Sweden - Paintings

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

Signed, titled and dated on the back. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide Working on a variety of perceptual levels, P...

The image is a part of a series â€

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide The Anaesthsia of Violence Working on a vari...

Ombre Vertige. (Vortex 11) Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels,...

The image is a part of a series â€

Edvard Diriks was an older cousin of Edvard Munch. Unlike Munch who was a true expressionist, he was more inspired by the french impressionists like Renoir and Monet. Later on he de...

The image is a part of a series â€

Yelva Petrea Sophie Vermehren, born February 13, 1878 in Helsingborg, died in 1980 102 years old, was a Swedish-Danish painter. She was the daughter of the wholesaler Johan Carl Emil Bock and Nanna Oline Christiane Augustinus. She married the Danish artist Sophus Vermehren in 1901 but the marriage ended in divorce. She studied at "Voss tegnskole", Wermehren's art school in Copenhagen and at Teknisk Skole in Odense as well as with Valdemar Irminger...

Anton Jonsson Genberg, born 20 June 1862 in Östersund, died 8 January 1939 in Saltsjö-Storängen in Stockholm County, was a Swedish painter. Genberg painted naturalistically with the ...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 83×102 cm. Frame size: 98 × 117 x 5 cm. Acquired directly from the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 102 × 85 cm. Frame size: 117 × 100 x 5 cm. Acquired directly from the artist. Free ship...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 104 × 83 cm. Frame size: 119 × 98 x 5 cm. Acquired directly from the artist. Free shipmen...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 102 × 64 cm. Frame size: 117 × 78 x 5 cm. Acquired directly from the artist. Free shipmen...

Unique. Monotype on canvas. 1/1 ex. Signed,titled and dated at the verso. Artwork size: 95 × 103 cm. Frame size: 110 x 118 x 5 cm. Acquired directly from the artist. Free shipme...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels, ...

Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a variety of perceptual levels...

The image is a part of a series â€

The image is a part of a series â€

The image is a part of a series â€

The artwork is a part of the series â€

The artwork is a part of the series â€

The artwork is a part of the series â€

The artwork is a part of the series â€

The image is a part of a series â€

The artwork is a part of the series â€

This original acrylic work will add tasteful interest. Its from a serie of paintings about fragments, clues and sequences that is our memories and dreams. This is a one of a kind p...

Mixed media piece by Robert van Bolderick that utilizes scraps of vintage newspapers and images layered over a background of blue paint to produce an authentically collaged original ...

A very nice and charming painting with a view of King Gustav III´s Haga pavilion by Carl Abraham Rothstén, (1826 - 1877). Oil on canvas, signed with monogram CAR. Probably painted in...

Artwork size: 195x97 cm. Frame size 222x123 cm. Provenance: Private collection Stockholm, Sweden Certificate of authenticity from the Comité Lanskoy in Paris André Lanskoy was born ...

Free shipment worldwide. Painted on the sides.No frame needed. Signature: signed and dated in the right corner and titled at the verso. Reality or fantasy? What is the difference ...

Unique artwork This work is recorded in the Arman Studio Archives New York under number: APA# 1001.87.013. The painting was executed by Arman at a happening at Malmö Konserthus for t...

Artwork size: 97 x 130 cm. Frame size: 109 x 142 cm. Free shipment worldwide. Signed, titled and dated on the verso. Acquired directly from the artist. “Adami is the maestro of the ...

Artwork size: 207 x 150 cm. Frame size: 215 x 158 cm. Free shipment worldwide. Signed, titled and dated on the back. Acquired directly from the artist. Vladimir Velickovic was born ...

Technique: Terre colorée sur toile de jute. Delivered with the certificate of authenticity from the archives of Roberto Matta. Artwork size: 100 x 100 cm. Frame size: 114 x 112 cm. Free shipment worldwide. Acquired directly from the artist. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...