Phoenix

An exclusive GIA certified diamond of 1,51 carats, heart cut, G color, IF clarity. Excellent polish. Excellent symmetry. Fluorescence none. It is a investme...

Elevate your workspace with this impeccably designed cerused oak desk, a piece that marries functionality with sophisticated style. The natural beauty of the oak is enhanced by the c...

Beautiful Large Impressive Vintage Gilded American Painting Frame created 1915 to 1920. Stanford White Design. Maker: Newcomb Macklin. Gold Metal Leaf - Gesso on Cast Ornament on W...

​The Jeanette Glass Company was one of the major manufacturers of Late or Depression Era Carnival Glass. Jeannette introduced their iridecsed output f...

Nikolai Timkov (1912-1993) Russian artist. Oil on board dated 1968 in a gold-leaf frame. Titled and signed twice on the verso. Titled: The Kremlin. Measures: 13 ½ x 20. Frame size: 2...

video copyright by the artist and Bentley Gallery, Inc. One of his last available paintings created in Hawaii and inspired by his visit to the lava fields. b. Long Beach, CA (April 9, 1926 – January 17, 2018) Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. As he described, “Painting is like discovery, trying this, trying that, bending this, twirling that, and then, every once in a while, it goes bing!” Moses' works are held in the permanent collections of the Albright-Knox Gallery, NY; Museum of Modern Art, New York; Whitney Museum; Philadelphia Museum of Art; Art Institute of Chicago; Berkeley Art Museum at UC Berkeley; Corcoran Gallery of Art, Washington, D.C.; Dallas Museum of Art, Hirshhorn Museum, Washington, D.C.; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; Hammer Museum; San Francisco Museum of Modern Art; Cincinnati Museum of Art; Butler Art Institute of American Art, Ohio; Dallas Museum of Art; National Gallery of Art; Musee National d'art moderne - Centre Georges Pompidou, Paris, FR; and many others. As a young man, Moses joined the military during World War II as a Navy Medical Corps surgical technician and discovered an aptitude for treating injuries. After his tour ended, he enrolled in Long Beach City College's pre-med program with the intent of becoming a doctor. After a painting course with Pedro Miller, Moses switched his major to art. He then went on to study at the University of California, Los Angeles, where he would receive both his bachelor’s and master’s degrees. While enrolled in his master’s program, fellow artist Craig Kauffman introduced Moses to Walter Hopps, future owner of the influential Ferus Gallery. Though he’d been exhibiting since 1949, Moses first showed at Ferus in 1958—while still enrolled at UCLA—and quickly became part of the “Cool School” with artists Robert Irwin, Larry Bell, Ed Ruscha, John Altoon, and others. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. In 1980, Moses was awarded a Guggenheim Fellowship and traveled in Japan. Moses worked with Peter Goulds...

silk scarf For over thirty years Dominique Blain has examined and addressed the links between relationships of domination, such as racism, mass indoctrination, genocide, war, exploi...

C. Jeré Artisan House metal wall art. This is a newer, 2000 or later production. There is no signature, but the piece was on the Artisan House website. 52” wide x 28” tall x 4” deep....

Pair of sculpted 1970s night stands in rosewood, maple and polished steel. These examples have been newly and masterfully refinished. Price listed is for the pair. Inquire with Red ...

Schaffhausen vintage International Watch Co. (IWC), circa 1950s. 18-karat yellow gold watch with rose gold dial and applied yellow gold bar markers. ...

Bomber And Buckeroos ca. 1939 Till Goodan Offset Lithograph PRINTS ARE IN GOOD CONDITION. PRINTS MAY HAVE SMALL FLAW ALONG EDGE OF PAPER, DOES NOT EFFECT THE PRINT IMAGE All the prints are 26 x 31 inches, Mustang Peeler, Bombers and Buckaroos, The stranger, Guardians of the Range and Range Baby. Note that “The Mustang Runner” is 3 inches shorter in height, 23 x 31 inches The print by Till Goodan was originally a painting and reproduced by the Westward Ho company as a set. Westward Ho produced the most sought after Western dinnerware ever made. The most popular pattern was the Rodeo pattern by Till Goodan. He Illustrated and branded many accessories sold by the Westward Ho Company. Tillman Parker Goodan 1896-1958 To the casual observer his paintings are exciting and colorful. To the scholars of the Western Era they are benchmarks of authenticity. Such is the style of Till Goodan. He was born Tillman Parker Goodan in Eaton, Colorado on March 27, 1896. His father was a true western pioneer, mayor of Eaton, publisher of its first newspaper, and County Commissioner for several years. After moving to California in 1905 and settling on a little farm that bordered the Michel Cattle Ranch, Till spent much of his boyhood with the Michel sons working on their ranch. There he developed his expertise as a calf roper and the skills of a working cowboy. As a young man Till pursued endeavors that would initially callous his emerging artistic hands. He worked for the famous Miller and Lux Ranch in California. He packed mules and ran pack trains into the Sierra Mountains. He broke horses and competed in local rodeos riding saddle broncs and roping calves. And during the quiet hours he would draw pictures of ranch life and the action of the rodeo. People began commenting on his talents as an artist. In 1917 he left the rodeo circuit and turned his full attention to a career in art. He studied with Roger Sterrett, William Paxton, and Dana Bartlett, all highly respected California artists. Till soon became a free-lance commercial artist doing work for Grauman’s Chinese and Lowe’s Theaters, Helms Bakery and Security Bank. He later assumed a position as Art Director for the Richfield Oil Company. However, his first love was still the art of the old west, horses, cowboys, and ranching. So, he left Richfield and gave his full attention to the field of fine arts. He did oil painting, water colors and lithographs. He drew the Gene Autry Comic Books. He illustrated and hand lettered a large collection of stories about famous bucking horses, ranches, horsemen of the world, and western gear. In association with W.C. Wentz, he started producing a complete line of western gift wares, ceramics, bronzes, leather, paper, and fabric. By the 1930′s he was beginning to receive recognition for his western art and by the early 1940s, he and his daughter, Betty, were illustrating comic books for his longtime friend, Gene Autry. Betty was also a world champion cowgirl. Till Goodan designs appeared in virtually every medium. But, the most famous was the four lines of dinnerware produced by Wallace China...

A set of (2) solid brass antique style lamps with globe chimneys. The lamps feature antique design with cherubs on each side. The lamps look like candle-holders and probably could be...

Vintage French hand-painted ceramic 6-light chandelier. The chandelier is 24" wide and 21" high and comes with a 37" extension chain. The chandelier is wired for use in the USA, has...

Stunning bronze and glass side or cocktail table by Peter Ghyczy, circa early 1970s. This example handsomely wraps around the glass top with solid bronze legs with architectural deta...

Original lithograph by Mexican artist Emilio Amero (1901-1976) created 1950. Titled: “Mujer Escuchando La Concha (Woman with Shell). Edition size is 15 of 125. Signed in pencil lower left. In excellent condition. Image size: 12 1/4"h x 9 3/4"w. Presents in a 4-ply museum mat measuring 20"h x 16"w. Born in the village of Ixtlahuaca, in the state of Mexico, Emilio Amero counts Spaniards and Otomi Indians among his ancestors. Shortly after his birth, the family moved to Mexico City. In 1911 he began his studies in art at the Academy of San Carlos. He also studied drawing privately with Antonio Gomez, a family friend and well-known newspaper artist. At the academy in 1917, he became acquainted with Diaz de Leon, Rufino Tamayo, Ramon Alva de la Canal, Enrique Ugarte, and Leopoldo Mendez-all students there at the time. Later he joined the open air school in Coyoacan, founded and directed by Alfredo Ramos Martinez...

Beautiful painting by New York woman artist Altoon Sultan (b. 1948). Original Marlborough Gallery label New York on the verso with title “The Plaza.” Subject is a sunny plaza with c...

Last Horizon, 1991 Bill Schenck Serigraph, Printers Proof Size: 27.75 x 29.75 inches UNFRAMED SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Billy Schenck has been known...

Ikeda Yoshiro Monumental ceramic sculpture. The glaze on this large scale work has a patinated copper feel. Has a wonderful feel and scale from all perspectives.

Charming etching by Italian/Pennsylvania artist Salvatore Pinto (1905-1966). The work is titled in pencil lower left “Beach Houses.” Created 1935. Signed in pencil lower right “Salv...

A stunning cabinet, masterfully crafted from solid oak with an exquisite stain that showcases the natural beauty and grain of the wood. The interior is a sophisticated cerused gray, ...

This diamond pendant necklace is truly eye catching! These color enhanced diamonds are absolutlely beautiful. The yellow diamond is .25 carats, purple diamond is .50 carats, and the ...

For sale is a striking pair of painted pedestals with a unique faux-bois finish, offering an elegant touch of classical design. These pedestals feature a sophisticated Greek Key moti...

Beautiful and detailed original oil on canvas by Armenian/American artist Hovsep Pushman. The sitter is Mary Bernard whose father was Jean (Juan) Bernard and whose mother was Susan M...

Mid-Century Modern boomerang or kidney-shaped coffee table with sculptural wood legs, 1950s-1960s, unsure of maker, but this table is one that is truly rare. This table was completel...

Original Abstract Color lithograph by Dutch artist Karel Appel (1921-2006). Created 1969. Edition size is 53 of 200. The work is signed in pencil lower right. The image size is: 25 5...

Rosewood and polished aluminum dining table by Cado circa late 1960s. This example has stunning book matched rosewood that has been newly finished and the tulip base and trim have be...

Champion 1979 Billy Schenck Serigraph Image size: 16 x 27 inches Billy Schenck has been known internationally for 44 years as one of the originators of the contemporary "Pop" wester...

pastel and micron pen on paper, framed b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of ma...

A set of 10 lusterware German porcelaine canisters. All canisters are in good conditio, without any chips or cracks. A set includes: (4) large canisters: Rice, Flower, Coffee, Sugar ...

Pair of sculptural oak and brass table lamps by Yasha Heifetz, circa late 1950s. These examples have beautifully formed hand carved oak bodies with inset brass rods. These have been ...

Pair of Hollywood Regency style end tables or plant stands by Marblecraft Company, 1963. The legs are brass, and the tops are faux marble over wood. There is a crack on one of the to...

Original etching by well-known Charleston, SC artist Elizabeth O’Neill Verner. Title: “In the Shadow of St. Michael’s - Charleston” Measures: 9 7/8 x 7 3/4 image size. 17 7/8 x 13 7...

Eero Saarinen for Knoll side table, circa late 1970s. This wonderful example has the iconic knife edged walnut top with early cast iron tulip base.

Edith Baretto Parsons (1878-1956) pair of lost-wax cast patinated bronze dog sculptures. The seated pup is signed in the cast “E.B. Parsons” and cold stamped Gorham Co. OFFW. It measures 5 3/4"high x 6 7/8"long x 2 1/2"wide. The leaping pup is signed in the cast “E.B. Parsons,” dated 1911 and cold stamped B. Zoppo Foundry, N.Y. It measures 6 1/2"high x 6 3/4"long x 2 ½"wide. These are part of Parsons' series of playful terrier dogs and are highly desirable. They are in excellent condition with no damage. Born in Virginia, Edith Parsons studied at the Art Students League in New York with John Twachtman, Daniel Chester French...

Joichi Hoshi (1913-1979) Original Color Woodblock, 1974. Title: “Early Spring.” Image: 9 5/8"h x 7.” Frame: 17 1/4"h x13 5/8"w. Signed in pencil lower right and dated ‘74. Chop mark...

Georg Jensen vintage sterling silver set - brooch and matching screw-back earrings. Bio-morphic design by Henning Koppel. Earrings are marked 118. Pin is marked 321. Each is also m...

Introducing our remarkable emerald cut bezel solitaire ring, a masterful blend of timeless elegance and modern sophistication. This unique piece features a stunning emerald-cut diamo...

This is a wonderful naive painting on wood panel by the self-taught black artist Mose Tolliver (1920-2000). It’s a great example of Mose’s unique folk-art style. It features the rat...

Pair of sculptural saber leg occasional tables by Robsjohn Gibbings for Widdicomb, circa early 1950s. Newly finished. Price listed is for the pair.

1960s vintage Mr. Chair and ottoman by George Mulhauser for Plycraft. This iconic mid century modern chair features sculptural bent walnut armrests and new textured leather tufted up...

A remarkable 8.88 carat pear shaped rubellite, surrounded by a gorgeous white diamond halo. All tastefully set in 14k white gold. The pendant comes with an 18 inch adjustable chain, ...

acrylic on raw canvas b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of materials. Drawing ...

Immerse yourself in the charm of this exquisite oil painting inspired by the iconic "The Laughing Cavalier" by Frans Hals, a celebrated 17th-century Dutch masterpiece known for its v...

b. Long Beach, CA (April 9, 1926 – January 17, 2018), video copyright by the artist and Bentley Gallery, Inc. Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. As he described, “Painting is like discovery, trying this, trying that, bending this, twirling that, and then, every once in a while, it goes bing!” Moses' works are held in the permanent collections of the Albright-Knox Gallery, NY; Museum of Modern Art, New York; Whitney Museum; Philadelphia Museum of Art; Art Institute of Chicago; Berkeley Art Museum at UC Berkeley; Corcoran Gallery of Art, Washington, D.C.; Dallas Museum of Art, Hirshhorn Museum, Washington, D.C.; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; Hammer Museum; San Francisco Museum of Modern Art; Cincinnati Museum of Art; Butler Art Institute of American Art, Ohio; Dallas Museum of Art; National Gallery of Art; Musee National d'art moderne - Centre Georges Pompidou, Paris, FR; and many others. As a young man, Moses joined the military during World War II as a Navy Medical Corps surgical technician and discovered an aptitude for treating injuries. After his tour ended, he enrolled in Long Beach City College's pre-med program with the intent of becoming a doctor. After a painting course with Pedro Miller, Moses switched his major to art. He then went on to study at the University of California, Los Angeles, where he would receive both his bachelor’s and master’s degrees. While enrolled in his master’s program, fellow artist Craig Kauffman introduced Moses to Walter Hopps, future owner of the influential Ferus Gallery. Though he’d been exhibiting since 1949, Moses first showed at Ferus in 1958—while still enrolled at UCLA—and quickly became part of the “Cool School” with artists Robert Irwin, Larry Bell, Ed Ruscha, John Altoon, and others. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. In 1980, Moses was awarded a Guggenheim Fellowship and traveled in Japan. Moses worked with Peter Goulds...

Bernard Dunstan, R.A. Original Oil on Board beautifully framed. Title: The Rehearsal: Verklarte Nacht ll Initialed lower left “B.D.” and signed in graphite on the verso “Bernard Duns...

Friedensreich Hundertwasswer (Austrian 1928-2000) Serigraph on Metal on Layered Plexiglas, 1979 “Fall in Cloud, Fall in Fog, Fall Out” Measures: 11 3/8"h x 13 3/4"w x 1 1/2"d. Prese...

b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of materials. Drawing inspiration from the B...

Let the Devil Take Tomorrow Greg Singley Signed: Lower right Archival Pigment Print Image size: 28 x 22 inches Paper Size: 30 x 24 inches Shipping $25 The art of Greg Singley have ...

Fascinating Large Italian Glass Sculpture - Face with Red Eye. Incised signature on the base - Giuliano Tosi. Created by the famous Italian glassmaker circa 1970's - 1980's. The work measures 19 ½ inches high and 11 inches across at the widest point. It is in excellent condition with no damage and is quite an eye-catching objet d'art. Master Giuliano Tosi, born in 1942, hails from a lineage steeped in glassmaking tradition dating back to 1483. His journey with glass began at the tender age of 12, under the tutelage of Master Albino Carrara. Recognizing Tosi's burgeoning mastery, Carrara gifted him his corteo, an essential glass-cutting tool, symbolizing a rite of passage and an honor Tosi cherishes to this day. Tosi's expertise extends beyond traditional techniques, evident in his introduction of the external sbruffi technique in furnaces, a method enhancing color vibrancy and variation. His works have graced galleries worldwide, including Milan's Fashion District, Chicago, New York, and the Museum of Contemporary Art in Los Angeles, marking him as a significant figure in Murano's glass history over the past six decades. His talent for creating art glass pieces has attracted commissions from luminaries such as the Pope, Julia Roberts, Michael Douglas, and Victoria Adams...

Prefate Duffaut (1923-2012) Haitian Folk Art painting. Oil on canvas, circa 1960. Signed lower right. Measures: 23 1/2" H x 19 1/2" W. Frame: 25" H x 21" W. Excellent condition. Tit...

Decorative 1970s MCM cube sculpture in aluminum adorned with text, lettering and graphic design by artist Sheldon Rose.

This is a one of a kind vintage life-edge tea table made in Japan. The table is 43" long, 30" wide and 12.5" high. It was made most likely out of teak simetime between 1940-1950. The...

Transform your living space with this striking large round wall mirror, a masterpiece of mid-century style and craftsmanship. The mirror's frame is a dazzling mosaic of glass tiles, ...

The Danish designers Preben Fabricius and Jørgen Kastholm's iconic 'Tulip' chair in supple sage green leather can function as sleek lounge seating or an office chair to accompany a d...

Mari Simmulson designed Swedish mid-century ceramic vase. Decorated in a geometric figural pattern. Maker: Upsala-Ekeby. Height:10 3/8 in., Diameter: 7 1/4 in. Very good vintage con...

oil on linen Mark Pomilio’s current research has focused on creating images, which embody principles of geometry, fractals, cloning and single-cell manipulation. These interests hav...

Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York) "City of Ambition" from Camera Work Number 36 (1910) Photogravure on Japanese tissue mounted on paper, as issued. ...

Matt Magee ‘hanger’ sculpture. This example incorporates Magee’s philosophy of using found materials that can be reimagined. This work incorporates steel, resin and forms cut out fro...

Flip For It Artist: Greg Singley Signed original signature Archival Pigment Print, 100% Rag Paper Paper size: 24 x30 inches Image Size: 20 x 26 inches The art of Greg Singley have b...

Original lithograph signed lower right, by California/New York artist Don Freeman. Seeing as Don Freeman liked to attend theater in New York and go backstage to meet the players and ...