Pennsylvania - Paintings

Bomolo oil on canvas abstract painting signed bottom right 1960. Known in it's day as Airport Art, Local Artists would sell their paintings to Tourists. Ma...

Alfred Reginald Thomson (British, 1895 - 1979) Venetian Scene, gondolas surrounding a fountain painting. Oil on canvas, signed lower left and dated 1964. Unframed.

Full of life and energy, this marvelous scene of a masquerade party, filled with guests in costume, exotic Japanese lanterns overhead, and swirling colors everywhere, this Art Deco s...

Vintage Painted Copper Metal Relief Art By A Gilles 26”x20 ” Japanese Sakura. Circa Mid to Late 20th Century. Measurements: 26" H x 20" W x 1" D.

Bold and intense, this portrait -- or perhaps self-portrait -- of a young man with pale skin, dark, flowing hair and a direct stare was painted by T. Cohen in the first decades of th...

"A RURAL COTTAGE" (1867) LANDSCAPE PAINTING BY JAN VAN LOKHORST (DUTCH, 1837-1929) Signed lower right "Jan v. Lokhorst 1867", executed in oil on panel...

This painting of a Black male nude, executed in rich, brilliant shades of burnt sienna, reddish brown, blue and green, was painted by a Brown County, I...

Painted in white and blue in a way that captures the blindingly bright sunlight of North Africa, this painting by Julius Bloch depicts a veiled woman carrying an earthenware jug, fra...

Dramatic and gripping, this pair of original paintings served as illustrations for “Slave Story” a book or magazine story. Pendexter may ha...

Perfumed with the heady colors and forms of tropical flowers such poppy and hibiscus, this arresting Art Deco watercolor was painted by Gustavo Cenci, best known for his part in pain...

Suffused with the soft, rich colors that Jacques Azéma was known for, this view of a Moroccan landscape ("Les Champs" in French) includes a seated male y...

Making brilliant use of a Fauvist palette and a Secessionist vocabulary, this remarkable painting depicts three figures in the Austrian region of the Tyrol, just south of Bavaria. Th...

Superbly executed in watercolor and ink, this charming and lovely depiction of Mother Goose nursery rhyme characters -- including Humpty Dumpty, The Old Woman Who Lived in a Shoe, The Three Little Pigs and Old King Cole -- was created by Maurice Greenberg...

Painted by Leslie Snow Feron, an important New Hampshire artist along with her husband, Louis Feron, this large and remarkable painting depicts a nude Jaco...

"Rolling Hills" Depicting a landscape in rolling hills. - signed lower right and dated 1910 - Unframed.

In our opinion, the finest work ever painted by Jules Schyl, one of Sweden's leading Modernists in the 1920s and 1930s, this spectacular piece depicts a female nude in the upper righ...

"peach orchard in the valley", farm houses scene with road and horses - Oil on Canvas , signed lower middle - Framed dimensions: 41 in x 30.5 in.

Arthur Meltzer (American 1893-1989) "Antique Crucifix" Oil painting on masonite and housed in a custom Frederick Harer frame. Signed lower right "Arth...

A fine, lifesize oil-on-canvas portrait of a young boy dressed in period attire, holding a book titled “Dictionaire de France” In a period appropriate giltwood frame. Empire period, ...

Powerful original landscape by Canadian artist Guy Roy having marvelous impasto and color palette. Signed lower left. Canvas measures 30 x 36 Matted and framed with gilded molding a...

Brilliantly transposed from Biblical times to 1940s America, this vivid scene shows Samson and Delilah in a quintessentially domestic setting, complete with pink wallpaper...

Large Eugene Massin Acrylic Lucite Nude Woman Wall Art Light Box Sculpture 45x51. This item features of a boxed acrylic encased nude female form (31...

Charming and beautifully painted, this painted backdrop for theatre, perhaps for a residential space or a small professional theatre, depicts several ...

A fabulous example of large, Art Deco decorative painting in 1930s Europe, this oil-on-board work depicts the goddess Diana running with two deer from the woods into a field. The col...

A lovely and bucolic depiction of the American wilderness in 1876, only partly tamed by American settlers, this oil painting depicts a shallow, roc...

Huang Gang (Chinese b. 1961) A diptych painting was done in Chinese lacquer and mineral pigment on board, signed "Huang Gang" on both panels. In good condit...

Reminiscent of the work of Gerald Murphy in its use of strong colors and flat, highly-stylized forms, this depiction of a lifeguard in profile, a female ...

Painted with a brilliant palette and very fine detail, this depiction of a tropical fish swimming above a strand of seaweed and a giant clam, surrounded by a cloud of bubbles, is a c...

Highly sophisticated and striking in conception and execution, this study for an Art Deco bathroom mural depicts -- appropriately -- male and female nud...

Entirely charming and whimsical, this original painting by Robert Blanchard depicts a fantastical scene: bird and snake as best friends, the tall, fuzzy bird feeding...

Colored Drypoint Etching by Elyse Ashe Lord. Elyse Ashe Lord (1885 - 1971) was painter and printmaker. She was well-known for her works inspired by the Far East and for her unusua...

Boldly painted in a palette of spring green, jet black and mango, this very strong Art Deco maquette for a book cover was painted in the late 1920s by a promising artist -- Helene Ha...

"Horse chase" - Depicting a horse hunt featuring men with green blazers. - Oil on canvas, signed lower right and dated 1921 - Unframed.

Brilliantly painted in rich hues of cerulean, purple, deep pink and burnt siena, this abstracted view of a dockside scene was painted by John De Forest ...

A striking and richly-hued example of American Scene painting, this depiction of a yellow calla lily framed by undulating hills in tones of purple and red was painted by Richard Taflinger. The artist's celebration of his native Oklahoma landscape...

Entitled "Return, Return, O Shulemite," with a scene taken from the Song of Solomon, this painting depicts the legendary wife of King Solomon, who was ...

Gorgeously rendered still life of a large blue and white bowl overflowing with ripe yellow green pears set against a graphic black background...

Classic and beautiful examples of Art Deco allegorical painting, this pair of mural studies depicts nude mermaid figures, each holding symbols of the fruits of land and sea. One is holding ears of corn and other produce from the earth, while the other is holding a strand of pearls and a cornucopia with coral and other living things from the ocean. Both figures are surrounded by the undulating waves of the ocean in a lovely blue. The paintings are by Adelaide Briggs...

One of the most vivid and compelling accounts of the famed Century of Progress Exposition, which opened in Chicago in 1933, this view of the iconic Federal Building was painted in the second year of the fair by a Pennsylvania artist. The brilliantly-lit Art Deco...

Brilliantly painted in deep pink, sky blue and ivory tones, this 1936-vintage oil painting depicts a Chinese noblewoman in an embroidered gown and elaborate headpiece, flanked by sym...

A brilliant example of American Cubism, this vividly-hued still life depicts an autumnal array of fruit, green and red grapes, lemons, figs and persimm...

A very interesting and unusual Lancaster Bridge Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist board and comes complete with what appears to be an original artist decorated/painted frame. The painting is signed on the front by the artist. Overall frame Size approximately 42″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving from Kenya Province, S. Africa.” In 1953, Pfoutz was installed as President of the Lancaster County Art Association. A. Z. Kruse, New York City artist, writer and member of the faculty of the Brooklyn College and the Cartoonists and Illustrators School, Manhattan, was the guest speaker. In January of 1953, thirty-five Pfoutz oils were exhibited at the Old Custom House in Philadelphia, PA under the sponsorship of the Carl Schurz Memorial Foundation. Several Lancaster County landscapes and covered bridges were included as well as Katy, a Pennsylvania Dutch scene. Symbolic paintings included End of the Second Day, the artist’s visualization of the second coming of Christ, and Twilight, typifying the grief of mothers of all lands for sons lost in battle. In June of 1953, a Pfoutz oil made history in Lancaster. From the Lancaster New Era: “For the first in local art history, a painting has been withdrawn from an exhibition because of objections from viewers and hostesses serving at the show. The painting, Jeune Fille, a standing nude done by Pfoutz, was one of the paintings in the annual spring exhibition of the Art Association and had become the center of the controversy. Pfoutz said he took the painting down… ‘graciously but reluctantly.’ ‘From an artistic standpoint, there is nothing offensive about the painting,’ Pfoutz said. ‘This community just wants its nudes with clothes on.’ “It is most brilliant in color, and because it is so brilliant I thought it would make a nice lively spot for the show. This is the first time I’ve had to take a picture off the walls. I substituted a seascape for it.’ Pfoutz said he felt the painting brought a lot of viewers to the show because it was so controversial. It had never been exhibited before. ‘If this had been shown in a metropolitan city,’ he commented, ‘people wouldn’t have given it a second glance. But the viewpoint here is more conservative, even though I don’t think moderns would have minded.’ He said he felt the painting was neither ‘objectionable nor pornographic,’ but had complied with the wishes of fellow members of the Art Association who telephoned him to relay the protests they had received. The art controversy was the first to arise here publicly since the showing of Amish Grandmother, an oil by William Gropper which was part of the Gimbel Pennsylvania exhibit at the Griest Building several years ago. — Numerous viewers of Amish Grandmother, [a painting showing an Amish woman holding a white goose], expressed themselves quite vocally, calling it an affront to the Plain Folk. But it stayed on exhibit throughout the length of the Gimbel show. Pfoutz expressed no rancor, implying that if Gropper could take it so could he.” After his death, there were several shows of Pfoutz’ work organized by his son J. Earle, Jr. J. Earle, Jr. also saw to it that President Eisenhower would receive an oil called The Cow’s Path. The president first saw the painting in 1950 when, as president of Columbia University, he visited Lancaster to address a student assembly at Franklin and Marshall College. After his address was over, the then Gen. Eisenhower stopped at the Fackenthal Library on the campus to view an exhibition of Pfoutz’s paintings. The Cow’s Path intrigued him. For some time, as his aides fumed to get him back on his time schedule, Eisenhower and Pfoutz talked, as artist to artist. Prior to his death, Pfoutz requested that The Cow’s Path be given to the President if he wanted it. The painting was presented to Ike at the White House in November of 1959. Mrs. Eisenhower owned a Pfoutz painting titled, In the Manor. Though house painting was his livelihood, he worked for Millersville State Teachers College (now a university) for a time during World War II, and called himself “the Chimney Sweep of MSTC.” During that period he knocked out a dizzying canvas in the surrealist style (he thought it was terrible) and got into the campus newspaper when one of the students spotted it. Earle Pfoutz was not the humble, downtrodden artist, not the Douanier Rousseau type at all. As he developed his skill and style through the years, he also fashioned a resilient confidence in himself as an artist. Whether he was building his own home (he built two) or painting one for somebody else, he never lost faith in his ultimate recognition—though he was never sure he would live to see it. Whether he was working as a rigger for a hoisting company, in the Stehli Silk Mill of Lancaster, carving Cloister-style chairs, decorating old chests, cementing bricks from the old Safe...

Dated 1936, this striking self-portrait of a young man, seen from three vantage points, is painted with warm colors and a bold impasto technique that makes the faces come alive. The man is wearing an artist smock...

Painted by one of America's most important mural painters in the 1930s, this allegorical celebration of American agriculture was made by Edwin Boyd Johnson for a larger work that may never have been executed. Johnson is best known for a series of murals in Chicago; Melrose Park, East Aurora, and Tuscola, Illinois; Dickson, Tennessee; and Sioux Falls...

GENRE PAINTING OF MEN CONVERSING OVER A PINT BY HEDWIG OEHRING (GERMANY, 1855-1907) Signed "H. Oehring / Munchen" lower left; in oil on panel; partial ...

Andre Michel (French, B.1945) "Notre-Dame de Paris Cathedral", oil on masonite, signed lower right. Image size without frame: 16.75" x 19.5".

Mr Karp's online biography states "Aaron Karp is a practicing artist of more than 40 years. Originally from New York, he has lived in Albuquerque, New Mexico, since 1979 where he wor...

"A Fields View", Depicting green bushes in a large field. - Oil on Canvas , signed lower right - Unframed

A wide-open landscape depicting rolling fields of changing colors beneath white cloudy skies. - Oil on Canvas, Signed on lower right with name and artist cipher dated 1931 (or 1933)....

Alfred Pollentine (BRITISH , 1836-1890) Venice in sunshine - oil on canvas, signed lower right - large Venice canal with boats and dome seen in far background.

Strikingly executed in rich tones of brown and charcoal contrasting with brighter colors, this watercolor depiction of a seated African American man, with one arm raised to his neck, is beautiful and evocative. The figure's skin tones are captured in a rich array of tans, ruddy browns and gold, and the air around him seems to vibrate in tones of blue, yellow and green. Although not signed, this piece was executed by an artist associated with the famed Brown County Art...

This gouache, by Witold Gordon, is one of a series commissioned by Conde Nast which were published in Vanity Fair magazine in July 1934 under the banner “New York Shops You Never See...

A oil on board painting of Bedouin men on beach in sunset, signed indistinctly lower left. Frame Size: 12:" H x 14.5" W

J.G. Clonney signed oil on board royal dog spaniel painting. Item feature oil on panel, gold finish, wood frame, signed on lower corner, brass-mounted...

"Fishing Shacks" oil painting by Alison Hill. - Oil on Panel, signed lower left - Framed dimensions: 16 in x 20 in.

A stunning monumental - mural scale carved and painted wood panel titled "The Procession". This impressive modern painting is dated 1987 and signed by the artist. Frank Hyder (b. 1951) is a well-known and accomplished artist. He is in many modern art collections and museums. This is a great investment piece of art. It would look great in any interior. Ready to place! "Collections: The Library of Congress, Philadelphia Museum of Art, Pennsylvania Convention Center, Grand Rapids Museum of Art, Woodmere Museum, La Salle Museum, James Michener Museum of Art, Museum of Modern Art, Caracas, Museum Jacobo Borges...

Although it shares a name with Grant Wood's iconic painting, the subject of Eugenia Redka's painting here is much different, a charming white painted Gothic church in the middle of the Vermont woods...

Evidence of Western Europe's fascination with Native American culture, dress and way of life for over a century, this vivid drawing uses watercolor, gouache and crayon to capture a g...