South Carolina

English satinwood and gilt wood foliage medallion demi-lune pie shaped console, Late 18th Century

This 18" x 18" pillow features our Pyne Hollyhock print, one of Schumacher's most iconic and sought-after designs. Shown here in Indigo and finished with self welt edges, this chintz...

This pillow features Katama by Caroline Z Hurley for Schumacher with a Knife Edge finish. Designed by artist Caroline Z Hurley in her Brooklyn studio...

This pillow features Bensley Boucle with a knife edge finish. A fun, offbeat play on bouclé that goes beyond the typical solid or mélange. This fabric stands out for its irregular ho...

American cast brass and painted artistic wire work hinged fireplace screen. Late 18th Century Photographed at 48 wide / 36 Wide middle section / 14.5 Deep on hinged panels. Screen wi...

This classic sisal wallcovering boasts sheen, texture and an endless color palette. From chic neutrals to saturated hues, it offers a bevy of tactile options that are a sophisticated...

This pillow features Dixon Mohair Weave with a Knife Edge finish. With a brushed and felted finish, this mohair weave has a plush texture and exceptionall...

Margo Humphrey, 'The Garden (Adam and Eve)', reductive color woodcut, 1989. Signed, dated, and annotated 'A/P' in pencil. Signed and dated in the image, lower right. A fine, richly-inked, artist's proof impression, with fresh, vivid colors, on BFK Rives, heavy, off-white wove paper; the full sheet with margins (1 to 1 3/8 inches), in excellent condition. Archivally sleeved, unmatted. Scarce. Image size 27 1/4 x 39 1/8 inches (692 x 994 mm); sheet size 29 1/2 x 42 inches (749 x 1,067 mm). ABOUT THIS WORK "Humphrey continued to reinterpret stories from the Bible with African American figures. In 1989 she published the woodcut print 'The Garden' at Magnolia Editions in Oakland, CA. For this rare foray into relief printmaking, she employed the reductive method, which uses only one block that is successively carved for each color segment, reducing the block with each cutting. Technically challenging, this lush and elaborate print is a testament to Humphrey’s skills as a printmaker. A youthful Adam and Eve are depicted in a luxuriant tropical landscape. Here, Humphrey chooses not to include the traditional symbols of humanity’s downfall but instead portrays them as being protected by angels in an atmosphere of idyllic bounty. ...Although Humphrey challenges traditional representation of Christian themes, her images are not iconoclastic but present a broader, more inclusive engagement with religious spirituality." — Adrienne L. Childs, 'Margo Humphrey, The David C. Driskell Series of African American Art: Volume VII,' Pomegranate Communications, Inc., 2009, page 71. ABOUT THE ARTIST American printmaker, illustrator, and art teacher Margo Humphrey was born in Oakland, California, in 1942. She earned a BFA in Painting and Printmaking from the California College of Arts and Crafts and a Master of Fine Arts degree in Printmaking from Stanford University. Humphrey began teaching in 1973 at the University of California Santa Cruz and has since taught at the University of Texas at San Antonio, the San Francisco Art Institute, and the School of the Art Institute of Chicago. She has also taught at the University of the South Pacific in Suva, Fiji; Yaba Technological Institute of Fine Art, Ekoi Island, Nigeria; the University of Benin in Benin City, Nigeria; the Margaret Trowell School of Fine Art in Kampala, Uganda, and the Fine Art School of the National Gallery of Art, Harare, Zimbabwe. In 1989, she was appointed Department Head of Printmaking at the University of Maryland in College Park. Humphrey has worked in lithography, monoprint, and woodcut with significant printmaking ateliers, including the Rutgers Center for Innovative Print and Paper, the Bob Blackburn Printmaking Workshop, and the Tamarind Institute in New Mexico. She was one of the earliest African-American woman artists to distinguish herself as a lithographer in a highly technical, male-dominated profession and was the first to have her prints published by Tamarind in 1974. Humphrey’s imagery combines historical perspective, autobiography, and fantasy to illuminate her experience as an African American woman. Bold, saturated color, animated figures, and syncopated rhythmic arrangements are hallmarks of Humphrey's oeuvre. Though Humphrey labels her distinctive style "sophisticated naive," the narrative complexity and technical skill of her works attest to her artistic virtuosity. Joyful, expressive, and at times humorous, her works offer engaging commentary on the presumptions of American culture and myth while embracing her personal vision of authenticity and spirituality. She developed her 1987 work The Last Bar-B-Que, a vividly colored transformation of the Last Supper, following a three-year period during which she examined portrayals of the iconic subject by artists from Pietro Lorenzetti to Emil Nolde. Her narrative work The Garden, a monumentally scaled reductive woodcut, is a further example of an archetypal subject—Adam and Eve in the Garden of Eden—debunked and rendered with fresh, life-affirming vibrancy. Since her first solo exhibition in 1965, Humphrey’s works have been exhibited internationally. They are held in major institutions, including the Museum of Modern Art, The Smithsonian American Art Museum, the Philadelphia Museum of Art, the Hampton University Museum, the Victoria and Albert Museum (London), the Museum of Modern Art, Rio de Janeiro, and the National Gallery of Modern Art, Lagos. In 1996, she was invited to be part of the World Printmaking Survey at the Museum of Modern Art, New York. In 2011, Hampton University Museum mounted a 45-year retrospective of Humphrey’s work Her Story: Margo Humphrey Lithographs and Works on Paper, jointly curated by Robert E. Steele, executive director of the David Driskell...

Anton Schutz, 'White House', etching, edition not stated, c. 1928. Signed in pencil. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 to 2 1/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 7/8 x 11 7/8 inches; sheet size 11 1/4 x 15 3/8 inches. ABOUT THE ARTIST Etcher, painter, and architect Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...

English sterling silver humidor lined in Spanish cedar with hallmarks, Mid-19th Century.

This pillow features Cybele Embroidery Fabric (Item# 79472) with a knife edge finish. Recalling a sumptuous antique textile, this refined linen features a series of regal, finely emb...

English copper engraved hand colored map of the North Eastern United States matted under glass in a gilt frame, Early 19th Century. Drawn and Engraved for Thomson's New General Atlas...

This pillow features Marella by Vogue Living for Schumacher. An eccentric, wavy trellis pattern, Marella is enlivened by charming botanical motifs. Pillow is finished with a welt in ...

Set of American brass ball finial and polished steel fire place tools on stand. Set consist of tong, poker, shovel, and brush. 19th Century.

Pair of American monumental hand blown glass apothecary urns with covered lids, flanking gilt mounted artichoke's, and resting on circular step back molded bases. Mid 19th century Me...

Mixed metal architectural formed bench with tufted cashmere seat bottom.

Enter into a world of timeless glamour with this exquisite French-made Diamond set platinum and 18 Karat gold basket eave clutch purse, a true masterpiece of mid-century craftsmanshi...

This 18" x 18" pillow features our lively Papillon Velvet print, with whimsical butterflies silhouetted within an ogee trellis. Finished with Turkish Corners...

Georgian gilt carved wood and gesso girandole wall mirror with two original scrolled spur bronze sconces and shell motif. Early 18th Century. Mirror retains the original wood backing...

Pair of American figural jockey painted cast iron hitching post with swivel arms. Mid 19th century.

Pair of English brass spiral ball finial tool rest with acanthus scrolled legs and terminating on stylized lions paw feet, Mid-19th century.

This pillow features Iconic Leopard with a self welt finish. We first introduced this sexy pattern in the 1970s. In 11 versatile colors, it's eternally ...

American brass two tiered bar fire fender with bulbous ball finials and rectangular molded base. Mid 19th Century

"Portrait of a beautiful, elegant white horse in a fashion-inspired photograph There is something undeniably alluring about this speckled white horse, especially featured against a ...

Italian Regency gilt carved wood figural torchiere with egg and dart motif, floral scrolled decorative work, and terminating on floral tripod base w...

This 20" x 20" pillow features Ming Fret in Navy, a velvet interpretation of our popular Ming Fret pattern, derived from a traditional Chinese motif. Chic and elegant, its raised, ma...

Pierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...

Experience the elegance of Cartier with this stunning heart-shaped charm pendant. Crafted with precision, this piece exemplifies Cartier's dedication to luxury and artistry. The pen...

This 24" x 14" pillow features Coralline, a linen and cotton blended fabric, in red. This stylish scallop pattern with twisted rope borders is screen-printed on a crisp ground. Berber cotton tassels and side trims have been added to complete the look of this nautical pillow...

Neil Young in back of Limo after purchasing his Gretsch "White Falcon" guitar in the West Village of NYC. 1970. 30x40 inch is a Edition of 25. Signed and numbered by photographer

The face of this 12" x 24" pillow features Wentworth Embroidery in rust paired with Piet Performance Linen in Flax on the back. Wentworth Embroidery is an elegant cross-stitching on ...

This pillow features Argento with a knife edge finish. Woven at an Italian fashion mill, this double-faced cashmere has a metallic sheen on one side. Its sumptuous hand and silky dra...

This pillow features Alma Indoor/Outdoor with a knife edge finish. Based on a woodblock our design director carved by hand, this interlocking pattern reinterprets a block-print into ...

Set of Eight English mahogany dining room chairs with carved shell intertwined quatrefoil splat backs, scrolled acanthus arms, removable l...

American serpentine brass and artistic wire work banded ball finial fire place fender, late 18th century.

Discover the exquisite art of England’s renowned miniature wildlife sculptor, PAUL EATON, with his sculpted sterling silver Cavalier King Charles Spaniel dog charm or pendant. Each b...

This pillow features Marigold by Molly Mahon for Schumacher with a knife edge finish. A happy, graphic ode to the marigold, one of Molly’s favorite flowe...

This 20" x 20" pillow features Horst Stripe in Grisaille. Woven in Italy, this versatile multi-width stripe is a stylish and durable option for upholstery and a great foundation for ...

This 18" x 18" pillow features Dogwood Leaf in Ivory. Hand painted in our studio under the direction of Miles Redd, this lovely swirling botanical has an undeniably artful charm. Fea...

The face of this 18" x 18" pillow features Schumacher's Corfu stripe fabric in black—irregular, rippled bands printed on a linen-cotton ground—paired with the brand's Maracana Po...

English mahogany three drawer leather top drum table with turned bulbous spiral pedestal, terminating on tripod base with slipper feet. Early 19th Cen...

This pillow features Ainsley Stripe Indoor/Outdoor with a knife edge finish. This high-performance woven ikat stripe with a soft, supple hand has a mélange ground and the handmade fe...

American mahogany acanthus carved gadrooned partners desk with baize writing surface, eight drawers with the original wooden knobs, flanking acanthus carved corners, four lower acant...

Paul Eaton, possibly the world's most famous miniature animal sculptor, is also a jewelry designer/goldsmith. Luckily for collectors, jewelry and animal lovers, he is able to combi...

Set of four Italian Neoclassical angelic silver gilt tin prickets with central bulbous fluted columns, acanthus foliage, decorative medallions, interior iron supports, and resting on...

This exquisite English Regency girandole mirror has a classical double handle snake urn with flames. This British mirror has fluting and an ebonized reeded wood ring framing the convex mirror. The bottom has girandole arms flanking oak leaves. The girandole mirror is labeled: John Hay...

This pillow features Lubeck Stripe with a knife edge finish. Simple, charming and woven entirely by hand, this cotton stripe’s large scale makes it a shoe-in for large upholstery p...

Italian walnut Rococo cupboard with a carved molded edge top, decorative incised carvings, upper single drawer and a lower cabinet with the original wooden knobs, original locking me...

This 11" x 16" pillow features Bee Epingle in Red paired with Gainsborough Velvet in onyx. Epingle gets a contemporary update with a needlepoint-esque bee pattern that can skew uprig...

Very fine and rare illustrated antique English John and William Ridgway hand painted ironstone "Fancy Stone China, Pattern 1289" Soup Tureen, lid and stand...

This finely crafted Moe Bridges chandelier features intricate detailing within the cast iron of the body and 3 gorgeous glass slip shades with a shie...

American nautical brass housing and wood collar floating distress beacon with a glass lens, mid-19th century.

Fabulous quality finest hand-cut crystal barrel shape double jar pickle set; pristine condition. Please note exceptional cutting.

Set of English brass and polished steel decorative pierced foliage and spiral cast fire tools, early 19th century. Set consist of Shovel, Tong, and Poker.

Pair of Italian painted and gilt carved wood tole prickets with urn & floral motif resting on squared plinths. Prickets have been electrified . Mid 19th Century

Elevate your ensemble with the exquisite allure of this Hermes Chandra Black Pearl Diamond 18k Rose Gold Sautoir Tassel Necklace. Meticulously craf...

Robert Vale Faro, 'Petrouchka's Predicament', color lithograph, 1946, edition 20. Signed, dated, titled, and numbered '115' and '14/20' in pen. A fine, richly-inked impression, with fresh colors, on heavy, off-white wove paper; full margins (1 1/4 to 2 1/2 inches), in excellent condition. Image size 21 3/4 x 13 3/4 inches; sheet size 24 3/4 x 16 1/4 inches. Scarce. Matted to museum standards, unframed. 'Petrouchka', a ballet with music by the Russian composer Igor Stravinsky and choreography by Michel Fokine, is based on the legend of Russian folklore. 'Petrouchka', a puppet made of straw with a bag of sawdust as his body, comes to life and has the capacity to love, a story conceptually resembling that of Pinocchio. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...

From a limited edition of 5 archival photographs Signed and numbered by artist Aaron Knight Image: 24×36 inches/61×91 cm Art-ID: TAL_8651 Aaron Knight is an American visual...

The Van Cleef & Arpels Diamond 18K Yellow Gold Leaf Brooch is a masterpiece of craftsmanship and elegance, showcasing the renowned sophistication of the esteemed jewelry house. Craft...

Pair of Italian chandeliers featuring curling foliage and three arms holding the lights; all made from brass and iron.