Phoenix

Etching & Drypoint on paper by famous Taos Artist Gene Kloss (1903-1996). Titled: “Old Pinon Tree.” Pencil signed lower right and in excellent condition. Image measures: 8" H x 6" W....

Francisco Zuniga bronze sculpture, Nude Lying Down. Edition: 3. #377 in the Zuniga catalog raisonne. Titled: "Desnudo Acostado". Measures: 6 7/8" H x 18" L x 19" W not including the...

Pair of sculpted 1970s night stands in rosewood, maple and polished steel. These examples have been newly and masterfully refinished. Price listed is for the pair. Inquire with Red ...

Every woman deserves to adorn herself with a collection of exquisite diamonds jewelry. Diamonds serve as a tangible reminder of cherished memories, a well - earned reward for her ha...

Pair of sculptural saber leg occasional tables by Robsjohn Gibbings for Widdicomb, circa early 1950s. Newly finished. Price listed is for the pair.

Phenomenal ceramic and rope wall sculpture, circa early 1960s. This example intermingles ceramic forms with cording.

Milo Baughman “Fred” chaise lounge chair for Thayer Coggin in black leather on a brushed stainless steel base. This was one of Milo Baughman’s initial desi...

Original Abstract Color lithograph by Dutch artist Karel Appel (1921-2006). Created 1969. Edition size is 53 of 200. The work is signed in pencil lower right. The image size is: 25 5...

An exquisite bracelet features a vibrant array of sparkling and luminous diamonds, creating a captivating light. The radiant color of diamonds evokes the beauty , and adds a touch ...

Vintage floor globe. The stand is made out of solid wood with a metal detail at the bottom, and is 26 3/4" high and 22.5" wide. The globe is most likely also made oit of wood and com...

Iridized favrile vase by Tiffany Studios. A rich gold with highlights of pink and blue. Around the body of the vase are small pulls to the glass (or prunts). Favrile glass was ...

b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of materials. Drawing inspiration from the B...

Beautiful and detailed original oil on canvas by Armenian/American artist Hovsep Pushman. The sitter is Mary Bernard whose father was Jean (Juan) Bernard and whose mother was Susan M...

Jean Charlot Fresco style painting in plaster on board in the original artist made frame. Titled on a label on the verso: "Bed Time.” In excellent condition. Signed by the artist upp...

A Poole sterling silver Chippendale tray. The round tray has a molded and segmented border with an annotation at the center. The annotation reads: “Sports Lodge B’Nai B’Rith. Fifth annual Dinner. Hotel Biltmore, January 23, 1956. To Jesse Owens...

An exclusive IGI Certified Natural Diamond in perfect emerald cut , of 10,00 carats, in H color SI2 clarity, so big and rare . Complete with IGI certified. Whosale price.

Late 1960s Brutalist steel sculpture depicting abstracted figures by Arizona artist Agnese Udinotti.

Rare Set of 8 Mies van der Rohe for Knoll MR10 and MR20 Chairs This exceptional set of eight chairs by Ludwig Mies van der Rohe for Knoll represents the epitome of modernist design. Comprising six MR10 and twor MR20 chairs, this collection showcases Mies' commitment to simplicity, functionality, and elegance in both form and material. Style & Usage in Interior Design These chairs belong to the Bauhaus and International Style, characterized by clean lines, minimal ornamentation, and an emphasis on the use of modern materials. The MR10 chairs are armless, offering a sleek and unobtrusive silhouette perfect for dining or office spaces where a minimalist aesthetic is desired. The MR20 chairs, featuring a distinctive curved armrest, provide additional comfort and a more commanding presence, making them ideal as statement pieces in living rooms, lounges, or reading nooks. In interior design, these chairs are best used in spaces that celebrate the beauty of industrial materials like steel and leather. They complement open-plan layouts, where their airy structure can be fully appreciated, and they pair well with other iconic mid-century modern pieces. Key Differences: MR10 vs. MR20 MR10 Chairs: Armless design, characterized by a continuous steel frame that supports the seat and back. Their simplicity allows them to fit seamlessly into various spaces, from dining rooms to offices. MR20 Chairs: Include curved armrests, adding both aesthetic and functional value. These chairs provide more support and comfort, making them suitable for longer periods of sitting or as standalone accent pieces. Mies van der Rohe: A Brief History Ludwig Mies van der Rohe, born in Germany in 1886, was a pioneering figure in modern architecture and design. He began his career in his family's stone-carving business, later studying architecture and working under the influential architect Peter Behrens. Mies was a leading member of the Bauhaus movement, which emphasized the integration of art, craft, and technology. In 1938, Mies emigrated to the United States, where he became the head of the architecture school at the Illinois Institute of Technology (IIT). His work in America solidified his reputation as one of the most influential architects of the 20th century. Architectural Legacy Mies van der Rohe's architectural philosophy is encapsulated in his famous dictum, "Less is more." His buildings are renowned for their clarity of form, open spaces, and use of modern materials such as glass and steel. His approach sought to create structures that were both functional and aesthetically pleasing, stripping away unnecessary ornamentation to reveal the essence of the design. Notable Works: The Barcelona Pavilion (1929): A masterwork of modern architecture, showcasing Mies' minimalist approach with its flowing spaces and use of glass, marble, and steel. The Farnsworth House (1951): An iconic example of his philosophy, this glass and steel structure is celebrated for its simplicity and seamless integration with the surrounding landscape. The Seagram Building (1958): Located in New York City, this skyscraper is a landmark of the International Style, known for its clean lines, bronze facade, and innovative use of space. This rare set of MR10...

Decorative 1970s MCM cube sculpture in aluminum adorned with text, lettering and graphic design by artist Sheldon Rose.

Robert Rauschenberg pop art offset lithograph created 1976. Pencil signed, dated, and numbered lower right. The edition size is 16 of 125. Titled: Artists rights today. The work is...

CVV Verrerie de Vianne handblown frosted glass egg lamp. Made in France, 1960s-1970s. 11” tall x 8” wide. In excellent condition. Colored bulbs woul...

Introducing a stunning Art Deco style narrow console that effortlessly combines elegance and functionality. Featuring a luxurious black honed granite top, this console is not only vi...

Vintage Japanese lithophane luster espresso set. The set consists of: 5 cups, 5 saucers, 1 pot with lid, 1 sugar bowl with lid, 1 creamer. Very g...

pastel and micron pen on raw canvas b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of mater...

Pair of glazed ceramic and walnut table lamps, circa early 1960s. These examples are a fabulous burnt orange with embossed circular forms. One is slightly darker than the other. Pric...

video copyright by the artist and Bentley Gallery, Inc. b. Long Beach, CA (April 9, 1926 – January 17, 2018) Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. As he described, “Painting is like discovery, trying this, trying that, bending this, twirling that, and then, every once in a while, it goes bing!” As a young man, Moses joined the military during World War II as a Navy Medical Corps surgical technician and discovered an aptitude for treating injuries. After his tour ended, he enrolled in Long Beach City College's pre-med program with the intent of becoming a doctor. After a painting course with Pedro Miller, Moses switched his major to art. He then went on to study at the University of California, Los Angeles, where he would receive both his bachelor’s and master’s degrees. While enrolled in his master’s program, fellow artist Craig Kauffman introduced Moses to Walter Hopps, future owner of the influential Ferus Gallery. Though he’d been exhibiting since 1949, Moses first showed at Ferus in 1958—while still enrolled at UCLA—and quickly became part of the “Cool School” with artists Robert Irwin, Larry Bell, Ed Ruscha, John Altoon, and others. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. In 1980, Moses was awarded a Guggenheim Fellowship and traveled in Japan. Moses worked with Peter Goulds...

Incredible rosewood, maple and polished steel chest from Canada circa early 1970s. This example has been newly and masterfully refinished. It has 6 drawers and two doors with interior storage. This chest is part of a full bedroom set.

Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, now, San Francisco A...

An exclusive solitaire ring , in contemporary design, ideal for modern ladies. Ring come in 14K gold with a central GIA certified diamond in perfect emerald cut of 6,00 carats, G/ S...

Restored 1970s Don Shoemaker Style Walnut and Cane Coffee Table with Glass Top This beautifully restored walnut and cane coffee table, crafted in the 1970s, exemplifies the timeless...

Beautiful watercolor on paper by acclaimed Mexican artist Francisco Zuniga (1912-1998). Framed and in excellent condition. Signed and dated lower right. Image measures: 19 ½” H x 27 ...

All original Saporiti stainless steel and special ordered perforated Mercedes leather 'Wave' sofa by Giovanno Offreddi. This is the nicest example of this sofa that we have ever seen...

Schaffhausen vintage International Watch Co. (IWC), circa 1950s. 18-karat yellow gold watch with rose gold dial and applied yellow gold bar markers. ...

A pair of exquisite earrings boast a classic design that exude timeless elegance. Every detail is carefully crafted to perfection , making these earrings a true treasure to behold. M...

Title: Wide Open Artist: Greg Singley Archival Pigment Print 100% Cotton Rag 300gm Image size: 20 x 32.625 Paper size: 24 x 36 inches Greg Singley Greg Singley – was born in 1950 in Greensboro, Alabama. He received his Associates Degree at Walker Collage Jasper Alabama and furthered his college education at the University of South Alabama, Mobile Alabama. He attended the revered Ringling School of Art for his art training in Sarasota Florida and graduated with honors with a certificate in commercial illustration. In 1978 Singley moved to Phoenix Arizona to pursue his passion for western art and illustration. He worked for several years as an art director for Phoenix Public News and as a freelance illustrator and at the same time experienced sales of Native American and Western Landscape in several Arizona galleries which include Ratliff Williams Gallery, Sedona Arizona, Fagan Peterson Fine Art, Scottsdale and the Dan May Gallery, Scottsdale Arizona. After a foray into freelance illustration Singley sought representation for his varied abilities and interest in fine art and found the Phoenix Art Group...

Last Horizon, 1991 Bill Schenck Serigraph, Printers Proof Size: 27.75 x 29.75 inches Billy Schenck has been known internationally for 44 years as one of the originators of the cont...

1970s Howard Miller wall clock model 616 designed by Arthur Umanoff Associates. “Zebrawood” veneer (described as “Leriex rosewood veneer” in the 1975/1976 catalog), chrome frame and hour marks, and original George Nelson hands. 13.5” round, 2.75” deep. The clock matches the well known Peter Protzman desk...

Three stunning blue granite side or occasional tables. These were custom ordered and priced individually.

Exceptional necklace in sophisticated and romantic design, a very piece of art and beauty. This essential style is the expression of class and charm. Magnificent necklace come in 18...

Acrylic on paper by well known Hopi-Tewa artist Dan Namingha (b. 1950). The work is a wonderful example of Namingha’s iconic style. It was created 1991 and is signed “Namingha” lowe...

Fred Karoly (1897-1987) Oil on Canvas created 1963. In excellent condition. A very attractive abstract subject and typical for the artist. Signed and dated 1963 on the verso. Framed simply in a modern black wood frame. Measures 28"h x 24"w. Frame size: 29.5"h x 25.5"w x 1.25"d. Fredric Karoly was born in Budapest in 1897. According to Karoly's own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently lifelong. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926. In New York, Karoly worked in women's fashion as a designer. By the early 1950's, Karoly started experimenting with the drip...

Beautiful nature painting by Nature artist William Muller-Lux (1911-2007). The work is nicely framed and titled “Mushrooms from the Moggollon Rim.” It is signed lower right “Muller-L...

An exclusive IGI Certified Natural Diamond in perfect emerald cut , of 10,00 carats, in H color SI2 clarity, so big and rare . Complete with IGI certified. Whosale price.

My Summer Vacation Serigraph 1984 33 × 24 in 83.8 × 61 cm Edition of 59 VERY RARE Billy Schenck has been known internationally for 44 years as one of the originators of the contemp...

An exclusive pair of stud earrings, so essential and elegant design, perfect for all events. Earrings come in 18K Gold with 2 pieces of Natural Diamonds, in perfect round brilliant c...

This Concho belt was created by Navajo silversmith James Shay. It features 8 sterling silver Conchos, including the buckle, with hand stamp work. The buckle is clearly hallmarked "JS STERLING...

encaustic and oil on panel, framed Focusing on painting as a space of exploration, Raphaëlle Goethals has worked with wax, resin, and pigments as her signature medium for over twent...

A statement piece. A stunning double solitaire ring features a collection sophisticated , glamour , a very piece of art. The array of very doubles di...

Leonardo Nierman Mendelejis (1 November 1932 – 7 June 2023) was a Mexican painter and sculptor with a background in music. His musical training had a deep influence on his artwork, w...

This ring is quite the showstopper! The center diamond is a gorgeous GIA certified 3.03ct marquise diamond that is G in color with SI2 clarity. Surrounding the st...

Dark haired beauty with pearl necklace - original etching with hand coloring by French artist Marie Laurencin (1885-1956). Edition size: 40 of 80. Stamped signature lower right. ...

A stunning exclusive tennis necklace, so contemporary and modern design, perfect for all events and for everyday. Elevate your style and adds a touch of glamour and class on your loo...

John Scott (1850-1918) British figure and genre painter. Oil on board in good condition, framed under glass. Measures: 12 7/8" H x 9 5/8" W. Frame: 19" H x 15 1/2" W. Original frame,...

Rose Tattoo Luis Alfonso Jimenez 1940-2006 Color pencil on Arches paper 22 x 30.25 inches Provenance: The original drawing was owned by Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". An original Drawing by Luis Jimenez, 1983, 22 x 30.25 inches. A stone lithograph edition was made from this drawing. There was a PBS documentary showing Jimenez drawing on the stone with the drawing in front of him and the making of the lithograph with Sette Publishing. Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimnez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimnezs works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimnez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimnez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo photography...

Benton Spruance, Pennsylvania artist, original lithograph, 1933. Titled “Shells for the Living.” The edition size is 28. The image measures 15 7/16"h x 7 7/16"w. Printed by Cuno. Th...

Norma Bassett Hall (1889 - 1957) Original Serigraph, created circa 1940's. Pencil titled lower left “Sanctuario.” Pencil signed lower right. Measures 12 x 15 ½ inches. Sheet size is 14 5/8 x 17 3/4 inches. In very good condition consistent with age. The woodblock presents in a 2 ply 20 x 24 inch museum mat. Most remembered as a printmaker and one of the founding members of the Prairie Printmakers, Norma Bassett Hall was the only woman member of that group and the only one to establish a reputation exclusively with color prints. She was born in Oregon, and took her first art lessons at the School of the Portland Art Association. In 1915, she enrolled at the Art Institute of Chicago, graduating in 1918. There she met her future husband, Arthur William Hall, who was also a student there. Her interest in woodblock printmaking dated from 1922 when she was on a Cannon Beach, Oregon honeymoon trip with Arthur. The couple decided to make a pictorial visit of their trip by making block prints. Around 1926, Norma learned the Japanese woodcut print method on rice paper involving transparent watercolors from Mable Royds. Using this approach exclusively, Hall printed with as many as six or seven colors, each requiring a separate handcut woodblock. In 1942, the couple moved to Santa Fe, New Mexico where her reputation was established for her block prints of the Southwest, especially New Mexico. After a short time, the couple settled in Alcalde, New Mexico where the couple continued painting and also opened a summer art school. She began to devote a lot of time to serigraphs of local scenes and also did watercolors. The subjects of the totality of her work reflect the wide travels of the Halls and include Kansas-farm scenes, Oregon landscapes, European scenes and New Mexico pueblos.

Rosewood, maple and polished steel highboy from Canada circa early 1970s. This sculptural example has been newly and masterfully refinished. It has 6 drawers and two doors with inter...

Nanna Ditzel ND83 lounge chair, circa mid-1950s. This example has been newly upholstered in a supple green leather. Finish to teak frame is original.

Extra long rectangle coffee table by Gordon and Jane Martz for Marshall Studios. The table top is inlaid with olive and taupe square ceramic tiles and the frame and legs are solid wa...

Wrought iron patio Salterini “Radar” Collection bistro set with two hoop dining height chairs and a table. Designed by Maurizio Tempestini...