Texas - Art

Gary Ray 1952 California Artist Image Size: 24 x 30 Frame Size: 33 x 39 Medium: Oil on Board Dated 2004 "California Poppies" Biography Gary Ray 1952 Gary Ray ...

Charles Schreyvogel (1861-1912) New York / New Jersey Artist Image Size: 12" x 18.50" x 5" Medium: Bronze Sculpture 1903 "The Last Drop" Charles Schreyvogel (1861-1912) New York / Ne...

Striking watercolor and ink painting of a nude female figure lying on her side, in brilliant shades of red against blue paper by artist Kei Mitsuuchi, 1994. Signed and dated lower le...

New Release - January 2026 "David Bowie - The Pack" New York, 2001 Museum quality fine art print of David Bowie by photographer Markus Klinko, from his celebrated collection "Bowie...

Donald Stacy "Eve" c.1950s Gouache and oil pastel on paper 14x17" black wood frame 14.75"x17.75" Unsigned, Eve written in paint along right margin Came from artist's estate Donald S...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute to Courage statue of Sam Houston in...

Signed limited edition archival print of Jack Nicholson at the Carlisle Hotel, March 1981 by Allan Tannenbaum. Allan Tannenbaum prints are available in...

Bright and airy watercolor of a figure in a small tropical village by French artist Stephane Magnard, circa 1950. Original artwork on paper displaye...

By Gustav Likan 4" x 5.5" Pencil on Paper Framed Size: 14.25" x 14.25" A sketch of a mother nursing her baby. From Likan's 1944 series depicting his wife Barbara and son Michael. About the Artist: Born in Yugoslavia in 1912, Gustav Likan achieved international fame as an artist early in life. He has long been noted in Europe for his portraits of royalty and heads of state. After coming to America, his color genius caught fire and he emerged as one of the most important colourists of the twentieth century. Likan studied restoration under the greatest European masters...

Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressio...

Robert Gilberg (1911-1970) "Still Life in White" c.1950s Gouache on newspaper from Sacramento Bee 1957 22.75"x15.25" unframed Unsigned Born in Oakland, CA on April 25, 1911. Gilberg...

Flamenco Moon - (Luna Flamenca). Technique: Bronze Sculpture. Jalisco, Mexico.

Colorful geometric abstract painting by contemporary artist Tina Ruyi. The work features an explosion of red, blue, and yellow dots and shapes sprinkling up from behind a red wavy sh...

Delightful watercolor painting of a sunlit view of the Venice canals through a stone archway by French artist Stephane Magnard, circa 1950. Original ...

Harding Black (1912-2004) San Antonio Artist Image Size: 2 1/2 inches tall Frame Size: 7 1/2 inches diameter Medium: Art Pottery Ceramic 1956 "Crystalline Bowl" Mid Century Modern Te...

Harding Black (1912-2004) San Antonio Artist Image Size: 3 inches tall Frame Size: 5 1/2 diameter Medium: Art Pottery Ceramic Dated 1945 Mid Century Modern "Drip Bowl" Robin Egg Blue...

23" x 16" – Oil on Canvas Framed Size: 32.5" x 26" This Peruvian antique Cuzco School painting depicts an angel in elegant clothing playing a bulge ...

Roberto Montenegro Untitled

Grey tonal painting of a Falcon perched on a branch. The work is framed in a silver frame with a white matte. The artist signed the work in the bottom right corner. Artist Biograph...

Paul Grimm (1891-1974) California Artist Image Size: 24 x 30 Frame Size: 31 x 37 Medium: Oil on Canvas Dated 1953 "Pala Mission" The San Antonio de Pala Asistencia, or the "Pala Mission", was founded on June 13, 1816, as an asistencia or "sub-mission" to Mission San Luis Rey de Francia, some twenty miles inland upstream from the latter mission on the San Luis Rey River. Pala Mission was part of the Spanish missions, asistencias, and estancias system in Las Californias—Alta California. Today it is located in the Pala Indian Reservation located in northern San Diego County, with the official name of Mission San Antonio de Pala.[2][4] It is the only historic mission facility still serving a Mission Indian tribe. Pala (a derivation of the native term Pale, meaning water) was essentially a small rancho surrounded by large fields and herds. The Pala site had been noted by Father Juan Mariner and Captain Juan Pablo Grijalva on an exploratory trip in 1795, when they went up the San Diego River, and then through Sycamore Canyon to the Santa Maria Valley (or Pamó Valley) and into what they named El Valle de San José, now known as Warner Springs. Once Mission San Luis Rey began to prosper, it attracted the attention of numerous mountain Native Americans in the area, who were called the Luiseño by the Spanish. Spanish era The Franciscan fathers chose this site for the Pala Mission because it was a traditional gathering place and village for the Native American residents. Father Peyrí oversaw the addition of a chapel and housing to the granary complex, which was constructed at the spot in 1810.[4] The chapel's interior wall surfaces featured paintings by native artists, originally measuring 144 by 27 feet. Workers went into the Palomar Mountains and cut down cedar trees to use as roof beams.[5] Pala is unique among all of the Franciscan missions in that it boasts the only completely freestanding campanile, or "bell tower," in all of Alta California. By 1820, some 1,300 baptisms had been performed at the outpost.[6] Folk tales about the mission include mention of a prickly pear cactus, which became a local symbol of Christian victory, that grew up at the foot of the cross.[7] Mexican era After the nation achieved independence from Spain, the Mexican Congress passed An Act for the Secularization of the Missions of California on August 17, 1833 (the act was ratified in 1834).[8] Father Buenaventura Fortuna surrendered Mission San Luis Rey and all its holdings, including Las Flores Estancia and the Pala Asistencia, to government comisianados (commissioners) Pío Pico and Pablo de la Portillà on August 22, 1835; the assessed value of "Rancho de Pala" was $15,363.25.[9] More than a decade later, fearful of the impending conquest of Alta California by the United States as a result of the Mexican–American War...

Frida with Granizo by Nickolas Muray is a black and white portrait of Mexican painter Frida Kahlo with her pet fawn, Granizo. Frida crouches down to place her hand on the small deer ...

This is one of a series I did on unstretched canvas. It should be matted and framed. I don’t have any outside stimulus when starting. As in the case of this piece, I had no idea w...

Contemporary abstract geometric painting by Houston-based artist Holland Geibel. The work features layers of pink and red toned spiral shapes set agains...

Signed limited edition print of Kate Moss by Jake Chessum, taken when she was an unknown 16 year old model, just starting her career. Jake recalls, "I had heard of Kate as she was...

Paul Strisik (1918-1998) Santa Fe, New York, Rockport, Massachusetts Artist Medium: Watercolor on Paper "November Moonrise" Image: 18 x 27 3/4 Frame: 30 3/8 x 40 3/8 Biography Paul...

Mid-century painting of boats with bridge in background in muted tones done by French artist Stephane Magnard, circa 1950 Original artwork on paper displayed on a white mat with a g...

Contemporary colorful abstract painting by Houston based artist Shelbi Nicole. The work features black, white, and pink shapes floating against a blue background. Signed and dated in...

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 16 x 20 Frame Size: 23 x 27 Medium: Oil on Canvas "Bluebonnet and Huisache" Texas Hill Country Pedro Lazcano (1909-1970) I wa...

Warmly hued tempera still life of an assortment of pottery and ceramics by Argentine artist Mariano Acha, 1975. Signed and dated lower right. Original artwork on paper displayed on ...

David Bowie in Vancouver, Canada in 1983 by acclaimed photographer Denis O'Regan, who was at the time, the official photographer on Bowie's "Serious Moonlight" world tour Signed 16x20" artist proof...

Théodore Rousseau (French, 1812-1867) Personnages sur un sentier escarpé au coucher de soleil, 1845-50 Oil on paper laid on canvas Canvas: 12 x 9.75 inches (30.5 x 24.8 cm) Frame: 18...

Artist: Alexander Calder Title: Papoose Medium: Color Lithograph Year: 1969 Framed Dimensions: 36"h x50"w 1.5"d Print Dimensions: 28 x 43 in Framed in bespoke black frame. Signed "Calder" lower right. Numbered 9/75 Published by Maeght, Paris Condition: Excellent. Very small tear to middle right side of paper, does not affect the image Edition of 75 Alexander Calder, Papoose, 1969, is a vibrant color lithograph that captures the playful lyricism and rhythmic balance central to Calder’s visual language. Floating organic forms...

George Devoss California Artist Image Size: 24 x 36 Frame Size: 29.5 x 41.5 Medium: Oil "Watering Hole" Resident of Los Angeles in 1928-37. Edan Hughe...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, titled and inventoried verso. 43.25 x 47.25 in. 44.75 x 48.5 in. (framed...

Abstract drawing of a blue house in a yellow field by German-American painter, Wolf Kahn. Signed and dated by the artist in the lower right corner. Framed and matted in a silver wood...

Coreen Mary Spellman (1905 - 1978) Dallas Artist Image Size: 20 x 14 Frame Size: 25 x 19 Medium: Oil Bio: Exhibited in the Ninth Annual Student Art show at the State University of Iowa Coreen Spellman Biography Coreen Mary Spellman (1905 - 1978) Coreen Mary Spellman was a fine-art teacher as well as a painter, designer, illustrator, lithographer and muralist. Many of her paintings depicted human-made structures and industrial landscapes in a style combining realism, precisionism and abstraction. Often the central subject such as in "Railroad Signal" was the only suggestion of humanity against a backdrop of stark Texas landscape. Of her painting these isolated subjects she said: "I enjoy taking some rather obscure or unimportant subject or theme and making something fine and important out of it . . . It always gives me great pleasure to discover something which has been passed over as being inadequate material". (Trenton 199) Spellman was born in Forney, Texas in 1905. At an early age she moved to Dallas, Texas and studied under Vivian Aunspaugh before attending the College of Industrial Arts (Texas Woman's University). She received a Master of Arts degree from Columbia University and a Masters Degree from the University of Iowa, Iowa City in 1942. In addition, Spellman received a Carnegie Scholarship for study at Harvard University, followed by studies with Kenneth Hayes Miller, Vaclav Vytlacil, and Charles Wheeler...

Neutral toned gestural abstract painting by contemporary artist Ian Francis. The work features a variety of gestural marks accented by black and white triangular shapes set against a...

Abstract painting accented in bright hues of red, blue and a soft lavender by French artist AM Vivent, 1986. Signed and dated lower right. Original artwork on paper displayed on a ...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

Contemporary mixed media assemblage by Massachusetts artist Al Souza. Known for using unconventional art materials such as puzzle pieces, in this work Souza combines newspaper and glue to recreate spitballs, reminiscent of his youth. Currently hung in a light wood frame. Signed and dated by artist on reverse. Artist Biography: Al Souza was born in Plymouth, Massachusetts in 1944 and currently resides in Worcester, Massachusetts. He has exhibited extensively both nationally and internationally. His work is part of numerous collections including the Museum of Fine Arts, Houston, Dallas Museum of Art, El Paso Museum of Art, Art Museum of Southeast Texas, Tyler Museum of Art, University of Houston, Houston Airport System, City of Houston, New Orleans Museum of Art, Mississippi Museum of Art, Montgomery Museum of Art, Whitney Museum of American Art, Yale University Art Gallery, Crystal Bridges Museum of American Art, Parrish Art Museum, DeCordova Museum, San Diego Museum of Contemporary Art, and the University of Massachusetts. Souza was awarded an International Association of Art Critics/USA Award in 2007 for Best Show in a Commercial Gallery Nationally, 1st Place, for the exhibition David Ireland...

Contemporary pastel toned gestural abstract expressionist floral painting by Houston based artist Kristi Haines Herman. The work features layers o...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Out of Stock - 2 Hand cut holes on reinforced Hahnemühle German Etching heavyweight Giclee print. Box framed and float mounted under museum quality no...

Leopoldo Gonzales Jr Born 1921 San Antonio Artist Image Size: 48 x 36 Frame Size: 52 x 40 Medium: Oil / Casein Circa 1958 Mid Century Modern "Penguin" Signed and titled on verso. ...

Page Size: 30 x 22 in. Frame Size: 37 x 25 in. Ink drawing on paper Signed in pencil, bottom right. Titled in pencil, bottom left. An energetic and surreal artwork presents a highly...

Turquoise abstract still life painting by Houston, TX artist David Adickes. The painting depicts white flowers in a tall blue vase on top of a table with a slice of orange melon. Unsigned. Framed in a simple black frame. Dimensions Without Frame: H 29.5 in. x W 23.5 in. Artist Biography: Born (1927) and raised in Huntsville, TX, David Adickes is an artist whose art and heart are closely aligned with Paris, France. After studying art at the Atelier F. Leger in the late 40s, Adickes burst onto the art scene in Houston and elsewhere in the early 50s and has been a prominent member of Houston’s art community ever since. While his most visible works are his giant sculptures...

Signed limited edition fine art print of Patti Smith and Robert Mapplethorpe, taken in her kitchen in New York by celebrated photographer and filmmaker, Norman Seeff in 1969. This P...

Florabundance Acrylic on Canvas Contemporary Abstract 40" x 40" Water ...

Original darkroom print, made at the time of the photoshoot. In excellent condition, stored flat in a climate controlled atmosphere. Print in excellent vintage condition, signed by N...

Special XL limited edition series - paper size 70" wide x 40" high This iconic image of David Bowie as The Thin White Duke was taken by renowned Rock photographer, John Rowlands, o...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 16 x 20 Frame Size: 25 x 28.75 Medium: Oil on Canvas Applied by Palette Knife "River Bend" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

Hilton Head Beach is an example of the bright colors that Beckner uses in his paintings. The orange umbrella paintings were painted at Hilton Head, South C...

Frida Painting "Two Fridas" by Nickolas Muray is a limited edition black and white portrait of Mexican painter Frida Kahlo in her studio, sitting in front of her famous painting, The...

Frida and Diego with Gas Mask is a limited edition black and white portrait of Mexican painters Frida Kahlo and Diego Rivera. The couple embraces each other while Frida holds a gas m...

The Palm Tree in Jamaica Frenchman's Beach 12" x 9" Frame made in Florence. Artist Nelson White painted The Palm Tree in Jamaica on one of his many trips to Jamaica and the Bahama...

W.R. Thrasher (1908 - 1997) Texas Artist Image Size: 24 x 36 Frame Size: 33 x 45 Medium: Oil on Canvas Signed "Bluebonnets" Biography W.R. Thrasher (1908 - 1997) The state of Texas, ...

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 12 x 16 Frame Size: 17.25 x 21.25 Medium: Oil "Bluebonnet Hill Top" Pedro Lazcano (1909-1970) I was always curious about Pedr...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 20 x 24 Frame Size: 29.5 x 33 Medium: Oil on canvas "Spring Showers" Mr. Geral...

Canvas Size: 12 x 16 in. Frame Size: 20.5 x 24.5 in. Signed, lower left: "Don Warren" A serene, classic, and cheerful scene in the Texas Hill Country by Don Warren. The foreground i...

French pencil drawing of a nude male statue with bronze casting to leg by artist M. Lambert, circa 1930. Signed lower right. Original artwork on pap...