Phoenix

Jacques Enguerrand Gourgue (1930-1996) surreal still life. Oil on board in excellent condition, original frame. Painting measures 30" H x 22" W. Measures: 36.5" H x 30.75" W, frame s...

Drypoint etching by famous Taos Artist Gene Kloss (1903-1996). Edition of 75. Titled: Christmas Eve - Taos Pueblo. Image measures: 12" H x 15" W. Unframed. Archivally matted. Created...

SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** Greg Singley , born 1950- Artist Statement: When the sun sets in the desert South West, thin...

Rozenburg earthenware vase, Holland, circa 1890s. Polychrome enameled with stylized flowers. Painted mark: Rozenburg denHaag K522 and the stork symbol. Measures: 8.63" H x 4" W. Mint condition. The Rozenburg Royal Delftware...

Eliel Saarinen for Johnson desk circa 1948. This rare example executed in birch has three drawers, sculptural s shaped legs and formed aluminum pulls. It has been masterfully restore...

Striking, stylized carved head in white stone mounted to a wood block on an iron pole by Jose Luis Martinez Gomez (signed).

This elegant Giacometti-style table seamlessly blends timeless design with artisanal craftsmanship, making it a versatile and sophisticated addition to any space. The tabletop is cra...

This Concho belt was created by Navajo silversmith James Shay. It features 8 sterling silver Conchos, including the buckle, with hand stamp work. The buckle is clearly hallmarked "JS STERLING...

Graceful original graphite drawing by French artist Marie Laurencin (1885-1956). Signed lower right with her initials "M.L." Created circa 1930's. Graphite on Paper. Image size: 10...

Antique 1895, Moritz Zdekauer Hapsburg dining set in floral pattern. The set is crafted in Austria and is featuring gentle lilac and white flowers. The set is featuring lavender flor...

Milo Baughman “Fred” chaise lounge chair for Thayer Coggin in black leather on a brushed stainless steel base. This was one of Milo Baughman’s initial desi...

Georg Jensen vintage sterling silver set - brooch and matching screw-back earrings. Bio-morphic design by Henning Koppel. Earrings are marked 118. Pin is marked 321. Each is also m...

Early Watercolor of West Palm Beach by Southern Woman Artist Grace Martin (Frame) Taylor. The work is in excellent condition and nicely framed under glass. Painting measures 11"h x 14"w. The frame is 19 5/8"h and 22"w. The watercolor is signed and dated lower left and also titled and dated in graphite as well. Grace Martin Frame Taylor (1903-1995), a native of Morgantown, West Virginia, launched a nearly forty-year affiliation with the Mason College of Music and Fine Arts, now part of the University of Charleston in West Virginia. In 1921, Taylor enrolled at the University of West Virginia in her hometown; disappointed by the art curriculum, however, she left after just one year to attend the Pennsylvania Academy of the Fine Arts. She returned to the University of West Virginia in 1924 to finish her bachelor’s degree, selecting English as her major, with an emphasis on journalism; she eventually earned a master’s degree there in 1929. Following her graduation, Taylor went to Provincetown, Massachusetts, and renewed her interest in art under the guidance of her distant cousin Blanche Lazzell. Both Provincetown and Lazzell had gained a significant reputation for a particular kind of color woodblock printmaking known as the white line method. Grace Taylor embraced this approach wholeheartedly; for twenty-eight summers she returned to Provincetown to advance her printmaking skills with Lazzell and Heinrich Pfeiffer. In the ensuing decades, she also studied under Hans Hofmann whom she called her “very favorite modern master.” Taylor traveled to other destinations to further her education. In the late 1930s and early 1940s, she spent time at the Carnegie Institute of Technology in Pittsburgh; closer to home, she studied at the Old White Art Colony in White Sulphur Springs, West Virginia, and took lessons in portraiture in the capital city of Charleston...

Etching & Drypoint on paper by famous Taos Artist Gene Kloss (1903-1996). Titled: “Old Pinon Tree.” Pencil signed lower right and in excellent condition. Image measures: 8" H x 6" W....

An exquise solitaire ring in classic and sophisticated design.The attention to detail and precision in the creation of this stunning piece is truly unbelievable, making it a truly ti...

Pair of all original PK 11 chairs by Poul Kjærholm for E. Kold Christensen. These chairs retain their Georg Jensen labels as well.

Rosewood and polished aluminum dining table by Cado circa late 1960s. This example has stunning book matched rosewood that has been newly finished and the tulip base and trim have be...

Pair of glazed ceramic and walnut table lamps, circa early 1960s. These examples are a fabulous burnt orange with embossed circular forms. One is slightly darker than the other. Pric...

This magnificent diamond bracelet is a reclaimed vintage piece, and we can't get enough of it! This gorgeous bracelet is filled with 11.25 carats of ...

Gary Erbe (b. 1944) New York/New Jersey painter - Oil on canvas titled "All Creatures." The painting is in excellent condition and presents in a great frame. Signed G. Erbe lower lef...

Studio cabinet piece with rich brown glaze. Really nice partial lava glaze, circa late 1950s. Mint condition. An experimental piece I purchased directly from the Scheiers man...

Sculptural all original bentwood chairs from Norway make an elegant set of statement pieces. Price listed is for the pair.

Artist: Luis Jimenez, American (1940 - 2006) Title: Fiesta (Diptych) Year: 1986 Medium: Two Lithographs on Arches, signed and numbered in pencil Edition: 76 Size: 34 x 24 in. (86.36 ...

Matt Magee ‘hanger’ sculpture. This example incorporates Magee’s philosophy of using found materials that can be reimagined. This work incorporates steel, resin and forms cut out fro...

Antique octagonal with tiger eye maple veneer on top. Made by Dutch Woodcraft Shops in 1917. The table is sturdy, has a carved trim and a beautiful finish. It's 34" x 34" wide and 31...

Wonderful wood-engraving by Taos artist Howard Cook (1901-1980). Titled: “Acapulco Girl (alternate title: Coconut Palm).” Edition: 30. Image size: 10 1/16"h x 8"w. Sheet size: 12"h...

Fascinating Large Italian Glass Sculpture - Face with Red Eye. Incised signature on the base - Giuliano Tosi. Created by the famous Italian glassmaker circa 1970's - 1980's. The work measures 19 ½ inches high and 11 inches across at the widest point. It is in excellent condition with no damage and is quite an eye-catching objet d'art. Master Giuliano Tosi, born in 1942, hails from a lineage steeped in glassmaking tradition dating back to 1483. His journey with glass began at the tender age of 12, under the tutelage of Master Albino Carrara. Recognizing Tosi's burgeoning mastery, Carrara gifted him his corteo, an essential glass-cutting tool, symbolizing a rite of passage and an honor Tosi cherishes to this day. Tosi's expertise extends beyond traditional techniques, evident in his introduction of the external sbruffi technique in furnaces, a method enhancing color vibrancy and variation. His works have graced galleries worldwide, including Milan's Fashion District, Chicago, New York, and the Museum of Contemporary Art in Los Angeles, marking him as a significant figure in Murano's glass history over the past six decades. His talent for creating art glass pieces has attracted commissions from luminaries such as the Pope, Julia Roberts, Michael Douglas, and Victoria Adams...

1960s Danish teak wood desk. Excellent mid century modern floating style with sculptural legs and handles. Features three drawers on the right and a filing drawer on the left. There ...

A set of (2) solid brass antique style lamps with globe chimneys. The lamps feature antique design with cherubs on each side. The lamps look like candle-holders and probably could be...

This gorgeous diamond anniversary band is part of our reclaimed vintage collection. Restored like new, this band consists of 1 carat of beautiful high quality diamonds! Beautifully s...

Beautiful and detailed original oil on canvas by Armenian/American artist Hovsep Pushman. The sitter is Mary Bernard whose father was Jean (Juan) Bernard and whose mother was Susan M...

A set of 6 Cristal D'Argus - Durant crystal goblets. Each glass is 8.5" high and 3" wide at the opening. Excellent condition.

Original Abstract Color lithograph by Dutch artist Karel Appel (1921-2006). Created 1969. Edition size is 53 of 200. The work is signed in pencil lower right. The image size is: 25 5...

Introducing the epitome of elegance and brilliance : the oval cut Diamonds earrings, in exclusively from my shop. Our pair of earrings diamon...

Beautiful image by Maine/Massachusetts/New Mexico artist and master watercolorist Paul Strisik (1918-1988). This original watercolor of a farmhouse is beautifully executed in bright ...

This stunning solitaire ring is an absolute showstopper . Featuring a magnificent 6 carat Diamond as its centerpiece, this ring commands attention and exudes a sense of luxury and g...

b. Long Beach, CA (April 9, 1926 – January 17, 2018), video copyright by the artist and Bentley Gallery, Inc. Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. As he described, “Painting is like discovery, trying this, trying that, bending this, twirling that, and then, every once in a while, it goes bing!” Moses' works are held in the permanent collections of the Albright-Knox Gallery, NY; Museum of Modern Art, New York; Whitney Museum; Philadelphia Museum of Art; Art Institute of Chicago; Berkeley Art Museum at UC Berkeley; Corcoran Gallery of Art, Washington, D.C.; Dallas Museum of Art, Hirshhorn Museum, Washington, D.C.; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; Hammer Museum; San Francisco Museum of Modern Art; Cincinnati Museum of Art; Butler Art Institute of American Art, Ohio; Dallas Museum of Art; National Gallery of Art; Musee National d'art moderne - Centre Georges Pompidou, Paris, FR; and many others. As a young man, Moses joined the military during World War II as a Navy Medical Corps surgical technician and discovered an aptitude for treating injuries. After his tour ended, he enrolled in Long Beach City College's pre-med program with the intent of becoming a doctor. After a painting course with Pedro Miller, Moses switched his major to art. He then went on to study at the University of California, Los Angeles, where he would receive both his bachelor’s and master’s degrees. While enrolled in his master’s program, fellow artist Craig Kauffman introduced Moses to Walter Hopps, future owner of the influential Ferus Gallery. Though he’d been exhibiting since 1949, Moses first showed at Ferus in 1958—while still enrolled at UCLA—and quickly became part of the “Cool School” with artists Robert Irwin, Larry Bell, Ed Ruscha, John Altoon, and others. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. In 1980, Moses was awarded a Guggenheim Fellowship and traveled in Japan. Moses worked with Peter Goulds...

Stunning bronze and glass side or cocktail table by Peter Ghyczy, circa early 1970s. This example handsomely wraps around the glass top with solid bronze legs with architectural deta...

An exclusive solitaire ring , in contemporary design, ideal for modern ladies. Ring come in 14K gold with a central GIA certified diamond in perfect emerald cut of 6,00 carats, G/ S...

SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** Champion 1979 Billy Schenck Serigraph Image size: 16 x 27 inches Billy Schenck has been known internationally for 44 ye...

Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York) "City of Ambition" from Camera Work Number 36 (1910) Photogravure on Japanese tissue mounted on paper, as issued. ...

An exquisite, beautifully crafted tall Mingei vase by master Japanese potter Shoji Hamada. A rare find due to its size and impeccable condition. Measures 8...

Beautiful Large Impressive Vintage Gilded American Painting Frame created 1915 to 1920. Stanford White Design. Maker: Newcomb Macklin. Gold Metal Leaf - Gesso on Cast Ornament on W...

Beautiful Keramis vase with repeating stylized bird design around the center. Measures: 12" H x 8" D. Mint condition with no flaws. Marked on the base: Keramis, made in Belgium and...

Beautiful and rare Art Nouveau china hutch: 57" wide by 57" high and 14.5" deep. The hutch has 4 drawers in the middle, left and right storage compartme...

Beautiful Modernist abstract panel link bracelet featuring green enamel and sterling geometric squares. It is a vintage bracelet in beautiful condition. It has a sturdy working ...

Original serigraph by Sister Mary Corita Kent (1918-1986). Sheet size: 25"h x 30"w. Titled “Would You Go to Jail if it Would End the War? Quote by activist Daniel Ellsberg. Importan...

“Fan Nesting Table” by DIA (Design Institute America), labeled, 1986. Brass and glass three-tiered nesting swivel cocktail, side or coffee table designed by Rick Berry. Perfect for a...

An exquisite bracelet features a vibrant array of sparkling and luminous diamonds, creating a captivating light. The radiant color of diamonds evokes the beauty , and adds a touch ...

Transform your living space with this striking large round wall mirror, a masterpiece of mid-century style and craftsmanship. The mirror's frame is a dazzling mosaic of glass tiles, ...

painting on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the...

Ikeda Yoshiro Monumental ceramic sculpture. The glaze on this large scale work has a patinated copper feel. Has a wonderful feel and scale from all perspectives.

Extra long rectangle coffee table by Gordon and Jane Martz for Marshall Studios. The table top is inlaid with olive and taupe square ceramic tiles and the frame and legs are solid wa...

Stunning GIA Certified 1,80 Carat Natural Diamond , in round brilliant cut , in D color, VVS2 clarity, so sparkly, very bright diamond. Excellent cut . Excellent polish. Excellent sy...

Late 1960s Brutalist steel sculpture depicting abstracted figures by Arizona artist Agnese Udinotti.

Decorative 1970s MCM cube sculpture in aluminum adorned with text, lettering and graphic design by artist Sheldon Rose.

Bronze and marble abstract sculpture by jeweler and sculptor William De Lillo. These works (we have several by De Lillo) were done in Paris in the late 70’s.

Indians of North America 1936 Jo Mora Lithograph Paper size: 31 7/8 x 24 1/4 inches Image size; 30 1/4 x 22 7/8 inches These are the original lithographs from the Jo Mora Estate from Jo Mora Jr. THESE ARE NOT REPRODUCTIONS! SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Joseph Jacinto Mora 1876 – 1947 Mora was born in Montevideo, Uruguay, and was the son of Domingo Mora, a well-known painter and sculptor who brought his family to the United States in the mid 1890s and then became a teacher in New York at the Art Students League. Joseph and his artist brother Luis Mora (1874-1940) grew up being much influenced by the creative atmosphere of their father’s studio. In 1904, he returned to Arizona and New Mexico and lived with Hopi and Navajo tribes, learning their languages and painting depictions of their ceremonies, especially the Kachina ceremonial dances. One of the results of his Western travels was a series of humorous maps that were spoofs of the national parks and that were made into posters. In the 1930s, the maps sold for 25 cents each and were distributed through souvenir shops at the parks. He also painted a watercolor series, “Horsemen of the West” and wrote two books, “Trail Dust and Saddle Leather” and “Californios.” Joseph Mora died in Pebble Beach on October 10, 1947. Devoting his life to exploration of subjects as diverse as vaqueros, Hopi Kachina figures, the Arizona landscape, and California missions, Joseph Mora also excelled as a writer, photographer, designer, children’s book illustrator, and map maker. “Apart from the bread and butter commissions that he referred to as “pot-boilers,” Mora has left a vast legacy of fine artwork. His contributions to public sculpture and architectural decorations, which are numerous and diverse, gaze calmly at the world from buildings in Los Angeles, San Francisco, Salinas, San Jose and Portland. Mora’s dioramas and large-scale figures are permanently in Monterey and Sacramento, California and Claremore and Bartlesville, Oklahoma. His drawings, paintings and photographs are cherished in private collections and private institutions across the country and first editions of his books are highly valued. But in the final analysis, Mora’s most important works may be his cartes. In these entertaining maps, Mora combined his encyclopedic knowledge of history, his writing, drawing, and cartooning skills, his fine sense of design, and his sense of playfulness to create an art form uniquely his own. Mora’s cartes are still captivating more than fifty years after their completion, and they exemplify the popular, entertaining, direct, and informative art at which Mora excelled.” Betty Hoag McGlynn • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...

SHIPPING FEES INCLUDE SHIPPING CHARGE, PACKAGING & **INSURANCE** Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimnez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimnezs works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimnez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimnez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...