Phoenix

Lovely original etching, a portrait of a local girl by Anders Zorn (1860-1920) $1500 Created 1912 and titled “Skerikulla." The image measures 9 3/4" H x 7 3/4" W. Paper size: 15 3/8"...

white stoneware, with slip decoration b. 1929 – d. 2014 Don Reitz referred to his medium of choice as “dirt.” Simply put, clay is dirt or earth, and “burnt earth” is pottery. He ...

19th Century Pair French Blue Opaline Glass Lamps Beautiful Lamps purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Vintage brass and alabaster 12-light chandelier in Art Deco style. The chandelier is made with genuine Spanish alabaster and multi-ribbed polished brass. Tiered Lighting designed ...

oil on canvas signed, title, year on verso Hiro Yokose paints images of nature composed in subtle, sensuous palettes. Playing with the viewer’s perceptions, his work creates a visua...

A set of (3) antique amber glass hurricane shades. The color veries a little bit and one of the shades looks a little darker. Though all three are ...

Ikeda Yoshiro Monumental ceramic sculpture. The glaze on this large scale work has a patinated copper feel. Has a wonderful feel and scale from all perspectives.

Bomber And Buckeroos ca. 1939 Till Goodan Offset Lithograph PRINTS ARE IN GOOD CONDITION. PRINTS MAY HAVE SMALL FLAW ALONG EDGE OF PAPER, DOES NOT EFFECT THE PRINT IMAGE All the prints are 26 x 31 inches, Mustang Peeler, Bombers and Buckaroos, The stranger, Guardians of the Range and Range Baby. Note that “The Mustang Runner” is 3 inches shorter in height, 23 x 31 inches The print by Till Goodan was originally a painting and reproduced by the Westward Ho company as a set. Westward Ho produced the most sought after Western dinnerware ever made. The most popular pattern was the Rodeo pattern by Till Goodan. He Illustrated and branded many accessories sold by the Westward Ho Company. Tillman Parker Goodan 1896-1958 To the casual observer his paintings are exciting and colorful. To the scholars of the Western Era they are benchmarks of authenticity. Such is the style of Till Goodan. He was born Tillman Parker Goodan in Eaton, Colorado on March 27, 1896. His father was a true western pioneer, mayor of Eaton, publisher of its first newspaper, and County Commissioner for several years. After moving to California in 1905 and settling on a little farm that bordered the Michel Cattle Ranch, Till spent much of his boyhood with the Michel sons working on their ranch. There he developed his expertise as a calf roper and the skills of a working cowboy. As a young man Till pursued endeavors that would initially callous his emerging artistic hands. He worked for the famous Miller and Lux Ranch in California. He packed mules and ran pack trains into the Sierra Mountains. He broke horses and competed in local rodeos riding saddle broncs and roping calves. And during the quiet hours he would draw pictures of ranch life and the action of the rodeo. People began commenting on his talents as an artist. In 1917 he left the rodeo circuit and turned his full attention to a career in art. He studied with Roger Sterrett, William Paxton, and Dana Bartlett, all highly respected California artists. Till soon became a free-lance commercial artist doing work for Grauman’s Chinese and Lowe’s Theaters, Helms Bakery and Security Bank. He later assumed a position as Art Director for the Richfield Oil Company. However, his first love was still the art of the old west, horses, cowboys, and ranching. So, he left Richfield and gave his full attention to the field of fine arts. He did oil painting, water colors and lithographs. He drew the Gene Autry Comic Books. He illustrated and hand lettered a large collection of stories about famous bucking horses, ranches, horsemen of the world, and western gear. In association with W.C. Wentz, he started producing a complete line of western gift wares, ceramics, bronzes, leather, paper, and fabric. By the 1930′s he was beginning to receive recognition for his western art and by the early 1940s, he and his daughter, Betty, were illustrating comic books for his longtime friend, Gene Autry. Betty was also a world champion cowgirl. Till Goodan designs appeared in virtually every medium. But, the most famous was the four lines of dinnerware produced by Wallace China...

Original color woodblock print by Werner Drewes. In excellent condition. Unframed. Image measures 11 1/4 x 14 1/4 inches. Pencil Signed and Dated: Proof (15) R-364. Werner Drewes (1899-1985) Werner Drewes, painter, printmaker, and teacher was born in Canig, Germany in 1899. His father, a Lutheran Minister, hoped he would become and architect but Werner chose the life of an artist. After he served on the front line in France during the war, Werner was admitted to the Bauhaus in 1921 where he studied under Klee, Itten, and Muche. Later, he traveled through Europe to study such old masters as Tintoretto, Velasque, and El Greco. After marrying Margaret Schrobsdorff, they traveled throughout South America, North America, and Asia. In 1930, Werner immigrated to New York City with his family. In New York City, despite the Depression, Werner joined other Bauhaus artists such as Mondrian and Feininger to make a living as an artist. This group became the core of the American Abstract Artists group. Werner taught at Columbia University, worked on the design of the 1939 Worlds Fair building...

Antique Oil Painting Sheep & Lamb Paul Henry Schouten 1860-1922 Beautiful painting purchased in France. Age appropriate wear, see detailed photos or message us with questions.

1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, now, San...

18th Century Portrait of a Nobleman. Beautiful painting purchased in France. Age appropriate wear, see detailed photos or message us with any questions. Inner Frame Dimensions: Hei...

Wood, patinated steel and iron sculpture by Rick Lussier, circa early 1980s. This unusual example mixes different elements seamlessly and is striking from every angle.

Rockwell Kent (1882-1971) wood engraving in excellent condition titled: Diver. Created 1931. Edition size: 150. Image measures: 7 7/8"h x 5 3/8"w. The print is unframed and presents ...

18th Century LouisXV Duchesse Chaise with New Upholstery. Gorgeous piece. See detailed pics.

Bud Tullis wenge and woven aluminum screen circa late 1980’s. This all original example is hand sculpted and has multicolored aluminum on one side is monochromatic on the other.

This beautiful Native American made Sterling Belt Buckle is inlaid with stones to fashion a Pheasant. The buckle is made by the famous Zuni inlay artist Dennis Edaakie. The piece is ...

Philip Reisman (1904-1992) Oil on Board, 1948. This wonderful New York image is titled “Delancey Street” on the verso. The work is signed by the artist “P. Reisman” lower right and...

Pair of uncommon Plycraft bent wood walnut true mid century modern vintage side chairs. These were likely designed by George Mulhauser, but they share some design elements in common with Norman Cherner...

19th Century Louis XVI Commode. gorgeous burl and hardware in great shape. See pics

Accomplished artist Hubert Long created this striking display of found wood in 1977. He enjoyed some success with exhibitions at a gallery on Long Island in the 1960s and 1970s...

Beautiful contemplative image by Polish New York artist Hyman Katz (1899-1970). The etching measures 9 5/8 x 11 3/4. It rests in a 16 x 20 inch museum mat and is unframed. The work i...

Benton Spruance, Pennsylvania artist, original lithograph, 1933. Titled “Shells for the Living.” The edition size is 28. The image measures 15 7/16"h x 7 7/16"w. Printed by Cuno. Th...

Studio cabinet piece with rich brown glaze. Really nice partial lava glaze, circa late 1950s. Mint condition. An experimental piece I purchased directly from the Scheiers man...

John Costigan (1888-1972) oil on canvas, circa: 1950s. In excellent condition. Exciting Expressionist Painting of a lively Carnival Scene. Signed lower right: ''J.E. Costigan", Title...

Oil on board by Carl Brandien (1886-1965) - Street in Kyoto with red lanterns. Titled on the verso: “Street in Old Kyoto, Japan” Signed lower right and titled lower left “Kyoto” Mea...

Title: Wide Open Artist: Greg Singley Archival Pigment Print 100% Cotton Rag 300gm Image size: 20 x 32.625 Paper size: 24 x 36 inches Greg Singley Greg Singley – was born in 1950 in Greensboro, Alabama. He received his Associates Degree at Walker Collage Jasper Alabama and furthered his college education at the University of South Alabama, Mobile Alabama. He attended the revered Ringling School of Art for his art training in Sarasota Florida and graduated with honors with a certificate in commercial illustration. In 1978 Singley moved to Phoenix Arizona to pursue his passion for western art and illustration. He worked for several years as an art director for Phoenix Public News and as a freelance illustrator and at the same time experienced sales of Native American and Western Landscape in several Arizona galleries which include Ratliff Williams Gallery, Sedona Arizona, Fagan Peterson Fine Art, Scottsdale and the Dan May Gallery, Scottsdale Arizona. After a foray into freelance illustration Singley sought representation for his varied abilities and interest in fine art and found the Phoenix Art Group...

Georges De Feure (French 1868-1943) also Georges Joseph van Sluijters Original pen & ink with watercolor - The Swordsman and the Cannoneer Initialed by the artist lower right “G.F.”...

Gelatin silver print Misha Gordin was born in 1946, the first year after World War II ended. Having survived the hardships of evacuation, Gordin's parents returned back home to Riga...

encaustic on canvas Neo-romantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light in the sky...

Original etching with drypoint in mint condition by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil lower right. The title is: “Sha...

Two large-scale hanging pendant lanterns by Pepe Mendoza circa late 1950's. These examples are done in brass and multi-colored ceramic with ech...

Original Color Lithograph by well-known French artist Jean Dubuffet (1901-1985). This abstract subject is in excellent condition, pencil signed and dated lower right, pencil titled l...

Beautifully Painted Porcelain tile signed “Wagner” lower right. The work rests in an ornate gilded frame with a rose-colored velvet liner. The work is in mint condition with no repai...

Italian Empire Bronze Sienna Marble Ink Well. Unique piece purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Excerpts from William Peterson, Tom Waldron, 1985 They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...

Iridized favrile vase by Tiffany Studios. A rich gold with highlights of pink and blue. Around the body of the vase are small pulls to the glass (or prunts). Favrile glass was ...

A memorable early swivel 'Globe' chair by Pierre Paulin for Artifort newly upholstered in pink Knoll Cato fabric.

oil and wax on canvas over panel Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of ligh...

encaustic on Dibond b. 1954, Reno Nevada Abstract painter Michael David is best known for his use of encaustic, which incorporates pigment with heated beeswax. He discovered encau...

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

Nikolai Timkov (1912-1993) Russian artist. Oil on board dated 1968 in a gold-leaf frame. Titled and signed twice on the verso. Titled: The Kremlin. Measures: 13 ½ x 20. Frame size: 2...

1979 C. Jeré or Curtis Jere Artisan House brass metal wall sculpture. Signed and dated with original paper tag. It’s often referred to as the pom pom or urchin design. According to t...

SHIPPING FEES INCLUDE SHIPPING CHARGE, PACKAGING & **INSURANCE** Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimnez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimnezs works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimnez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimnez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Rare all original bookcase in oak by Pierre Cruège. This petite work has sculpted tapered sides and is perfect for displaying smalls or books.

Studio pottery charger by Peter Voulkos, circa 1950-1955. Two incised expressionist female figures with stylized bird and sun. Size: 18" W x 16 1/4" W x 1" H. In excellent condition. This charger is a recent purchase from the Louis Bunce...

A marble vase with light greige-toned patterns. The perfect accessory for tricky areas like kitchens (especially islands), fireplaces, dining tables, outdoor areas, even bathrooms; a...

Bucolic watercolor by Saturday Evening Post illustrator, Stevan Dohanos, (1907-1994). The painting measures: 7" H x 8" W. Frame size is approximately 18" H x 18 3/4" W. It is in exce...

French 19th C. Neoclassical style carved wood mirror with French-country flower basket bouquet, garden motifs, and original beveled glass. Tall and long, great for hallways, in betwe...

Fascinating Large Italian Glass Sculpture - Face with Red Eye. Incised signature on the base - Giuliano Tosi. Created by the famous Italian glassmaker circa 1970's - 1980's. The work measures 19 ½ inches high and 11 inches across at the widest point. It is in excellent condition with no damage and is quite an eye-catching objet d'art. Master Giuliano Tosi, born in 1942, hails from a lineage steeped in glassmaking tradition dating back to 1483. His journey with glass began at the tender age of 12, under the tutelage of Master Albino Carrara. Recognizing Tosi's burgeoning mastery, Carrara gifted him his corteo, an essential glass-cutting tool, symbolizing a rite of passage and an honor Tosi cherishes to this day. Tosi's expertise extends beyond traditional techniques, evident in his introduction of the external sbruffi technique in furnaces, a method enhancing color vibrancy and variation. His works have graced galleries worldwide, including Milan's Fashion District, Chicago, New York, and the Museum of Contemporary Art in Los Angeles, marking him as a significant figure in Murano's glass history over the past six decades. His talent for creating art glass pieces has attracted commissions from luminaries such as the Pope, Julia Roberts, Michael Douglas, and Victoria Adams...

John Sloan (1871-1951) etching created 1916. Edition: 100 Titled: “McSorley’s Back Room” Plate size: 5 1/4" H x 7 " W Sheet size: 7 1/2" H x 10 3/8" W In excellent condition, unframe...

Tapered solid walnut and polished brass cocktail or occasional table from Italy, circa late 1950s. This lovely example has sculptural newly oiled walnut inserts with mirror polished ...

sepia toned gelatin silver print framed dimensions are 21.5 x 17.5 inches Paul Kozal has been photographing for over 25 years. His award-winning photographs have been exhibited in n...

Beautiful Galle French cameo vase with trailing leaves and flowers. The vase features a mauve floral design on a golden umber background. Signed "...

Jean Charlot Fresco style painting in plaster on board in the original artist made frame. Titled on a label on the verso: "Bed Time.” In excellent condition. Signed by the artist upp...

Cut and Dyed Silk After working in painting and photography, Tim Harding became intrigued with the intimacy of fiber and textiles: their textural, tactile richness, the inherent gri...

Rare E. Dragsted Set. Modernist Salt, Pepper and Creamer of sterling silver. Danish design, mid-20th century. Stamped. You are buying a sterling salt and creamer by Einar Dragsted ...

Original Etching by Modernist Milton Avery (1885-1965) Image measures: 8 5/8" H x 4 5/8" W. Titled lower left - “Little Girl” Edition size: 6 of 60. Printed in 1936. In excellent co...

Wonderful serigraph in color on black light cardboard, created circa 1970's. By French/Hungarian artist Victor Vasarely, considered the father of Op Art. This work is in excellent co...

Pair of vintage, Mid-Century modern, Art-Deco style, etched-brass palm tree candle stick holders. Solid and heavyweight. H: 6" Diam: 6.5" We know it’s hard to find one-of-a-kind p...