Roberto Matta

La vigna di una foglia

1989.

Artwork size: 102,5x98 cm Frame size: 110x105 cm This artwork is accompanied by a certificate of authenticity signed by Alisée Matta. Provenance: Artist Jean-Pierre Jouffroy, Paris. The estate of the artist Jean-Pierre Jouffroy, Paris. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén...

Artwork size: 97 x 81 cm. Frame size: 105 × 89 cm. Signed, titled and dated on the verso. Free shipment worldwide. Acquired directly from the artist. Frame in wood white gold. “Wi...

Ombre Vertige. (Vortex 11) Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide. Working on a...

Rouge Vertige. (Vortex 3) Signed, titled and dated on the verso. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide Working on a va...

Frame in wood white gold. Free shipment worldwide. Acquired directly from the artist. Size without frame: 71 x 51 cm (Size with frame 77 x 58 cm) “With just a few strokes of his b...

Artwork size: 67 x 51 cm. Frame size: 112 x 97 cm. Free shipment worldwide. Archive number SF 89-153 in the Sam Francis Foundation. Stamped with the Sam Francis Estate logo and stamped signature on verso. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

Fantasy. Mixed media, collage on canvas, 100x70 cm

This 40" x 30" acrylic and alkyd on canvas painting, 'Vuja De,' by Paul Micich is from the artist's 'Paper Airplane' series. A headless black coat wearing ...

Enrico Donati Aswan IV, 1984 Signed, dated and inscribed as titled on the reverse Oil and sand on canvas 36 x 42 inches Provenance: Gimpel & Weitzenhoffer Gallery, New York Doyle, October 12, 2022 Enrico Donati, a surrealist and abstract expressionist painter, was born in Milan, Italy in 1909 and died in Manhattan on April 25, 2008. He was known for his association with the surrealist movement of the 1940's, but his artwork continued to transform itself through the many trends that have occurred during his long career. In Italy he attended the Universita degli Studi in Pavia where he studied economics. In 1934, he moved to the United States settling in New York where he studied at the New School for Social Research and the Art Students' League. Considered the surviving dean of the Surrealist Movement and a member of the New York School, Donati painted with Ernst, Matta and Tanguy in the thirties and forties, and in particular with Andre Breton, regarded by many to be the grand master of Surrealism. He helped organize the Exposition Internationale du Surrealisme in Paris in 1947 where he exhibited three of his pieces. The Surrealists were known to avoid presenting or representing reality, and put the emphasis on invention and creativity by uncovering the poetic aspect of life with its kaleidoscopic multidimensional images, using reality only to enhance imagination. Donati survived the decline of Surrealism in the late 1940's by adapting his style to current art trends as he worked with new materials and textures throughout the 1950's. One trend with which he became involved was Abstract Expressionism, which originated in the 1940s, and became popular in the 1950s. It was a movement in which artists typically applied paint, rapidly and with force, to large canvases, in an effort to show feelings and emotions. Paint might be applied with large brushes, sometimes dripping or even throwing it onto canvas. Abstract Expressionist work is characterized by a strong dependence on what appears to be accident and chance, although it is actually highly planned. Donati held a retrospective at the Palais des Beaux-Arts in Brussels in 1961 and went on to exhibit at the Betty Parsons Gallery with other forerunners of American Abstract Expressionism: Mark Rothko, Barnett Newman, and Jackson Pollock. It was at this time that Donati created some of his most inventive and extraordinary work, some of which was featured in a survey exhibition at the Alter & Gil Gallery, Beverly Hills, California, in January 2000. He has held many teaching positions and has been an active lecturer, while continuing to add to his artistic repertoire. From 1960 to 1962 he was a Visiting Lecturer at Yale University, and from 1962 to 1972 a Member of the Yale University Council for the Arts and Architecture. He has had seventy-five one-man shows, among them an exhibit of new paintings at the Maxwell Davidson Gallery (57th St., New York) in the fall of 1997. Donati's work is held in collections throughout the world, and his work has appeared in over 300 articles and publications, two hard cover books...

Israel Gonzalez Rivero Titled in Spanish, Huellas, in English Threads Mixed media on canvas, purchased from the artist in the 1990s. 54.75 x 27.5 Inches A painter, sculptor and designers. Cuba's national writers and artists union members Barcelona, member of Spain ACEA international association In 2005, member of Canada Montreal Artotheque Member of "The south" project organizing committee Model art representative Member of Cuba-Mexico "Yeti" project Born in 1964 in Cuba Manzanillo Art education: 1992-education certificate for art 1983-graduated from "Jose j. Tejada" college, Santiago, Cuba 1979-graduated from "Carlos Enriquez...

Neutral-toned abstract contemporary mixed media collage by Houston, TX artist Scott Woodard. This painting depicts a variety of minimalist shapes around ...

At the center of the pictorial space are two creatures boldly outlined in black with their backs to each other. One is bright red, and to his left, is his opponent in dark yellow. The artist calls this a fight between two dogs, a word-play when said in Spanish. On the canvas we find splashes of color, chalk and other unique lines by the artist. This piece was specifically painted to be shown at the Martinez...