South Carolina

Pair of American cast iron rectangular floral crest planters with lambs tongue motif, Late 19th century.

From a limited edition of 6 archival photographs Signed and numbered by artist Aaron Knight. Image: 24×36 inches/61×91 cm Art-ID: TAL_9551 Aaron Knight is an American visual...

"""Sacred Ground"" Black & white image of the expansive Mundari cattle camp Portrait of the Mundari's surreal cattle camp in South Sudan with dust and smoke rising In these scenes...

American Charleston cast iron lyre boot scrape resting on a oval scalloped edge base, Early 19th century.

Extraordinary moment of two white horses rearing up in the South of France Two otherworldly white horses rear up in this exceptional moment captured in the South of France The awar...

Irish plum pudding mahogany tilt-top tea table with a carved floral molded edge, original brass locking mechanism, rotating birdcage, bulbous carved acanthus pedestal...

Czechoslovakia Majolica vibrantly colored rooster umbrella / cane stand resting on circular foliage base, 19th Century. Czech. stamped / signed by maker underneath base.

"Rhythm and Poise" Black & white image of a cheetah walking towards the camera in Kenya Exceptional Creatures is a limited edition print series documenting the most extraordinary a...

'Birds & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum standards, unframed. Image size 4 7/8 x 3 1/8 inches; sheet size 8 7/8 x 6 1/4 inches; mat size 14 x 11 inches. ABOUT THIS WORK Hopei or Hebei is a province of North East China, on the Gulf of Chihli near Beijing that is home to Chengde Mountain Resort, the imperial summer residence of the Qing-dynasty emperors. Chengde contains 18th-century palaces, gardens, and pagodas ringed...

Italian marble statue of standing lady with cloak terminating on circular plinth, Early 19th century.

American needlepoint christian themed sampler in the original gold gilt frame under glass. Tree of knowledge good and evil. Adam and Eve with the serpe...

"Silent Grace" The gracefulness of the horses of Sable Island is only intensified by their steadfast, silent gaze that draws you in and embraces you. This is a best-selling imag...

"The Dance" This award-winning print features a stallion protecting his band from others by defending his family. The print series Discovering the Horses of Sable Island documents...

Zena Kavin, 'To Market, to Market', lithograph, c. 1935, edition 20. Signed, titled, and numbered '6/20' in pencil. A fine, richly-inked impression, on cream wove paper, with full ma...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

Benton Spruance, 'Slack Rope Artist', lithograph, 1930, edition 30, Fine and Looney 35. Signed and titled in pencil. Numbered '2' in the bottom right margin. A fine impression, with ...

Karl Michel, 'Ex Libris Verein' (New Year's Ex Libris Club Announcement), etching, 1924. Signed, dated, and numbered 'op. 167' in pencil. Signed and dated in...

Now this is a fun and funky cat. Immediately upon seeing the face, it has that Italian look, almost like a smirk. Sitting in the common perched position. Seems to be intentional craz...

"Prism" In this image, the forever-shifting surface of the sea refracts the light in novel ways. This crystalline layer gives way to the darker waters beneath, creating the perfect...

Elegant 18k solid white gold hinged bracelet featuring dazzling diamonds and sapphires. Stamped 18K on the interior of the bracelet along with an unknown designer mark. Measures 4mm ...

An unreal moment of two cheetahs in pursuit Two cheetahs in pursuit of prey in the tall grass of the Maasai Mara Exceptional Creatures is a limited edition print series documenting...

Bleached turtle shell mounted on a Stilbite and Apophyllite mineral base. The turtle shell has been naturally bleached by the sun and mounted on the rare mineral formation. Apophyllite is a mineral occurring typically as white glass prisms, usually as a secondary mineral in volcanic rocks. It is a hydrated silicate and fluoride of calcium and potassium. Stilbite is the name of a series of tectosilicate minerals of the zeolite group. Both naturally formed together to create an extraordinary mineral specimen. Together, the white turtle shell...

Nathaniel Dirk, 'Cape Ann Harbor View', vintage watercolor on watercolor paper, 1948. A fine, spontaneous rendering, with fresh, undiminished colors, in very good condition; the arti...

Elegant and detailed antique brass candelabra with a classical ribbon and wreath motif. Fits two candles and has original patina due to age, measures 15.5 inches in height by 11 inch...

An intimately-detailed portrait of the braided neck of a speckled white horse Beautiful and exquisitely detailed portraited of the braided mane of a white horse framed against a sumptuous black backdrop The print series Equus: Light & Form focuses on the details of some of the world’s most elite jumper, dressage, and polo horses. Offered in a limited edition, these works are printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. Through a fashion-inspired lens, photographer and filmmaker Drew Doggett tells extraordinary stories of diverse cultures, animals, places, and communities. He has received over 130 prestigious international awards and has had his artwork featured in many publications, such as Conde Nast Traveler, Architectural Digest, Forbes, Bloomberg, Fortune, The Daily Mail, and Outside Magazine. His photographic work can be found in public collections globally, notably the Smithsonian African Art Museum (DC), as well as in hundreds of corporate and private collections in over 20 countries around the world, including that of Alec Baldwin, Gloria Steinem, Nicole Ari Parker, Eric Church...

The Vintage Butterfly Diamond Ruby and Emeralds Necklace in 14K Yellow Gold is a unique and enchanting piece of jewelry that captures the beauty of nature with an exquisite blend of ...

Alessandro Mastro-Valerio, 'Morning Paper', 1941, mezzotint, edition 350. Signed in pencil. A superb, richly-inked, luminous impression, on cream, wove paper, with wide margins (1 9/16 to 1 13/16 inches), in excellent condition. Matted to museum standards; unframed. 32nd Presentation Print of the Chicago Society of Etchers, 1941, with the Chicago Society of Etchers blindstamp in the bottom, left margin. ABOUT THE ARTIST Painter and printmaker Mastro-Valerio was educated at the Salvador Rosa Institute in Naples, Italy (1906-1912), and came to the United States in 1913. He settled in Chicago and after a brief period as a commercial artist, established a reputation as a portrait painter. Among his patrons were the industrialists Harvey S. Firestone and Anheuser Busch. Mastro-Valerio was also the owner and editor of the progressive magazine 'La Tribuna Transatlantica'. He wrote and published articles supporting the cause of Italian immigrants. He helped form the Giordano Bruno...

John Sloan (1871-1954), Barbershop, 1915, etching and aquatint, signed in pencil lower right, inscribed in pencil “For John Quinn, Esq. – John Sloan” lower left margin, (also signed ...

Louis Wolchonok, 'Rockport Harbor', gouache, c. 1950. Signed in ink, lower right. A fine, modernist work, with fresh colors, on cream wove drawing pape...

"Five surfers wait out the next set of waves amidst the cerulean sea Surfers wait out the arrival of the next set of waves in this elegantly structured aerial image The print serie...

"A white horse runs across a beautifully-arranged lavender field A black and white image of a lone white horse running across an elegant field of rows of lavender This powerful gl...

Sculptural 18th century Italian hand-carved wood figure of Christ on an optical calcite crystal base. The original red bole shows through on the artifact and coordinates with the pha...

Maurice Denis, Untitled (Mother and Child), lithograph, 1897, edition not stated. Signed in the stone, lower right. Annotated in linotype 'MAURICE DENIS, ORIGINAL LITHOGRAPHIE PAN III' in the lower left sheet corner. A fine, atmospheric impression, in warm, dark gray ink, on buff wove paper, with full margins (2 1/2 to 1 3/4 inches); a small discoloration in the bottom left sheet corner, otherwise in good condition. Image size 8 5/8 x 6 7/8 inches; sheet size 13 7/8 x 10 5/8 inches. As published in 'Pan', the leading German magazine of the period devoted to art and literature. Matted to museum standards, unframed. Collection: Los Angeles County Museum of Art. Reproduced: German Expressionist Prints...

Two toned wicker rattan woven basket that has the original plastic lining. Can be used as a wastebasket or to hold a potted plant or even to use for storage. The weaving is in great ...

James Allen, 'The Connectors', 1934, etching, edition not stated, Ryan 66. Signed in pencil. A superb, richly-inked impression, on handmade, cream laid paper, with margins (1/2 to 1...

Edward Landon, 'Untitled Fantasy', color serigraph, 1983, edition 30, Ryan 214. Signed, titled, and annotated 'Edition 30' in pencil. A fine impression, with fresh colors, on off-whi...

Max Klinger, 'Erinnerung' (Remembrance), original etching with aquatint, 1896. A fine, richly inked impression on off-white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in...

Beautiful vintage Murano hand blown, clear surface and applied flower murrines Italian art glass paperweight. Documented to the A.Ve.M. (Arte Vetraria Murano) company. The paperweigh...

Martel Schwichtenberg (1896-1945), 'Varietésoubrette, Schwalbennest (Variety Soubrette, Swallow’s Nest), drypoint, 1922. Signed in pencil. A fine, richly-inked impression; the full sheet of cream wove paper, with wide margins (3 3/4 to 5 1/4 inches), in excellent condition. Image size 7 3/16 x 4 5/16 inches; sheet size 16 3/8 x 12 1/8 inches. Archivally matted to museum standards, unframed. Published in Die Schaffenden...

This Regal Anglo Indian Regency Carved Mahogany & Padouk Sideboard / Credenza was handmade in the Nineteenth Century. The British Colonial Sideboard is hand carved solid mahogany an...

"A beautiful white horse underneath a stone arch in an ancient building A black and white image of a white horse underneath an ancient stone arch looking away from the camera This powerful global series explores horses in diverse settings and offers a nuanced and captivating look at their grace, strength and lasting cultural impact. Offered in a limited edition, these works are printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. ABOUT DREW: Photographer & filmmaker Drew Doggett creates print series featuring the extraordinary stories of diverse cultures and communities seen through a fashion-inspired lens. Through both intimate and expansive perspectives, he reveals his subjects in vivid detail. Drew's work is in public and private collections around the world, notably the Smithsonian Institute. He has received over 100 awards and honors for his photography and short films; in 2020, he was named number one in the US and fourth globally for black and white photography by One Eyeland. ""Related Tags: Horse Western Cappadocia Desert Church Black and White Cathedral Doors...

"Haven" In this award-winning image, a lone bush is encased by a delicate sand dune, as if nature has protected it in a loving embrace. The print series Dunes: Landscapes Evolving...

Pair of polished black obsidian points with natural forming indentions. The top of each point has been cut and polished while the remaining body of the obsidian has been left in its ...

18th century Swedish Baroque drop leaf table with leg support on each side- extending table to 55" wide when fully open with both leaves. One leaf dropped to 38.50" wide and both le...

American Hepplewhite cherry stand with a straight edge top , skirt panels and terminating on the original squared tapered legs, Early 19th century.

English Royal navy leather gun charge carrier with a centered coat of arms depicting lion and unicorn and the original tacked leather handle, Mid-19th...

"Dance of the Sea" This dark horse swimming appears drawn in charcoal - a chiaroscuro effect - while the water's lightness complements and heightens the dramatic combination of the ...

German mahogany tall case flute clock with original painted ,gilt, and porcelain dial surrounded by original hand blown glass. The upper section has four ...

"A young Mundari boy radiates strength in this portrait taken in the cattle camps Black and white photograph of a Mundari boy draped in dark fabric making eye contact with the camer...

Set of Ten English Regency mahogany dining room chairs with carved molded edge rails, tapered circular splat backs, removable leath...

The cast body of cylindrical form rising to a flaring rim, engraved with incised ring turned detail to the exterior, interior and underside, sided by twin open handles together with ...

"Ethereal, beautiful peaks against a beautiful formation of snow Minimal and romantic, this image shares the beauty of our world's Northernmost territories The limited edition pri...

English brass and wood barrel nautical ship captain's spyglass with a single draw, polished sunshade, lense cap, and engraved focal tube by maker James Chapman St. Catherines Dock, L...

Mary Van Blarcom, 'Crown of Roses', color serigraph, c. 1945, edition not stated but small. Signed in pencil beneath the image, lower left. Titled in pencil, bottom left sheet corner. A rich painterly impression, with fresh colors, on cream laid paper, with full margins (3/8 to 7/8 inch), in excellent condition. Matted to museum standards, unframed. Image size 8 13/16 x 12 11/16 inches; sheet size 9 1/2 x 8 5/16 inches. ABOUT THE ARTIST Painter, printmaker, and craftsperson, Mary Van Blarcom was born in Newark, New Jersey, and studied at Wellesley College. She was a member of the National Serigraph Society, where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today. Van Blarcom exhibited actively throughout the 1940s at many prominent art organizations, including Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art Traveling Exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952. Van Blarcom’s work is represented in the collections of the Newark Public Library, the U.S. Library of Congress; the American Association of University Women; the New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...

"A hippo breaks the water's surface in this black and white image In the Maasai Mara, a hippo calmly takes a look around him as he comes up for a moment of air Exceptional Creature...

This stunning sculptural iron coffee/cocktail table is masculine and yet elegant. It is draped all over with thick iron rope and tassels. The four corners have brass ram head motifs...

Boris Lovet-Lorski, Untitled (Crucifixion), lithograph, edition 250, 1929. Signed and numbered 7 in pencil. Number 7 of Volume 1, a series of 10 lithographs published by the artist a...

In this aerial image, a lone surfer takes a moment before heading out to sea A lone surfer holding a yellow board stands parallel to the shore The print series Swell: Endless Blue ...

American mahogany and gilt wood ogee wall mirror with the original glass and wood backing. Early 19th century.

A surreal scene of elephants crossing the plains in Amboseli National Park Watching a herd of elephants, typically led by the matriarch, is an incredible and exhilarating sight Co...