Tri-State Area - Abstract Paintings

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Vision I by Cheryl R. Riley Metallic abstract geometric symbols, purple, yellow, gray, gold Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporar...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

5073 Cosmic triptych large 3 panel oil abstract each panel 24x40" signed D.Taylor total 3 panels 72" wide Rapped canvas

5074 Colorful view into outer space signed on verso Oil on artist board Not framed

Title: Untitled Medium: Oil on canvas Size: 30 x 30 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa A...

Carl Stevens - Horizon, Year: circa 1980, Medium: Acrylic on canvas, signed lower right, Size: 60 x 60 in. (152.4 x 152.4 cm)

Medium Sized Abstract Geometric Oil Painting on Canvas. BIO: Carrie Johnson was born in Kansas City, Missouri, and grew up in the Chicago suburbs. She received a B.A. in Fine Arts f...

"I have always been a creative who thinks "outside the box". Art is easiest for me; it flows from whatever I've been thinking about, emotion, and soul and takes shape — from intrinsi...

Self Portrait L-G Robert Goodnough, American (1917–2010) Date: 1994 Acrylic and Oil on Canvas, signed bottom right, signed, dated, and titled verso Size: 30 x 30 in. (76.2 x 76.2 cm)...

This captivating British St. Ives School abstract landscape is a striking example of mid-20th-century artistic innovation, seamlessly blending geometric abstraction with the natural ...

The Butterfly series for Ash began as a sentiment to her late Father. Butterflies began to appear in unexplainable ways after his passing, the artist later discovered that Butterflies represent spiritual rebirth, transformation, change, hope, and life - she goes on to say: "The butterfly series draws inspiration from Rivera's quote 'Butterflies can't see their wings. They can't see how truly beautiful they are, but everyone else can.'" After coming to the fruition that Butterflies pose as not only a symbol for beauty and rebirth, Almonte felt a feeling of deep comfort. Her passion for sharing this message of hope and renewal through her colorfully diverse canvases is achieved with resilience leaving her audience glimmering much like the inner voice and the spark of Joie de vivre that fuels her purpose in life to create. This piece is painted on thick gallery wrap canvas and is signed lower right and on verso, it comes with hanging wire on verso ready to be displayed. Art measures 36 x 48 inches Inspired by vibrance and an optimistic outlook on life, Ash Almonte is recognized for her distinct abstract expressionistic style. She is best known for her series of Chandeliers, Butterflies, and Fashion from the Seventh Avenue Design District. Almonte's award-winning works can be found in private and permanent collections around the world. She is motivated by change, compassion for others, and miraculous phenomena that can impact others for good. Her flair and admiration for fashion and art have been a staple of her life since childhood. As a young girl, she would experiment using anything she could find to make art; from tearing apart bushel baskets at her father’s fruit stand, to tearing out old magazine clippings from her mother's magazine collection; anything and everything around her could potentially be used to create. She would continue to seek out opportunities throughout her young adult years, as her love for fashion grew, allowing her to collaborate with celebrity stylists creating looks for top billboard artists, as well as apparel worn at New York Fashion Week for designers Sherri Hill...

5-1476 Ballet Painting, large scale of oil on canvas of classical dancers, signed by Sari lower right Displayed in a wood frame with metal trim.Marks on the frame

In paintings, drawings and prints, Michael Rich explores the beauty and irascibility of the natural world through an approach to painting that is visceral, physical and colorful. Of...

Interior design paintings. Does not see, does not hear, does not speak. The artwork was done with watercolor on watercolor paper 360g. The works are 15 by 11 inches in size, framed (...

The Butterfly series for Ash began as a sentiment to her late Father. Butterflies began to appear in unexplainable ways after his passing, the artist later discovered that Butterflies represent spiritual rebirth, transformation, change, hope, and life - she goes on to say: "The butterfly series draws inspiration from Rivera's quote 'Butterflies can't see their wings. They can't see how truly beautiful they are, but everyone else can.'" After coming to the fruition that Butterflies pose as not only a symbol for beauty and rebirth, Almonte felt a feeling of deep comfort. Her passion for sharing this message of hope and renewal through her colorfully diverse canvases is achieved with resilience leaving her audience glimmering much like the inner voice and the spark of Joie de vivre that fuels her purpose in life to create. This piece is painted on thick gallery wrap canvas and is signed lower right and on verso, it comes with hanging wire on verso ready to be displayed. Art measures 48 x 48 inches Inspired by vibrance and an optimistic outlook on life, Ash Almonte is recognized for her distinct abstract expressionistic style. She is best known for her series of Chandeliers, Butterflies, and Fashion from the Seventh Avenue Design District. Almonte's award-winning works can be found in private and permanent collections around the world. She is motivated by change, compassion for others, and miraculous phenomena that can impact others for good. Her flair and admiration for fashion and art have been a staple of her life since childhood. As a young girl, she would experiment using anything she could find to make art; from tearing apart bushel baskets at her father’s fruit stand, to tearing out old magazine clippings from her mother's magazine collection; anything and everything around her could potentially be used to create. She would continue to seek out opportunities throughout her young adult years, as her love for fashion grew, allowing her to collaborate with celebrity stylists creating looks for top billboard artists, as well as apparel worn at New York Fashion Week for designers Sherri Hill...

5123a Black and white letters oil on paper by Deidra Framed Image Size 17.5x11.5"

5-3374 Acrylic on artist board Image size 8,5x11.5"

Ky Anderson Peek, 2025 acrylic on watercolor paper 25 x 22 in. (and486) Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. I see the ...

This abstract painting by Teodora Guererra features a dynamic palette of soft icy blues, silvery grays, and subtle hints of beige layered in a complex web of thick palette knife stro...

The masters is a watercolor painting on paper by Italian-born multidisciplinary artist Lucio Pozzi. It is currently house at Hal Bromm Gallery.

Painting of flowers in green vase

Genichiro Inokuma, Japanese (1902 - 1993) - Subterranean II, Year: 1970, Medium: Gouache, Graphite and Collage on board, signed and dated in pencil...

Peter Stephens Quadrivium 83, 2025 acrylic and collage on paper 30 x 22 in image size: 13 ½ x 17½ in (ste031)

Steve Bickley creates beautiful metal sculpture and wall reliefs, as well as color prints. In addition, he makes large outdoor sculpture in stainless steel and aluminum. He has bee...

Artist: Lowell Nesbitt (1933-1993) Title: Impossible Series (Mountain in Winter) Year: 1982 Medium: Oil on canvas Size: 78 x 104 inches Inscription: Signed, dated by the artist, vers...

A pop piece depicting James Dean juxtaposed with a colorful Skull. Chanel Paris is adorned top left and bottom with a lilac gradient background. With impasto painting, and quick brus...

Abstract acrylic painting by artist Daniel Rosenbaum.

Abstract acrylic painting by artist Daniel Rosenbaum.

Abstract sculpture made with paper packaging and painted with acrylic paint. Jean Foos is a visual artist whose practice centers on richly painted and patt...

This vibrant watercolor by Sarah Brenneman features bold, interlocking geometric forms in bright hues of yellow, red, blue, green, and pink, all outlined with a sense of sculptural d...

Hunt Slonem "2 Blossoms (Daisy's)" Flowers on Gold Background A pair of daisies gestured in green, white and yellow on a metallic background in a vintage frame Unframed: 10 x 8 inch...

Abstract acrylic painting by artist Daniel Rosenbaum.

Title: Three-dimensional World Medium: Oil on canvas Size: 15.75 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. N...

Roger Williams (b. 1945) Untitled Oil on canvas 32 1/2 x 32 1/2 in. Framed: 33 1/4 x 33 in. Signed and dated verso: Roger Williams 74 Roger Williams was an American artist that work...

1-4086 A large scale vintage figurative painting, original oil on canvas in shades of blue .Unframed. Signed on verso G.Pascal Rocca

Ky Anderson Light Leak, 2025 acrylic on watercolor paper 30 x 22 in. (and488) Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. I se...

Ky Anderson Seedling 25.3, 2025 acrylic on watercolor paper 57 x 42 (and475) Artist Statement: My work falls somewhere between abstraction, formalism and narrative painting. I see...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics and oils in these works. Shaoul’s “My Heart Collection” is a vibrant and energe...

Available at Madelyn Jordon Fine Art. 'Blue/Gold Mica Painting (Flower Float No. 3)' 2023 by Catherine Howe. Interference pigments, acrylic, glass micro beads, aluminum leaf, and whi...

André Masson, French (1896 -1987) - Deux Visages en Rouge et Bleu, Year: circa 1950, Medium: Oil on Canvas, Size: 8.75 x 6.5 in. (22.23 x 16.51 cm), Frame Size: 15.25 x 13 inches...

Roger Selden, American (1945 - ) - Hearts 11, Year: 1972, Medium: Mixed Media, signed and dated, Size: 20 x 20 in. (50.8 x 50.8 cm), Frame Size: 22 x 22 inches

Omens is a watercolor painting on Fabriano paper by Italian-born multidisciplinary artist Lucio Pozzi. It is currently housed at Hal Bromm Gallery.

Forgotten Memories weaves landscape, history, and symbolism into a richly layered visual narrative. Merging impasto brushwork with intricate collage, the artist creates a textured su...

Antique American female modernist still life oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent conditi...

Larry Zox Red, White and Blue painting, 1963 Original acrylic painting on board Signed and dated upper right front; Signed, titled and dated on the back as well Unique This work was originally sold by Jill Kornblee of the legendary Kornblee Gallery, with the back of the panel bearing Kornblee's original Upper East Side address before the gallery moved to West 57th Street Frame included: Elegantly double framed. Measurements: Outer Frame 13.5 inches vertical by 13.5 horizontal by 2.5 inches Original Frame: 10 inches vertical by 9.75 inches horizontal Painting 9.25 inches vertical x 9 inches horizontal Larry Zox Biography: A PAINTER who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions that question and violate symmetry.1 Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using
a mechanical format with X number of possibilities.”2 What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–1974 solo exhibition at the Whitney Museum of American Art.3 Zox’s robust paintings reveal
a celebrated artist and master of composition who is explored and challenged the possibilities of Post-Painterly Abstraction and Minimalist pictorial conventions. Zox began to receive attention in the 1960s when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Solomon R. Guggenheim Museum, New York. In 1973–1974, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum and Sculpture Garden, Wahsington, DC, which acquired fourteen of his works.
 Zox was born in Des Moines, Iowa in 1937. He attended the University of Oklahoma and Drake University, Des Moines, Iowa, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers, and he occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. In his earliest works, such as Banner (1962) Zox created
collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. In paintings such as For Jean (1963), he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times in 1964 wrote of the works in show such as Rotation B (1964) and of the artist: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.”4 In 1965, he began the Scissor Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels. With a mathematical precision and a poetic license, Zox flattened the three dimensional object onto graph paper, and later translated his interpretation of the vessel’s lines onto canvas with masking tape, forming the structure of the painting. The Diamond Cut and Diamond Drill paintings...

BLUE Series: "People look at these paintings and ask "Do you live by the ocean?" No. I live in New York City. I've lived here most of my life and I've also been an artist since I can...

Ethereal and minimal, Susan English’s paintings play with light and space. She employs transparent pigments and layering to manipulate light and illuminate her color fields. Soft var...

This striking Mid-Century Modernist "Untitled Abstract" Vibrant Oil On Canvas Painting signed Cohn originates from the United States, Circa 1960. The painting exudes an untamed vibra...

Nicely painted American school abstract geometric painting. Oil on canvas. Framed.

Susan English Cascading Folds (with footer) No.70, 2025 tinted polymer on Yupo paper 32 x 26 in. (eng283)

Karen has always been interested through readings and travel in ancient cultures and their customs, dance, music, poetry, and visual arts and other forms of creative expression. Her travels took her to American Indian sites in many areas of the United States, the Mayan ruins in Central America, Cambodia, Greece, Egypt, Morocco, Spain, France, Italy, Turkey, the British Isles, the Caribbean, and Canada. Using these travels as an impetus for further exploration as she became more fascinated with each culture that she studied, the influences and mark making techniques of the cultures were absorbed into her psyche and in her artwork. She decided to focus on these ideas and finished an MFA degree in painting at Hartford Art School at the University of Hartford. In this program, she studied with N.Y. artist, Susan Wilmarth Rabineau, wife of the deceased minimalist sculptor, Christopher Wilmarth...

A pop piece depicting Jean-Michel Basquiat with impasto painting, spray paint and silkscreening. We are drawn to the movement, as the artist is able to engage his viewer with contras...

Alan Cote Sunrise - an Expression, 1981 Acrylic Polymer (Aquatec) on Canvas (hand signed twice with original Washburn Gallery label) Hand-signed by artist, S...

Mirrors to the soul.

The Neighborhoods of Buenos Aires 2, 2022 Enamel paint, oil & acrylic paint markers on canvas 36 x 24 in Guillermo Bublik:  Originally from Buenos Aires, Argentina, moved to the U.S...

In an Art Brut style Angel Descending the Staircase, 2019 by a.muse is a 15” x 11” x 1/16” acrylic and pastel stick painting on canvas mounted on archival mat board. The mixed media "patchwork...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Steven Baris Stations of Attention D11, 2025 oil on Mylar 24 x 21 in. (bari099) Artist Statement I characterize my work as diagrammatic, a far more apt term than the nearly meaning...