Phoenix

Jewelry is not just about adornment ; it is tangible expression of emotion and individually. Each piece tells a unique story that connects and captivates hearts . We are deeply fasci...

An exclusive IGI Certified Natural Diamond in perfect emerald cut , of 10,00 carats, in H color SI2 clarity, so big and rare . Complete with IGI certified. Whosale price.

Large wooden Pre-Columbian Inca Kero cup. From Central Peru, circa 1300 to 1500 AD. A hollowed wooden vessel, of conical form, decorated with carved incis...

Antique, Chippendale style mirrored solid wood china hutch with beautiful cabriole legs: 70" high, 42" wide, and 17" deep. Made between 1890-1910. The bottom part of this hutch has ...

Watercolor by British artist Noel Leaver (1889-1951). Beautiful Orientalist subject in excellent condition - framed. Measures: 11" H x 15" W. Frame: 19 3/4...

oil on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended...

charcoal and graphite on paper and canvas

oil and wax on layered canvas signature, date, title, on verso Hiro Yokose was born in Nagasaki, Japan in 1951 and moved to Manhattan as a young man, where he lived and worked for t...

Joseph Hirsch (American, 1910-1981) original lithograph, pencil signed. Title: Coffee. Edition size: 250. Catalog raisonne reference: Cole 38. Image size: 13"H x 10"W. Published by A...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...

oil and mixed media on canvas signature, title, year, medium, dimensions, and arrow on verso b. 1956, Santa Fe, NM Drawing on his extensive travels, Robert Kelly’s painted collages...

Sculptural all original bentwood chairs from Norway make an elegant set of statement pieces. Price listed is for the pair.

LUZI GIRL PAPAGO, 1907 Portfolio 2, Plate 53 THE NORTH AMERICAN INDIAN BY EDWARD S. CURTIS Image size 15.5 x 10 1/4 inches, Excellent condition. This is an original photogravur...

Vintage, Eternal Rose dining set. Made is Japan. The set consists of: 8 tea cups, 8 saucers, 8 snack plates - 7.5" 8 dinner plates - 10", 8 soup / salad bowls 6 2/8", 1 salad b...

Vintage, Victorian style brass chandeliers. The center is made out of oak. The chandelier is 22" high and 19" in diameter. It has 5 lights: 4 chimney oil lamp style lights and on...

Phenomenal ceramic and rope wall sculpture, circa early 1960s. This example intermingles ceramic forms with cording.

1970s-80s torchiere touch table lamps. Three available individually but can also sell as a set of two or three. These are tall at 29.25” with a 14” di...

Free form wood and patinated brass sculpture after Harry Bertoia circa late 1960’s.

Pillin is known for her whimsical designs and a re-occurring motifs of women, birds, horses and flowers. Decorated ceramic footed bowl by Polia Pillin (1909-1992). Signed on the bottom: Pillin. Perfect condition, no chips, cracks or repairs. Measures: 2.75" H x 7.38" D. Polia Pillin was a painter and ceramist. Born in Poland, 1909, she immigrated to Chicago in 1924. She studied there at the AIC and Jewish Peoples...

An exquisite refined design, perfect for addicted of heart cut diamonds, so elegant and minimalist style. Necklace come in 18K gold with a GIA certified Natural Diamond in perfect he...

Square red painted wood, lucite and mirrored artwork by Arizona artist Dick Seeger with saying, "Life is the Foreplay Before the Orgasm."

Erich Heckel (1883-1970) Original Woodblock print, 1919. “Dostoevski's Idiot (Final Scene)” Unframed and in excellent condition. Image size: 9 3/4" H x 11 1/2" W. In a 16" H x 20" ...

Dick Sutphen oil painting, circa 1968. Beautiful flow of color and movement.

This beautiful color woodblock print by Paul Jacoulet was printed in 1940. This limited-edition work is numbered on the verso: 102 from the edit...

Jacques Villon original etching “Figure de Femme” in the Cubist Surreal style. Hand signed and numbered. Small Edition, created 1951. Edition of 30 of which this print is no. 21. Unm...

Adriano dalla Valentina Murano glass amber bottle with Mosaica Motif on the lower half. Signed “Valentina” and dated 2003 on the base. In excellent condi...

A pair of exquisite earrings boast a classic design that exude timeless elegance. Every detail is carefully crafted to perfection , making these earrings a true treasure to behold. M...

Peggy Bacon original etching and drypoint created 1929. Pencil signed lower right. Titled “Congenial Scene.” Image measures 9"h x 11 7/8"w. In excellent condition. Matted and unframe...

Jean Charlot Fresco style painting in plaster on board in the original artist made frame. Titled on a label on the verso: "Bed Time.” In excellent condition. Signed by the artist upp...

Eliel Saarinen for Johnson Furniture Company chests of drawers circa 1948. These seldom seen examples have sculptural S-shaped legs, formed aluminum handles and beautifully grained b...

Robert Whitton one off aluminium chair, circa late 1980s. This architectural example has been newly powder coated in a bright turquoise.

An exquisite Diamonds stud earrings, in essential and modern design, perfect for every days and for all events. Stunning earrings come in 18K gold with 2 pieces of lustrous GIA Certi...

Wonderful fairytale painting, oil on canvas - perfect for the child’s room. By Slavic artist Vejecoslav Pejacevic, created circa 1930's - 1940's. Depicts the well-loved Aesop Fable c...

Lon Megargee 1883-1960 "The Sheepherder" Wood block print Signed in plate, lower right Image size: 10 x 10 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

Arthur Umanoff for Howard Miller 1970s wall clock, model #588. Made of a walnut case, original red back, brushed aluminum clock face, brass Roman nu...

Vintage Italian ceramic 6-light chandelier. The chandelier is 24" wide and 21" high and comes with a 37" extension chain. The chandelier is wired for use in the USA, has new light b...

Introducing the epitome of elegance and brilliance : the oval cut Diamonds earrings, in exclusively from my shop. Our pair of earrings diamon...

Original drypoint in mint condition printed in greenish black ink on wove paper by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil ...

A set of 12 Lifetime 'Gold Crown' Champaign / Sherbet glasses in excellent condition. This set was made approximately in 1951. Each glass is 3 3/4" in diameter and 4.5" tall. Sold as...

Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, now, San Francisco A...

Wood, patinated steel and iron sculpture by Rick Lussier, circa early 1980s. This unusual example mixes different elements seamlessly and is striking from every angle.

An exclusive pair of earrings in 18K gold with two GIA Certified Natural Diamonds, in perfect round brilliant cut, of 1,00 + 1,00 = total 2,00 carats, F color, VVS1-VVS2 clarity, triple XXX...

An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 11 1/2" x 17," sheet measures 18"...

Orientalist oil on board by Henry Stanier (1831-1894) in the ornate original frame. Titled “The Narghuileh” and dated 1859. Signed on the verso Stanier and initialed H.S. Titled on ...

Joichi Hoshi (1913-1979) Original Color Woodblock, 1974. Title: “Early Spring.” Image: 9 5/8"h x 7.” Frame: 17 1/4"h x13 5/8"w. Signed in pencil lower right and dated ‘74. Chop mark...

encaustic on canvas over panel Neo-romantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light ...

Octagon-shaped mirror with an acrylic brass and black frame. The pattern resembles a camera aperture. Likely 1980s. 36.5” wide and tall, 2” deep. One piece of the brass accent needs ...

Set of three large-scale hanging pendant lanterns by Pepe Mendoza circa late 1950's. These examples are done in brass and multi-colored ceramic...

Marcello Fantoni glazed ceramic vessel, circa early 1960s. This fabulous example has hand painted female figures around the exterior and a speckled glaze on the inside.

Hugh Acton chrome and granite side table circa early 1970s. This example has a finely grained grey granite top and sleek chrome base.

Antique Italian side table. 19.5" in diameter abd 28.5" high. Solid wood decorated with brass, ornamental paint and veneer. The table has ...

A beautiful 1.86 carat cushion cut black diamond set in a unique scalloped diamond halo. The halo is made up of sparkling white diamonds, all set in 14k yellow gold. Making for such ...

An exquisite design, so contemporary, modern, a very glamor style, by Italian designer. Ring come in 18K gold with a GIA certified Natural Diamonds in perfect pear cut diamonds, of 3...

Title: Wide Open Artist: Greg Singley Archival Pigment Print 100% Cotton Rag 300gm Image size: 20 x 32.625 Paper size: 24 x 36 inches Greg Singley Greg Singley – was born in 1950 in Greensboro, Alabama. He received his Associates Degree at Walker Collage Jasper Alabama and furthered his college education at the University of South Alabama, Mobile Alabama. He attended the revered Ringling School of Art for his art training in Sarasota Florida and graduated with honors with a certificate in commercial illustration. In 1978 Singley moved to Phoenix Arizona to pursue his passion for western art and illustration. He worked for several years as an art director for Phoenix Public News and as a freelance illustrator and at the same time experienced sales of Native American and Western Landscape in several Arizona galleries which include Ratliff Williams Gallery, Sedona Arizona, Fagan Peterson Fine Art, Scottsdale and the Dan May Gallery, Scottsdale Arizona. After a foray into freelance illustration Singley sought representation for his varied abilities and interest in fine art and found the Phoenix Art Group...

Wonderful original color lithograph by Paul Berthon (1872-1909). In excellent condition with great color. Unframed. Presents in a 4-Ply Archival Mat. Titled: "Les Chrysanthemes.” Cre...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...

Large handblown double fish form on a single base with gold fleck throughout. Pink, purple, blue and grey tones are seen. Created in the manner of Barbini and Seguso. Measures: 11 ...

Vintage Japanese tea or espresso set. Produced between the 1930s and 1960s (often in Kutani), features a hidden, 3D image of a woman's face at the base of the cups, visible only whe...

Brutalist pair of wrought iron and copper floor lamps. These unusual examples have hand forged iron frames with tiered iron bases. The tubing that wraps the structure is patinated co...

Excerpts from William Peterson, Tom Waldron, 1985 They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...