Texas - Art

Exquisite 19th century French drawing of cottage near Paris, titled "Chaumière à Chateauville", 1864. Dated lower right. Original artwo...

Gathering Vraic on a Jersey Shore. c. 1937. Ink and watercolor on 'Castle Linen Tolli & Harvey LD London' countermarked paper. 7 1/8 x 13 1/2 (sheet 12 1/2 x 16 1/4). Good condition, apart from small professionally repaired paper losses at the corners, from previous hinges. Dedicated 'To my friend Harold James Bailey E.B.' and annotated 'To wish you a glad glow of happiness for Christmas and the New Year'. From the collection of the famous Blampied scholar and collector, Harold J. Bailey, who wrote an article, 'Edmund Blampied: Artist and Philosopher' in the Print Collector's Quarterly 24 (1937). Housed in a 15 1/2 x 21 1/2-inch Whistler style gold wood frame. In the left rear section is a Martello or Conway tower, built as a fortiffiction. A Jersey Round Tower Coastal towers stand all along the coast of the island. The British built 22 round towers, one similar square tower, and eight Martello towers towards the end of the 18th Century and in the early to mid-19th Century, but now only 24 remain, including seven of the Martellos. Vraic is a seaweed found in the Channel Islands. The main use of vraic is for spreading over potato fields during the winter. It is then ploughed into the soil before the potatoes are planted in late winter and spring. Vraic was traditionally gathered by horse and cart in Grouville Bay and St Ouen's Bay, and in smaller quantities at Le Hocq and Havre des Pas. The practice continues using...

Reduced from $2400 Pilgrims at the Gate shows that flowers, birds and snow are symbols for emotional states or story elements. Dogs sometimes accompany the pale bald “Everywoman” p...

Co-signed by both Raquel Welch and photographer Terry O'Neill, 20x24" silver gelatin print. Actress Raquel Welch in a photo conceived by photographer Terry O'Neill after Welch noted that she was afraid that the press would "crucify" her for her film choices, taken on the Fox Lot in the late 1960s. Originally deemed too scandalous for promotional use at the time, the photo wasn't published until 30 years later, on the cover of The Sunday Times...

David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...

Make Fast, plate 2. 1929. Etching. Laver catalog number 146; Hurst catalog number 258. Plate: 14 3/8 x 9 13/16 (sheet 17 5/8 x 11 3/4). Trial proof 2, before the edition or 75. Ill...

Picturesque landscape watercolor painting of a bird's eye view of a charming rural town by artist Wilhelm Kloden, circa 1960. Unsigned. Original one-of-a-kind vintage work of art on...

This sculpture is edition 2/20

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

Barbara Mauldin Fredericksburg Artist Size: 16 x 12 Frame: 22 x 18 Medium: Oil "Solitaire" Barbara and her husband Chuck moved to Fredericksburg in 2005 after living many years in Louisiana, where she taught art at Baton Rouge Lutheran School. Soon after moving home to Texas, she began painting seriously. She has studied with Ian Roberts, Kevin Macpherson, Jill Carver, Lori Putnam, and (of course!) Chuck Mauldin. Barbara’s work has been accepted in several art events, such as the Women Artists of the West National Show, Contemporary Masters Invitational Art Show in Fredericksburg, the Mountain Oyster Club Art Show, the Plein Air Artists Colorado National Juried Art Exhibition, The Museum of Western Art (Kerrville, TX) “The Party” Art Exhibition and Sale, and others. Her paintings are characterized by color. “I like to emphasize the color that I see, as a creative and emotional response to the landscape.” She works with a limited palette, using a small number of pigments to mix colors, which results in beautiful color harmony. Barbara has focused her attention on the Texas landscape, especially on prickly pear cactus. Cactus is fun to paint. It has a multitude of interesting colors, which are an expression of the harshness of the environment and the amount of direct sun. In spring the colors are lighter and more mellow, and the flowers of late spring are a vibrant yellow and rose, sometimes orange. She enjoys plein air work, accepting the challenges of color, design, and the environment (critters and weather). Texas abounds with variety and inspiration; there is always another painting just around the corner! Her interest in art had always been a part of the fabric of her life. She works mainly in oil, and she also dabbles in pastels, watercolor, church banner...

Signed limited edition print of The Strokes by acclaimed British photographer, Andrew Cotterill. “This was one of my early shoots for Dazed and Confused m...

Page Size: 8 x 4 in. Frame Size: 9 x 5 in. Signed, bottom left This evocative sepia-toned watercolor wash painting offers a minimalist and atmospheric interpretation of a Mediterran...

Signed limited edition silver gelatin print of Pete Townshend and his dog, Towser, taken by Barrie Wentzell in Twickenham, London in 1971. Barrie recalls, "Pete Townshend was sendin...

Signed print taken from an original color slide of Nirvana taken by Kirk Weddle. This slide was taken during the famous swimming pool sessions with Nirvana for the release of Nevermi...

Modern abstract painting of grass and leaves in varying blues, grays, reds, gold, and browns by artist Spe, 2013. Signed lower right. Original artwork on paper displayed on a whit...

Signed, titled, and dated in pencil on mount margin. Vintage gelatin silver print Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 1921 find...

"Woman Reading" by An He is an original impressionistic oil on canvas portrait painting measuring 40x30 in. A modern day brunette woman sitting in a red chair reads a book in the light of a summers day. Chinese-American artist An He, also known as Hans Amis, is known for his magnificent portrait paintings of...

Woodcut of female figure and skeleton by English artist Paul Koch, 1964. Signed lower right. 23/200 Original artwork on paper displayed on a white mat with a gold border. Mat fits ...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...

Abstract modern aquatint etching in black and white, circa 1960. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard...

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 12 x 16 Frame Size: 17.25 x 21.25 Medium: Oil "Bluebonnet Hill Top" Pedro Lazcano (1909-1970) I was always curious about Pedr...

Graceful pastel and charcoal drawing of a female ballet dancer in motion by artist Guy Chabrol, circa 1950. Signed lower right. Original one-o...

Robert Quill Johnson (1927-1980) Castroville Artist Image Size: 30 x 40 Frame Size: 39 x 49 Medium: Watercolor / Mixed Media on Board, Signed "Covey of Bobwhites" Quail Castroville, ...

Ann Carlyon (1929-2009) San Antonio Artist Image Size: 24 x 36 Frame Size: 33 x 45 Medium: Oil on Canvas Signed "Moonlit Prickly Pear" Blooming Cactus Visit our 1stdibs storefront to...

Eric Harrison (Born 1971) Texas Hill Country Artist Image Size: 36 x 48 Frame Size: 45 x 57 Medium: Oil "Rural Texas Charm" Longhorns Bluebonnets This pain...

This is a ceremonial musician from the Chiang Mai Temple in Thailand.

Bold mid-century still-life painting with plates and cups by French artist Chantal Jouvin, circa 1950. Original artwork on paper displayed on a ...

Dazzling watercolor landscape painting of a small town lining the sparkling mediterranean coast by artist Stephane Magnard, circa 1950. Original ...

Antoine Blanchard (1910 - 1988) Boulevard Des Capucines, Place De La Madeleine. A wonderful and vibrant scene from the Grand Boulevards of Paris under the rain in fall. You can hear ...

A large field of wild flowers near the town of Brenham, Texas :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to...

Artist: Alexander Calder Title: "Swirl" from The Flying Colors Collection, 1975 for Braniff Airlines Year: 1974 Signed in Plate Framed Dimensions: 28.75" x 22.5" Print Dimensions: 26...

Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...

“Two Divers Overcast Sky” is a captivating work by British contemporary artist Dan Parry-Jones, whose mixed-media paintings explore memory, landscape, and th...

Artist: Alexander Calder Title: Derriere Le Miroir No. 141, Cover Year: 1963 Dimensions: 15" x 11" Published by Maeght Editeur Excellent condition

Page Size: 10 x 14 in. Frame Size: 21 x 16.5 in. This exquisite ukiyo-e woodblock print by Utagawa Kunisada (Toyokuni III) captures a quiet, contemplative moment of artistic devotio...

Signed print taken from an original color slide of Nirvana taken by Kirk Weddle. This slide was taken during the famous swimming pool sessions with Nirvana for the release of Nevermi...

Keith Richards of The Rolling Stones, photographed in NYC, 1988 by Timothy White Artist Proof Print, 20x20" image on 23x23" paper. Signed my Timoth...

16" x 20", signed limited edition print of David Bowie by Masayoshi Sukita. Taken at RCA Studios, New York, 1973. As featured in the new movie, Moonage Daydream. This print is also ...

Two Pears Realism oil painting on panel 12" x 12" David Harrison, is a master in the style of Realism painting. Two Pears shows the simple beauty of Realism paintings. by a Realis...

Remarkable and vivid watercolor of the rocky red cliffs of the Esterel overlooking the emerald colored French Riviera coast by French artist Stephane Magnard (1917-2010), 1955. Ori...

Modern abstract painting in blue and gold by artist Spe, 2011. Signed and dated lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a stan...

Wonderful 19th century French drawing of building by water, titled "Composition", 1864. Dated lower left. Original artwork on paper dis...

Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Size: 20 x 30 Frame: 26 x 36 Medium: Oil Wash? Watercolor? Dated: 1917 "Misty Bayou" Housed in the original magnificent frame. Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Alexander John (A.J.) Drysdale was an early 20th century Louisiana artist who specialized in landscapes using the technique of oil wash, that gave his works a characteristic of a hazy look. Drysdale made use of this technique by diluting the oil paint with kerosene and applying it with cotton balls. Alexander John Drysdale, born in Marietta, Georgia on March 2, 1870, came to New Orleans at the age of fifteen with his parents. His father, Reverend Alexander J. Drysdale, became the rector of Christ Church Cathedral. Alex received private tutoring from a Professor Mehado and art lessons from Ida Hackell at the Southern Art Union. Later in New Orleans (1887) he studied art under Paul Poincy (1833-1909). The exact date of Drysdale's arrival in New York is unknown, but he enrolled in the Art Students League where he received instruction from Charles C. Curran and Frank Vincent DuMond. Apparently, he remained in New York for about five years and did not go to Europe for further study. After some time, Drysdale began specializing in landscapes, executed in a tonalist manner. Back in New Orleans, Drysdale was inspired by local subjects, especially swamp or bayou areas and other desolate wetlands. Over a period of many years Drysdale's landscapes evolved to a unique stylistic maturity. In 1909 he received a gold medal from the New Orleans Art Association. It is easy to see the influence of two artists that he admired: Corot and Inness. Working equally well in oil and watercolor (he also did scenes in charcoal), Drysdale usually divided his scene into halves or thirds, typically, a foreground consisting of tall swamp grasses achieved with broad vertical strokes; a middle ground consisting of a backdrop row of trees at the horizon line executed with staccato, jabbing strokes resulting in textural contrast; and a background devoted totally to a tonalist-like moisture-laden sky often hazy with no clouds or only a slight indication of them. This formulaic compositional format rendered with an economy of technique resulted in imagery with repetitious forms and shapes diffused in a nebulous space. In this regard, Drysdale's works are impressionistic; he also tended to use the violets and blues of the impressionist palette. Yet he lacked a specific interest in color and light. Although his expression of the Louisiana scenery is very personal, even mystical, the artist appears to have been very limited in subject matter. One of his last works was a mural for the Shushan (New York) Airport administration building, and shortly before his death he was employed as an artist by the Civil Works Administration. Drysdale was a member of the Arts and Crafts Club of New Orleans, and his work was in the permanent collection of the Delgado Museum for many years. The artist worked at his studio at 320 Exchange Place in the picturesque Vieux Carré until his death at the age of sixty-three. Stewart (in Painting in the South, 1983), describes how Drysdale was a shrewd businessman. He would solicit new homeowners who might need a canvas to decorate a wall, or a cotton broker who recently made the headlines. Drysdale died in New Orleans, on February 9, 1934. Sources: Louisiana Artists from the Collection of Dr. and Mrs. James W. Nelson. Baton Rouge, LA: Louisiana State University, 1968; Wiesendanger, Martin and Margaret Wiesendanger, Nineteenth Century Louisiana Painters and Paintings from the Collection of W. E. Groves. New Orleans: W. E. Groves Gallery, 1971, pp. 44-45; Painting in the South: 1584-1980, Exh. cat. Richmond, VA: Virginia Museum, 1983, pp. 106-107, 114, 276; Chambers, Bruce W., Art and Artists of the South: The Robert P. Coggins Collection of American Paintings. Exh. cat. Rochester, NY: Memorial Art Gallery of the University of Rochester, 1984, p. 88; Zellman, Michael David, 300 Years of American Art. Seacacus, NJ: Wellfleet Press, 1987, p. 634; Gerdts, William H., Art across America: Two Centuries of Regional Painting, 1710-1920. New York: Abbeville Press, 1990, vol. 2, pp. 110-111. Submitted by Richard H. Love and Michael Preston Worley, Ph.D. Biography from The Johnson Collection ALEXANDER JOHN DRYSDALE (1870–1934) Born in Marietta, Georgia, Alexander John Drysdale was the only son of an ordained Episcopal priest whose ministry required frequent moves to parishes in Georgia, Alabama, and Tennessee. In 1883, he accepted the call to become dean of Christ Church Cathedral, New Orleans, and was later elected a bishop. Alexander, thirteen years old when the family settled in New Orleans, began his art studies under the instruction of Ida C. Haskell, a California-born artist who was on the faculty of the recently established Southern Art Union. The local academy had been founded by several leading artists, including Andres Molinary, William Henry Buck...

Special XL limited edition series - paper size 70" wide x 40" high This iconic image of David Bowie as The Thin White Duke was taken by renowned Rock photographer, John Rowlands, o...

An abstract expressionist acrylic painting on canvas with wonderful color combinations of deep royal blue, yellow and effortless lines and shapes. Inspired by Claude Monet's Lilly Pa...

A cheerful and luminous still life painting of a bouquet of yellow roses, a blue pot, and red drapery, masterfully executed by A. D. Greer (American, (1904 - 1998), in oil on canva...

Edward Bohlin Saddle, Spurs, Chaps, Gun Belts (1895-1980) Hollywood, California Artist / Saddle Maker Medium: Sterling & Gold 1941 "Tom Mix Style Spurs" Presentation Spurs for Ha...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowi...

Abstract French lithograph, circa 1980. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival plasti...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Signed limited edition silver gelatin print of Jimi Hendrix taken by Barrie Wentzell, live at the Woburn Music Festival, Woburn UK, 6th July 1968. The July 1968 Woburn festival was ...

Fine art 20x24" print of David Bowie in his room at the Kempinski Hotel, Berlin, 1983 by acclaimed photographer, Denis O'Regan, where he was the official tour photographer for David ...

French watercolor painting of abstract nude figure, circa 1990. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival pla...

By Martha Ochoa Oil on Canvas Canvas Size: 59" x 39" Framed Size: 67" x 47.25" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tra...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...

David Collins was raised in Dallas, received a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions i...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Artist: Joan Miro Title: Sobreteixims Galerie Maeght Exhibition Poster Year: 1973 Printer: Arte Paris Publisher: Maeght Medium: Lithographic poster From a limited edition of 7000 Dim...

Honor your inner superstar with a unique porcelain ceramic artwork from Katharine Morling's newest series, "The Paparazzi Collection". This sculpture titled "Camera with Long Zoom Lens" is handcrafted and especially designed in the artist's signature monotone black & white style by award winning ceramicist Katharine Morling. Morling's ceramic sculptures have been shown internationally at Bergdorf Goodman in New York, Liberty’s London, Miami, Italy, Kuwait, Algiers, Germany and France. She has also had solo exhibitions in Sweden, The Netherlands and throughout the UK. In 2019, Katharine Morling’s work was selected for the Royal Academy Summer Exhibition. It was the fifth time that Katharine Morling has exhibited in the Summer Exhibition and “Cut”, an over-sized chainsaw is the largest piece which Morling has shown to date. After graduating from the Royal College of Art in 2009, she was awarded first prize at the 2010 World Crafts Council Triennial in Belgium. Morling also represented the UK at the 2010 European Ceramic Context in Denmark. For COLLECT 2011, she showed a new installation Out of the House in the Project Space of the Saatchi Gallery. Other projects include created a large wall mounted installation for the new children’s ward commissioned by the Royal London Hospital through Vital Arts and a contemporary dance piece at the Royal Opera House...