Phoenix

oil and mixed media on canvas signature, title, year, medium, dimensions, and arrow on verso b. 1956, Santa Fe, NM Drawing on his extensive travels, Robert Kelly’s painted collages...

Beautiful Keramis vase with repeating stylized bird design around the center. Measures: 12" H x 8" D. Mint condition with no flaws. Marked on the base: Keramis, made in Belgium and...

Three stunning blue granite side or occasional tables. These were custom ordered and priced individually.

An exceptional rare GIA Certified Natural Diamond of 1,99 carats, in perfect round brilliant cut , triple XXX , D color IF clarity, excellent quality, so sp...

Free form wood and patinated brass sculpture after Harry Bertoia circa late 1960’s.

Joichi Hoshi (1913-1979) Original Color Woodblock, 1974. Title: “Early Spring.” Image: 9 5/8"h x 7.” Frame: 17 1/4"h x13 5/8"w. Signed in pencil lower right and dated ‘74. Chop mark...

Wonderful abstract ceramic tray or plaque with applied copper by well known midcentury Italian potter, Guido Gambone (1909-1969). Measures: 9 ½ H x 15 W. In excellent condition. Signed Gambone Italy with his donkey motif. Guido Gambone (1909–1969), one of the most important Italian ceramic artist in the mid-20th century, was born in Montella, Avellino in Italy in 1909 and moved with his parents to Vietri in 1927. He started his career at the local Avallone pottery, continued his training at Manifattura Artistica Ceramica Salernitana before moving to the famous I.C.S. (Industria Ceramica Salernitana). He became artistic director at I.C.S. in 1935. Following, he started his own potteries, La Faenzerella in Vietri and later La Tirrena...

Sculptural all original bentwood chairs from Norway make an elegant set of statement pieces. Price listed is for the pair.

Stunning teak and brass sideboard from Denmark, circa mid-1950s. This all original example has a beautifully broken in solid teak frame, with inset patinated brass drawer pulls. It h...

Boxing subject original stone lithograph by Robert Riggs (1896-1970) Pencil titled lower left “Trial Horse” Pencil signed lower right “Robert Riggs” Image measures 13 1/2" H x 17 1/2...

Uncommon Adrian Pearsall 916-CC captain chair for Craft Associates, 1960s with fun patterned newer upholstery. The walnut frame is in good condition with two minor issues: one small ...

Rockwell Kent (1882-1971) wood engraving in excellent condition titled: Diver. Created 1931. Edition size: 150. Image measures: 7 7/8"h x 5 3/8"w. The print is unframed and presents ...

Vintage, Eternal Rose dining set. Made is Japan. The set consists of: 8 tea cups, 8 saucers, 8 snack plates - 7.5" 8 dinner plates - 10", 8 soup / salad bowls 6 2/8", 1 salad b...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...

oil and wax on canvas over panel Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of ligh...

Pencil signed and numbered original color lithograph by Joan Miro (1893-1983). Title: Lithographe Volume lll, Plate 2. Created: 1977. Image: 14" H x 11” W. Paper Size: 19 1/4" H x 1...

Excerpts from William Peterson, Tom Waldron, 1985 They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...

Nikolai Timkov (1912-1993) Russian artist. Oil on board dated 1968 in a gold-leaf frame. Titled and signed twice on the verso. Titled: The Kremlin. Measures: 13 ½ x 20. Frame size: 2...

Rococo style porcelain figurines. Made in Japan between 1940-1950. Hand-painted. Each figurine is 10.5" tall and and about 6" in diameter, has no cracks, chips or any other damages.

Solid walnut and mosaic table lamp, circa late 1950s. This came from an estate with Allen Ditson and Lee Porzio items and we are researching to see if it is one of their items. Price...

encaustic on canvas Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light in the sky a...

Antique Italian side table. 19.5" in diameter abd 28.5" high. Solid wood decorated with brass, ornamental paint and veneer. The table has ...

encaustic on canvas Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light in the sky a...

Square red painted wood, lucite and mirrored artwork by Arizona artist Dick Seeger with saying, "Life is the Foreplay Before the Orgasm."

Down in the Valley 1992 Bill Schenck Serigraph 46/50 Edition of 50 Image size: 25 x 29 inches Paper size: 31 x 35 inches SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE U...

Lon Megargee 1883-1960 "Self Portrait" Wood block print Signed in plate, lower right Image size: 15.63 x 12 inches Frame size xx x xx inches Creator of S...

SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** Bronc by Lon Megargee, Woodblock Print ca. 1920s Handmade Saguaro Rib Frame, double linen mat, museum archival materials Bronc Woodblock Print, signed in print Image: 8 3/4 x 9 7/8 inches Frame: 21 x 20 inches SHIPPING CHARGES INCLUDES, SHIPPING, PACKAGING & INSURANCE FINE ART ESTATE OF LON MEGARGEE Megargee Custom Handmade Saguaro Frame We offer signed in print and original signature block prints. Custom, hand carved, signature frames, with archival standards and a speciality in hand dyed mats and french matting are provided for a beautiful and timeless presentation. Free shipping Continental US Biography Megargee explored different mediums; printmaking captivated him in particular. The contrast of the black and white block print method captured perfectly his interpretation of a bold American West. The first print was produced around 1921 and culminated with the creation of “The Cowboy Builds a Loop” in 1933 with 28 images and poetry by his friend, Roy George. Megargee continued producing prints throughout the 1940s and early 50s. Creator of the iconic logo for the Stetson Hat Company, " Last Drop From his Stetson", still in use today. Fine Art Estate of Lon Megargee At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar Ranch . . . and, after a few years, was offered a job by Billy Cook...

Phenomenal ceramic and rope wall sculpture, circa early 1960s. This example intermingles ceramic forms with cording.

A set of (3) antique amber glass hurricane shades. The color veries a little bit and one of the shades looks a little darker. Though all three are ...

Ed Mell 1942-2024 Original signatures on stamps and envelope. Custom presentation frame. Arizona Centennial Commemorative Stamp, Arizona First Day of Issue by Ed Mell, 1942-2024. C...

Dick Sutphen oil painting, circa 1968. Beautiful flow of color and movement.

Peggy Bacon original etching and drypoint created 1929. Pencil signed lower right. Titled “Congenial Scene.” Image measures 9"h x 11 7/8"w. In excellent condition. Matted and unframe...

Wonderful fairytale painting, oil on canvas - perfect for the child’s room. By Slavic artist Vejecoslav Pejacevic, created circa 1930's - 1940's. Depicts the well-loved Aesop Fable c...

Arthur Umanoff for Howard Miller 1970s wall clock, model #588. Made of a walnut case, original red back, brushed aluminum clock face, brass Roman nu...

Orientalist oil on board by Henry Stanier (1831-1894) in the ornate original frame. Titled “The Narghuileh” and dated 1859. Signed on the verso Stanier and initialed H.S. Titled on ...

A remarkable 8.88 carat pear shaped rubellite, surrounded by a gorgeous white diamond halo. All tastefully set in 14k white gold. The pendant comes with an 18 inch adjustable chain, ...

C. Jeré uncommon kinetic brass and chrome wall sculpture. It’s made of a brass frame with two separate parts that connect or can be displayed separately. It can also be positioned offset (not pictured). Polished brass and chrome bent diamonds hang on hooks. These can slightly move under a fan or if touched, providing movement and an op art sparkling...

1979 C. Jeré or Curtis Jere Artisan House brass metal wall sculpture. Signed and dated with original paper tag. It’s often referred to as the pom pom or urchin design. According to t...

Robert Whitton one off aluminium chair, circa late 1980s. This architectural example has been newly powder coated in a bright turquoise.

An exclusive pair of earrings in 18K gold with two GIA Certified Natural Diamonds, in perfect round brilliant cut, of 1,00 + 1,00 = total 2,00 carats, F color, VVS1-VVS2 clarity, triple XXX...

Lon Megargee 1883-1960 "The Sheepherder" Wood block print Signed in plate, lower right Image size: 10 x 10 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

This beautiful color woodblock print by Paul Jacoulet was printed in 1940. This limited-edition work is numbered on the verso: 102 from the edit...

Vintage, Victorian style brass chandeliers. The center is made out of oak. The chandelier is 22" high and 19" in diameter. It has 5 lights: 4 chimney oil lamp style lights and on...

oil on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended...

An exclusive IGI Certified Natural Diamond in perfect emerald cut , of 10,00 carats, in H color SI2 clarity, so big and rare . Complete with IGI certified. Whosale price.

encaustic on canvas over panel Neo-romantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light ...

Jewelry is not just about adornment ; it is tangible expression of emotion and individually. Each piece tells a unique story that connects and captivates hearts . We are deeply fasci...

Original Color Lithograph by well-known French artist Jean Dubuffet (1901-1985). This abstract subject is in excellent condition, pencil signed and dated lower right, pencil titled l...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...

LUZI GIRL PAPAGO, 1907 Portfolio 2, Plate 53 THE NORTH AMERICAN INDIAN BY EDWARD S. CURTIS Image size 15.5 x 10 1/4 inches, Excellent condition. This is an original photogravur...

Joseph Hirsch (American, 1910-1981) original lithograph, pencil signed. Title: Coffee. Edition size: 250. Catalog raisonne reference: Cole 38. Image size: 13"H x 10"W. Published by A...

Set of three large-scale hanging pendant lanterns by Pepe Mendoza circa late 1950's. These examples are done in brass and multi-colored ceramic...

Beautifully Painted Porcelain tile signed “Wagner” lower right. The work rests in an ornate gilded frame with a rose-colored velvet liner. The work is in mint condition with no repai...

Hugh Acton chrome and granite side table circa early 1970s. This example has a finely grained grey granite top and sleek chrome base.

Marcello Fantoni glazed ceramic vessel, circa early 1960s. This fabulous example has hand painted female figures around the exterior and a speckled glaze on the inside.

Erich Heckel (1883-1970) Original Woodblock print, 1919. “Dostoevski's Idiot (Final Scene)” Unframed and in excellent condition. Image size: 9 3/4" H x 11 1/2" W. In a 16" H x 20" ...

Original Abstract Color lithograph by Dutch artist Karel Appel (1921-2006). Created 1969. Edition size is 53 of 200. The work is signed in pencil lower right. The image size is: 25 5...

Title: Wide Open Artist: Greg Singley Archival Pigment Print 100% Cotton Rag 300gm Image size: 20 x 32.625 Paper size: 24 x 36 inches Greg Singley Greg Singley – was born in 1950 in Greensboro, Alabama. He received his Associates Degree at Walker Collage Jasper Alabama and furthered his college education at the University of South Alabama, Mobile Alabama. He attended the revered Ringling School of Art for his art training in Sarasota Florida and graduated with honors with a certificate in commercial illustration. In 1978 Singley moved to Phoenix Arizona to pursue his passion for western art and illustration. He worked for several years as an art director for Phoenix Public News and as a freelance illustrator and at the same time experienced sales of Native American and Western Landscape in several Arizona galleries which include Ratliff Williams Gallery, Sedona Arizona, Fagan Peterson Fine Art, Scottsdale and the Dan May Gallery, Scottsdale Arizona. After a foray into freelance illustration Singley sought representation for his varied abilities and interest in fine art and found the Phoenix Art Group...

Studio pottery charger by Peter Voulkos, circa 1950-1955. Two incised expressionist female figures with stylized bird and sun. Size: 18" W x 16 1/4" W x 1" H. In excellent condition. This charger is a recent purchase from the Louis Bunce...

Studio Pottery Flared Bowl in mint condition by Otto & Gertrud Natzler. Signed with their customary "Natzler" signature on the base. Also retains the original paper studio label...