"Youth with Pipes and Valves, " Sensitive Portrait of Young Man, Dorothy Van Loan

Executed in gorgeous shades of coral, dove gray and olive, this scene of two nude women perched on folding chairs was painted by Dorothy Van Loan, a c...

Brilliantly painted in a palette of canary yellow, orange-red, browns and blues, this WPA-period painting of an open-air market under the Market-Frankford elevated train line ("the El") in Philadelphia was executed by Dorothy Van Loan...

Beautifully painted in glowing, deep ruddy and brown tones, this sensitive portrait of a young man in Taxco was painted by Ralph Dwight Ayer in the ...

Bold and intense, this portrait -- or perhaps self-portrait -- of a young man with pale skin, dark, flowing hair and a direct stare was painted by T. Cohen in the first decades of th...

This portrait of a young man with vivid red hair, blue eyes and a ruddy complexion was painted by John C. Menihan, one of the most renowned portraitists and watercolorists of his day...

Dated 1936, this striking self-portrait of a young man, seen from three vantage points, is painted with warm colors and a bold impasto technique that makes the faces come alive. The man is wearing an artist smock...

Wonderful portrait of a young man. A striking resemblance to King Edward V111 By Gerard Hordyk* Great colours and technique. Oil on canvas. Unframed. Signed and dated lower righ...

Jan van der Vaart (1647-1727) Portrait of Dorothy, Lady Brownlow (1664-1700) Oil on canvas; held in a period carved wood frame circa 1687 Considered a beauty of the age, Dorothy, Lady Brownlow was painted on a number of occasions by some of the most talented and respected artists of the day; Kneller, Riley, Closterman, Dahl and Wissing, all rendered her features in oil for posterity. The portrait presented here is by Jan van der Vaart who from 1685-1687 was employed by Willem Wissing as a drapery and landscape painter. After Wissing’s death in 1687 he practiced as an independent portraitist much in the style of his master with some influence also of Kneller. This work is in fact the head and shoulders taken from Wissing’s three-quarter length of Lady Brownlow which hangs at Belton House, Lincolnshire and produced as a mezzotint in 1687. Van der Vaart has made some intriguing alterations particularly as the sitter now looks directly at us, appearing rather more provocative and self assured of her beauty. The confident rendering of the dress and pearls and the thickly drawn copious hair are hallmarks of Van der Vaart’s work. It is likely he completed this portrait – shortly after Wissing’s version – as a smaller variant intended for another family member as was often the practice. Dorothy Mason married Sir William Brownlow 4th Bt. in July 1688; she was the daughter and heir of Sir Richard Mason a politician and courtier to Charles II who owned estates at Bishop’s Castle, Salop and Sutton Surrey. She came from, and married into extreme wealth; her dowry upon marriage was £10,000 and on her death her husband inherited the estates that were once her father’s. In June 1697 William Brownlow succeeded his brother to the baronetcy and to most of his landed estates including Belton House. In 1698 he abandoned his Peterborough seat to contest Bishop’s Castle on behalf of his wife and in the interest of his mother-in-law, Lady Anna Mason...

A late 19th Century Renaissance Revival profile portrait of a young man, Italian School, ca. 1880s. This atmospheric portrait comes to us from a prominent North Shore of Boston fami...

C1680 oil on canvas portrait of a young man C1680 oil on canvas portrait of a young man in a 19the century gilt frame 83×73 cms restoration label reverse

19th century fine portrait miniature of a young man with curly red hair Dimensions 3" x 2.5". The velvet lined mat measures 3.75" x 5". The portrait is in very good condition. ...

19th century oil portrait of a young man Original oil on canvas. Dimensions: 27.5" wide x 39.25" high. Signed lower left "Samuel"