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Michael JosephThe Rolling Stones "Mick Feeding Goat" Beggars Banquet by Michael Joseph framed1968
1968
About the Item
The Rolling Stones "Mick Feeding Goat" - Outtake from the famous photo shoot of The Rolling Stones for their Beggars Banquet album at Sarum Chase mansion, Hampstead, London, 1968, signed limited edition by Michael Joseph. Featuring Mick Jagger, Keith Richards, Charlie Watts, Brian Jones and Bill Wyman.
20”x24” framed with museum grade glass, “Mick Feeding Goat” by Michael Joseph. Signed limited edition number 5/30
Frame dimensions:
33” wide x 29” high x 1” deep
Available in the following sizes:
16x20” - Edition 30
20x24” - Edition 30
24x36” - Edition 30
30x40" - Edition 20
Michael Joseph was born in Kimberly, South Africa in 1941. Joseph began photographing his surroundings in reportage style, exposed to political events through his father who was involved in Anti-Apartheid activities. During university, Joseph was sent to Vietnam to photograph the war and was later commissioned to several advertising assignments for companies such as Christies, Pirelli, Schweppes and White Horse. He arrived in London in 1962 and studied at The London College of Printing and Graphic Arts. It was Joseph’s visual style and technical capabilities which made him photographer of choice for ‘Beggars Banquet’.
- Creator:Michael Joseph (1941, South African)
- Creation Year:1968
- Dimensions:Height: 29 in (73.66 cm)Width: 33 in (83.82 cm)Depth: 1 in (2.54 cm)
- More Editions & Sizes:24 x 36” - Edition 30Price: $6,00030 x 40" - Edition 20Price: $7,500
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Austin, US
- Reference Number:1stDibs: LU1812214509732
Michael Joseph
Michael Joseph is a photographer best known for his work on the Rolling Stones’ classic album “Beggar’s Banquet.” A fine art quality embodies Michael Joseph’s collection of Beggars Banquet photographs, as illustrated by the bright victorian-inspired styling of their group shots. The session took place at Sarum Chase, the former home of Victorian society painter Frank Owen Salisbury. Though Joseph’s photographs are now considered “among the best ever” taken of The Stones, a dispute between the band and their record label saw a plain R.S.V.P. invitation card used for the cover, which was later replaced by the infamous photograph of a graffiti-covered toilet. Michael Joseph was born in Kimberly – the Capital of South Africa’s Northern Cape Province – in 1941. His father was heavily involved in Anti-Apartheid activities, especially fundraising, and all of this gave Michael Joseph early exposure to politicians and social reportage from South Africa. Then, while at London College of Prints and Graphic Arts, Michael Joseph was sent to Vietnam to photograph the war. The images that came about as a result of this trip lead to 33 years of varied advertising assignments – with such companies as Benson and Hedges, Christies, Nivea, Pirelli, Malaysian Airlines, Schweppes and White Horse. He also worked in the fashion industry for Hart, Schaffner and Marks in Chicago. Based on Joseph’s extensive advertising portfolio, he was chosen by the Stones for the “Beggar’s Banquet” shoot. In 1995 the travel writer David Saunders approached Michael Joseph to do a course book on photography. 600 of his images appeared in this publication. This was immediately followed by an illustrated version of “The Hitchhiker’s Guide to the Galaxy” which donned the cover of the book by Douglas Adams. Currently, Michael Joseph has returned to the world of photography after a three-year hiatus. His hobbies are art, creative gardening, tennis, photography and photographic printing. His wine farm in Entre Deux-mer also keeps him fairly occupied. Michael Joseph contributed to the Decca Years Show with 8 outakes of his Beggar’s Banquet sessions.
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