Phoenix

sepia toned silver gelatin print Framed dimensions 21.5 x 17.5 inches Paul Kozal has been photographing for over 25 years. His award-winning photographs have been exhibited in numer...

Sandra Brown North ceramic and wood totem circa mid 1950’s. This masterful work has earth toned figural ceramic forms mounted on a wood back and a square wood bases. A rectangular se...

This wonderful watercolor on board by Amedeo Simonetti (1874-1922) is signed lower left “A. Simonetti - Roma, 1900.” Measures 22 by 14 7/8 in. Frame measures 27 3/4 by 20 3/8 in. The...

oil and wax on woven canvas Neo-romantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light in...

Impressive watercolor by California Abstract Impressionist, Robert McChesney (1913-2008). The painting is in excellent condition and measures 21 x 15 inches. The frame is 31 x 24. A label is seen on the verso with the title: "Investigators," and "From the Okinawa Series #47." Signed lower right. McChesney was a wonderful painter and this work is from his best period in my opinion. Post-War California artist, Robert Pearson McChesney became an Abstract Expressionist painter, assemblage artist, printmaker, sculptor and teacher. He was born in Marshall, Missouri, and with the exception of a year in Mexico, 1951, and World War II military service aboard a ship, he spent his career in California where he moved in 1936. He lived and had his studio north of San Francisco in Petaluma, atop Sonoma Mountain...

Showa Era Takamaki-e Urushi lacquer low table with life-edge border. Origin is likely Wajima or Yamanaka region. The tea table 43" long, 30" wide and 12.5" high. This one of a kind ...

Steven Sles studied under Hans Hofmann and went on to have an illustrious career as a painter and poet. He had cerebral palsy and shook so much that he taught himself how to paint wi...

Large scale acrylic on board painting by Jim Proctor, circa late 1960s. This example has vibrant hues of oranges yellows and blacks and has compositional depth and great flow. This w...

oil and wax on layered canvas Neo-romantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light i...

A set of 6 Cristal D'Argus - Durant crystal goblets. Each glass is 8.5" high and 3" wide at the opening. Excellent condition.

Tapered solid walnut and polished brass cocktail or occasional table from Italy, circa late 1950s. This lovely example has sculptural newly oiled walnut inserts with mirror polished ...

Well done bronze by Polish/Israeli artist Richard Shiloh (1946-2012). Title: Dancer on the Bar. Created circa: 1970's - 1980's. Measures: 13 1/2"h x 7"w. Edition size 5 of 8. The work is in excellent condition with no damage. The signature, edition size and foundry mark are seen on the base. Richard Shiloh is an internationally recognized Israeli figural...

Acrylic on Arches Paper by the incredibly talented mostly self-taught African American William Tolliver (American/Louisiana 1951-2000). Reclining Woman. Image: 18 3/4 x 26 3/8. Full ...

Dick Sutphen oil painting, circa 1968. Beautiful flow of color and movement.

Aaron Bohrod (1907-1992) oil on gesso panel. In excellent condition. Titled: “Shop Windows,” circa 1946. Measures: 16" H x 20" W. Frame measures: 23" H x 27" W. Signed by the artist ...

Original lithograph in excellent condition by Louis Lozowick (1892-1973). Pencil signed lower right. Edition size lower left. No. 24 in the Raisonne by Janet Flint. Edition of 20. Th...

A really great painting by American artist Robert Philipp (1895-1981), Oil on canvas, circa 1950s . Image measures: 20" H x 24" W. Frame measures: 31" H x 35" W. Signed lower right....

A set of (2) solid brass vintage lamp bases with globe chimneys. Unwired. The lamps feature cherubs on each side and look like candle-holders. Please note*****: the lamps are not wir...

Original oil on board - a still life of flowers by noted Modernist artist Abraham Walkowitz, (1878-1965). Signed lower right “A. Walkowitz” and inscribed lower left “to Mr. and Mrs. ...

SHIPPING FEES INCLUDE SHIPPING CHARGE, PACKAGING & **INSURANCE** Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimnez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimnezs works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimnez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimnez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Bronze angel sculpture by architect and artist Paolo Soleri (1910-2013). Soleri is well-known for his experimental Community, Arcosanti, just n...

Adriano dalla Valentina Murano glass amber bottle with Mosaica Motif on the lower half. Signed “Valentina” and dated 2003 on the base. In excellent condi...

Coscolina Con Muerto (Flirt With Death) 1986 Stone Lithograph Edition 35/50 Size: 26.75 x 21 inches Frame size: 44.75 x 39 Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern...

Original Etching by Modernist Milton Avery (1885-1965) Image measures: 8 5/8" H x 4 5/8" W. Titled lower left - “Little Girl” Edition size: 6 of 60. Printed in 1936. In excellent co...

oil and wax on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school sh...

This is a beautiful watercolor on paper by New Jersey artist Henry Gasser, N.A. (1909-1981). The subject is charming Venice, Italy and the painting measures 8"h x 10"w. Signed “H. Ga...

Jacques Enguerrand Gourgue (1930-1996) surreal still life. Oil on board in excellent condition, original frame. Painting measures 30" H x 22" W. Measures: 36.5" H x 30.75" W, frame s...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended t...

Olin Dows Surrealist Subject Painting. Signed lower left and dated 1965. The work is in excellent condition and is unframed tempera on masonite. It measures 10 1/4"h x 13 1/2"w. This...

Elevate your look with this magnificent solitaire ring. Diamonds represent abundance, luck, beauty. This exquisite solitaire , exuding an air of elegance and sophistication. Magnifi...

Important abstract elongated geometric form Peter Macchiarini studio brooch. Copper and sterling set with ebony, bone and mahogany in spherical and...

Large color etching and aquatint of New York by Czech/California artist Max Pollak, (1886-1970) This print is titled "New York Battery" and was printed, circa 1927. Image measures: 1...

SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** Greg Singley , born 1950- Artist Statement: When the sun sets in the desert South West, thin...

Beautiful gouache of the shoreline by Dutch artist Gerard Hordyk (Hordijk) 1899-1958. The work is in excellent condition with strong bright color and is signed lower right. Bathers c...

Two enamel on copper shallow trays by Edward Winter. Abstract designs in blue. One round with paler geometric pattern signed “Ed Winter.” 6" D. One square with round center and a...

Beautiful oil on canvas by Arizona/Utah/California artist John Burton (b. 1966). The painting is in excellent condition and bears a lovely gold frame. The work measures 36 x 24 inch...

Stunning bronze and glass side or cocktail table by Peter Ghyczy, circa early 1970s. This example handsomely wraps around the glass top with solid bronze legs with architectural deta...

Etched glass bowl - Overall Foral & Vine pattern. Signed on the bottom - Orrefors Expo v159 - 78 Eva Englund In perfect condition. Measures: 4 1/8" H x 7 1/2" L x 6 1/4.

Original color woodblock print by Werner Drewes. In excellent condition. Unframed. Image measures 9 1/8 x 21 inches. Pencil signed and dated lower right. Edition size in pencil lower left: #3 of 30. (13) R-341 Werner Drewes (1899-1985) Werner Drewes, painter, printmaker, and teacher was born in Canig, Germany in 1899. His father, a Lutheran Minister, hoped he would become and architect but Werner chose the life of an artist. After he served on the front line in France during the war, Werner was admitted to the Bauhaus in 1921 where he studied under Klee, Itten, and Muche. Later, he traveled through Europe to study such old masters as Tintoretto, Velasque, and El Greco. After marrying Margaret Schrobsdorff, they traveled throughout South America, North America, and Asia. In 1930, Werner immigrated to New York City with his family. In New York City, despite the Depression, Werner joined other Bauhaus artists such as Mondrian and Feininger to make a living as an artist. This group became the core of the American Abstract Artists group. Werner taught at Columbia University, worked on the design of the 1939 Worlds Fair building...

Surreal painting in excellent condition by Arizona artist Lotan Lotan. Depicts the artist on top of the world - a self-portrait. Framed. Signed lower right...

Karl Larsson (1893-1967) non-objective abstraction Original watercolor, circa 1920s-1930s In excellent condition. Archivally Matted - not framed. Measures...

Textured oil on linen painting by Steven Sles, circa early 1960s. Sles was handicapped and used his mouth to paint. He studied under Hans Hoffman. This ex...

Vintage Hippie style tall Maurice Grossman earthenware pot. Handmade slab pot, artistically designed. 13" H x 6" D. Features lettering: Funk, luv, wow...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

H. Wilson Smith (1901-1981) California Artist $3000 Oil on masonite in the original frame. Painting measures 26 3/4"h x 20 1/2"w. Frame: 27 3/8"h x 21 1/8"w. Titled on the verso ...

Set of four wrought iron mid century modern vintage patio outdoor chairs. Unsure of maker or designer, likely 1960s judged by the manufacturing. These are similar to the Salterini “C...

Pair of uncommon Plycraft bent wood walnut true mid century modern vintage side chairs. These were likely designed by George Mulhauser, but they share some design elements in common with Norman Cherner...

Stunning studio crafted solid walnut and raffia armchair, late circa 1970s. This sculptural example has an unusual handcrafted back, beautifully formed arms and masterful joinery.

oil and wax on gessoed linen Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she att...

An exquisite and spectacular GIA certified natural fancy yellow diamond, cushion cut, of 5,00 carats VS clarity, very clean, and two side natural diamonds trillions cut and round br...

Werner Drewes (1899-1985) oil on canvas, 1947 Titled: “Adobe Village” Measures: 15 ½ x 36 Frame: 21 x 42 Signed lower left and also on the verso In excellent condition. Born in Nie...

oil and wax on canvas 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school sh...

Original mixed media in gray and black by well-known Phoenix, Arizona black artist Eugene Grigsby, Jr. Created 1963. Signed lower left. Framed beautifully and in excellent condition. The work is watercolor and mixed media on Paper. Painting measures 23"h x 17 3/4"w. Frame measures 29 1/2"h x 24"w. This item is a preparatory work for the oil painting by Grigsby also titled “The Family.” Art professor, fine artist, and high school art teacher, Jefferson Eugene Grigsby, Jr. (1918-2013) in Greensboro, North Carolina. In 1933, Grigsby attended Johnson C. Smith University in Charlotte, North Carolina. Within a year, Grigsby transferred to Morehouse College in Atlanta, Georgia, where he first met his long time mentor, Hale Woodruff. Grigsby graduated from Morehouse College in 1938, with B.A. degree and because of Woodruff, he was equipped with extensive artistic experience that he would retain throughout his life. Grigsby went on to obtain his M.A. degree in art (1940) from Ohio State University and his Ph.D. degree from New York University (1963). In 1942, Grigsby volunteered to serve in World War II and became a master sergeant of the 573rd Ordinance Ammunition Company under U.S. Army General George Patton...

Pleasing composition by Israeli/New York artist Abraham (Avraham) Goldberg (1903-1980). Signed lower right A. Goldberg. Also signed on the verso. In very good condition and framed ni...

Weller Louwelsa standard glaze ceramic vase in mint condition. Marked: Weller and Louwelsa. Decorated with Holly leaves and berries. Measures: 8" H x...

Georges Schreiber (1904-1977) oil on canvas circus scene with Trapeze Artist. Measures 36"h x 24"w. Frame measures 41 1/4" H x 29" W. Signed and dated lower left Schreiber '48. Also ...

Russian subject by Anatoly Sokoloff (1891-1971). "Russian Village, Winter Fun". Oil on canvas laid on board, circa 1960s. Size: 20" H x 24" W. Excellent condition. Frame size: Approximately 28" H x 32" W. The work is signed and dated lower right by the artist. Anatoly Sokoloff was born in St. Petersburg, Russia in July, 1891. He completed studies at the Academy of fine Arts in St. Petersburg. He became the Commissioner of fine Arts in the Crimea, and later Academic Professor of Art. By the 1940s Sokoloff had settled in San Francisco. In Europe, his works are to be found in museums and private galleries of Germany, Romania, and Austria. Many are Royal portraiture. In 1953, the government of Argentina commissioned the artist for the painting, The Great Captain for their House of Congress. In 1961, again commissioned by the government, he completed the work, Crossing of the Parana River. His panoramic murals...

Abstract watercolor by Rolph Scarlett, signed lower left. A great example by Scarlett. Measures: 19" H x 21" W image size. New modernist custom-made frame. Size: 24 1/4" H x 26 3/4" ...

A wonderful and colorful oil on masonite by Indonesian artist Lucien Frits Ohl (1904-1976). Oil on board created Circa 1960's. Measures 23 ½ x 35 1/4. Frame is 29 ½ x 41 ½. The work ...