Texas - Art

Signed limited editon print from acclaimed photographer, Jim Herrington of Dolly Parton taken in Joelton, Tennessee, 1997 "Love this one of Dolly. It's so striking and glamorous an...

Signed print taken from an original color slide of Kurt Cobain of Nirvana taking a nap by Kirk Weddle. This slide was taken during the famous swimming pool sessions with Nirvana for ...

Elizabeth of York is famously known as the "White Princess" because she was an heir of the House of York, which used the white rose as its royal symbol. By marrying Henry VII of the ...

Lively abstract painting with primary tones of yellows, reds and greens with accents of blue and black on white background, 1952. Signed lower right. Original artwork on paper dis...

French abstract in tones of blues, black and purple, 1980s. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival pla...

Willie Nelson, taken at the 4th July Picnic in 1979 in Austin Texas by photographer Scott Newton Signed limited edition print, printed on heavyweight cotton photo rag with a matte f...

French watercolor of brightly-colored fishing boats at dusk, 1979. Signed lower right. Original artwork on paper displayed on a white mat with a gold b...

Jennifer Bartlett Graceland Mansions, 1978-79 Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper 24 x 120 inches, unframed Ed...

The Beatles, John Lennon, Paul McCartney, George Harrison and Ringo Starr at the President Hotel, Russell Square, London, 12 September 1963 by Norman Parkinson NORMAN PARKINSON POST...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 18 x 24 Frame Size: 24 x 30 Medium: Oil on Canvas Signed "Sea of Blue" Bluebonnets Biography Robert Harrison (Born 1949) Ro...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 11 x 14 Frame Size: 16 x 20 Medium: Oil on Canvas "Bluebonnets" Biography Robert Harrison (Born 1949) Robert Harrison was b...

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

Dimensions listed are for each individual hand and the price is for the pair. Artist Biography: Artist and designer Pedro Friedeberg is known for his surrealist paintings, prints, a...

Ray Roberts (Born 1957) Southern California Artist Image Size: 12 x 16 Frame Size: 19 1/4 x 23 1/4 Medium: Oil ON BOARD SIGNED "Blooming California Poppies" California Landscape Ray Roberts(Born 1957) Born and raised in Southern California, Ray Roberts became a plein air* painter of desert and coastal landscapes. He earned a Bachelor of Fine Arts Degree from the Art Center College of Design* in Pasadena. His first studio was in Scottsdale, Arizona, and in 1997, he and his artist wife, Peggi Kroll Roberts, and their three children moved to Angel's Camp, California to a small ranch. He is a regular instructor of painting at the Scottsdale Artists' School. In August, 2000, Roberts won Best of Show for his painting Curtis Creek at the American Impressionist Society's* show in Cincinnati, Ohio. Source: Southwest Art, October 2004 Ray Roberts is one of California's most respected Plein Air artists. He has recently won the Gold Medal for "Best Painting" at the California Art Club and the Artists' Choice Award, the highest accolade from fellow artists, at three major Southwest art events. Ray Roberts is best known for his seascapes, figurative work, and majestic views of California and the Southwest. Ray Roberts' vibrant use of color, bold textures, and sensitivity to shifting patterns of light give life and movement to his paintings. They are to be experienced, not merely observed. Inspired by such early California impressionists as Hanson Puthuff, William Wendt, and William Ritschel, Ray Roberts seeks to capture the luminous, golden light and the magnificent, vanishing landscapes of his native state. Like his other great hero, Maynard Dixon, Ray Roberts shares a reverence for the land and a marked spirituality in his work. Ray Roberts believes in the importance of artistic legacy. "There's a brotherhood of painters who came before me and who will come after. We speak in the past, present, and future. We talk about our experience and personality, our torments and exhilarations; we talk about the beauty of the fleeting light, time and of our family, friends and acquaintances." Born in 1954, Ray Roberts grew up in an Orange County with orange groves, before the days of freeways and sprawling housing developments. It has given him an enduring affection for the untamed, undeveloped California of his youth. One boyhood neighbor was painter Evelyn Nunn Miller, who would let Ray Roberts into her studio to retrieve the balls he'd hit over her fence. Later, after the early death of his father and mother's ill-health, Ray Roberts was sent to Orme School, a beautiful, ranch-style boarding school in the Arizona desert. Its strong fine arts program helped Ray Roberts to discover his artistic talent. He then attended the Art Center College of Design in Pasadena, California, where he studied under John Asaro. He has also studied under Dan McCaw, Len Chmiel, and Mark Daily. Art Center is where Ray Roberts also met his wife, impressionist painter Peggi Kroll. While dating, the two of them would go out nightclubbing, to sketch rather than dance! It has been a successful partnership ever since. Like many successful artists before him, Ray Roberts first pursued a career as an illustrator, establishing a studio in Los Angeles and then Scottsdale, Arizona. He got up the courage to switch to fine art in 1992 and has never looked back. Ray and Peggi now live with their three children and assorted animals on a 20 acre ranch in Angel's Camp, an old California gold rush town, surrounded by the oak-studded hills which he frequently paints. The great outdoors is RayRoberts' studio. A bit of an adventurer, he's been known to backpack for several days into the wilderness, set up his easel on a cliff edge, or in the surf, for just the right setting. Awards and Affiliations Signature Member - Plein Air Painters of America (PAPA) Signature Member - California Art Club (CAC) Signature Member - Laguna Plein Air Painters Association (LPAPA) Signature Member - Northwest Rendezvous 2007 - Haggin Museum, Stockton 2007 - Santa Lucia Preserve, Invitational En Plein Air, Carmel, CA 2007 Exhibitor, Arizona: A Millennium of Arizona Art, Mark Sublette Medicine Man Gallery, Tucson, AZ 2004 Gold Medal for "Best Painting" at the California Art Club's 94th Annual Gold Medal Juried Exhibition, Pasadena Museum of California Art, Pasadena, California 2004 Artists' Choice Award- Laguna Plein Air Invitational Laguna Art Museum, Laguna Beach, California 2004 Artists' Choice Award- Maynard Dixon Country Invitational Mount Carmel, Utah 2003 Artists' Choice, Laguna Plein Air Invitational, Laguna, California 2003 Artists' Choice Award, Carmel Plein Air Festival, Carmel, California 2003 Honorable Mention, Carmel Plein Air Festival, Carmel, California 2003 Maynard Dixon Award, Sonoran Desert Invitational, Tucson, Arizona 2002 Honorable Mention, Laguna Plein Air Invitational, Laguna, California 2001 Honorable Mention, Scene on the Straight, Vallejo, California 2001 American Artist Magazine Award for Excellence, Oil Painters of America National Juried Show, Palm Desert, California 2000 Best of Show, American Impressionist Society, Cincinnati, Ohio 1999 Honorable Mention, Laguna Plein Air Invitational, Laguna, California 1999 Best Seascape, Ebell Club Annual Art Show, Los Angeles, California 1999 Artists' Choice Award, Carmel Plein Air Festival, Carmel, California 1995 Best of Show, Phippen Memorial Art Show, Prescott, Arizona 1995 First Place Oil, Phippen Memorial Art Show, Prescott, Arizona 1995 Best of Show, Beaver Creek Art...

Richard Schmid (1934-2021) California, Vermont, Colorado, Illinois, New Hampshire Artist Image Size: 12 x 20 Frame Size: 18 x 26 Medium: Oil dated 2002 on canvas "Winter Geraniums" ...

Impressionistic oil painting of a bouquet of pink and white flowers. Hass, a late Impressionist painter of the Munch school, was known for his sensitivity of color perception and lig...

Early Texas Impressionist country landscape painting by Porfirio Salinas. The work features a field of bluebonnets in full bloom accented by a few trees. Signed and dated in the fron...

A marsh landscape in the style of Max Weyl. Oil on board measures 12 3/4 x 23 5/8; frame dimensions measure 16 1/4 x 27 x 1 1/4. Unsigned. Housed in a gold-to...

Canvas Size: 29 x 24 in. Frame Size: 36.5 x 31 in. Signed, bottom leftt. In this mesmerizing portrait, Joaquín Torrents Lladó demonstrates the virtuoso brushwork and dramatic chiaro...

Colorful abstract cowboy portrait painting by contemporary artist Ian Francis. The work features a western inspired figure with a shadowed face dressed in a blue shirt and cowboy hat...

Marilyn Monroe in her last formal photo shoot captured by legendary photographer Allan Grant on July 7, 1962. In the summer of 1962, LIFE magazine sent two journalists to spend time...

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

W.R. Thrasher (1908 - 1997) Texas Artist Image Size: 24 x 36 Frame Size: 33 x 45 Medium: Oil on Canvas Signed "Bluebonnets" Biography W.R. Thrasher (1908 - 1997) The state of Texas, ...

Realistic figurative portrait of an indigenous Native American man by American artist Kenneth Su. The work features a man dressed in traditional clothing with large rock formations i...

Janet Downie 1854-1944 Austin,San Antonio Image Size: 6.5 x 10 Frame Size: 10 x 13.5 Medium: Oil "Bluebonnet Road" signed Biography Janet Downie 1854-1944 Downie, Janet. 1854-194...

Harding Black (1912-2004) San Antonio Artist Image Size: 3 inches tall Frame Size: 10 1/2 inch diameter Medium: Art Pottery Ceramic Dated 1959 Mid Century Modern "Navy Blue Sgraffito Bowl...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 60 x 40 Frame Size: 71 x 51 Medium: Oil on Canvas Signed 1980 "The Blowout" Woo...

Bronze & Steel Table

Portrait of singer and dancer, Kate Bush by acclaimed photographer, Gered Mankowitz, taken in his London studio in 1978. Kate Bush has seen a huge resurgence...

Oil on board Board Size: 16 x 20 in. Frame Size: 22 x 26.5 in. Signed, bottom right. In this oil painting Jose Vives-Atsara captures the rugged, sun-drenched essence of the Spanish ...

Impressive watercolor landscape of a charming old world scene of a village in Provence, France by artist Augustin Faure, circa 1950. Original one-of-a-kind artwork on paper displa...

Sunset Impressionism Seascape Framed Water Texas Artist Marine Dawn Framed 11" x 13". Is part of newly released small works from V....Vaughan's collect...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 20 x 30 Frame Size: 28 x 38 Medium: Oil on Canvas Dated 1974 "Blowin' In" Sign...

Portrait of singer and dancer, Kate Bush by acclaimed photographer, Gered Mankowitz, taken in his London studio in 1978 for the cover of her album, Lionheart. Gered recalls, "The cover series of portraits that I shot for Lionheart in August 1978. I art directed the album cover and my assistant at the time, Richard Grey...

Artist: Roy Lichtenstein Title: Rose, Cover from 1 Cent Life (Rose) Screenprint in green over yellow linen and (1 Cent Life) Screenprint in pink over blue lettering on board of unbound book Year: 1964 Medium: Silkscreen on linen on heavy board Size Edition : 2000 Dimensions: 16.31" x 25.32" (Full cover) Dimensions of Image: 16.31 x 11.88 References : Corlett # III.3 Provenance: Private Collection, Berlin Printed by Maurice Beaudet in Paris and published by E. W. Kornfeld, of Bern, Switzerland. Edition of 2000, unsigned as issued in the regular edition of Walasse Ting's '1¢ Life' portfolio of 1964. Superb impression with good strong colors. This iconic piece was executed by Lichtenstein and printed onto stiff paperboard to serve as the front cover of 1 Cent Life, published in 1964 by Kornfeld in an edition of 2000. The image is printed to the edge of the board, with the Lichtenstein silkscreen...

A.D. Greer (1904-1998) Austin Artist Image Size: 43 x 67 Frame Size: 51 x 75 Medium: Oil on Canvas "Small Falls" Signed Biography A. D. Greer (1904-1998) A.D. Greer (Austin Artist) ...

William Ballantine Dorsey (1942-2019) California Artist Image Size: 16 x 20 Frame Size: 23.5 x 27.5 Medium: Oil on Canvas "California Landscape"

Ready to ship immediately. Free domestic US shipping. Signed limited edition, framed 20x24" print of David Bowie by Kevin Cummins, taken outside the Tea & Sympathy, the legendary Br...

Contemporary large scale abstract floral painting by Texas based artist Wood Anthony Francher. Inspired by Mexican floral embroidery patterns and textiles, the work is a burst of bol...

French watercolor scene of day at the races, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size...

Signed limited edition print of Robert Smith and The Cure taken on Columbus Ave, NYC, April 1980 by Allan Tannenbaum 17" x 22" Paper - Edition 50 Printed to the highest quality on...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 20 x 24 Frame Size: 29 x 33 Medium: Oil Signed Lower left "Bluebonnet" Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching trips that brought him to California. It is evident that his 1930’s California...

E. Salazar Texas Artist Image Size: 23.75 x 17.75 Frame Size: 29.5 x 23.5 Medium: Oil on Canvas Signed "The Brave"

Canvas Size: 12 x 16 in. Frame Size: 20.5 x 24.5 in. Signed, lower left: "Don Warren" A serene, classic, and cheerful scene in the Texas Hill Country by Don Warren. The foreground i...

Bold abstract painting by French artist, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival plastic sleeve ...

Bruce Springsteen, "Bruce Springsteen For President" Giant Handmade 3D Vintage Button - Hand made giant 3D vintage button by British artist, Tony Dennis, AKA Tapedeck Art. Punk Rock ...

William Ballantine Dorsey (1942-2019) California Artist Size: 11 x 14 Frame: 17.5 x 20.5 Medium: Oil on Canvas "Early Santa Barbara" Biography William Ballantine Dorsey (1942-2019) O...

Pondering in a Field Realist, Light/ Shadow Oil Painting 20"x16" Landscape Cattle . Pondering is Realist, Light/ Shadow Oil Painting 20"x16" Landscape that is part of a ne...

Bronze & Steel Table

Floral still life of pink roses in a red vase with two figures, set against a dark background. Oil on canvas measures 15 3/4 x 11 7/8; frame dimensions measure 20 1/2 x 16 1/2 x 2 3/...

Dwight Holmes (1900-1986) Fort Worth, San Angelo Artist Image Size: 9 x 12 Frame Size: 12 x 18 Medium: Oil Dated 1967 "West of Copperas Cove" Texas Dwight Holmes (1900-1986) Dwight C...

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 16 x 20 Frame Size: 23 x 27 Medium: Oil on Canvas "Bluebonnet and Huisache" Texas Hill Country Pedro Lazcano (1909-1970) I wa...

acrylic & oil on canvas

Early Texas Impressionist country landscape painting by Porfirio Salinas. The work features a small lake surrounded by trees as the sun sets in the background. Signed in the front lo...

Signed limited edition fine art print of Willie Nelson by Charlyn Zlotnik, taken in Texas, 1979 Charlyn Zlotnik's prints are available in four sizes 11” x 14” - Open edition 17” x ...

Ott was part of a generation of painters at the end of the 19th century for whom drawing was the greatest mode of expression. This watercolor was painted at Loguivy in Bretagne where...

Marilyn Monroe in her last formal photo shoot captured by legendary photographer Allan Grant on July 7, 1962. In the summer of 1962, LIFE magazine sent two journalists to spend time...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 30 x 24 Frame Size: 38.75 x 32.75 Medium: Oil on Canvas Applied by Palette Knife Dated 2001 "Flowers" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

An abstract expressionist acrylic painting on canvas with wonderful color combinations of whites, pinks, orange and effortless lines and shapes. Inspired by Claude Monet's Lilly Pads...

Signed limited edition print of John Lennon and Yoko Ono during the filming of a video to promote their new album, "Double Fantasy", New York City, November 26, 1980, taken by Allen Tannenbaum. Filming began in Central Park, then moved to a gallery on SoHo for scenes where they would arrive in a white bedroom, first in street clothes and later in kimonos, strip, and make love. Allan Tannenbaum is an esteemed photojournalist and fine art photographer. His documentation of New York art, music, and nightlife has become iconic, particularly his definitive coverage of the burgeoning 1970s punk...