Phoenix

encaustic on canvas Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light in the sky a...

An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 11 1/2" x 17," sheet measures 18"...

Original lithograph by Mexican artist Emilio Amero (1901-1976) created 1950. Titled: “Mujer Escuchando La Concha (Woman with Shell). Edition size is 15 of 125. Signed in pencil lower left. In excellent condition. Image size: 12 1/4"h x 9 3/4"w. Presents in a 4-ply museum mat measuring 20"h x 16"w. Born in the village of Ixtlahuaca, in the state of Mexico, Emilio Amero counts Spaniards and Otomi Indians among his ancestors. Shortly after his birth, the family moved to Mexico City. In 1911 he began his studies in art at the Academy of San Carlos. He also studied drawing privately with Antonio Gomez, a family friend and well-known newspaper artist. At the academy in 1917, he became acquainted with Diaz de Leon, Rufino Tamayo, Ramon Alva de la Canal, Enrique Ugarte, and Leopoldo Mendez-all students there at the time. Later he joined the open air school in Coyoacan, founded and directed by Alfredo Ramos Martinez...

Modern Mexican painting - acrylic on Masonite by Jesus Leuus (1948-) This painting is in excellent condition and is signed and dated lower righ...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she...

Beautiful Mexican landscape painting by Alfonso Pena Oil on canvas created 1963. Mexican subject. Excellent condition, unframed. Measures: 19 3/4" H x 24 ...

An very exclusive GIA certified natural diamond in cushion cut 5,01 carats, G color and VS2 clarity. Complete with GIA report. Investment stone. Wh...

Mark Pomilio’s current research has focused on creating images, which embody principles of geometry, fractals, cloning and single-cell manipulation. These interests have led to invit...

Curtis Jeré 1990 metal wall sculpture. There are five curved metal layers, all made of different materials, colors and textures. The edges are curled outwards in a way that it looks ...

Framed psychedelic style painting by Arizona artist Dick Seeger with the message, "A requirement for sanity is the knowledge that part of you is insane."

1960s lounge chair by Murphy-Miller, Inc. This chair features sculptural bent walnut armrests, original black vinyl upholstery and splayed metal legs. It swivels and rocks on a sprin...

Stencil Print by Sadao Watanabe, hand colored on hand-made washi paper. This image depicts Adam & Eve with the snake in the garden of Eden from Genesis. Artist’s chop mark and penci...

oil on linen Mark Pomilio’s current research has focused on creating images, which embody principles of geometry, fractals, cloning and single-cell manipulation. These interests hav...

Untitled (Sunrise with Cowboy) by David Stoecklein 1949-2014 Photograph, Archival Pigment Print, Mat Finish Image size 30 x 24 inches Signed: Lower right David Stoecklein July 11, 1949 - Nov. 10, 2014 David Stoecklein launched his photography career by taking lifestyle shots of skiing, fishing, hiking, and biking, landing assignments for companies such as Coca-Cola, Ski Magazine...

layered acrylic panels Eric Zammitt’s work alludes to the dynamics and interplay of dual elements: matter and energy, spirit and body, emotion and intell...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...

Incredible wall tapestry or weaving circa late 1950s. This stunning hand done example depicts a winged being with interwoven multi colored flowers as wings. The black background make...

acrylic on canvas b. 1942, Elgin, OK Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. His canva...

SIGNATURE AND TITLE ON VERSO b. 1942, Elgin, OK Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured....

Accomplished artist Hubert Long created this striking display of found wood in 1977. He enjoyed some success with exhibitions at a gallery on Long Island in the 1960s and 1970s...

acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...

An exclusive pair of earrings in essential design, so elegant and refined. Earrings come in 18K gold with 2 pieces of Natural Diamonds in round brilliant cut of 2,80 carats + 2,80 ca...

acrylic on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she att...

Black and white diamonds sure do go great together! The diamonds in this ring are hexagon cut diamonds which make for a unique and stunning look. The elongated hexagon cut black diamonds total 2 carats and surround a beautiful hexagon cut white diamond that is .50 carats. Accenting the beautiful white hexagon diamond...

Harold Christopher Davies (1891-1976) abstract painting. Signed lower left Rubber stamp on the back from Hoover Gallery, San Francisco Initialed and dated on the back, 1968 Oil on pa...

Introducing our remarkable emerald cut bezel solitaire ring, a masterful blend of timeless elegance and modern sophistication. This unique piece features a stunning emerald-cut diamo...

Robert Kelly’s painted collages are anchored in a step-by-step process of formal puzzle composition and informed by decades of expert surface crafting. Having grown fond of the pared...

acrylic on canvas b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. G...

This Robert Whitton coffee table, crafted from aluminum and glass, is a striking example of design excellence from the late 20th century. Produced during the 1980s and early 1990s, t...

The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with shimmery pearlescent paints and mirror-like si...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and ...

Original color lithograph by Swiss/American artist Hugo Weber. Pencil signed lower right and dated 1964. Titled lower left "Black Print." In excellent condition. Sheet size: 22" H x ...

So stunning and chic design for this rare and amazing ring with a incredible Natural Fancy Yellow Diamond, in perfect cushion cut, 9 carat , VS clarity, and two side diamonds, spe...

mixed media on paper

Bernard Dunstan, R.A. Pastel on Paper beautifully framed. Titled on the verso: “Coming out of the Bathroom: Llwynair” Initialed lower left “B.D.” Signed in marker on the verso “Berna...

oil and acrylic on canvas, over wood panel

Focusing on painting as a space of exploration, Raphaëlle Goethals has worked with wax, resin, and pigments as her signature medium for over twenty years. She established her vocabul...

Bronc by Lon Megargee, Woodblock Print ca. 1920s Handmade Saguaro Rib Frame, double linen mat, museum archival materials Bronc Woodblock Print, signed in print Image: 8 3/4 x 9 7/8 inches Frame: 21 x 20 inches FINE ART ESTATE OF LON MEGARGEE Megargee Custom Handmade Saguaro Frame We offer signed in print and original signature block prints. Custom, hand carved, signature frames, with archival standards and a speciality in hand dyed mats and french matting are provided for a beautiful and timeless presentation. Free shipping Continental US Biography Megargee explored different mediums; printmaking captivated him in particular. The contrast of the black and white block print method captured perfectly his interpretation of a bold American West. The first print was produced around 1921 and culminated with the creation of “The Cowboy Builds a Loop” in 1933 with 28 images and poetry by his friend, Roy George. Megargee continued producing prints throughout the 1940s and early 50s. Creator of the iconic logo for the Stetson Hat Company, " Last Drop From his Stetson", still in use today. Fine Art Estate of Lon Megargee At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar Ranch . . . and, after a few years, was offered a job by Billy Cook...

acrylic on brushed aluminum b. 1950, Teaneck, New Jersey One of the most powerful tools an artist possesses is an ability to bridge the gap between what is considered real and what is illusion. This ability to alter or enhance reality is the very crux of what an artist is all about, and their success at attaining this is usually the defining element as to their stature in the field, as either an abstract or realist painter. Occasionally a painter is able to combine these two distinct disciplines and create an art form, which holds a viewer’s attention by balancing the paradox of the flat painted...

This ring is truly a masterpiece of elegance and sophistication. At its heart lies a brilliant round-cut diamond that totals 1.71 carats, and is M in color with I1 clarity. This diam...

This massive and gorgeous 43.61 carat green tourmaline is surrounded by 4.57 carats of mixed cut canary yellow sapphires all hand fabricated in 18k yellow gold. The dimensions of the...

Rodeo Queen, 1981 Edition 36/50 Signed lower left, Inscribed: for the "Rose" 82. Provenance: Print was a gift to Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". Lithograph on paper 42 ½ × 29 in. (107.3 × 73.7 cm) Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Flared pottery bowl with incised overall decoration to exterior. Glazed in sea foam green with brown highlights. Created circa mid-1950s, mint condition. Measures 4.25" H x 10.5" ...

Condition is excellent. This portfolio is very rare and rarely in this quality of condition. I can send additional images showing the pristine condition of the folio. Free Shipping lower 48 states This is the 1944 “The Cowboy Builds a Loop” portfolio from the fine art estate of Lon Megargee. 
It contains 16 images chosen from his 1933 original book “The Cowboy 
Builds a Loop”, which contains 28 plates and poems. The 1944 portfolio was created as 
an extension of the book which was no longer available. The prints were likely done on a letter set press using the images from the 1933 book and are not the original block prints, which are larger. I don’t know how many of the 1944 portfolios were made, but I don’t feel that they were produced in large numbers as would be done today. The foreword is written by Oren Arnold, novelist, journalist, and humorist, 1900-1980. Paper size is 12 x 8.75 inches, images vary within that size. Portfolio contains 16 prints. Creator of the iconic logo for the Stetson Hat Company, " Last Drop From his Stetson", still in use today. Fine Art Estate of Lon Megargee At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar Ranch . . . and, after a few years, was offered a job by Billy Cook...

Set of three vintage display pedestals, likely 1970s. Sold as a set but may consider selling individually. They are octagon in shape, brass clad over wood and show age-appropriate si...

silver deposit and acrylic on canvas

Wonderful serigraph in color on black light cardboard, created circa 1970's. By French/Hungarian artist Victor Vasarely, considered the father of Op Art. This work is in excellent co...

An exceptional rare GIA Certified Natural Diamond of 1,99 carats, in perfect round brilliant cut , triple XXX , D color IF clarity, excellent quality, so sp...

An exquisite master piece solitaire ring with a intricate and sophisticated design. Elevate your style and make a symbol of luxury , elegance, class without the time. Diamonds are ...

Uncommon Adrian Pearsall 916-CC captain chair for Craft Associates, 1960s with fun patterned newer upholstery. The walnut frame is in good condition with two minor issues: one small ...

Watercolor by British artist Noel Leaver (1889-1951). Beautiful Orientalist subject in excellent condition - framed. Measures: 11" H x 15" W. Frame: 19 3/4...

encaustic on canvas Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light in the sky a...

An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 14" x 24," sheet measures 18 1/2"...

These unique and gorgeous stud earrings are made with dazzling blue aquamarines. All set in 14k rose gold bezels with hand engraved accents, and measure 7.60mm in diameter.

Beautiful vintage copper necklace made in Mexico. By ex-pat artist Ken Beldin 1940s and 1950s, unsigned. Measures: 4" H x 1.75" W In excelle...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

Original Woodcut print from the Baja California Series by the artist Edgar Dorsey Taylor. Title is seen at lower center: “Waves Off the Shore. Bahia de Los Angeles.” Pencil signed l...

encaustic and oil on panel, framed Focusing on painting as a space of exploration, Raphaëlle Goethals has worked with wax, resin, and pigments as her signature medium for over twent...

Simply Diamonds, simply exquisite and luxurious. And Perfectly finished with delicate and flawless craftsmanship. Every woman deserves to adorn herself with a collection of exquisite...

Original oil painting by French artist Yves Diey (1892-1984). Signed lower right. In excellent condition. Measures: 18" H x 21 3/4" W. Frame size: 26 1/4" H x 29 3/4" W.