Sweden - Paintings

This luminous and finely executed painting by August Hagborg captures three nude women preparing to bathe at the edge of a still, tree-lined body of water. One figure is seated on a ...

This painting by Ture Ander, created in 1917, depicts a serene landscape from Värmland, Sweden. At the center of the composition is a large tree, likely a deciduous species, as suggested by the hints of autumn seen in both the tree and the meadow below it. The short brushstrokes used to depict the leaves and grass evoke a sense of movement and texture, typical of the early 20th-century artistic style. Another beautiful detail is the bluish-tinted forested mountains in the background, creating a sense of depth and tranquility. Ture Ander played a significant role in the Racken group (Rackstadkolonin), an important artistic collective in Sweden at the time. Ander was born on September 17 in Askers socken, Örebro. At the age of 13, he became an apprentice painter in Stockholm, attending evening classes at the Technical School (now known as Konstfack) while working during the day. He earned his journeyman’s certificate in 1902, and the following year, he graduated from the Technical School with the highest honors in painting. In 1905, he was accepted into the Konstnärsförbundets skola (School of the Artists' Association), where he studied alongside notable artists like Leander Engström, Isaac Grünewald, and Einar Nerman...

This painting is from my series titled "Alchemy." The series is a vibrant collection of paintings that explores the transformative power of creativity and personal growth. Inspired b...

This evocative winter landscape by Oscar Lycke captures the quiet poetry of northern Sweden. A frost-laden weeping birch dominates the foreground, its delicate branches shimmering in...

This charming naivist painting by Swedish artist Olof (Olle) Casimir Ågren (1874–1962) depicts a horse standing gracefully beside a tree. Executed with bold, textured brushstrokes an...

We are pleased to offer for sale an exquisite landscape by the Swedish artist, Nils Kreuger (1858–1930), titled "Landscape View from Öland, Sweden" executed around 1905. This work is...

We are pleased to offer a captivating small oil painting by the Swedish artist Georg Stoopendaal. Despite its modest dimensions of 14 x 18.5 cm, this piece exudes a powerful presence...

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

Nils Hans Christiansen (1850-1929) Denmark Winter Landscape With an Old Tree oil on canvas late 19th century signed canvas dimensions 15.94 x 12.79 inches (40.5 x 32.5 cm) frame 2...

Ture Ander (1881-1959) Sweden A Bouquet of Digitalis, Poppy, Iris, Snapdragons, Cornflower, Buttercup. 1936 oil on board signed and dated Ture Ander 36 board dimensions 24,41 x 18,...

We are delighted to present an exquisite painting by the Swedish artist Ferdinand Hernlund, depicting a serene sunset over a lush, flower-dotted meadow. This captivating work is a qu...

Keeping with my passion of nature, this collection focusses on the movement and structure of nature. Primarily that from trees. I am fascinated by trees and their amazing beauty. Co...

This painting is from my series titled “Convergence.” This captivating series explores the concept of deconstruction through a unique interplay of lines and color. Rather than relyin...

A Rare and Significant Discovery. We are pleased to offer this newly discovered vanitas still life by the enigmatic German artist Johann Andreas von Düwens (?-1716). Titled "Vanitas...

A magnificent view of Stockholm, featuring a steamboat gliding slowly passing by Skeppsbron, (the bridge) with Södermalm and Katarina Church illuminated in the soft light of dusk. Th...

Swedish Mountain Landscape with Lake oil on canvas laid on masonite 18 x 27 cm (7 1/8 x 10 5/8 in) 28 x 37 cm (11 x 14 5/8 in) Provenance: Acquired...

This captivating artwork by Carl Gunne, dated July 10, 1945, portrays a serene archipelago landscape. The painting, executed with a delicate blend of pastel hues, captures the essenc...

"Harvest Scene With Farmer and Scythe, 1886" is a captivating painting by the Swedish artist Alfred Thörne. Created during his travels through Germany, France, Italy, and Belgium bet...

Circle of Sunqua (active 1830-1870) Two Mandarin Ducks pith paper (rice paper) gouache c.1830-1870 China Also close to: Chincqua, Lam Qua, Youqua. Compare ...

A captivating interior painting by artist Per Fischer, depicting his living room in his villa on Lidingö, a large island just outside Stockholm. Signed and dated "PF 55" (1955), this...

Attributed Charles François Grenier de Lacroix or Charles - François Lacroix de Marseille (1700 - 1782) as signed lower left on the stone “Lacroix”. The scene of the departure of nobles on a ship, somewhere among the Mediterranean landscapes at sunrise. Lacroix's sense of color and attention to detail are particularly impressive: the sea is calm, the sun is rising and as a soft pink hue begins to emerge in the clouds, the morning haze has not yet cleared and the air is clear and clean, large ship...

"Wondering Like A Cloud". Acrylic on canvas. Includes hanging material An exploration of beauty and energy, Tabing’s paintings are a visual representation of the dichotomy between ...

A vibrant painting depicting an avenue lined with poplar trees in fall colors, prominently featuring a very large, centrally placed yellow poplar. Possibly an American poplar. The artist, Agda Holst, has employed a diverse palette of colors to the poplars, creating a dynamic and colorful composition. This oil on panel is signed and dated by Holst in 1948. The work exemplifies her use of color and form, characteristics that defined her artistic practice throughout her career. Agda Holst was a Swedish modernist painter known for her precise study of form, stylized compositions, and ability to merge structured geometry with expressive color. Her works, often still lifes, portraits, and figure studies, reflect a balance between naturalistic representation and modernist influences such as Cubism and New Objectivity. Holst's artistic journey began in 1907 at the Académie Colarossi in Paris, where she studied under Christian Krohg. Seeking further refinement, she moved to Munich between 1910 and 1911, studying with Julius Exter, known for his teachings in portrait and genre painting. In 1911–1912, she returned to Paris to study under Kees van Dongen, whose bold use of color and strong contrasts left a lasting impression on her work. The early 1920s marked another period of study in Paris, this time under André Lhote, who instilled in her a structured approach to composition and geometric clarity. Holst’s first public exhibition took place in 1916, when she displayed paintings in a bookstore...

Serene sunset over the waters near Smögen on Sweden's west coast, with the sun setting just behind the island of Hållö and its lighthouse by female artist Ingeborg Westfelt-Eggertz. ...

Provenance: Acquired directly from Katarina Gunnarsson, who inherited the painting from her mother, Barbro, the daughter of the artist. This striking landscape by Oscar Lycke depict...

This captivating work belongs to Elias Martin’s later period, characterized by his exploration of historical, biblical, and mythological themes. As Mikael Ahlund, Director of the Gus...

The Portrait of a Bearded Man is an early work by Swedish artist Rune Kurt Haries Lagerbrink, who occasionally signed his works as "R. Lager." Painted in oil on cardboard. The old fr...

NOTE: THIS PAINTING CANNOT BE SHIPPED UNTILL MID AUGUST. THIS IS BECAUSE OF THE DRYING TIME. IT WILL BE SHIPPED IN A CRATE AND READY FOR HANGING. This painting is from my series ...

This enchanting watercolor, measuring a mere 4.5 x 8 cm, offers a glimpse into the beauty of a serene autumn landscape overlooking Lake Möckeln, nestled between the municipalities of Degerfors and Karlskoga in the province of Värmland, Sweden. In this picturesque scene, the horizon reveals the serene outline of the distant shoreline, adorned with several small islands. The tranquil waters mirror the reflection of the trees on the land, creating a harmonious and captivating play of colors. In the foreground, a solitary birch tree stands tall, adding depth and perspective to this miniature watercolor. The level of precision achieved within this tiny format is truly remarkable, showcasing Fanny Hjelm...

Adrianus Eversen (1818-1897) was an artist who created outstanding paintings of cities, and his works are a time travel back to another era of archite...

Remembering the magic of everyday life moments in the art of David Teniers: The art of David Teniers the Younger (1610–1690) coincided with the heyday of the Flemish Baroque and captured a great variety of motifs of his time. In this painting of a seemingly simple peasant scene lies keys to understanding both the imaginative mind of Teniers as well as why this time period produced some of the most iconic works in all of art history.  As indicated by the name, Teniers was more or less born into his profession. As the son of David Teniers the elder, himself a painter who studied under Rubens, the younger David received training in art from a very young age and had no less than three brothers who also became painters. Because of his father’s frequent financial failures that even at times saw him imprisoned, David the younger helped to rescue the family from ruin through painting copies of old masters. Essentially, the young Teniers was confronted with painting as both a passion and creative expression as well as a necessity during difficult times, an experience that would shape much of his capacity and sensitivity in his coming life. Despite the hardships, the talent and determination of Teniers was recognized and quickly expanded his possibilities. He had already spent time in France and possibly also England when he was hired by his father’s former teacher Rubens to help with a prestigious commission with mythological paintings, now considered lost, for Philip IV the king Spain. In 1644–54 Teniers was appointed dean of the Antwerp Guild of Saint Luke, manifesting his esteemed position within the artistic community. A few years afterwards he took an important step when relocating to Brussels, where Teniers yet again found new career opportunities that would prove to be very successful. As the keeper of the collections of Archduke Leopold Wilhelm, a role similar to what we now refer to as an art advisor, Teniers purchased hundreds of important artworks that manifested the prominent status of the Archduke’s collection while at the same time providing an unusual access to inspiration and knowledge for Teniers himself. Since he kept on painting during the same time, his creative scope must have seemed almost bewildering in the great variety of images and stories that he surrounded himself with.  Regardless of how glamorous and culturally stimulating the career of Teniers was, he was as open to the charm and existential importance of everyday life as he was to works of great masters and luxurious collectibles. In his impressive repertoire of genres with everything from exquisite royal portraits, interiors, landscapes and history paintings he always added something new and inventive, highlighting the possibilities of art and importance of an experimental and intuitive mind. It is difficult to single out one aspect or genre to summarize his legacy, since it lies much more in the broad virtuosity across many motifs, although he is particularly remembered for farm scenes and meticulously depicted interiors where other paintings and artworks are captured with an astonishing precision. However, the fact that he is still today one of the most known and celebrated names of the Dutch Golden Age is a proof to the magic of his work, which continues to spark dialogue and wonder in the contemporary viewer of his works. The farm boy in the field in this painting, which likely dates to the mature part of his career, is a wonderful entry into the mind of Teniers. In the tightly cropped motif, we see him standing right in the middle of the busy harvest when men, women and everyone capable were sent out in the field to collect the crop that formed the very core of their diet and survival. In the background we see a fresh blue sky interspersed with skillfully painted clouds, some trees reaching their autumnal colours and in the far distance the glimpse of a small church and village. The presence of a church in a landscape, so typical of Dutch art, served both a symbolic and visual function as a representation of faith while at the same time defining scale and distance. In the field, the work is in full action with the farmers spread out in various positions, all in the midst of hard and sweaty labour. While they are portrayed as having nothing else than the work on their mind, our farm boy seems to have his attention directed elsewhere. Standing there with his white, half open shirt, flowy curls and strong, sturdy body; his gaze is directed away, out of the picture and the scythes in his hands. He looks almost smirking, expressed with tremendous subtlety in the slight smile of his lips and big eyes, being just in the middle of losing focus on the work. What is it that steals his attention? What has he seen, or realized, or felt – to break him free of the arduous task of harvesting, if but for a moment? Here starts the wondering and the questions that are the hallmark of a great piece of art. Instead of explicitly locking in the motif in overly clear symbolism Teniers has chosen an open ended, subtle yet striking moment for us to consider. While it of course can be related to numerous other farm scene depictions of this time, and clever usages of gazes and real-life scenes to underscore various moral or symbolic meanings, the painting can be much more of a contemplation than an explanation or illustration. The ordinary nature and understated yet emotionally textured composition of the motif gives greater space for our own reactions and thoughts. Has he seen a pretty farm girl just passing by? Is he fed up with the farm life, joyously dreaming away for a minute, imagining another future? Or is he simply in need of distraction, looking away and ready for anything that can steal his attention? One quality that never seem to have escaped Teniers was that of curiosity. During all of his career he constantly investigated, expanded and experimented with not only the style and technique of painting, but with the vision of art itself. Being credited with more or less introducing farm motifs for a broader audience not only tells us of his ability to understand the demand for different motifs, but the sensitivity to transform seemingly ordinary parts of life into deep aesthetic experiences, far beyond their expected reach. The farm boy in this painting is, of course, exactly that. But with the help of one smirk the entire picture is charged with a different energy, awakening many contrasts and relationships between the calm landscape, the hard work and his own breach of effectivity, holding sharp scythes while thinking or seeing something else. It is no wonder Teniers chose to work with farm scenes as a way of investigating these intricate and delicate plays on expectations and surprises, clarity and ambivalence. It invites us to an appreciation of human everyday life that connects us with the people of 17th century...

Unsigned but attributed to acknowledged master Francois-Xavier Fabre (François-Xavier Fabre, 1766 – 1837), French painter of historical subjects. Stylish and perfect portrait of beau...

Unknown Artist, Possibly Gustaf Brandelius (1833-1884) Portrait of a Young Boy With Hat oil on tree panel painted c.1850-70 panel 9.05 x 5.90 inches ...

This painting by Gustaf Brandelius, a 19th-century Swedish artist, evokes the pastoral tranquility and rural life of the era. Brandelius was not only a painter but also served in the...

Acquired directly from the artist. Free shipment worldwide. Painted on the sides. No frame needed. The work of Antonio de Felipe is a constant source of fascination and surprises. I...

A fine small plein air study of three women picking flowers on the meadow next to white cliffs and sea. In the horizon where the sky ends, the contours of mainland is visible as a sh...

We are pleased to offer an exquisite painting by Finnish artist Reino Partanen (1889–1972), titled Birch Trees and Snow-Laden Spruces. Created in 1927, this impressive work measures ...

This exquisite painting, "Courtyard With Elegantly Dressed Couple" by the Swedish artist Carl Johansson, is a vibrant illustration of life at the turn of the 20th century. Dating bac...

This serene landscape painting is by James Howe Carse, a Scottish-Australian artist whose lineage and mentorship are deeply rooted in the artistic traditions of his time. Carse's wor...

Introducing "Scandinavian Winter Landscape, 1907" a mesmerizing painting by the artist Arthur Percy Carlsson, later known as Arthur C:son Percy (1886-1976). Born in Vickleby, Öland, Percy's artistic journey was one defined by unwavering determination and exceptional talent. This landscape painting presents a winter landscape, likely set during the early spring season. The canvas portrays a vast, snow-filled meadow, blanketed in pristine white. Above, the sky comes alive in a captivating pointillist style, with hues of blue, turquoise, and yellow forming delicate, scattered dots, while small clouds grace the horizon. The scene unfolds with an enchanting backdrop of a distant forest, its trees adorned with a touch of winter's charm. Between the enchanting forest and the expansive meadow, a few humble houses...

Hermanus Koekkoek the Younger was part of the famous Koekkoek artist family: grandson of Johannes Hermanus Koekkoek, nephew of the landscape painter, Barend Cornelis Koekkoek...

"Sunset Over the Lake" by Carl Kjellin is a Nordic Light painting capturing the ephemeral beauty of a lake at sunset. The vibrant canvas, dominated by a b...

Gentlemen prefer them blondes and pop artists as well. Silkscreen and acrylic on canvas Artwork size: 75 x 75 x 3 cm. Frame size: 87 x 86 x 5 cm. Acquired directly from the artist...

Per Wickenberg, was a Swedish maestro of the brush who left an indelible mark on the world despite his brief life, truncated by tuberculosis at the age of 34. A prodigy who dedicated...

Depicting a winter wonderland, this piece mesmerizes the viewer with its turquoise sky - a bold and unique choice that draws the eyes upwards. But the narrative is more profound. Set against this sky is a distant, rugged stone hill, standing as a testament to the timeless beauty of nature. A few trees benethe the hill, gracefully blanketed with snow. The snow itself is no ordinary white, but a mix of pink and blue shimmers, giving the piece a more interesting quality. More intriguing are the tracks left in the snow. Whose might they be? An animal, perhaps? Or did the artist himself tread this frozen landscape, leaving behind a subtle signature? Such is the mystery of Lindström's work. Rikard Magnus Lindström (1882-1943) was not just a painter but a storyteller, deeply rooted in his Swedish heritage. He's best known for his paintings of archipelago scenes, where the tranquil and tempestuous moods of the sea often play central characters. Born in Stockholm, Lindström's journey into the art world began at the Konstakademien in Stockholm, and his passion took him to Copenhagen and Paris. Throughout his life, Lindström's restless spirit saw him wander, capturing the diverse landscapes of Stockholm's archipelago, Västkusten, Åland, and notably, Lofoten. His affinity for portraying the vast expanse of the sea, often with sailing vessels in the backdrop, is legendary. Lindström's colors were described as "powerful yet harmonious," and this piece is no exception. The juxtaposition of the turquoise sky with the shimmering snow showcases his masterful play with colors. A member of the younger generation of the Konstnärsförbundet, Lindström was greatly influenced by the older members, particularly by Karl Nordström's national-romantic paintings. Besides painting, Lindström had a flair for writing and was a popular contributor to Dagens Nyheter, often penning articles and notes in Morgonbris. However, beneath the vivacious, nature-loving exterior was a man of depth and complexity, as his ex-wife, Martha Rydell-Lindström, has depicted in her book. He was a lover of life, but his nature held layers of vulnerability and tenderness. Today, this winter landscape stands as a tribute not just to Lindström's artistic genius but to the very essence of the man himself. Embrace the opportunity to own a piece of Swedish art history, painted by an artist whose legacy continues to inspire. Rikard Lindströms paintings...

Dick Beer (b. London 1893 - d. Stockholm 1938) The Church in Taormina, Sicily (Kyrkan i Taormina) oil on canvas canvas dimensions 54 x 47 cm signed and dated Dick Beer 1914 painted 1914 Exhibited: Varias Konstsalong, Stockholm, 1916; Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

This captivating painting from around 1890 depicts a Swiss Golden Eagle in a dramatic mountain landscape, fending off Carrion Crows. Oil on canvas, signed F. Furet. Francois Furet...

Description: "Day Dreams" is a captivating painting by the English artist Richard Willes Maddox. The artwork depicts a young woman seated thoughtfully on a blue wooden bench, set aga...

Artist Unknown, Second Quarter Nineteenth Century Ruins of the Theatre at Taormina, Sicily oil on board, partially arched top unframed: 26 x 36.5 cm (10 1/4 x 14 3/8 in) framed: 31...

In keeping with my passion of nature, this collection focusses on the movement and structure of nature. Primarily that from trees. I am fascinated by trees and their amazing beauty....

We are delighted to offer a unique and evocative piece by the Swedish artist Ingeborg Westfelt-Eggertz. This small oil sketch captures a moment in time, portraying a young man seated...

Artwork size: 97 x 81 cm. Frame size: 105 × 89 cm. Signed, titled and dated on the verso. Free shipment worldwide. Acquired directly from the artist. Frame in wood white gold. “Wi...

The painting captures a serene moment on the foothill plateau, just as the day is beginning to wake up. The mountains are still wrapped in a soft blanket of morning fog, giving the s...

Carl Johansson's "Summer Landscape with Road" is an exquisite landscape that encapsulates the serene beauty of the Swedish countryside. Painted in 1889, the same year Johansson showcased his work at the Exposition Universelle in Paris, one can't help but wonder if this very painting was among those displayed at the fair. "Summer Landscape with Road" offers a glimpse into the idyllic Swedish countryside through its masterful depiction. The scene is bathed in the distinctive light of the sun positioned at 30 degrees north-northwest, a unique aspect of Johansson's artworks. The viewer's eye is drawn along a winding dirt road that meanders through a tranquil pastoral landscape. Birch trees, with their white bark and tender green leaves, stand tall and sway gently, marking the passage toward a distant homestead nestled beside a calm lake. The rustic wooden fences and the clear sky, dotted with soft, billowing clouds, evoke a sense of peaceful solitude. Johansson's meticulous attention to detail and colour is evident in every brushstroke, from the lush greenery to the soft, earthy path leading to the horizon. The artist's signature use of light not only highlights the natural beauty of the North but also enhances the sense of depth and realism in the painting. Johansson's early works, such as this one, are exceedingly rare, making "Summer Landscape with Road" not only a visual delight but also a collector's gem. The painting's magnificent gold frame enhances the bright, vivid colours of the small-format artwork, creating an impactful presence. Carl Johansson's blue impressionistic depictions of Northern Sweden earned him the nickname "Ultramarine Johansson", and his paintings are celebrated in prestigious collections, including the Nationalmuseum in Stockholm, Kalmar Art Museum, and the municipality of Hudiksvall. oil on canvas signed and dated Carl Johansson . 89 . unframed 27 x 39 cm framed 41,5 x 53 cm Provenance: The previous owner bought it in 1988 at Åmells Stockholm...

I was inspired to begin this series during the winter when I was on a hike and discovered the movement of the branches that often go unnoticed during other times of the year when the...

An impressionistic portrayal of the village of Haut-de-Cagnes on the French Riviera, painted in vibrant colors. Oil on panel, signed and dated "F Berg 22", later frame. A tergo inscr...

Carl Henrik Nordenberg, born 19 May 1857 in Asarum, died 1 November 1928 in Düsseldorf,was a Swedish-German artist, nephew of the artist Bengt Norden...

The small fishing village of Le Pouldu, located on Cap Finistère in Brittany, south of Concarneau and Pont-Aven, was nestled between the Laita River and the sea. The area was renowned for its sand dunes. A ferry operated there, transporting people and livestock across the river. In 1886, the village consisted of only 11 households and was so small it didn't even have a bakery. In 1890, Paul Gauguin and six other artists, including Paul Sérusier, Jacob Meyer...

The painting "Halmstad Harbour Seen From the North" by Oscar Ohlson is a captivating snapshot of daily life and historical architecture, frozen in time from the year 1889. With a meticulous eye for detail, Ohlson has rendered approximately 25 boats in the harbor, each brimming with the quiet bustle of daily chores. The painting invites viewers to step into a moment where people converse, work, and seek respite from the sun under shared umbrellas, while wisps of smoke subtly rise from several boats, suggesting the presence of life and activity beyond the canvas. In this vibrant scene, a man carries a sack, perhaps fresh merchandise from one of the docked vessels, while others engage in conversation, highlighting the social tapestry of the harbor. Ohlson's masterful use of light reflects on the water, creating a shimmering path that leads the eye to the majestic Halmstad Castle, which adorns the right side of the painting. This historic building, beautifully situated by the Nissan river and not far from the sea, is a testament to Halmstad's past as a Danish territory. Constructed in the early 17th century during the reign of King Christian IV, the castle stands as a reminder of the town's rich history and cultural heritage. The first building to the right, once part of this historic tableau, has been removed to accommodate modern necessities, replaced by a road that now runs through its former site. This juxtaposition of past and present is a poignant commentary on the evolution of cities and the sacrifices made in the name of progress. Halmstad itself, a town that straddles the Nissan river, retains much of its early 20th-century character in its city core. Low brick and half-timbered houses, some dating back to the 17th century, dot the landscape. The town center on the west side of Nissan is bordered by remnants of early 17th-century fortifications, including the 1600s castle, Norre Port from 1601, and King Charles XI's path along the old fortress wall. At the heart of the town is Stora Torg with Carl Milles' Europa and the Bull fountain from 1926, and the town hall built in 1938. The city layout, influenced by Renaissance planning, converges at Stora Torg, which is also home to the town's sole medieval building, the brick hall church of St. Nikolai from the 14th century. Oscar Ohlson (1847-1912), a native of Linneryd, Småland, was a multifaceted individual. Beginning his career with a legal degree from Uppsala University in 1870, Ohlson's passion for the arts led him to pursue music studies before dedicating himself to art under the guidance of Alfred Wahlberg...

Signed lower left: Vasily (Wilhelm) Filippovich Levi (1878 - 1954). The uncommon view of Venice was depicted by gifted artist in even more modernism manner than his other works of same period. IMO this one worth special acceptance being very rare and highly desired masterwork. The scorching sun gilds the sparkling expanse of the canal with its rays. At this hour the city is empty. Calm waves gently lap against the keel of the gondola. The artist perfectly transferred to the canvas the atmospheric idyll and romantic magic of old Venice. Oil painting on wood, signed, framed. Size app.: 47 x 64 cm (roughly 18.5 x 25.2 in) and beautiful antique frame ca 64.5 x 81 cm (roughly 25.4 x 31.9 in). Very Good condition, ready to hang condition, age wear (just minor wear to frame finish). Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 3.2 kg is going to measure some 5 kg packed for shipment. V. F. Levi - lawyer, collector, and also an artist. He spent his childhood in Riga, studied at the Alexander Gymnasium. He graduated from the 1st Kharkov Gymnasium (1899) and the Faculty of Law of Kharkov University. In 1916 he moved to Terijoki, built a house there and decided to devote himself to art. In 1918, on the advice of I. I. Brodsky, he showed his works to I. E. Repin and received his approval. After some time, he became Repin's confidant: during 1919-1930, he organized more than 50 Repin exhibitions in Helsinki, Prague, The Hague, Hamburg, Nice, Cannes and other European cities. In 1930-1939 he lived in Paris. In 1930 he participated in the Exhibition of Paintings by Russian Masters...