Phoenix

Horse hair and cotton Dutch artist Marian Bijlenga's work has exhibited and received awards at venues worldwide. Rather than drawing on paper, Bijlenga draws in space, using textile...

20th Century Sea Scape (1911-1995) By Alexander Dzigurski Beautiful painting purchased in France. Age appropriate wear, see detailed photos or message us with questions.

19th Century Louis XVI Style Five Legged Fireside Chair Beautiful piece purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Pair of sculptural saber leg occasional tables by Robsjohn Gibbings for Widdicomb, circa early 1950s. Newly finished. Price listed is for the pair.

Pair 19th Century French Monumental Obelisks. Exquisite design, must see photos.

Sister Mary Corita Kent (1918-1986) was known for her text-based pop influenced printmaking that conveyed her activism and spiritually-informed social...

oil and wax on canvas over panel Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of ligh...

glass and bronze Keith Cummings is a celebrated artist, as well as an educator and author. He specializes in casting sculptures from glass, often combined with metal. Cummings is cr...

Francisco Zuniga bronze sculpture. Seated female. Edition: 5. #467 in the Zuniga catalog raisonne. Titled: "Juchiteca Sentada". Measures: 8 7/8" H x 10 1/4" L x 10 5/8" W (not including the 1 ½" wood plinth). Signed Zuniga and numbered 111/V. Created 1965. A Letter of Authenticity issued by the Zuniga foundation (and son Ariel Zuniga...

"The Travels of Cosmo the Third", Translated in English from the Italian Manuscript in the Laurentian Library at Florence, c.1821 Edition. Printed for London, J. Mawman. This book de...

1970s-80s torchiere touch table lamps. Three available individually but can also sell as a set of two or three. These are tall at 29.25” with a 14” di...

Hand-painted faux malachite and bakelite chest, circa early 1950s. This extraordinary example has subtly curved black and white bakelite handl...

turned wood "I think of my wood turning as a way to reveal the beauty and texture found in the wood. The wood I use comes from trees, which are native to the southeastern United Sta...

Original stone lithograph created 1944 by well-known Regionalist Thomas Hart Benton. The print is in excellent condition with full margins and pencil signed lower right. Also signed in the stone. It is matted in a 4-ply archival mat and rests in a simple black frame. Image size: 10 ½ x 15. Frame size: 18 x 23. Published by AAA. Ed: 250. Thomas Hart Benton found inspiration for his art in the ebb and flow of daily life in rural and small-town America. Wreck of the Ol’ 97, one of his best-known prints, is based on a ballad of the same title that tells the story of a rail disaster. A speeding locomotive attempting to make up lost time jumped the tracks as it descended a Virginia mountain...

Authentic Native American Pueblo Indian painted drum. Featuring stretched hide on top and bottom. Sides decorated in red and blue. Tops tightened with sinew. Early 20th century, cir...

French Louis Philippe Mahogany Bookcase C1830. Unique piece purchased in France. Beautiful condition, see photos. Message us with any questions.

This is a stunning example of a late Victorian or Edwardian sideboard-etagere or parlor cabinet. It is a highly architectural piece that blends several design movements, notably the ...

Original Stencil Print by Sadao Watanabe (1913-1996) on hand-made washi paper. The image is from the Old Testament - Noah’s Ark. Artist’s chop mark and pencil signature are seen lowe...

Benjamin Eisenstat (1915-2001) Oil on board, 1981 Measures: 10 1/4" H x 14" W, frame 14 1/2" H x 18 1/2" W. “New York City” in excellent condition. Signed lower right and also on the...

Narumi porcelain is renowned for its high-quality and delicate craftsmanship. The "Spring Bamboo" pattern represents longevity and features the distinc...

California/New Mexico artist Paul Pletka (b. 1946) Acrylic on Canvas, 1972. Native American subject in Decorative Hair Plates. Signed lower right. Titled in pencil on the verso by th...

18th Century French Louis XVI Console / Desserte Unique piece purchased in France. Beautiful condition, see detailed photos. Age appropriate wear. Message us with any conditions.

Silvia Heyden yellow striped hand-woven tapestry. Clean abstract stripes allow the work to be displayed vertically or horizontally. Heyden was originally...

Etching and drypoint on paper by famous Taos Artist Gene Kloss (1903-1996). Title: Navajo Canyon Cliffs. Unframed and un-matted. Kloss #563 Pencil titled lower left. Pencil signed lo...

Beautiful and rare Art Nouveau china hutch: 57" wide by 57" high and 14.5" deep. The hutch has 4 drawers in the middle, left and right storage compartme...

This is an original lithograph by Chicago/New York artist and illustrator Joseph Webster Golinkin (1896-1977). This print is no. 12 of the edition of 50. The print depicts the Joe Lo...

This wonderful piece was made by the Merida Brittania Company in 1919. It measures about 10.5" high with the from the bottom to the top of the lid, 7" high without a lid, and is a 5"...

18th Century Italian Console Table with Gold Leaf & Faux Marble Top Gorgeous piece purchased in France. Age appropriate wear, see detailed photos. Message us with any questions.

Excellent ceramic designed by well known Wiener Werkstatte artist Kitty Rix. It depicts a young couple on a park bench holding hands. Executed by the Wiener Werkstatte. The figurine...

Politically charged oil on canvas by Depression Era New York artist William Gropper. Painting measures: 20" H x 16" W. Frame measures: 24" H x 20" W. Signed lower right and in excell...

Rare all original bookcase in oak by Pierre Cruège. This petite work has sculpted tapered sides and is perfect for displaying smalls or books.

Marcello Fantoni glazed ceramic vessel, circa early 1960s. This fabulous example has hand painted female figures around the exterior and a speckled glaze on the inside.

A beautiful large antique ceramic lamp, hand-painted blue-and-white with colorful floral motifs, yellow lion heads and iron spigot topped with a pleated ivory linen lampshade. It cou...

Vintage, English-Regency style etagere or baker's rack, hand-forged, heavy-weight, iron frame with (new) thick high quality glass shelves. Great find, easy to place! Dimensions: H: ...

Vintage, Spanish Santa Barbara style, hand-forged, black cast-iron shutter stops, latches, or Shutter Dogs, Set of 9. The backplate is adjustable and can be installed as a diamond or...

Mid-Century style cocktail table with geometric polished-marble mosaic and hand-forged iron. The top has a discrete marble chip/indent (see photo) it's hardly if not noticeable. It h...

Robert Rauschenberg pop art offset lithograph created 1976. Pencil signed, dated, and numbered lower right. The edition size is 16 of 125. Titled: Artists rights today. The work is...

Art Deco Bimini decanter with matching set of eight glasses. Handblown in blue, and decorated with white mermaids. One is seen in the decanter as well ...

Pair of vintage, Mid-Century modern, Art-Deco style, etched-brass palm tree candle stick holders. Solid and heavyweight. H: 6" Diam: 6.5" We know it’s hard to find one-of-a-kind p...

Dazzling set of fireplace tools in clear lucite and polished chrome by Alessandro Albrizzi.

Vintage Japanese tea or espresso set. Produced between the 1930s and 1960s (often in Kutani), features a hidden, 3D image of a woman's face at the base of the cups, visible only whe...

Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York) "City of Ambition" from Camera Work Number 36 (1910) Photogravure on Japanese tissue mounted on paper, as issued. ...

Accomplished artist Hubert Long created this striking geometric wood sculpture in 1966. He enjoyed some success with exhibitions at a gallery on Long Island in the 1960s and 1970s. ...

Dick Sutphen oil painting, circa 1968. Beautiful flow of color and movement.

Bomber And Buckeroos ca. 1939 Till Goodan Offset Lithograph PRINTS ARE IN GOOD CONDITION. PRINTS MAY HAVE SMALL FLAW ALONG EDGE OF PAPER, DOES NOT EFFECT THE PRINT IMAGE All the prints are 26 x 31 inches, Mustang Peeler, Bombers and Buckaroos, The stranger, Guardians of the Range and Range Baby. Note that “The Mustang Runner” is 3 inches shorter in height, 23 x 31 inches The print by Till Goodan was originally a painting and reproduced by the Westward Ho company as a set. Westward Ho produced the most sought after Western dinnerware ever made. The most popular pattern was the Rodeo pattern by Till Goodan. He Illustrated and branded many accessories sold by the Westward Ho Company. Tillman Parker Goodan 1896-1958 To the casual observer his paintings are exciting and colorful. To the scholars of the Western Era they are benchmarks of authenticity. Such is the style of Till Goodan. He was born Tillman Parker Goodan in Eaton, Colorado on March 27, 1896. His father was a true western pioneer, mayor of Eaton, publisher of its first newspaper, and County Commissioner for several years. After moving to California in 1905 and settling on a little farm that bordered the Michel Cattle Ranch, Till spent much of his boyhood with the Michel sons working on their ranch. There he developed his expertise as a calf roper and the skills of a working cowboy. As a young man Till pursued endeavors that would initially callous his emerging artistic hands. He worked for the famous Miller and Lux Ranch in California. He packed mules and ran pack trains into the Sierra Mountains. He broke horses and competed in local rodeos riding saddle broncs and roping calves. And during the quiet hours he would draw pictures of ranch life and the action of the rodeo. People began commenting on his talents as an artist. In 1917 he left the rodeo circuit and turned his full attention to a career in art. He studied with Roger Sterrett, William Paxton, and Dana Bartlett, all highly respected California artists. Till soon became a free-lance commercial artist doing work for Grauman’s Chinese and Lowe’s Theaters, Helms Bakery and Security Bank. He later assumed a position as Art Director for the Richfield Oil Company. However, his first love was still the art of the old west, horses, cowboys, and ranching. So, he left Richfield and gave his full attention to the field of fine arts. He did oil painting, water colors and lithographs. He drew the Gene Autry Comic Books. He illustrated and hand lettered a large collection of stories about famous bucking horses, ranches, horsemen of the world, and western gear. In association with W.C. Wentz, he started producing a complete line of western gift wares, ceramics, bronzes, leather, paper, and fabric. By the 1930′s he was beginning to receive recognition for his western art and by the early 1940s, he and his daughter, Betty, were illustrating comic books for his longtime friend, Gene Autry. Betty was also a world champion cowgirl. Till Goodan designs appeared in virtually every medium. But, the most famous was the four lines of dinnerware produced by Wallace China...

Ross Eugene Braught (1898-1983) Original Lithograph titled “Mako Sica (Tchaikovsky's Sixth).” Image measures 12 3/4 x 14 1/4. Pencil signed and dated lower right. Titled lower left. ...

A vintage pair of black metal sliding bolt gate latches in a dark black-bronze finish. They were brought back from a European shopping trip. Very charming...

A set of (3) antique amber glass hurricane shades. The color veries a little bit and one of the shades looks a little darker. Though all three are ...

SHIPPING FEES INCLUDE SHIPPING CHARGE, PACKAGING & **INSURANCE** Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimnez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimnezs works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimnez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimnez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Late 19th Century French Oil Painting of "Passage to Ruins" Beautiful piece purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Pair of 20th Century Louis XVI Style Lyre Back Armchairs Unique pair purchased in France. Age appropriate wear, see detailed photos. Message us w...

Solid walnut and mosaic table lamp, circa late 1950s. This came from an estate with Allen Ditson and Lee Porzio items and we are researching to see if it is one of their items. Price...

Studio Pottery dimpled vase in mint condition by Otto & Gertrud Natzler. Signed with their customary "Natzler" signature on the base. Measures: 4 inches high and 6 ½ inches across a...

19th Century Pair Napoleon III Mahogany and Ormolu Neoclassical Wall Brackets. Beautiful pair purchased in France. Age appropriate wear, see detailed photos or message us with questi...

Art-Deco style accessory box, aged-brass etched and sculptured ginkgo leaf pattern on a sleek black plinth base, designed by Laura Kirar. Very heavy-weight and solid. This limited-ed...

Late 19th Century Louis XVI Style Chairs Beautiful Condition, see detailed photos. Purchased in France. Message us with any questions.

Erich Heckel (1883-1970) Original Woodblock print, 1919. “Dostoevski's Idiot (Final Scene)” Unframed and in excellent condition. Image size: 9 3/4" H x 11 1/2" W. In a 16" H x 20" ...

Blue studio pottery vase in excellent condition with incised female figures, 1996. Created by Edwin (1910-2008) and Mary (1908-2007) Scheier. Sig...

Early Steven Sles oil on linen painting circa 1964. Sles was a mouth painter with very limited use of his hands. He was also a student of Hans Hoffman. This example has a wonderful l...

(2) Antique rosewood chairs. Each chair has a delicate hummingbird and cherry blossom carving. Dimensions: Height – 37.5 inches from floor to the highest point and 36.5 inches fro...