on a c...

A large and impressive Theodore Deck Earthenware bottle form vase in the Islamic/Iznik Taste, Impressed "TD" 1870 on the bottom. The narrow circular neck is decorated with dark blue,...

This new collection features the technique of layering colored clay onto vessels, a process that feels much like painting on a canvas. It’s been an exciting and deeply personal journ...

5 Chinese white porcelain, open-mouthed jars decorated in an all-over pattern of florals and foliage in purple, orange and green, accented with gold lotus flowers (Priced each).  

The Following Item we are offering is this Rare DEEP CUT HEAVY CRYSTAL BOHEMIAN CRANBERRY RED VASE. Vase is Beautifully done with Fine Outstanding Sculpted Detail. Taken out an Impor...

Pair of Chinese white porcelain vases with urn-shaped forms decorated in large scale dark blue leaves outlined in gold, amid green, yellow and pink foliage and flora topped with blue...

A monumental pair of antique 19th century Moser ruby-red overlay two-piece jeweled and 24-karat two toned, burnished and matte gold vases. Each of these vas...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

Luigi and Sophie De Lerma, Italian Mid-Century Modern, Organic Stoneware Vase An organic modern vase designed by Luigi and Sophie De Lerma and produced in Italy circa 1940s. Incised...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

A stunning Pair of Louis XV Style gilt-bronze mounted and fleur de Pêcher Marble Cassolets. The bronze work is highly refined and ornaments are inspired by the Rocaille style.. Orig...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

A decorative alabaster bottle, hand-crafted in Luxor, Egypt. A bottom opening allows the piece to be used as a lamp or screen for low-intensity lights (professional conversion recomm...