Tri-State Area - Abstract Paintings

John Grillo Untitled Abstract Expressionist Painting, 2002 Oil on canvas Hand signed and dated '02 on the back of the frame by the artist. 11 × 9 inches Unframed (though the canvas is stretched to wood, so adding an outer frame is optional) Unique work This original painting by renowned Abstract Expressionist master John Grillo is signed on both the recto and the verso, and was acquired directly from the artist's son. Provenance: Gift of the artist to his son Jamieson Grillo Acquired directly from the artist's son Accompanied by Certificate of Guarantee from Alpha 137 Gallery More about John Grillo John Grillo 1917 -2014 (Photo by Charles Fields) painter, printmaker, sculptor and teacher, was born in Lawrence...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Butterfly Collection” is a vibrant and energetic...

Ashes of Roses is Rene Ricard's mauve-colored map of Rivington Street between Suffolk and Clinton Street, with a white arrow pointing to the word mofongo, indicating a Puerto Rican r...

Impressive early American impressionist tropical landscape oil painting. Oil on board. Framed. Image size, 12H x 18L.

Antique Spanish school modernist surreal portrait oil painting. Oil on board. Framed. Measuring 18 by 24 inches overall and 15 by 21 painting alone.

The abstract print "CALL MY BOOKIE 04042018 600pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 3...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited compositions are both dramatic and invigorating, capturing the fleeting moment of innocence swept up in bold color and seemingly controlled movement. She demonstrates a whimsical expression of femininity and formality; a stunning display of understated grandeur. It is as if the shape's only purpose is to hold the magnificent colors. Painted oil on canvas, signed and dated verso. Art measures 24 x 18 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best known for her series of Brides, Dripping Dots and Hearts, as well as her Plein air street scenes of quintessential New York spots. Shaoul’s works can be found in permanent collections of 100’s of Corporate and Private Collections around the world. Since her first solo show at the Parsons School of Design in 2009, her work has been showcased internationally in Busan South Korea and has shown at Art Fairs in Miami, Palm Beach, Dallas, and New York. She has had numerous Solo exhibitions and this year has garnered the attention of Actress Lily J. Collins and the like. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9 foot colorful, abstract Mural in her Mothers' art studio and never stopped after that. She later traveled to Hungary and Budapest, picking up inspiration and studying abroad for 2 years, which has connected lifelong experiences that would influence her art today. Upon returning to New York City, she would continue her artistic education at the Art Students League, where she worked under the tutelage of Joseph Peller, Gregg Kreutz...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

For love of the sand and sea, the tan sand is resplendent with the vast layers of turquoise spreading from the ocean and across the sky. You encounter a contemporary marine landscap...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Title: At noon Series VI Medium: Oil on canvas Size: 19.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils and hand embellished piece...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1992. Signed verso. Framed. Image size, 60"H x 55"L. Duayne Hatchett was a visual artist whose work...

Suzan Frecon (American, b. 1941), "Red Painting Continuation", Oil, Wax, Dammar, and Turpentine on Canvas, 1983, signed to verso, inscribed on stretcher, with Jack Tilton Gallery lab...

"My Pop Minimalist collection, “A Small World”, celebrates iconic characters from pop culture, film, music and television by presenting them in a pared-down, regressive form, highlig...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited compositions are both dramatic and invigorating, capturing the fleeting moment of innocence swept up in bold color and seemingly controlled movement. She demonstrates a whimsical expression of femininity and formality; a stunning display of understated grandeur. It is as if the shape's only purpose is to hold the magnificent colors. Painted oil on canvas, signed and dated verso. Art measures 24 x 18 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best known for her series of Brides, Dripping Dots and Hearts, as well as her Plein air street scenes of quintessential New York spots. Shaoul’s works can be found in permanent collections of 100’s of Corporate and Private Collections around the world. Since her first solo show at the Parsons School of Design in 2009, her work has been showcased internationally in Busan South Korea and has shown at Art Fairs in Miami, Palm Beach, Dallas, and New York. She has had numerous Solo exhibitions and this year has garnered the attention of Actress Lily J. Collins and the like. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9 foot colorful, abstract Mural in her Mothers' art studio and never stopped after that. She later traveled to Hungary and Budapest, picking up inspiration and studying abroad for 2 years, which has connected lifelong experiences that would influence her art today. Upon returning to New York City, she would continue her artistic education at the Art Students League, where she worked under the tutelage of Joseph Peller, Gregg Kreutz...

"My Pop Minimalist collection, “A Small World”, celebrates iconic characters from pop culture, film, music and television by presenting them in a pared-down, regressive form, highlig...

"My Pop Minimalist collection, “A Small World”, celebrates iconic characters from pop culture, film, music and television by presenting them in a pared-down, regressive form, highlig...

Erin O'Brien Wild Silence, 2020 acrylic on linen 25 x 20 in. (obri021) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shades of lavender, blue,...

Antique French American modernist still life oil painting by Dimitri Berea (1908 - 1975). Oil on canvas. Signed. Framed. Measuring 30 by 34 inches overall and 18 by 22 painting alone.

Today (Abstract Painting) Oil on canvas — Unframed. Dana Gordon’s kaleidoscopic compositions are contemplative and evoke somewhat Orphic Cubism. His paintings have an overwhelming ...

Ky Anderson Sunset, 2021 acrylic and ink on watercolor paper 42 x 48 in. (and370) This original acrylic painting on paper by Ky Anderson features geometric shapes and abstract lines...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Butterfly Collection” is a vibrant and energetic...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Nature, in a very broad sense, is my source of inspiration. In a non-intellectual way, I am translating and projecting thoughts, emotions and sensations, into a moment of meeting, w...

#5-2815 A vintage fauvist style French village, oil painting on artist board displayed in a wood frame,signed lower left by Groendain

Antique American abstract expressionist mixed media painting by Bernyce Alpert Winick 1922-2022. Watercolor and collage paper. Signed. Framed. ...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and 3-dimensional wooden shapes on canvas. The warm metal grey paint is highly textured, while the ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Interior design paintings. The work is made with alcoholic ink in pink, grey - blue color on Yupo paper. It is 11 by 14 inches in size, framed (gold) with styrene face on a double m...

False Bar II Oil, bitumen, graphite, sand, dry pigment on paper laid on canvas 38" x 50" I am a visual artist whose work investigates small and large -scale abstraction primarily i...

Antique American modernist oil painting. Oil on canvas. Signed. Framed. Measuring 31 by 21 inches overall and 30 by 20 painting alone.

Antique American modernist abstract oil painting. Oil on canvas. Framed. Image size, 28L x 20H.

Hunt Slonem "4 Hombre" Orange and Red Diamond Dust Bunnies A family of four rabbits in orange, red, yellow and purple Diamond Dust in a vintage frame Unframed: 21.5 x 16.5 inches Fr...

Sloyer Untitled, 1976 Oil on canvas 36 1/4 x 24 x 1 3/8 in. Artist label verso (text slightly obscured) Signed on stretcher bar

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

"Polaris" presents an exploration of cosmic space rendered in thick, textured strokes. The background draws the viewer into a deep field of midnight blues and blacks, hinting at the ...

Syril Frank (American, 1929-2021) Untitled, c. 1970s/80s Oil on canvas Framed: 21 3/4 x 25 2/3 x 1 in. This fantastic painting in the abstract expressionist style loosely depicts a ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

This piece depicts an abstract Street Haring Dog with bursts of color and pop art design. It is done on aluminum dibond and has a strong resin coating which...

Interior design paintings. The diptych were done with oil, gold leaf pen 18 kt in turquoise and gold color on watercolor paper 300g. The works are 11 by 14 inches in size, framed (go...

Lee Sang Yeop is an emerging South Korean artist that at his young age has reached a highly sophisticated level of composition and technique. We can appreciate his tranquil but yet c...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils, glass, with gold flakes t...

A very whimsical and bold depiction of a woman standing gracefully in a white gown against a pink, blue and yellow glowing background.. This piece captures the essence of fashion in ...

Lyman Kipp Minimalist painting on paper, 1970 ink roller and oil paint on paper Signed and dated by the artist on the front Accompanied by gallery i...

Shape 36 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Black on wh...

Title: Caprice 2 Medium: Oil on canvas Size: 15.5 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2015 Artist: YiJian Wang...

Robert Duran Untitled #1 (with Museum of Modern Art (MOMA) label), 1974 Watercolor on paper Includes labels from the Museum of Modern Art rental gallery label and Donna Schneier Inc; the artist's name is written on the board, not signed 18 × 23 1/2 inches Unframed This work was removed from the original vintage frame but comes with the back board with the original labels from MOMA Rental Gallery in New York and Donna Schneier Gallery in Manhattan (and later Palm Beach) Robert Duran Biography (courtesy of KARMA): Robert Duran (b. 1938, Salinas, CA; d. 2005, New Jersey) found his way from San Francisco to New York City in the mid-1960s, where he became associated with a Minimalist cohort that included Brice Marden, David Novros, and Paul Mogensen...

Vintage modernist abstract oil painting by Anton Sipos (Born 1938). Oil on canvas. Framed. Signed.

This piece is part of an exciting collection depicting iconic the "Coco Chanel" with the artist's "Dripping Dots" style, where she incorporates a classic Chanel bottle in her own sty...

Colour pencil and acrylic on paper. Unframed. This fluid abstract work on paper is intuitively made with a coloured pencil and acrylic. The intersecting multi-layered forms create ...

James Siena Untitled t-nail drawing (reference: two against two), 1999 Graphite on paper Pencil signed, titled, annotated and dated on the reverse of the sheet (see photos) also penc...

Really impressive early American modernist painting. Oil on board. Framed.

Diana Kurz Red Chair, 1962 Signed, titled, dated on verso Oil on canvas 53 x 41 1/2 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on canvas. It features a muted, earth-toned palette with contrasting warm yellow, orange, and red accents throughout. The painting is framed in a floater frame with gold face and black sides. It is 22" x 36" and measures 24" x 38" x 2" framed. This painting is not signed by the artist, but has been authenticated by his estate. It is stamped with the estate seal on the back of the painting, and on the back of the frame. Ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

Robert Petrick’s ’Stoop' is a fusion of meticulous geometry and bold abstract expression. From the artist’s ’Ziggurat Series' series, this piece is both timeless and contemporary, of...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Antique American modernist signed abstract still life oil painting. Oil on canvas. Framed.