Phoenix

acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...

Sir Russell Flint (1880-1969) original pencil signed etching, 1931. Titled: "The Wheelwrights." Flint loved to print on antique paper. This etching is printed on Portal Paper created...

Pair of Murano glass and lucite table lamps from Italy, circa early 1970s. These unusual examples incorporate hues of purples and grays and sit atop square lucite bases. Measurement ...

LUZI GIRL PAPAGO, 1907 Portfolio 2, Plate 53 THE NORTH AMERICAN INDIAN BY EDWARD S. CURTIS Image size 15.5 x 10 1/4 inches, Excellent condition. This is an original photogravur...

Bud Tullis wenge and woven aluminum screen circa late 1980’s. This all original example is hand sculpted and has multicolored aluminum on one side is monochromatic on the other.

"The paintings are a meditation on my youth growing up in and around Cincinnati Ohio. This group of paintings reflects a journey back in time. A boy walking the furrowed fields of th...

Jean Charlot original color lithograph created 1933. In excellent condition. Title: "Woman Standing - Child on Back." Edition: 500. Pencil signed by the artist lower right. Also sign...

ACRYLIC ON YUPO ON SINTRA with white frame b. 1978 I explore the temporality of representation through abstraction by constructing new systems and modes in which the material of pai...

acrylic on canvas b. 1978 Chris Trueman is a Los Angeles-based artist. He graduated from the San Francisco Art Institute in 2003, earning BFA degrees in Painting and Digital Media. ...

sumi ink and oil stick on Korean paper (72 x 61.5 x 1.5 inches, framed) b. 1942, Nagoya, Japan Jun Kaneko’s most recognized sculptural form is the boldly glazed, monumental dango (...

A set of (3) antique German porcelain tea / coffee pot trivets. Each plate is a 6.5' in diameter and about 1" thick. Each trivet plate features gentle victorian flower design. All tr...

pastel and micron pen on paper, framed b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of ma...

laminated acrylic plastic Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intellect. It is simultaneously abou...

A beautiful example by well-known artist Lowell Nesbitt featuring dramatic pale Irises on a dark grey ground. Image size: 22" H x 34" W. Simply framed. In mint condition. Signed, tit...

Set of 3 organic modern burlwood basket vessels by artist Christian Burchard. Largest basket measures 7" H x 5.5" diameter, medium basket is 4.75" H x ...

Born Monterrey, Mexico 1991. Graduated from the Bachelor of Arts at the University of Monterrey. (2014) Andrés uses ceramics as a medium to create amorphous beings that seem to belo...

acrylic on canvas b.1978 Chris Trueman is a Los Angeles-based artist. He graduated from the San Francisco Art Institute in 2003, earning BFA degrees in Painting and Digital Media. ...

One iron and suede slat bench from France, circa mid-1950s. This example has a powder coated iron frame and has been newly upholstered in bright blue suede. Price listed is per bench. We have one single bench...

pastel and micron pen on paper, framed b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of ma...

SIGNATURE AND TITLE ON VERSO b. 1968 Elkhart, IN Travis Rice is an artist currently residing in Phoenix, AZ where he teaches within the Fine Arts Department at Phoenix College. Ori...

Original Etching by Modernist Milton Avery (1885-1965) Image measures: 8 5/8" H x 4 5/8" W. Titled lower left - “Little Girl” Edition size: 6 of 60. Printed in 1936. In excellent co...

Original etching by John Sloan (1871-1951) In good condition, framed. Depicts a mother helping her child pee in the street, 1917. Image measures approx. 3 1/4" H x 6 1/2" W Frame si...

pastel on raw canvas b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of materials. Drawing i...

Brutalist pair of wrought iron and copper floor lamps. These unusual examples have hand forged iron frames with tiered iron bases. The tubing that wraps the structure is patinated co...

Beautiful color etching by Leo Browne. Created circa 1930's and 1940's. Image size: 14 x 11 inches. Sheet size: 19 5/8 x 15 1/4 The print is in excellent condition and presents in a ...

acrylic on canvas b. 1978 Chris Trueman is a Los Angeles-based artist. He graduated from the San Francisco Art Institute in 2003, earning BFA degrees in Painting and Digital Media. ...

Beautiful Galle French cameo vase with trailing leaves and flowers. The vase features a mauve floral design on a golden umber background. Signed "...

Focusing on painting as a space of exploration, Raphaëlle Goethals has worked with wax, resin, and pigments as her signature medium for over twenty years. She established her vocabul...

Carlton Ball (1911-1992) studio ceramic lidded vase, circa 1960s-1970s. Beautiful green and brown glaze with sgraffito swirl design on the body. Signed on the bottom “F. Carlton Ball”. Excellent condition. Measures: 7 1/8" H (includes lid) x 5 3/4" W. Born 1911 in Sutter Creek, California, Frederick was a ceramicist, ceramics professor, and author of Making Pottery Without a Wheel. He taught ceramics for over 50 years at several different colleges including the University of Puget Sound...

Original color woodblock print by Werner Drewes. In excellent condition. Unframed. Image measures 11 x 22 3/4 inches. Pencil signed and dated lower right. Numbered in pencil lower left: 16 of the edition of 30. R-307. Werner Drewes (1899-1985) Werner Drewes, painter, printmaker, and teacher was born in Canig, Germany in 1899. His father, a Lutheran Minister, hoped he would become and architect but Werner chose the life of an artist. After he served on the front line in France during the war, Werner was admitted to the Bauhaus in 1921 where he studied under Klee, Itten, and Muche. Later, he traveled through Europe to study such old masters as Tintoretto, Velasque, and El Greco. After marrying Margaret Schrobsdorff, they traveled throughout South America, North America, and Asia. In 1930, Werner immigrated to New York City with his family. In New York City, despite the Depression, Werner joined other Bauhaus artists such as Mondrian and Feininger to make a living as an artist. This group became the core of the American Abstract Artists group. Werner taught at Columbia University, worked on the design of the 1939 Worlds Fair building...

b. 1942, Elgin, OK Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. His canvases barely contain ...

Fabulous large scale freeform iron sculpture circa Mid-1980s. This can be used indoors or out. Unsigned.

SIGNATURE AND YEAR ON VERSO b. 1942, Elgin, OK Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. ...

These whimsical mixed metal bronze pots feature plump bug-eyed toads, warts and all with gaping mouths. These make excellent vases and have metal removable liners. The toads’ bellie...

Born Monterrey, Mexico 1991. Graduated from the Bachelor of Arts at the University of Monterrey. (2014) Andrés uses ceramics as a medium to create amorphous beings that seem to belo...

charcoal on paper b. 1959, Philadelphia, PA Mark Pomilio’s current research has focused on creating images, which embody principles of geometry, fractals, cloning and single-cell m...

Wooden Sculpture in black featuring a central hand within a framework and containing metal coins by Spanish artist Antoni Abad. Abad's works have been exhibited in major museums and...

Dick Seeger large-scale sculptures, circa late 1980s. Seeger created a series of large-scale creatures all with saw horses on the interiors as foundations with papier mâché atop. The...

Eduard Buk Ulreich (1899-1966) mix-media on panel, 1940s Design for a Mural. Titled: Freedom of the Seas. Measures: 12.75" H x 35.25" W In excellent condition. The inscription on th...

b. 1959, Philadelphia, PA My artistic interests are fueled by a desire to create artwork, which mirrors naturally occurring systems in our world. In “mirror” I am referring more to i...

Lon Megargee 1883-1960 "The War Bonnet" Wood block print Signed: original pencil signature, lower right Image size: 11 x 11 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew...

This gracefully flared ceramic bowl bears her traditional “feelie” soft glaze with large drips showing near the base. Rich brown with cream interior. Measure: 3.5" H x 5.25" W. Mint...

This beautiful, limited edition original color woodblock is by the famous Showa Shin Hanga woodblock master Clifton Karhu (1927-2007). It bears the original frame and has a label on the back from a Tokyo gallery. The work is a beautiful impression with rich color. It and the frame are in excellent condition. The print measures 16 x 16 inches. The frame is 23 ½ x 23 ½ inches. It is numbered lower left as AP5 - Artist Proof #5 and is pencil signed and dated ‘74 lower right. An American of Finnish descent, Clifton Karhu was born in Minnesota in 1927. Raised together with his twin brother Raymond, Karhu was the son of painters Arne and Anna Karhu. After his graduation in 1946 he served in the military at an American Navy base in Japan. Returning to America following his military service in 1950, Karhu enrolled at the Minneapolis School of Art but quit two years later to pursue missionary work as a Lutheran minister. Karhu left the missionary work in 1958 and chose to move his new family to Gifu City, a small provincial town northwest of Kyoto, Japan where he set about returning to his art. Karhu soon found local success in 1961; obtaining first prize at the Chubu Taiheijo Bijutsu Kyokai Ten (The Middle Pacific Art Group Exhibition) and fixing his first single, professional exhibition at the Shin Gifu Gallery. In hopes of providing their three children with an international education, Karhu settled in Kyoto in 1963. The next few years proved heavily influential in Karhu’s work. Arguably forming the foundation for all his future success, Karhu found tutelage under recognized woodblock artist and gallery owner Tetsuo Yamada and colour theorist Stanton Macdonald-Wright. Responsible for shifting Karhu’s artistic doubts, Karhu proceeded to fulfill a very successful career in woodblock printing - carving his own works largely by himself. Clifton Karhu passed away in 2007 after an illustrious career that saw him viewed and celebrated as a local Kyoto celebrity, as well as having exhibited widely in many countries around the world. His woodblock prints have been collected by many famous museums including the Tokyo Modern Art...

SIGNATURE AND YEAR ON VERSO b. 1942, Elgin, OK Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. ...

"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...

copper etching with aquatint The power of memory and how it recalls individuality begins in such basic experiences as the ability to link internal ideas to external manifestations of those ideas. Memories as simple as an old toy or a street can set off a chain reaction of thoughts that snowball into issues as broad as nationalism, identity politics or a body politic to name a few. Hector Ruiz’s works encompass the broad, complex and often painful world particular to the Arizona and neighboring Mexican landscape. United States and Mexican border...

Harold Christopher Davies (1891-1976) abstract painting. Signed lower right, circa 1960s Measures: 18 1/4" H x 8 3/4" W Oil on paper, unframed Davies began his formal art education ...

Tapered solid walnut and polished brass cocktail or occasional table from Italy, circa late 1950s. This lovely example has sculptural newly oiled walnut inserts with mirror polished ...

Bronze and marble abstract sculpture by jeweler and sculptor William De Lillo. These works (we have several by De Lillo) were done in Paris in the late 70’s.

This wonderful piece was made by the Merida Brittania Company in 1919. It measures about 10.5" high and 16" in diameter at the widest part. The piece has no visible damages. The lid...

Vintage fused glass, circa 1960s. By Michael (1908-1999) and Frances (1912-2004) Higgins. Decorated with a trees and stems motif with gold detail. Etched signature is seen on the ...

Beautiful flare top Rookwood Pottery vase, 1946. In excellent condition. Measures: 7 1/8" H x 7 1/4" W. Beautiful 1946 Rookwood pottery vase, signed and decorated by Loretta Hol...

Orignal pencil signed lithograph by Adolf Arthur Dehn (1895-1968). Titled “Easter Parade” and created 1933. Lumsdaine/O'Sullivan 270. Edition 300, Contemporary Print Group. Image si...

Bronze by Eugene Marioton (1857-1933) French Artist. “Fascinator” (Snake Charmer), created late 19th century Sculpture measures 20 1/2" H x 9" L x 9 1/2" W. Siot Decauville Foundry -...

William De Lillo one off Brutalist bronze sculpture, circa early 1970s. The jeweler and artist, William De Lillo worked with Harry Winston, Cartier New York and most famously as Jean Schlumberger’s assistant at Tiffany & Co. Mr. de Lillo teamed with the costume jeweler, Robert F. Clark to create their haute couture jewelry...

Joseph Hirsch (1910-1981) Philadelphia/New York artist - Pencil signed lithograph Title: The Toast. Signed lower right and numbered lower left 79 of 100. The tondo work is 11 1/2 inc...

Original drypoint in mint condition printed in greenish black ink on wove paper by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil ...

"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...

New York and California Artist, Harry Sternberg (1904-2001) Original Etching created 1929. Pencil Signed lower right, pencil titled lower left. Edition size is seen lower center: 40 ...

Sleek set of decorative bowls in solid marble by artist John Bartolomeo. A larger yellow bowl measuring 11" diameter x 5" high, and a purple and whit...