Texas - Art

James Boren (1921 - 1990) Waxahatchie, Texas / Oklahoma Artist / Member Cowboy Artists of America Image Size: 28 x 42 Frame Size: 40 x 53 Medium: Oil "Ca...

16" x 20", signed limited edition print of David Bowie by Masayoshi Sukita. Taken at RCA Studios, New York, 1973. As featured in the new movie, Moonage Daydream. This print is also ...

Lifetime prints are the last remaining prints available, signed by Terry O’Neill and obtained from the Terry O’Neill Archive in London. Signed limited edition, silver gelatin print ...

Mid-century painting of boats with bridge in background in muted tones done by French artist Stephane Magnard, circa 1950 Original artwork on paper displayed on a white mat with a g...

Leon Collins Birthdate Unknown, died 2025 Galveston / Navasota Texas Artist Image Size: 36 x 24 Medium: Acrylic on Giclee "Sunflowers" After Van Gogh Leon Collins Birthdate Unknown-D...

This iconic image of David Bowie as The Thin White Duke was taken by renowned Rock photographer, John Rowlands, on February 26th, 1976, at Maple Leaf Gar...

Contemporary blue toned gestural abstract expressionist painting by Houston based artist Kristi Haines Herman. The work features layers of swirling brushwork in tones of tan, pink, and deep green. Signed, titled, and dated on the reverse. Currently unframed, but options are available. Artist Biography: As an abstract painter, Kristi Haines Herman, uses her artwork to execute ideas and two-dimensional environments that create an emotional experience for the viewer. Her paintings are inspired by personal involvements and reactions to them. Phrases and words ruminate in her mind and slowly turn into abstracted figures that convey her inner thoughts. Haines Herman is highly influenced by movement as her artistic expression due to many years in dance. Movement is depicted through various gestural lines, shapes, and texture which allow the audience to venture through the canvas; thus a visual dance from one edge to another on the painting’s surface. Ballet was Haines Herman’s first love in the art world, starting at age five. She learned to use body movement as an outward expression which allowed her to explore various audience reactions. This would later correlate with her artwork. In her late teens, dance and visual art would intertwine with time on stage as well as painting for expression. Gradually, visual art became her primary artistic avenue. Haines Herman attended Mary Baldwin College in Staunton, Virginia, where she majored in studio art under professors Frank Hobbs and Polly Dixon. She received a Bachelor of Fine Arts from The University of Texas at Austin. During her studies at UT, she was encouraged and challenged by many talented art professors, including Michael Mogavero, John Yancey and David...

Neutral toned gestural abstract painting by contemporary artist Ian Francis. The work features a variety of gestural marks accented by black and white triangular shapes set against a...

Sebastian Alvarez Gran Chaco, Yiclôcat Also shown are other drawings but the Indigenous in the Chaco o region of Paraguay Esteban the Class : Motifs of shamanic significance are ver...

Oil on Canvas Canvas size: 24 x 36 in. Frame Size: 33 x 39 in. "Turning them North" is an exhilarating scene of the American Old West by Gary Lynn Roberts (b. 1953, American) execut...

Texas Longhorn and Sheep Realism 20" x 16" oil Bovine Landscape Animals The Duo is an 20 X 16 oil on canvas painting of a sheep and a longhorn who look as if they are in searc...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 20 x 24 Frame Size: 29.5 x 33 Medium: Oil on canvas "Spring Showers" Mr. Geral...

This sculpture is cast and manipulated stone, fiberglass, iron, and casters. Deborah Ballard is best known for conceiving of figures and groupings of figures who relate to one anoth...

Monumental Red Abstract Milburn Smith March 1969 Acrylic paint on canvas 65 x 64 x 1.25 Signed and dated lower right in ink Very Good Condition: Consistent with age and history. Fro...

Paul César Helleu. La Duchesse de Marlborough, Consuelo Vanderbilt. c. 1901. Drypoint. 21 1/2 x 13 3/4 (sheet 24 x 15). A rich impression printed o...

Jack Hooper "Green and Blue Nude I" 5/1963 Oil pastel on paper 8.5"x11" unframed Signed and dated in pencil lower right Jack Meredith Hooper (August 26, 1...

Soup. 1920. Drypoint. Appleby 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. Illlustrated: Print Collector's Quarterly 13 (1926): 85. Signed in pencil. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...

Dazzling watercolor landscape painting of a small town lining the sparkling mediterranean coast by artist Stephane Magnard, circa 1950. Original ...

Martin Rosenthal "Crossed Lines" 1965 Pastel & Oil paint on paper 19.25"x13" unframed Signed and dated in ink lower right Martin Rosenthal 1899-1974 Artist Martin Rosenthal was bor...

Modern Cubist inspired portrait painting by the iconic Houston based artist David Adickes. The work features a male figure wearing a white jacket, blue shirt, and red tie. Signed in ...

Cliff Cavin Texas Artist Size: 24 x 30 Frame: 30.5 x 36.5 Medium: Oil 2022 "Springtime Blues" Biography Cliff Cavin Cliff Cavin, a native of San Antonio, Texas, is a landscape artist...

Glow by Texas artist Julie England is an Oil on Yupo paper. The size of Glow is 7″ x 9 1/2″” Image 9 3/4″ x 12 1/8″ Frame Art is floated in gallery frame with OP3 plexi glazing....

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 50 x 40 Frame Size: 59 x 49 Medium: Oil on Canvas. Signed 1951 “Hill Country in Spring “ Biography Porfirio Salinas (1910...

Surreal lithograph with light lavender and blue colors, 1982. Titled and numbered on lower left and signed lower right in pencil. Displayed on a white mat with a gold border and fi...

Eric Harrison (Born 1971) Texas Hill Country Artist Image Size: 48 x 72 Frame Size: 61 x 86 Medium: Acrylic on Canvas "Summer's Beckoning" Bio Eric H...

Gorgeous still life lithograph of a a vibrant purple Iris made in the 1930's by artist unknown in the style of Georgia O'Keeffe.

Pastel Impressionist style painting by American landscape artist George Ames Aldrich. The work features a woman standing at the edge of a river in a quaint pastoral French town. Sign...

Dawson Dawson-Watson "On the Hopi Reservation" Has two different old gallery labels on the verso from Santa Fe Galleries. (1864-1939) San Antonio Artis...

Black, gray, and white abstract contemporary painting by Houston, TX artist Winifred Booth. The piece depicts white writings all over the canvas against...

Luxurious vintage black lacquer and gold plated lighter with red Chinese lettering.

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

By Emetero Ortiz R. H x D: 7 x 9 inches Singed on bottom Ceramic decorative from the tradition of Mata Ortiz pottery Handmade and polished by Casa Grandes Pueblo ceramicist Emeterio ...

Colorful modern figurative portrait of a man playing billiards or pool by Connecticut artist Gerald Garston. The work features a man in a blue bowler ha...

Toni Franović was born in Zagreb on April 15th, 1964. He is a graduate of the Academy of Fine Arts in Zagreb, where he studied under professor Vasilije Jordan. In 1992/93 he joined t...

Jerry Ruthven (1947 - present) Austin Artist Image Size: 24 x 36 Frame Size: 32 x 44 Medium: Oil Dated 1982 "Texas Hill Country Creek" Bio: Jerry ...

Working in his open-air studio, Miles Cleveland Goodwin is deeply in touch with the rural landscape. Goodwin’s ruminative portrayals, full of earthy metaphor and soulful intuition, e...

Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Size: 20 x 30 Frame: 26 x 36 Medium: Oil Wash? Watercolor? Dated: 1917 "Misty Bayou" Housed in the original magnificent frame. Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Alexander John (A.J.) Drysdale was an early 20th century Louisiana artist who specialized in landscapes using the technique of oil wash, that gave his works a characteristic of a hazy look. Drysdale made use of this technique by diluting the oil paint with kerosene and applying it with cotton balls. Alexander John Drysdale, born in Marietta, Georgia on March 2, 1870, came to New Orleans at the age of fifteen with his parents. His father, Reverend Alexander J. Drysdale, became the rector of Christ Church Cathedral. Alex received private tutoring from a Professor Mehado and art lessons from Ida Hackell at the Southern Art Union. Later in New Orleans (1887) he studied art under Paul Poincy (1833-1909). The exact date of Drysdale's arrival in New York is unknown, but he enrolled in the Art Students League where he received instruction from Charles C. Curran and Frank Vincent DuMond. Apparently, he remained in New York for about five years and did not go to Europe for further study. After some time, Drysdale began specializing in landscapes, executed in a tonalist manner. Back in New Orleans, Drysdale was inspired by local subjects, especially swamp or bayou areas and other desolate wetlands. Over a period of many years Drysdale's landscapes evolved to a unique stylistic maturity. In 1909 he received a gold medal from the New Orleans Art Association. It is easy to see the influence of two artists that he admired: Corot and Inness. Working equally well in oil and watercolor (he also did scenes in charcoal), Drysdale usually divided his scene into halves or thirds, typically, a foreground consisting of tall swamp grasses achieved with broad vertical strokes; a middle ground consisting of a backdrop row of trees at the horizon line executed with staccato, jabbing strokes resulting in textural contrast; and a background devoted totally to a tonalist-like moisture-laden sky often hazy with no clouds or only a slight indication of them. This formulaic compositional format rendered with an economy of technique resulted in imagery with repetitious forms and shapes diffused in a nebulous space. In this regard, Drysdale's works are impressionistic; he also tended to use the violets and blues of the impressionist palette. Yet he lacked a specific interest in color and light. Although his expression of the Louisiana scenery is very personal, even mystical, the artist appears to have been very limited in subject matter. One of his last works was a mural for the Shushan (New York) Airport administration building, and shortly before his death he was employed as an artist by the Civil Works Administration. Drysdale was a member of the Arts and Crafts Club of New Orleans, and his work was in the permanent collection of the Delgado Museum for many years. The artist worked at his studio at 320 Exchange Place in the picturesque Vieux Carré until his death at the age of sixty-three. Stewart (in Painting in the South, 1983), describes how Drysdale was a shrewd businessman. He would solicit new homeowners who might need a canvas to decorate a wall, or a cotton broker who recently made the headlines. Drysdale died in New Orleans, on February 9, 1934. Sources: Louisiana Artists from the Collection of Dr. and Mrs. James W. Nelson. Baton Rouge, LA: Louisiana State University, 1968; Wiesendanger, Martin and Margaret Wiesendanger, Nineteenth Century Louisiana Painters and Paintings from the Collection of W. E. Groves. New Orleans: W. E. Groves Gallery, 1971, pp. 44-45; Painting in the South: 1584-1980, Exh. cat. Richmond, VA: Virginia Museum, 1983, pp. 106-107, 114, 276; Chambers, Bruce W., Art and Artists of the South: The Robert P. Coggins Collection of American Paintings. Exh. cat. Rochester, NY: Memorial Art Gallery of the University of Rochester, 1984, p. 88; Zellman, Michael David, 300 Years of American Art. Seacacus, NJ: Wellfleet Press, 1987, p. 634; Gerdts, William H., Art across America: Two Centuries of Regional Painting, 1710-1920. New York: Abbeville Press, 1990, vol. 2, pp. 110-111. Submitted by Richard H. Love and Michael Preston Worley, Ph.D. Biography from The Johnson Collection ALEXANDER JOHN DRYSDALE (1870–1934) Born in Marietta, Georgia, Alexander John Drysdale was the only son of an ordained Episcopal priest whose ministry required frequent moves to parishes in Georgia, Alabama, and Tennessee. In 1883, he accepted the call to become dean of Christ Church Cathedral, New Orleans, and was later elected a bishop. Alexander, thirteen years old when the family settled in New Orleans, began his art studies under the instruction of Ida C. Haskell, a California-born artist who was on the faculty of the recently established Southern Art Union. The local academy had been founded by several leading artists, including Andres Molinary, William Henry Buck...

This floral still life scene by José Vives-Atsara, features yellow, orange, purple and green. The impressionistic abstracting style nearly gives the feeling that you are viewing the ...

“I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong ph...

Radiant ink and charcoal painting of a nude female figure seated on a stool in a rich rust hue, circa 1960. Original artwork on paper displayed on a white mat with a gold border. A...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

A professor of painting at Southern Methodist University since 1984, Barnaby Fitzgerald spent his childhood in Italy where he earned a printmaking degree in Urbino. He received a BFA...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 60 x 40 Frame Size: 71 x 51 Medium: Oil on Canvas Signed 1980 "The Blowout" Woo...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 30 x 24 Frame Size: 38.75 x 32.75 Medium: Oil on Canvas Applied by Palette Knife Dated 2001 "Flowers" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

From the private collection of a Texas art connoisseur, this rare set comprises all four framed limited European edition lithographs from Salvador Dalí’s 1978 Retrospective Suite. Ea...

“The Queen” is a limited edition of 20. Printed on fine art paper, these limited-edition photographs are designed to preserve the beauty of the original scenes. Each piece is hand-n...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 16 x 20 Frame Size: 25 x 28.75 Medium: Oil on Canvas Applied by Palette Knife "River Bend" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

Abstract drawing of a blue house in a yellow field by German-American painter, Wolf Kahn. Signed and dated by the artist in the lower right corner. Framed and matted in a silver wood...

Celadon 3 from Chloe Hedden’s Fold Series envelops the viewer in the quiet drama of form, color, and materiality. Created from hand-dyed linen on linen, the piece merges tonal subtle...

Sublime desert landscape painting was done in a naturalistic style. The work is signed by the artist in the bottom corner. It is a frame in a...

"River Scene" Artist: Jean Metzinger Medium: Oil on Canvas Size: 23" x 28.75" Date 1902-3 Signed, bottom right. Metzinger Catalogue Raisonne Number: AM-...

This black and white original lithograph by Mexican artist Juan Carlos Breceda depicts a checkerboard of abstracted woman's face from a variety of ...

From a stunning collection of contemporary nudes from celebrated photographer, Markus Klinko, featuring amongst others, Dita Von Teese, Stoya and Aubrey O’Day This print is availabl...

This is a three-plate color mezzotint. The mat dimensions are 20 x 16 inches. Signed "Schkolnyk" at lower right.

Aubrey O'Day by Markus Klinko, from a stunning collection of contemporary nudes from celebrated photographer, Markus Klinko, featuring amongst others, Dita Von Teese and Stoya This ...

Francis Chapin was one of the most celebrated painters in Chicago during his lifetime. When he was a young art student, Valley House founder, Donald Vogel, painted with "Chape" on th...

Mick Jagger in the hallway of his new apartment at Harley House, London, 1966 by Gered Mankowitz "I shot a series of photographs of each member of the band at home so that they did...

James Robinson (1944-2015) Austin, Dallas, Houston Artist Image Size: 18 x 24 Frame Size: 29 x 35 Medium: Acrylic on Canvas "Crossing the Blanco" River Medium: Acrylic on Canvas Clea...

Bold mid-century still-life painting with plates and cups by French artist Chantal Jouvin, circa 1950. Original artwork on paper displayed on a ...

Honor your inner superstar with a unique porcelain ceramic artwork from Katharine Morling's newest series, "The Paparazzi Collection". This sculpture titled "Camera with Double Lens" is handcrafted and especially designed in the artist's signature monotone black & white style by award winning ceramicist Katharine Morling. Morling's ceramic sculptures have been shown internationally at Bergdorf Goodman in New York, Liberty’s London, Miami, Italy, Kuwait, Algiers, Germany and France. She has also had solo exhibitions in Sweden, The Netherlands and throughout the UK. In 2019, Katharine Morling’s work was selected for the Royal Academy Summer Exhibition. It was the fifth time that Katharine Morling has exhibited in the Summer Exhibition and “Cut”, an over-sized chainsaw is the largest piece which Morling has shown to date. After graduating from the Royal College of Art in 2009, she was awarded first prize at the 2010 World Crafts Council Triennial in Belgium. Morling also represented the UK at the 2010 European Ceramic Context in Denmark. For COLLECT 2011, she showed a new installation Out of the House in the Project Space of the Saatchi Gallery. Other projects include created a large wall mounted installation for the new children’s ward commissioned by the Royal London Hospital...