Pennsylvania - Paintings

Painted at a time when the nation was increasingly interested in exotic places and peoples -- including Mexico, the South Pacific, Asia and the Southwest -- this Art Deco painting of...

This gouache, by Witold Gordon, is one of a series commissioned by Conde Nast which were published in Vanity Fair magazine in July 1934 under the banner “New York Shops You Never See...

This remarkable ensemble of paintings, studies and prints, collected together as a kind of scrapbook page by John Garth, celebrates the American ironworker. It includes no fewer than...

This vivid and large portrait of a young, sunburned Greek man, painted in a palette of deep blue, red and ruddy skin tones, was painted by Julius Bloch in 1961. The artist spent hi...

This brilliant example of Art Deco painting by Jan Matulka shows hints of the modern take on Cubism that the artist worked out with Stuart Davis. Matulka was born in Prague and came ...

Leslie Formalik Trompe L'oeil paintings of butterflies, Pair, Dated 2013 and 2019 The pair of beautiful tromp l'oeil paintings each depict a different pinned butterfly...

A stunning monumental - mural scale carved and painted wood panel titled "The Procession". This impressive modern painting is dated 1987 and signed by the artist. Frank Hyder (b. 1951) is a well-known and accomplished artist. He is in many modern art collections and museums. This is a great investment piece of art. It would look great in any interior. Ready to place! "Collections: The Library of Congress, Philadelphia Museum of Art, Pennsylvania Convention Center, Grand Rapids Museum of Art, Woodmere Museum, La Salle Museum, James Michener Museum of Art, Museum of Modern Art, Caracas, Museum Jacobo Borges...

CHARLES EMILE JACQUE French, 1813-1894) Sheep and Chickens in a Stable Oil on panel signed lower left "Ch. Jacque" 9 3/8" H x 12 15/16" W [panel] 16 3/8" H x 19 7/8" W x 2 3/8" D [frame] Essay: A finely composed cheerful pastoral scene by Charles-Émile Jacque, this oil on panel features two sheep standing in a modest barn interior accompanied by several chickens pecking at the straw-covered ground. One sheep gazes calmly at the viewer while the other lowers its head to get a drink of water from the stone trough. Set against a darkened background with hints of a feeding bin...

"River Nymphs" Two nudes lounging by pond - Oil on board , signed lower left and dated 1910 - Framed dimensions: 20 in x 17 in.

A framed, over-painted Chromolithograph on canvas, a portrait of a young girl, circa 1880 -1890. The original oil painting was painted by Philipp Hoyall, (1816-1876) a German-Polish...

Impressionist New York City bustling train station city-scene depicting the "EL" train with pedestrians in a starry, yet energetic way. Busy New Yorker’s daily travels with the sun setting on the elevated train. From early childhood to the present, Willett, a natural talent carried on the tradition in the arts. Currently as a painter in the New Hope, Bucks County Impressionist...

Peter A. Kotka, Stiil Life with Bottle of 1997 Chateau Belgrave Grand Cru Classe, Glass & Cheese Oil on Linen Panel, Signed lower right. The Framed trompe l'oeil still life of a dusty bottle of wine, a half-empty wine glass and a small bunch of grapes with a boxed round of French Cheese in the background, the cork lying on its side on a wood table within an alcove. The bottle is a 1995 Chateau d'Ampuis Côte-Rôtie. Reference: From the Unicorn Gallery, UK. Peter has an absolute love of oil painting and especially admires the masters of Dutch Painting of the 17th Century, which is reflected in his own work. Since 1995, after seeing the work of Estonian artist Olav Maran, Peter decided to review his paintings and started researching ‘Still Life’ painters such as Willem Kalf and De Heem. After experimenting with priming his own panels and canvases with different colours, then painting with thick and thin paint and glazing on top, in the way of the old masters, he has developed a style with detail and atmosphere that is essential in his portrayal of fine wine, fruit and cheeses etc. In a quirky and sometimes conceptual world, Peter makes no apologies for producing traditional subjects where the craftsmanship is evident in every brushstroke. His paintings bring much joy and pleasure to those who understand he has an obvious and underlying love of handling paint and observing his subject using techniques that take many years to acquire. Recently he has changed the view point for some of his paintings, to give them a bold contemporary look. Peter Kotka...

One of the most exotic and gorgeously colored Art Deco paintings we have ever seen, this scene of an elaborately robed Chinese couple, clearly of royal blood, conversing by a pool su...

The Chine trade watercolors are of fine quality and depict various exotic fruits including pineapples, lychees, finger citrus and orange amongst others. Now framed with a thin gilt f...

This large and important portrait contrasts a modern African American male nude with two other figures in an artist's studio: a life-size pl...

J.G. Clonney signed oil on board royal dog spaniel painting. Item feature oil on panel, gold finish, wood frame, signed on lower corner, brass-mounted...

A framed, over-painted Chromolithograph on canvas, a portrait of a young girl, circa 1880 -1890. The original oil painting was painted by Philipp Hoyall, (1816-1876) a German-Polish...

A fabulous striking Isaac Maimon original oil on canvas of one of his stylized Parisian cafe ladies dressed in a strapless red gown and dramatic hat. Measure framed 38.5” W x 32.2...

Filled with Sturm und Drang and packed with allegory and higher meaning, this remarkable Art Deco painting by Eugene Savage celebrates and interprets B...

Unsigned Original oil on canvas painting after Norman Mills Price. Canvas is a bit loose. Frame appears to be original. Canvas and Frame show age. See image of illustration of the same image signed in corner by Norman Mills Price "Norman Mills Price never fully received the popular recognition that his work deserved. Because he was so intently interested in historical subjects, he restricted his work to these almost exclusively. The dedication and artistry he brought to his work, however, was especially appreciated and respected by a select group – his fellow-illustrators. His painstaking research into every detail made each picture an authentic documentary, but the detail was never allowed to detract from the dramatic concept of the illustration itself. Although Price made effective use of tone and color, his pen-and-ink drawings were especially effective, exhibiting a full range of values and textural effects." "Price was born in Canada, studied art there and in London and Paris. By 1912, he had established himself in New York and had begun to work for American publications. Some of his most successful illustrations were done for a long series of historical novels by Robert W. Chambers for Liberty magazine. He was a charter member of the Society of Illustrators at the time of his death." "Illustrator, Norman Mills Price was born in Brampton, Ontario (1877) and began his studies at the Ontario School of Art. Around 1901 he spent time in London, studying at the Goldsmith's Institute; Westminster School of Art; and with Cruikshank. While in London, he was the founder of Carlton Studios. He later went on to Paris, studying at the Academie Julian, with J.P. Laurens and R.E. Miller. He did freelance work in Paris until an assignment in Belgium for Century brought him to the attention of other American publishers. In 1911, he had a studio in New York City, and worked for such publication as Harper's, Cosmopolitan, and Liberty. He illustrated the novels: "The Lamb's Tales from Shakespeare (1905), The Rogue's Moon (1929), Leif Erikson...

Impressionist large Philadelphia - A brisk morning walk under the Manayunk bridge. A bundled up man takes a stroll along the canal trail. A historic Philadelphia bridge cascades acro...

Full of dramatic, shifting light and deep, atmospheric colors, this landscape painting by Norwood MacGilvary depicts rolling farmland and a winding road, with a dramatic mountainside...

Bold and extraordinary and clearly influenced by Diego Rivera, Frieda Kahlo and the Mexican muralists, this large painting by John Greathead depicts a nude American Indian woman...

Signed H.b. (Herman) Vestal Watercolor Painting Nautical Seascape in original frame. Image size as matted 27” wide x 17.5” tall For more economical shipping we could remove the artw...

Beautiful American modernist abstract acrylic painting on board in a beautiful new silver wood frame By Zoute’. Bold graphic imagery and vibrant colors. Signed lower right corner Z...

Jean Marie Daneis (French 1944-) Mures et Poires, Oil on canvas, Signed lower left The still life painting depicts two pears and blackberries, both red and black, as well as a gre...

A cross between "A Midsummer Night's Dream" and Bosch's "Garden of Earthly Delights," this marvelous painting depicts an interlaced group of faeries and nymphs, all with lilacs and d...

Painted during the heyday of American Surrealism, this watercolor depicts a sleeping nude female figure holding a laurel wreath, seemingly disconnected from a pair of male nudes saun...

A very interesting and unusual Pfoutz Original Farm Scene Oil Painting by artist J. Earle Pfoutz. The painting is produced on artist and comes complete with what appears to be an original artist decorated/painted frame. The Pfoutz Original Farm Scene Oil Painting is signed on the front by the artist and appears to be dated 1948 on the rear. Known for his unusual subjects Pfoutz outdid himself with this effort, capturing the essence of a Lancaster County farm but with the startling twist of portraying a large turkey vulture in the foreground. Definitely unique. Overall frame Size approximately 33″ wide x 3″ deep x 26″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving from Kenya Province, S. Africa.” In 1953, Pfoutz was installed as President of the Lancaster County Art Association. A. Z. Kruse, New York City artist, writer and member of the faculty of the Brooklyn College and the Cartoonists and Illustrators School, Manhattan, was the guest speaker. In January of 1953, thirty-five Pfoutz oils were exhibited at the Old Custom House in Philadelphia, PA under the sponsorship of the Carl Schurz Memorial Foundation. Several Lancaster County landscapes and covered bridges were included as well as Katy, a Pennsylvania Dutch scene. Symbolic paintings included End of the Second Day, the artist’s visualization of the second coming of Christ, and Twilight, typifying the grief of mothers of all lands for sons lost in battle. In June of 1953, a Pfoutz oil made history in Lancaster. From the Lancaster New Era: “For the first in local art history, a painting has been withdrawn from an exhibition because of objections from viewers and hostesses serving at the show. The painting, Jeune Fille, a standing nude done by Pfoutz, was one of the paintings in the annual spring exhibition of the Art Association and had become the center of the controversy. Pfoutz said he took the painting down… ‘graciously but reluctantly.’ ‘From an artistic standpoint, there is nothing offensive about the painting,’ Pfoutz said. ‘This community just wants its nudes with clothes on.’ “It is most brilliant in color, and because it is so brilliant I thought it would make a nice lively spot for the show. This is the first time I’ve had to take a picture off the walls. I substituted a seascape for it.’ Pfoutz said he felt the painting brought a lot of viewers to the show because it was so controversial. It had never been exhibited before. ‘If this had been shown in a metropolitan city,’ he commented, ‘people wouldn’t have given it a second glance. But the viewpoint here is more conservative, even though I don’t think moderns would have minded.’ He said he felt the painting was neither ‘objectionable nor pornographic,’ but had complied with the wishes of fellow members of the Art Association who telephoned him to relay the protests they had received. The art controversy was the first to arise here publicly since the showing of Amish Grandmother, an oil by William Gropper which was part of the Gimbel Pennsylvania exhibit at the Griest Building several years ago. — Numerous viewers of Amish Grandmother, [a painting showing an Amish woman holding a white goose], expressed themselves quite vocally, calling it an affront to the Plain Folk. But it stayed on exhibit throughout the length of the Gimbel show. Pfoutz expressed no rancor, implying that if Gropper could take it so could he.” After his death, there were several shows of Pfoutz’ work organized by his son J. Earle, Jr. J. Earle, Jr. also saw to it that President Eisenhower would receive an oil called The Cow’s Path. The president first saw the painting in 1950 when, as president of Columbia University, he visited Lancaster to address a student assembly at Franklin and Marshall College. After his address was over, the then Gen. Eisenhower stopped at the Fackenthal Library on the campus to view an exhibition of Pfoutz’s paintings. The Cow’s Path intrigued him. For some time, as his aides fumed to get him back on his time schedule, Eisenhower and Pfoutz talked, as artist to artist. Prior to his death, Pfoutz requested that The Cow’s Path be given to the President if he wanted it. The painting was presented to Ike at the White House in November of 1959. Mrs. Eisenhower owned a Pfoutz painting titled, In the Manor. Though house painting was his livelihood, he worked for Millersville State Teachers College (now a university) for a time during World War II, and called himself “the Chimney Sweep of MSTC.” During that period he knocked out a dizzying canvas in the surrealist style (he thought it was terrible) and got into the campus newspaper when one of the students spotted it. Earle Pfoutz was not the humble, downtrodden artist, not the Douanier Rousseau type at all. As he developed his skill and style through the years, he also fashioned a resilient confidence in himself as an artist. Whether he was building his own home (he built two) or painting one for somebody else, he never lost faith in his ultimate recognition—though he was never sure he would live to see it. Whether he was working as a rigger for a hoisting company, in the Stehli Silk Mill of Lancaster, carving Cloister-style chairs, decorating old chests, cementing bricks from the old Safe...

This very rare and important study for "The Spirit of Oshkosh," a major mural in Wisconsin, was painted by Eugene Savage in 1937. Savage is best know...

Title: Liberty head. By: Steve Kaufman. Date: 1990s. A limited edition screen-print on canvas with hand embellishments (in oil). Depicting the head of of the statue of li...

Impressionist and scenic Bucks County Pa, a fresh morning on the Delaware River. Depicting the views across the Delaware River of the quaint village banks of Lumberville. The village...

A true masterpiece of genre painting, with its depiction of idyllic World War II-era suburban life filled with children playing and adults attending to their homes and chores, this piece was created by Allan Jones in 1944. It is a stunningly beautiful spring day, and the view is looking through an open window with a blackbird sitting on the sill, into the backyards of a half dozen tidy brick and wood houses. The homeowners are attending to their Victory Gardens...

A large Roycrofters frame. In mottled, quarter sawn oak. With old glass and an associated board backing. Perfect for an Arts & Crafts painting or print (or for use as a mirror). ...

Expressive clown painting - signed "Jen" circa 1950 - great frame Frame size = 22.5 x 26.5 Image size = 15.5 x 19.5.

Louis Guarnaccia (b. 1958), “Easy Street Boat Basin,” Nantucket. A fine realist work in oil on linen. Charming red boat scene on the island of Nantucket, Massachusetts. Signed on lo...

Suffused with both sensuality and alienation, this large oil painting depicts a couple in the bedroom, the female figure poised with a head of cabbage and a doll, and her lover -- ev...

A late entry in America's string of public murals painted in the 1930s, 40s and 50s telling the story of various towns and regions, this 1962 Art Deco study b...

Jean Chaleye (French, b. 1878 - d. 1960) "Theater" - oil on board , signed upper right. Depicting a balcony view towards an orchestra pit in a theater.

Title: Woman in Animal Suit Artist: Deborah Barrett Medium: Mixed Media Collage on Paper Signed and date to the lower right and bearing an old Susan...

Huang Gang (Chinese b. 1961) a monumental painting done in Chinese lacquer and mineral pigment on board, signed "Huang Gang, 2003". In good condition with a...

In our opinion, the finest work ever painted by Jules Schyl, one of Sweden's leading Modernists in the 1920s and 1930s, this spectacular piece depicts a female nude in the upper righ...

LIONEL DALHOUSIE ROBERTSON EDWARDS British, 1878-1966 "Off to the Meet" Oil on canvas signed lower right 25 1/4" H x 29 3/8" W x 1 3/4" D [frame} 20" H x 24" W Provenance: Bonha...

One of the finest midcentury architectural renderings we have ever seen, this large and vivid painting executed in gouache and oil o...

Extremely rare and important, this painting by Eugene Savage served as the preparatory study for one of six monumental Art Deco murals commissioned by the Matson Shipping company in ...

Painted by one of America's most important mural painters in the 1930s, this allegorical celebration of American agriculture was made by Edwin Boyd Johnson for a larger work that may never have been executed. Johnson is best known for a series of murals in Chicago; Melrose Park, East Aurora, and Tuscola, Illinois; Dickson, Tennessee; and Sioux Falls...

Offered here for your consideration is a vintage original Earl MacPherson pastel painting of a pin-up girl. Depicting a blond, smiling, nude pin-up girl dressed only with two larg...

Very nice original vintage painting of Albert Einstein in pink with light green background - does not appear to be signed anywhere.

Quiet and at peace, with almost a smile on his face, the expired Saint Sebastian depicted here -- in the nude, as is customary, and wounded with multiple arrows -- probably dates to ...

WILLIAM SHAYER, SR. British, 1788-1879 "Sussex Coast" (1854) Oil on canvas signed lower left "William Shayer '54" titled in graphite on stretcher bars verso Item # 404REX19W Th...

One of the most important embellishments to the White House during the Franklin Delano Roosevelt administration was the gift of an important grand piano by the Steinway company, embellished with painted scenes by Dunbar Beck. Beck is best known for his WPA work...

"Rolling Hills" Depicting a landscape in rolling hills. - signed lower right and dated 1910 - Unframed.

JOHANN BERNARD DE HOOG Dutch, 1866-1943 Interior Scene of a Mother and Infant Daughter Oil on canvas signed Bernard de Hoog lower right Item # 40...

This energetic and compelling depiction of modern dance, with a range of nude and semi-nude figures, and a more traditional ballerina in the distance, was painted by Robert Lohman, o...

Painted in brilliant shades of fuscia, persimmon, olive green and aquamarine, this original gouache painting was painted to advertise the Ladies Home Journal in a Horn and Hardart...

This extraordinary pair of Art Deco pieces, each depicting a pair of horses, one with its head up and one down, was executed in ink, colored pencil and gouache by Robert Reinhardt Von Liski, a Prussian-American artist. Von Liski worked in Chicago as a commercial artist in advertising agencies and elsewhere, and did work for RCA Victor and Arrow Shirts...

Painted by Horatio Nelson Poole, famed for his scenes of Hawaii and California, this brilliantly-hued gouache shows a group of women picking fruit, likely oranges or lemons, their ba...

A fine antique English watercolor landscape painting. Depicting the ruins of Rievaulx Abbey in England circa July 1881. Pencil signed to the lower right: Rievaulx Abbey July 1881 ...

CHARLES ADELIN MOREL DE TANGUY French, 1857-1930 Sailing at Sunset Oil on Panel housed in an almost certainly original giltwood frame Signed lower right in script "Morel de Tanguy...

FRENCH BARBIZON 19th century Women Washing Clothing by the River's Edge at Golden Hour 18 3/8" H x 30 7/8" W [frame] 14 3/8" H x 26 7/8" W [canvas] A wonderfully rendered late 19t...