Texas - Art

A classic, stunning shot of the Red Hot Chili Peppers in 1985 by celebrated photographer, Ebet Roberts. Signed limited edition, hand printed silver gelatin print. Ebet Roberts bega...

Signed limited edition print of American professional boxer and activist Muhammad Ali during a training session at his training camp on 58 Sculps Hill Road, Deer Lake, Pennsylvania, ...

Willie Nelson, taken at the 4th July Picnic in 1979 in Austin Texas by photographer Scott Newton Signed limited edition print, printed on heavyweight cotton photo rag with a matte f...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 18 x 24 Frame Size: 24 x 30 Medium: Oil on Canvas Signed "Sea of Blue" Bluebonnets Biography Robert Harrison (Born 1949) Ro...

Harding Black (1912-2004) San Antonio Artist Image Size: 3 inches tall Frame Size: 10 1/2 inch diameter Medium: Art Pottery Ceramic Dated 1959 Mid Century Modern "Navy Blue Sgraffito Bowl...

Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...

Arturo Mercado (1938 -2016) Austin Artist Image Size: 6 x 7 Frame Size: 8.5 x 9.5 Medium: Acrylic "Quail in the Bush" signed Biography Arturo Mercado (1938 -2016) Arturo Mercado w...

Dimensions listed are for each individual hand and the price is for the pair. Artist Biography: Artist and designer Pedro Friedeberg is known for his surrealist paintings, prints, a...

Anthony Bourdain was famous for traveling the globe and exploring the local cuisine in No Reservations and Parts Unknown. As soon as he returned home to New York, the celebrity chef ...

Don Warren (1935-2006) Austin Artist Image Size: 24 x 36 Frame Size: 31 x 43 Medium: Oil on Canvas Signed "Spring Is Here" Texas Landscape Biography Don Warren (1935-2006) Most of ...

Early Texas Impressionist country landscape painting by Porfirio Salinas. The work features a field of bluebonnets in full bloom accented by a few trees. Signed and dated in the fron...

Impressionistic oil painting of a bouquet of pink and white flowers. Hass, a late Impressionist painter of the Munch school, was known for his sensitivity of color perception and lig...

Anthony Bourdain drinks a beer in a New York bar during a photoshoot with photographer Jake Chessum in 2008. The photo is printed on Fuji crystal archive paper Available in the foll...

Striking female nude in reclined back seated position on red blanket in ink and watercolor by English artist Esther Meyer, circa 1950. Original artwork on paper displayed on a whit...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 11 x 14 Frame Size: 16 x 20 Medium: Oil on Canvas "Bluebonnets" Biography Robert Harrison (Born 1949) Robert Harrison was b...

French watercolor of brightly-colored fishing boats at dusk, 1979. Signed lower right. Original artwork on paper displayed on a white mat with a gold b...

Lively abstract painting with primary tones of yellows, reds and greens with accents of blue and black on white background, 1952. Signed lower right. Original artwork on paper dis...

Oil on board Board Size: 16 x 20 in. Frame Size: 22 x 26.5 in. Signed, bottom right. In this oil painting Jose Vives-Atsara captures the rugged, sun-drenched essence of the Spanish ...

Colorful abstract cowboy portrait painting by contemporary artist Ian Francis. The work features a western inspired figure with a shadowed face dressed in a blue shirt and cowboy hat...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in green, white, tan, and black set against a light background. Si...

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

French watercolor scene of day at the races, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size...

Early Texas Impressionist country landscape painting by Porfirio Salinas. The work features a small lake surrounded by trees as the sun sets in the background. Signed in the front lo...

from the Padoli Monotypes III

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 12 x 16 Frame Size: 19 x 23 Hand Carved "Melvin" Frame Medium: Oil on Canvas Signed Lower Left 1959 "Red Barn Ranch" Texa...

Collotype 10 x 8 in. Print date: 1994 Signed, titled, dated and numbered in pencil on print margin Ed. 1/1 From the series, El Sagarado Corazon Series statement: A College Arts Asso...

Portrait of singer and dancer, Kate Bush by acclaimed photographer, Gered Mankowitz, taken in his London studio in 1978. Kate Bush has seen a huge resurgence...

Thelma Corbin Moody Blue Mountains c. 1960's Gouache on Arches Paper 19 1/4" x 24 3/4", Unframed Unsigned Lovely, mid century gouache painting, b...

Anthony Bourdain was famous for traveling the globe and exploring the local cuisine in No Reservations and Parts Unknown. As soon as he returned home t...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 20 x 24 Frame Size: 29 x 33 Medium: Oil Signed Lower left "Bluebonnet" Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching trips that brought him to California. It is evident that his 1930’s California...

Bronze & Steel Table

Canvas Size: 20 x 30 in. Frame Size: 26 x 36 in. Signed, bottom right. Inscribed on verso, "January 20, 1972" This oil painting by Palmer Chrisman, is a masterclass in regional impr...

Surreal lithograph with light lavender and blue colors, 1982. Titled and numbered on lower left and signed lower right in pencil. Displayed on a white mat with a gold border and fi...

Realistic figurative portrait of an indigenous Native American man by American artist Kenneth Su. The work features a man dressed in traditional clothing with large rock formations i...

Janet Downie 1854-1944 Austin,San Antonio Image Size: 6.5 x 10 Frame Size: 10 x 13.5 Medium: Oil "Bluebonnet Road" signed Biography Janet Downie 1854-1944 Downie, Janet. 1854-194...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

This iconic image of David Bowie as The Thin White Duke was taken by renowned Rock photographer, John Rowlands, on February 26th, 1976, at Maple Leaf Gar...

GJ Rogers Surreal Octopus 1959 Oil on Canvas 36"x24.5" Signed and dated in paint lower right George Jay Rogers was born in Yonkers, New York on June...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 20 x 30 Frame Size: 28 x 38 Medium: Oil on Canvas Dated 1974 "Blowin' In" Sign...

Oil on Board 9 x 12 in. board 14 x 17 in. frame Signed, bottom left. In this intimate composition depicting a village scene in Catalonia, Jose Vives-Atsara captures the humble, sun-...

Sunset Impressionism Seascape Framed Water Texas Artist Marine Dawn Framed 11" x 13". Is part of newly released small works from V....Vaughan's collect...

Canvas Size: 12 x 16 in. Frame Size: 20.5 x 24.5 in. Signed, lower left: "Don Warren" A serene, classic, and cheerful scene in the Texas Hill Country by Don Warren. The foreground i...

Portrait of singer and dancer, Kate Bush by acclaimed photographer, Gered Mankowitz, taken in his London studio in 1978 for the cover of her album, Lionheart. Gered recalls, "The cover series of portraits that I shot for Lionheart in August 1978. I art directed the album cover and my assistant at the time, Richard Grey...

Contemporary colorful target painting by Texas based artist Nick Stevenson. The work features a central neon red, green, and yellow target flanked by the text "Arrows & Cents." Signe...

William Ballantine Dorsey (1942-2019) California Artist Image Size: 16 x 20 Frame Size: 23.5 x 27.5 Medium: Oil on Canvas "California Landscape"

Previously unpublished shot of Miles Davis working on an art piece at his New York home in 1969, by Don Hunstein. Available for the first time as a fine art print. Estate stamped li...

Signed limited edition fine art print of Willie Nelson by Charlyn Zlotnik, taken in Texas, 1979 Charlyn Zlotnik's prints are available in four sizes 11” x 14” - Open edition 17” x ...

E. Salazar Texas Artist Image Size: 23.75 x 17.75 Frame Size: 29.5 x 23.5 Medium: Oil "The Brave"

Contemporary colorful abstract painting by Houston based artist Shelbi Nicole. The work features black, white, and pink shapes floating against a blue background. Signed and dated in...

Early American Impressionist oil on canvas painting by New York born artist André Gisson. The work features a group of three women standing in an open field. The loose brushwork give...

Bronze & Steel Table

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 30 x 40 Frame Size: 39 x 49 Medium: Oil on Canvas Dated 1957 "Bluebonnet Creek" Texas Hill Country Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Signed limited edition 24" x 48" print, Custom framed with 8 ply matte and non-glare museum glass Frame dimensions: approx 56” wide x 32” high x 1” deep As a renowned graphic desig...

Sylvia Rutkoff (1919–2011) "The Cowboy" c. 1950s · Oil, gesso, on masonite · Period wood frame About this work Few paintings in the Rutkoff estate cache reveal her range as ...

Artist: Alexander Calder Title: Derriere Le Miroir No. 201, Untitled Single Lithograph from the Derriere le Miroir No. 201 publication. Unsigned and unnumbered from an edition of p...

Colorful abstract geometric painting by contemporary artist Tina Ruyi. The work features blue, red, green, and yellow stripes woven between light blue blocks of color. Signed and dat...

Textile size 8.5 x 10 in. Frame size 13.5 x 15 in. This piece is an ancient Coptic Egyptian textile fragment, dating from the 3rd to 5th century CE. It is composed of a coarse, plai...

W.R. Thrasher (1908 - 1997) Texas Artist Image Size: 24 x 36 Frame Size: 33 x 45 Medium: Oil on Canvas Signed "Bluebonnets" Biography W.R. Thrasher (1908 - 1997) The state of Texas, ...

Contemporary realistic Colorado landscape nature painting by Houston based artist Jerry Greenberg. The work features sunlight streaming onto a rock path lined with aspen trees. Signed in the front lower right corner as well as titled on the reverse. Currently hung in a gold frame. Dimensions Without Frame: H 24 in. x W 24 in. Artist Biography: I have a deep appreciation for nature. In my work I seek to convey the landscape as I experience it emotionally as well as visually. I travel frequently throughout the United States and Europe in search of new landscapes. Some of my favorite subjects include rivers and creeks in the Texas hill country; aspen trees in the Rocky Mountains; ponds in New England; and lush rolling hills in the English countryside. My influences include French and Russian Impressionists and early California landscape...

Martin Grelle (Born 1954) Clifton Texas Artist Image Size: 24 x 36 Frame Size: 33 x 45 Medium: Oil on Canvas 1978 "Night Stop" Nocturnal Western painting Signed lower left Biography Martin Grelle (Born 1954) Martin Grelle, b. 1954, Clifton, Texas, (United States) Born and raised in Clifton, Texas, Martin Grelle still lives on a small ranch a few miles from town. His studio sits in the picturesque Meridian Creek Valley, surrounded by the oak & cedar-covered hills of Bosque County, just a short distance from his home, but also within a few miles of the family and friends who are so important in his life. He has two sons, Josh & Jordan, who have left home to pursue their own dreams, but who stay in touch frequently. Martin's parents, Ervin & Ella, have both passed from this life, but he still has his brothers, Carl & Marvin, living nearby, as well as his sister, Mary, who lives in Ft. Worth. Martin began drawing and painting when he was very young, and was fortunate to have James Boren and Melvin Warren, two professional artists and members of the Cowboy Artists of America, move to the area when he was still in high school, and it has had a lasting impact on his direction and career. Mentored by Boren, he had his first one-man show at a local gallery within a year of graduating from high school in 1973. In the nearly 40 years since that time, he has produced some 30 one-man exhibitions, including annual shows in Scottsdale, Arizona since 1989, and has won awards of both regional and national importance at shows around the country. He was invited into membership with the Cowboy Artists of America in 1995, fulfilling a dream begun in the early 70's when he first met Boren and Warren. That same year he was invited to participate in the first Prix de West Invitational at the National Cowboy and Western Heritage Museum in Oklahoma City. Since that time, he has won the Prix de West Purchase Award, twice (one of only seven artists to do so), the Nona Jean Hulsey Rumsey Buyers' Choice Award, twice, the CA People's Choice Award in 2002, the CA Ray Swanson Award in 2008, the CA Buyers' Choice Award in 2011 and 2012, and the Silver Award for Water Solubles in 2012. He was awarded the Legacy Award by The Briscoe Museum in 2012, for his impact on western art. Other major invitational exhibitions and sales Martin has participated in include The Masters at the Autry Museum in Los Angeles, and the inaugural Quest for the West at the Eiteljorg Museum in Indianapolis, the Coeur d'Alene Auction, and the Jackson Hole Art Auction. Martin has also been featured in a number of publications throughout his career, including multiple appearances in the following magazines: Art of the West, Western Art Collector, Southwest Art, Western Art and Architecture, Persimmon Hill, American Cowboy, Western Horseman, Informant, Wild West, and True West's magazine's 2011 Best of the West Source Book. He was honored with a retrospective showing of his work, along with fellow CA artist, Herb Mignery, for the Gilcrease Museum's Rendezvous Show 2013. Martin has a real sense of responsibility to his collectors, which fills his heart every morning when he walks into the studio, believing that what he does is a gift entrusted to him from God, and must not be left unused or taken for granted, but developed and improved upon. His parents and Jim and Mary Ellen Boren, all set that example for him - an example of not only striving to be the best artist he can be, but the best man he can be as well. Beyond his studio, Martin strives to pass on what others have passed to him. He has given multiple demonstrations around the country, teaches an annual weekend workshop along with his good friend, and fellow CA, Bruce Greene - which they have done for 22 years straight - and mentors other aspiring artists by critiquing their work. He has donated work to a large number of organizations to aid in their progress, including The Bosque Arts Center in Clifton, Texas. He has twice served on the board of directors for the CA organization and is currently serving as President. He is also involved with The Joe Beeler Foundation, founded by the Cowboy Artists of America to coincide with their mentoring program, which provides scholarship opportunities for artists seeking to improve their skills, and has served as President of the Foundation for the past year as well. Education Self-taught; mentored by James Boren Cowboy Artists of America Museum, Kerrville, TX, Workshop, Harvey Johnson/Melvin Warren, 1983 Bosque Conservatory, Clifton, TX, Workshop, Bettina Steinke...