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Gary Erbe Trompe L'Oeil Bat Subject Oil on Canvas, "All Creatures"
By Gary Erbe
Located in Phoenix, AZ
Gary Erbe (b. 1944) New York/New Jersey painter - Oil on canvas titled "All Creatures." The painting is in excellent condition and presents in a great frame. Signed G. Erbe lower lef...
Category

Late 20th Century Phoenix

Materials

Paint

Indians of North America 1936 by Jo Mora
Located in Phoenix, AZ
Indians of North America 1936 Jo Mora Lithograph Paper size: 31 7/8 x 24 1/4 inches Image size; 30 1/4 x 22 7/8 inches These are the original lithographs from the Jo Mora Estate from Jo Mora Jr. THESE ARE NOT REPRODUCTIONS! SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Joseph Jacinto Mora 1876 – 1947 Mora was born in Montevideo, Uruguay, and was the son of Domingo Mora, a well-known painter and sculptor who brought his family to the United States in the mid 1890s and then became a teacher in New York at the Art Students League. Joseph and his artist brother Luis Mora (1874-1940) grew up being much influenced by the creative atmosphere of their father’s studio. In 1904, he returned to Arizona and New Mexico and lived with Hopi and Navajo tribes, learning their languages and painting depictions of their ceremonies, especially the Kachina ceremonial dances. One of the results of his Western travels was a series of humorous maps that were spoofs of the national parks and that were made into posters. In the 1930s, the maps sold for 25 cents each and were distributed through souvenir shops at the parks. He also painted a watercolor series, “Horsemen of the West” and wrote two books, “Trail Dust and Saddle Leather” and “Californios.” Joseph Mora died in Pebble Beach on October 10, 1947. Devoting his life to exploration of subjects as diverse as vaqueros, Hopi Kachina figures, the Arizona landscape, and California missions, Joseph Mora also excelled as a writer, photographer, designer, children’s book illustrator, and map maker. “Apart from the bread and butter commissions that he referred to as “pot-boilers,” Mora has left a vast legacy of fine artwork. His contributions to public sculpture and architectural decorations, which are numerous and diverse, gaze calmly at the world from buildings in Los Angeles, San Francisco, Salinas, San Jose and Portland. Mora’s dioramas and large-scale figures are permanently in Monterey and Sacramento, California and Claremore and Bartlesville, Oklahoma. His drawings, paintings and photographs are cherished in private collections and private institutions across the country and first editions of his books are highly valued. But in the final analysis, Mora’s most important works may be his cartes. In these entertaining maps, Mora combined his encyclopedic knowledge of history, his writing, drawing, and cartooning skills, his fine sense of design, and his sense of playfulness to create an art form uniquely his own. Mora’s cartes are still captivating more than fifty years after their completion, and they exemplify the popular, entertaining, direct, and informative art at which Mora excelled.” Betty Hoag McGlynn • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...
Category

1930s Other Art Style Phoenix

Materials

Lithograph

Karl Larsson, Swedish, New York, and New Mexico Artist, Abstract Watercolor
By Karl Larsson
Located in Phoenix, AZ
Karl Larsson (1893-1967) non-objective abstraction Original watercolor, circa 1920s-1930s In excellent condition. Archivally Matted - not framed. Measures...
Category

Early 20th Century Phoenix

Materials

Paper

IGI Certified 6.00 Carats EX EX EX Natural Diamonds 18K Gold Earrings
Located in Massafra, IT
An exclusive pair of earrings in essential design, so chic and elegant, ideal for everydays and for special events . Stunning earrings come in 18k gold with 2 pieces of IGI Certified...
Category

21st Century and Contemporary Phoenix

Materials

Diamond, 18k Gold

Blue Sapphire and Diamond Band in White Gold
Located in Phoenix, AZ
This exquisite band showcases a harmonious blend of brilliance and elegance. Set in gleaming 14k white gold, the ring features alternating round-cut diamonds and rich blue sapphires,...
Category

21st Century and Contemporary Phoenix

Materials

Diamond, Blue Sapphire, White Gold

Set of four wrought iron mid century modern vintage patio chairs
Located in Phoenix, AZ
Set of four wrought iron mid century modern vintage patio outdoor chairs. Unsure of maker or designer, likely 1960s judged by the manufacturing. These are similar to the Salterini “C...
Category

1960s American Mid-Century Modern Vintage Phoenix

Materials

Wrought Iron

1980s-1990s post modern swivel side table or display stand
Located in Phoenix, AZ
1980s-1990s post modern swivel side table or display stand. Wood with chrome, black, purple and turquoise laminate. The laminate tops swivel 360 degr...
Category

1980s Unknown Post-Modern Vintage Phoenix

Materials

Chrome

Ruby and Diamond Drop Earrings
Located in Phoenix, AZ
These earrings shimmer like no other! They are made with 15.25 carats of beautiful ruby and 5.39 carats of glistening white diamonds, all tastefully set in 18k white gold. 35.5mm x 2...
Category

21st Century and Contemporary Phoenix

Materials

Diamond, Ruby, White Gold

Robert Rauschenberg Pop Art, 1976, "Artists Rights Today"
By Robert Rauschenberg
Located in Phoenix, AZ
Robert Rauschenberg pop art offset lithograph created 1976. Pencil signed, dated, and numbered lower right. The edition size is 16 of 125. Titled: Artists rights today. The work is...
Category

Late 20th Century Phoenix

Materials

Paper

Robert Philipp Painting "Two Women in Conversation"
By Robert Philipp
Located in Phoenix, AZ
A really great painting by American artist Robert Philipp (1895-1981), Oil on canvas, circa 1950s . Image measures: 20" H x 24" W. Frame measures: 31" H x 35" W. Signed lower right....
Category

Mid-20th Century Phoenix

Materials

Paint

GIA Certified 7.00 Carats Natural Diamonds 18K Gold Double Solitaire Ring
Located in Massafra, IT
A statement piece. A stunning double solitaire ring features a collection sophisticated , glamour , a very piece of art. The array of very doubles di...
Category

21st Century and Contemporary Phoenix

Materials

Diamond, 18k Gold

Luzi Girl Papago The North American Indian, Edward S. Curtis, Photogravure, 190
By Edward Curtis
Located in Phoenix, AZ
LUZI GIRL PAPAGO, 1907 Portfolio 2, Plate 53 THE NORTH AMERICAN INDIAN BY EDWARD S. CURTIS Image size 15.5 x 10 1/4 inches, Excellent condition. This is an original photogravur...
Category

Early 20th Century Academic Phoenix

Materials

Photogravure

Lao (1.23.98)
By Mala Breuer
Located in Phoenix, AZ
watercolor on Arches, framed Throughout Mala Breuer’s career she completed well over 400 watercolors and works on paper that preceded each and every one of her large works on canv...
Category

1990s Phoenix

Materials

Paper, Watercolor

#3671
By Hiro Yokose
Located in Phoenix, AZ
oil and wax on canvas over panel Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of ligh...
Category

Early 2000s Romantic Phoenix

Materials

Canvas, Wax, Oil, Panel, Wood Panel

High Wide and Handsome by Fletcher Martin 1953, Original Stone Lithograph
By Fletcher Martin
Located in Phoenix, AZ
SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** Fletcher Martin Size: 16 x12 inches Stone lithograph Frame 25 x 21 inches High, Wide and Handsome- - 1953, Lithograph....
Category

1950s Contemporary Phoenix

Materials

Lithograph

David Smith with Voltri XV - Bolton 1963 by Dan Budnik
By Dan Budnik
Located in Phoenix, AZ
SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** DAN BUDNIK (American, b. 1933-2020 David Smith with Voltr1-Bolton XV, Terminal Iron Works, Bolton Landing, N. Y. 1963 Vintage Print on Afga Paper, Silver gelatin, March 1963, printed 1992 by Igor Bakht Paper: 24 x 20 inches Image: 16.38 x 13 inches Recto: signed in black ink in artist's hand Verso: titled, dated, signed in graphite in artist's hand, printer information in graphite State: unmounted. Dan Budnik 1933-2020 As a photojournalist, Dan Budnik is known for his photographs of artists, but also for his photo-documentation of the Civil Rights Movement and of Native Americans. Born in 1933 in Long Island, New York, Budnik studied with Charles Alston at the Art Students League of New York (1951-53) and began his photography career as Philippe Halsman’s assistant. Working at Magnum Photos (1957-64) in 1963, Budnik persuaded Life Magazine to have him create a long-term photo essay showing the seriousness of the Civil Rights Movement, documenting the Selma to Montgomery march and other historical Civil Rights moments. Budnik went on to photograph for premier publications such as Life, Fortune, Look, Newsweek, Sports Illustrated and Vogue. He has been a major contributor to eight Time-Life Wilderness and Great Cities series and received a 1973 grant from the National Endowment for the Arts for his work on the Hudson River Ecology Project and a 1980 grant from the Polaroid Foundation for Big Mountain: Hopi-Navajo Forced Relocation. Biography Pastaza, Ecuador, December 2004 Photo by Kresta King Cuther Pastaza, Ecuador, December 2004 Photo by Kresta King Cuther Dan Budnik, (b. 1933-died 2020), whose career as a photographer has spanned more than half a century, was most recent recipient, in 1998, of the prestigious American Society of Media Photographers Honor Roll Award, an accolade previously accorded to such eminent photographers as Man Ray, Edward Steichen, Walker Evans, Dorothea Lange, André Kertész, Ernst Hass...
Category

1960s American Modern Phoenix

Materials

Photographic Paper

Venus in Furs
By Michael David
Located in Phoenix, AZ
b. 1954, Reno Nevada Michael David's artwork is included in the public collections of the Metropolitan Museum of Art, New York; the Guggenheim Museum in New York; the Jewish Museum ...
Category

1990s Abstract Phoenix

Materials

Mixed Media, Wax, Acrylic

Yellow Gold and Diamond Cuff Ring (Estate)
Located in Phoenix, AZ
This cuff ring is delicate and beautiful! With a vertical row of .12 carat diamonds, all set in 14k yellow gold. Size 6.5 Weight 10.6 grams. Ring is preowned.
Category

21st Century and Contemporary Phoenix

Materials

Diamond, Yellow Gold

Pair of Marblecraft Hollywood Regency style side or end tables
Located in Phoenix, AZ
Pair of Hollywood Regency style end tables or plant stands by Marblecraft Company, 1963. The legs are brass, and the tops are faux marble over wood. There is a crack on one of the to...
Category

1960s American Hollywood Regency Vintage Phoenix

Materials

Brass

Diamond Chandelier Pendant In Two Tone Gold
Located in Phoenix, AZ
A gorgeous pendant filled with 1.02 carats of white diamonds all set in 18k white and rose gold. Dimensions are 35.5mm x 19.48mm.
Category

21st Century and Contemporary Phoenix

Materials

Diamond, Gold

7.79 (white)
By Mala Breuer
Located in Phoenix, AZ
oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...
Category

1970s Abstract Expressionist Phoenix

Materials

Canvas, Wax, Oil

Love Honor Obey?
Located in Phoenix, AZ
SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & **INSURANCE** Love Honor Obey? Lon Megargee ca. 1940 Oil on Board Size: 19.75 x 26.75 inches Frame: 26.75...
Category

1940s American Impressionist Phoenix

Materials

Oil

IGI Certified 9.00 Carats Diamond 18K Gold Unisex Ring
Located in Massafra, IT
Turning dreams into reality. This magnificent 9,00 carat Natural Diamond is a epitome of luxury opulence. Possessing such treasures is a blessing , is a symbol of unimaginable wealth...
Category

21st Century and Contemporary Phoenix

Materials

Diamond, 18k Gold

Pear Cabochon Rubellite and Diamond Halo Pendant Necklace
Located in Phoenix, AZ
A remarkable 8.88 carat pear shaped rubellite, surrounded by a gorgeous white diamond halo. All tastefully set in 14k white gold. The pendant comes with an 18 inch adjustable chain, ...
Category

21st Century and Contemporary Phoenix

Materials

Diamond, Rubelite

Fratelli Toso Tall Venetian Glass Vase
By Fratelli Toso
Located in Phoenix, AZ
Venetian glass with ribbed sides and scalloped edge. Measures: 11.5" H. Mint condition. Bears the castle import label on the side which usually denotes the fact that it came from ...
Category

Mid-20th Century Italian Mid-Century Modern Phoenix

Materials

Glass

GIA Certified 5.00Carats of Fancy Yellow Diamond on Ring
Located in Massafra, IT
Magnificent classic design for this refined ring in 18k gold with a GIA certified natural fancy yellow diamond , cushion cut, of 5,00carats, VVS2 clarity, so clean and brilliant, wit...
Category

21st Century and Contemporary Phoenix

Materials

Yellow Diamond, 18k Gold

Italian Painter Amadeo Simonetti Orientalist Watercolor, 1900
Located in Phoenix, AZ
This wonderful watercolor on board by Amedeo Simonetti (1874-1922) is signed lower left “A. Simonetti - Roma, 1900.” Measures 22 by 14 7/8 in. Frame measures 27 3/4 by 20 3/8 in. The...
Category

Early 20th Century Phoenix

Materials

Paint

1970s Howard Miller zebrawood and chrome wall clock designed by Arthur Umanoff
By Arthur Umanoff, Howard Miller
Located in Phoenix, AZ
1970s Howard Miller wall clock model 616 designed by Arthur Umanoff Associates. “Zebrawood” veneer (described as “Leriex rosewood veneer” in the 1975/1976 catalog), chrome frame and hour marks, and original George Nelson hands. 13.5” round, 2.75” deep. The clock matches the well known Peter Protzman desk...
Category

1970s American Post-Modern Vintage Phoenix

Materials

Chrome

Bernhard Sopher California Artist Terracotta Sculpture, Mother and Child
By Bernhard Sopher
Located in Phoenix, AZ
Terracotta sculpture by Bernhard Sopher (Syrian/American 1877-1949). Clay figure of mother and child. Signed on the lower back: B. Sopher. Measures: 7 1/2" H x 7" W x 5" L. In excell...
Category

Mid-20th Century Phoenix

Materials

Terracotta

Theophile Alexandre Steinlen Original Stone Lithograph, 1894 - Petit Voyage
By Théophile Alexandre Steinlen
Located in Phoenix, AZ
Original Lithograph by Theophile Steinlen - Swiss born French Artist (1859-1923). Titled: “Petit Voyage” (Little Journey). Signed “Steinlen” in the stone lower left. The work is in ...
Category

Late 19th Century Phoenix

Materials

Lithograph

IGI Certified 4.00 Cts VVS Natural Diamond 18K Gold Solitaire Ring
Located in Massafra, IT
Elevate your look with this exquisite solitaire ring, so elegant and refined , adds a touch of grace and class on your outfit. Magnificent solitaire ring come in 18K gold with a IGI ...
Category

21st Century and Contemporary Contemporary Phoenix

Materials

Diamond, 18k Gold

Frank Vittor Italian/American Sculptor Mother and Child Bronze, 1915
By Frank Vittor
Located in Phoenix, AZ
Frank Vittor (1888-1966) important bronze of mother and child. Signed by the artist “F. Vittor” and dated 1915. Also bears the foundry mark. Measures 12 1/2"h x 12 ½”w x 9"long. Bronze rests on a 1 ½ inch marble plinth. Artist born in Italy, studied with Rodin. The foundry is the National Art bronze works. The bronze was converted to a lamp at one point, and still bears a threaded tube projecting from the lower base approximately ½ inch. Frank Vittor (January, 6, 1888 - January 24, 1968) was an Italian immigrant to the United States who became famous as a sculptor. Vittor was born in Mozzato, Como, a suburb of Milan, Italy. He studied art in Milan at the Academy of Beres and then traveled to Paris, France to study under Auguste Rodin. When Vittor was 18, in 1906, U.S. architect Stanford White brought Vittor to New York to work on his staff. White, who had designed Madison Square Garden II, was murdered at a performance at The Garden two weeks after Vittor arrived. The youth, having little money and knowing very limited English, decided to stay in America and soon opened an art studio. He met his future wife, Ade Mae Humphreys, a resident of Pittsburgh, and made the move to her home town. Aviator Charles Lindbergh's first solo trans-Atlantic 3,600-mile (5,800 km) flight between Long Island, New York and Paris, France was immortalized in bronze by Vittor with a 50-foot-tall (15 m) sculpture showing a winged youth spanning the Statue of Liberty and the Eiffel Tower. Congress approved the expenditure in 1928, and the work was completed in 1929. Perhaps no work by Vittor created as much controversy and media coverage as did his nude statue of Henrietta Leaver, Miss America 1935. Though Leaver posed for Vittor, she did so in a bathing suit, accompanied by her grandmother. Upon first viewing the life-size 5-foot 5-inch plaster statue Leaver was shocked that it was a nude and demanded her representation be draped or veiled. Vittor did not agree and called in art experts to judge the work and all agreed it should stay as it had been created. Leaver did not back down and demanded people her own age review The American Venus, as it had originally been called. Unfortunately for Leaver her 60 peers, many of whom were art students, agreed it should remain unveiled. Though the strong disagreement between the two eventually did subside, Leaver, Vittor and the statue resurfaced five decades later in recaps of controversial Miss America mishaps. Baseball player Honus Wagner, one of the first five players inducted into the Hall of Fame, was memorialized by Vittor in a 17-foot-tall (5.2 m) bronze statue, originally on display near the Pittsburgh Pirates Forbes Field. It was moved to Three Rivers Stadium and, when that stadium was imploded in 1971, the statue was relocated to PNC Park.[6] In 1958, one of Vittor's greatest works, a 50-foot-tall (15 m) granite base and bronze statue of Christopher Columbus, was unveiled in Pittsburgh's Schenley Park. Shortly after the statue was placed, the bronze plaque at the base was stolen by vandals. The Sons of Columbus USA desire to replace the plaque with the original wording; however, there exists no record of what Vittor had written regarding Columbus. Charles Lindbergh was the recipient of a second work of art created by Vittor. The artist and sculptor designed a commemorative stamp picturing the pilot and his plane, the Spirit of St. Louis. Walter F. Brown, the U.S. Postmaster General, authorized a 175th anniversary commemorative "Battle of Braddock" 2-cent stamp to be designed by Vittor. The artwork he created featured a likeness of Colonel George Washington with the inscription "Battle of Braddock's Field, 1755-1930. In 1936 the U.S. Congress authorized minting a half-dollar coin to commemorate the 75th anniversary of the American Civil War. Vittor was the person selected to design the coin. The obverse depicts the profile of two soldiers, one from the North and one from the South and the reverse holds a symbol of the battle placed between the combatant's shields. The coins were distributed through the Pennsylvania State Commission for Gettysburg. Throughout Pittsburgh and the surrounding communities there exist more than 50 statues and fountains, as well as numerous other works, including a dozen historical panels on County bridges...
Category

Early 20th Century Phoenix

Materials

Bronze

Edgar Dorsey Taylor Original Woodcut Baja Series - “Wind Off the Shore...."
By Edgar Dorsey Taylor
Located in Phoenix, AZ
Original Woodcut print from the Baja California Series by the artist Edgar Dorsey Taylor. Title is seen at lower center: “Waves Off the Shore. Bahia de Los Angeles.” Pencil signed l...
Category

1960s Phoenix

Materials

Paper

Jarrah Wood Vessel
Located in Phoenix, AZ
turned jarrah wood Anthony Bryant began woodturning in 1973 after discovering an old 19th Century treadle lathe in his father's workshop. He was immediat...
Category

Early 2000s Outsider Art Phoenix

Materials

Wood

Georg Jensen Sterling Carving Set, Bernadotte Pattern
By Georg Jensen
Located in Phoenix, AZ
Georg Jensen sterling carving set, large, Bernadotte pattern. Designed by: Sigvard Bernadotte (1907-2002) in 1939. Sterling silver handles with ...
Category

Mid-20th Century Danish Phoenix

Materials

Silver

7.10.83 (Olympics)
By Mala Breuer
Located in Phoenix, AZ
oil and wax on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended ...
Category

1980s Abstract Phoenix

Materials

Canvas, Wax, Oil

Texas Swing by Luis Jimenez
By Luis Jiménez
Located in Phoenix, AZ
Texas Swing Luis Alfonso Jimenez 1940-2006 Stone Lithograph Edition of 50 Artist Proof 24 x 18 inches Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...
Category

1970s Contemporary Phoenix

Materials

Lithograph

#3669
By Hiro Yokose
Located in Phoenix, AZ
oil and wax on canvas over panel Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of ligh...
Category

Early 2000s Romantic Phoenix

Materials

Canvas, Wax, Oil, Panel, Wood Panel

Bronco
Located in Phoenix, AZ
SHIPPING FEES INCLUDE SHIPPING CHARGE, PACKAGING & **INSURANCE** Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimnez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimnezs works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimnez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimnez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...
Category

1970s Contemporary Phoenix

Materials

Lithograph

GIA Certified 9.00 Carat Fancy Yellow Diamond 18K Gold Ring
Located in Massafra, IT
An exquisite Fancy Diamond Ring, so vibrant and amazing color , is so extremely rare and prized for their unique beauty. Due to their scarcity , fancy diamonds are highly valuable and coveted by collectors and jewelry enthusiasts worldwide. This magnificent 10 carat yellow diamond...
Category

21st Century and Contemporary Phoenix

Materials

Yellow Diamond, 18k Gold

Round Diamond Ring with Diamond Halo and Shank in 14k Rose Gold
Located in Phoenix, AZ
This ring is truly a masterpiece of elegance and sophistication. At its heart lies a brilliant round-cut diamond that totals 1.71 carats, and is M in color with I1 clarity. This diam...
Category

21st Century and Contemporary Phoenix

Materials

Diamond, Rose Gold

Wide Diamond Band in Yellow Gold
Located in Phoenix, AZ
This stunning and elegant Isa band has 1.03 carats of white diamonds, all beautifully set in 14k yellow gold. Size- 6.5 Weight- 9.6 grams
Category

21st Century and Contemporary Phoenix

Materials

Diamond, Yellow Gold

IGI Certified 7.00 Carats Oval Cut Diamond 18K Gold Solitaire Ring
Located in Massafra, IT
Every woman deserves to adorn herself with a collection of exquisite diamonds jewelry. Diamonds serve as a tangible reminder of cherished memories, a well - earned reward for her ha...
Category

21st Century and Contemporary Phoenix

Materials

Diamond, 18k Gold

Two-Tier Etagere with Casters
Located in Scottsdale, AZ
A lovely, old two-tier cart or étagère, with a Madeleine Castaing, bohemian, Victorian vibe. Its ebonized finish is paired with aged brass looking, painted, wood baluster railings. ...
Category

Late 19th Century Victorian Antique Phoenix

Materials

Wood

Jarra Wood Vessel
Located in Phoenix, AZ
wood, turned wood, jarra wood, vessel Anthony Bryant began woodturning in 1973 after discovering an old 19th Century treadle lathe in his father's workshop. He was immediately fasc...
Category

Early 2000s Outsider Art Phoenix

Materials

Wood

Mid Century Modern Vintage rosewood and glass
By Komfort
Located in Phoenix, AZ
Danish rosewood and glass coffee table by Komfort, likely 1970s. Two pieces of glass cover a wood grid or lattice pattern. Labeled Made in Denmark. The rosewood has some amazing cont...
Category

1970s Danish Mid-Century Modern Vintage Phoenix

Materials

Glass, Rosewood

GIA Certified Fancy Yellow Diamond of 5.00 Carats Ring
Located in Massafra, IT
An exquisite and spectacular GIA certified natural fancy yellow diamond, cushion cut, of 5,00 carats VS clarity, very clean, and two side natural diamonds trillions cut and round br...
Category

21st Century and Contemporary Phoenix

Materials

Yellow Diamond, 18k Gold

Black Diamond Ring with Diamond Scalloped Halo In Yellow Gold
Located in Phoenix, AZ
A beautiful 1.86 carat cushion cut black diamond set in a unique scalloped diamond halo. The halo is made up of sparkling white diamonds, all set in 14k yellow gold. Making for such ...
Category

21st Century and Contemporary Phoenix

Materials

Black Diamond, Yellow Gold

19th Century English Gentlemen Playing Cards - By S.G. Welton
Located in Scottsdale, AZ
19th Century English Gentlemen Playing Cards - By S.G. Welton. Beautiful painting purchased in France. Age appropriate wear, see detailed photos or message us with questions.
Category

19th Century French Victorian Antique Phoenix

Materials

Paint

Black and White Hexagon Diamond Ring
Located in Phoenix, AZ
Black and white diamonds sure do go great together! The diamonds in this ring are hexagon cut diamonds which make for a unique and stunning look. The elongated hexagon cut black diamonds total 2 carats and surround a beautiful hexagon cut white diamond that is .50 carats. Accenting the beautiful white hexagon diamond...
Category

21st Century and Contemporary American Phoenix

Materials

Diamond, 14k Gold

IGI Certified 6.00 Ct Oval Cut Natural Diamonds
Located in Massafra, IT
An perfect match of IGI Certified Natural Diamonds, in perfect oval cut , 3,00 carats each stone, 6,00 carats in total, I color VVS2/VS1 clarity. Absolutely stunning and sparkly diam...
Category

21st Century and Contemporary Phoenix

Materials

Diamond

Tanzanite Ring with Rhodolite Garnet and Diamond Halo in White Gold
Located in Phoenix, AZ
This ring truly is remarkable!! With a gorgeous 3.90 carat oval cut tanzanite in the center surrounded by 1.38 carats of rhodolite garnet and .32 carats of diamonds. All hand set in ...
Category

21st Century and Contemporary Phoenix

Materials

Diamond, Garnet, Tanzanite, Rhodolite, White Gold

70's Serigraph by Sister Corita Kent
By Sister Corita
Located in Phoenix, AZ
Sister Mary Corita Kent (1918-1986) was known for her text-based pop influenced printmaking that conveyed her activism and spiritually-informed social...
Category

1970s American Mid-Century Modern Vintage Phoenix

Materials

Paint

IGI Certified 38.00 Ct Natural Diamonds Gold Riviera Tennis Necklace
Located in Massafra, IT
This exceptional necklace is a epitome of opulence and elegance , meticulously crafted to embody luxury at its finest. The resplendent diamonds shimmers and sparkles , capturing the ...
Category

21st Century and Contemporary Phoenix

Materials

Diamond, 14k Gold

1979 C. Jeré metal urchin or pom pom large sculpture
By Artisan House, Curtis Jeré, C. Jeré Artisan House
Located in Phoenix, AZ
1979 C. Jeré Artisan House urchin or pom pom brass wall art. This is the much less common massive round version and measures about 40” wide and 10” deep. It features 12 urchins on cu...
Category

1970s American Mid-Century Modern Vintage Phoenix

Materials

Brass

Rodeo Queen by Luis Jimenez
Located in Phoenix, AZ
Rodeo Queen, 1981 Edition 36/50 Signed lower left, Inscribed: for the "Rose" 82. Provenance: Print was a gift to Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". Lithograph on paper 42 ½ × 29 in. (107.3 × 73.7 cm) Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...
Category

1980s Contemporary Phoenix

Materials

Lithograph

Victor Korecki Polish Artist Winter Landscape Painting
Located in Phoenix, AZ
A beautiful winter scene by Polish artist Victor (Wiktor) Korecki. This painting, an oil on canvas is in excellent condition and is signed lower left. The work measures 20"h x 24"w. ...
Category

Mid-20th Century Phoenix

Materials

Canvas, Oil

GIA Certified 3.60 Ct Internally Flawless Natural Diamonds 18K Gold Earrings
Located in Massafra, IT
Gorgeous pair of earrings in contemporary design, so elegant and essential style. Stunning earrings come in 18K gold with 2 pieces of GIA Certified Natural Diamonds in perfect round ...
Category

21st Century and Contemporary Phoenix

Materials

Diamond, 18k Gold

Morganite And Rainbow Sapphire Ring In Rose Gold
Located in Phoenix, AZ
This ring is absolutely magnificent and full of beautiful colors! The main stone is a gorgeous emerald cut morganite that is 4.02 carats. Surrounding the morganite is a beautiful col...
Category

21st Century and Contemporary Phoenix

Materials

Diamond, Morganite, Sapphire, Rose Gold

Hand Engraved Hobo Coin Ring with Black Diamond Halo
Located in Phoenix, AZ
A one of a kind hand carved hobo coin with black and white diamonds, and ruby accent, all set in silver and 14k yellow gold. The dimension of the ring is 22mm in diameter. Ring size ...
Category

21st Century and Contemporary Phoenix

Materials

Black Diamond, 14k Gold, Silver

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