Tri-State Area - Sculptures

Steve Bickley creates beautiful metal sculpture and wall reliefs, as well as color prints. In addition, he makes large outdoor sculpture in stainless steel and aluminum. He has bee...

"IMPLEMENT (stout handle II)" by John Van Alstine Bronze and slate The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while explor...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all of Ilanit`s works, this work is ba...

"A Life of Wonderment" by Joan Giordano Mixed media, archival newspapers, corrugated cardboard Museum shown and collected artist Joan Giordano is known for her unique hand made paper sculpture and wall relief sculpture and Japanese influenced wall scrolls...

Campbell’s Pea Soup Can, 2017, 3.75”x2.5” inches diameter, cast aluminum, edition of 2. Pop Artist Andy Warhol made the Campbell’s soup can an icon of Post War America. This version, cast from an original can, in solid aluminum, is an ode to Mr. Warhol and a slight reference to Popeye, who ate spinach to increase his stamina. Shelter Serra’s paintings, sculptures, and drawings explore mass consumption and cultural identity. He juxtaposes subject matters that are both common and recognizable: a Campbell's Soup Can, a copper plated baseball hat, and a Hermes Birkin bag...

Large maple abstract sculpture, geometric spiral, created from one tree trunk. This sculpture is subtracted from the single block using primarily hand tools, not an assembled constru...

"Kid Chocolate" by Joel Perlman Abstract sculpture in welded steel Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While...

This piece is offered in the following colors: White, ruby red, coral pink, violet, turquoise, emerald green, promo blue and light blue. When ordering please mention the desired colo...

Nison Tregor Born in Lithuania of Polish parents, Nison Tregor studied sculpture at the Warsaw Academy of Fine Arts. After immigrating to the United State...

"Cosmos I & II" by Isobel Folb Sokolow Welded, found & automotive metal, gold leaf Metal Wall Relief Sculpture, Abstract, Organic, Abstrac...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

This is part of a new collection work that encompasses ceramics and textiles by Ak Jansen. Born in the Netherlands, Jansen’s work occupies queerness on both poetic and political term...

Stony Signs, wool, sisal, copper, 35" x 90", 1978. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Leo Berger (Swiss, 1885-1973) "Skater" Patinated Bronze Sculpture, early 20th century, possibly depicting the Swedish ice skater Gillis Grafstrom, on a marble plinth, signed "L Berge...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons suc...

State of Mind, Contemporary Woven Tapestry, Abstract Textile Wall Sculpture, Viscosed silk, cotton cloth, jersey dots, 102” x 95”, 2016 by textile artist, Ane Henriksen...

Luis Domenech y Vicente (Spanish, 1873-1920) "Aui Victori" [Hail to the Victor] Patinated Spelter Sculpture, circa 1920, the standing figure with outstretched arm holding a sprig of ...

Acrylic paint and aluminum leaf on acrylic glass. 22" diameter. This is a time that has forced us to redefine. Redefine how we live, how we interact, how we see, what we value. Th...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Max Kalish was an important and highly collected American sculptor desired for his depictions of the working man. Here we see a miner taking a break. Kalish was adept at conveying ...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all...

This bronze sculpture by Auguste Moreau is a beautiful work from the Romanticism period. Auguste was the third son of sculptor and painter ...

Artist: Ellen Brenner-Sorensen, American Year: circa 1970 Title: Abstract Medium: White Marble Sculpture Size: 24 x 18 x 18 in. (60.96 x 45.72 x 45.72 cm)

An iconic and historic work of art, Man Ray's Le Cadeau ("The Gift"), is an early ready-made created by the artist in 1921 during his Dada period. Typical of the perverse, subversive...

'Untitled Wallpaper Abstraction #46 (floral cuboid)' 2025. Found wallpaper collage on wood form, 46.5 x 34.5 x 6 in. is a multicolor, abstract geometric sculpture featuring carefully...

Magic Circle by Rogan Brown Laser and hand cut paper, framed Available by commission. Please allow 8-12 weeks production time. Rogan Brown creates abstract and sculptural wall reli...

"Contort" by Kevin Barrett Sculptural wall piece in bronze metal Barrett is noted for creating contemporary metal sculpture and sculpture wall pieces for indoor and outdoor display....

Yasuhisa Kohyama shapes his asymmetrical forms using piano wire, creating distinctive rough surfaces. The clay with its feldspar nuggets creates a tac...

Yayoi Kusama Set of 3 Pumpkins: Yellow and Black, Red & White and Red & Black Naoshima: An iconic, vibrantly colored pop art set - these small Kusama pumpkin sculptures feature the ...

Investigating the major themes of our time, artist designer Aurelie Hoegy is recognized as one of the new makers in contemporary design. The French artist and designer graduated from...

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

2 Sculptures: "The Power" & "The Glory" WPA Depression WWII era mid 20th century by Agnes Yarnall circa 1940s. Sculptor, painter, poet and artistic historian, Agnes Yarnall has, since the age of six been breathing life into her art. Renowned as a sculptor, whose commissioned portrayals of contemporary celebrities are prized. She has sculpted Judith Anderson, Edna St. Vincent Millay, Carl Sandburg...

"All Over 2" by Elizabeth Gregory-Gruen Free hand cut 2-ply museum board framed in a white wood shadow box Cut Work - Elizabeth Gregory-Gruen's abstract, paper sculpture is tonal, m...

Luca Madrassi (Italian, 1849-1919) "The Fencer" Patinated Bronze Sculpture, late 19th century, the standing figure dressed as a fencer holding his sabre, a mask and glove at his feet...

"Gershwin" by Richard Pitts Brushed aluminum Richard Pitts works in many media, from steel to wood to bronze to aluminum, not to mention his paintings. His often colorful, abstract ...

What's more comfortable than a pair of jeans? When I was working on the "What is America?" series, jeans were at the top of the list of iconic clothes that symbolize American popular culture. Americans love to be comfortable and we love our jeans! Carved out of a solid piece of limestone and hand-stained. On a custom made base with a rotating base. Dimensions: 29"h X 12"w X 6"d. Pedestal is 42" high American sculptor Robin Antar has been called “Brooklyn’s answer to Andy Warhol.” Her mission is to create a visual record of modern American culture through commonplace objects as she explores the question, “What is America?” Meticulously carved in stone, a hamburger with fries, an American-made work boot, denim jeans and a giant "Ballpark Frank...

Shaped aluminum with stainless steel centers, powder coated, mounted on polished stainless steel base. Sultan, an internationally recognized artist who rose to prominence in the lat...

"Red White All Over - In" by Elizabeth Gregory-Gruen Hand cut 2-ply museum board, gouche This sculptural wall piece can mounted in a plexi box (dimensions: 24" x 20" x 3") Cut Work...

Sculpture by Jacques Jarrige formed by 2 pieces of brass set on an oak base and hand hammered. The lightness and arrangement of the brass ribbons makes it kinetic. Signed. Unique piece

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut metal covered with automotive paint and comes re...

Megan Klim's mixed media work juxtaposes several materials on one picture plane. She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Basquiat Bearbrick 400% and 100%: Bearbrick and Estate of Jean-Michel Basquiat Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the ...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut metal covered with automotive paint and comes re...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

Do Not Touch (color) Cast resin multiple in colors with steel, string, acrylic on canvas, with its original box Signed Javier Calleja in black ink and numbered 52/250 (on the revers...

This beautiful Buddha sculpture is made of ceramic covered with glossy car paint. It is part of an edition of 25 and comes in other colors as well. Easy to h...

"Muse #3" by Hans van de Bovenkamp Stainless steel Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has been described as a...

Alfred Desire Lanson (French, 1851-1898) "Geisha" Patinated Bronze Sculpture, late 19th century, cast by Casse & Delpy edit. foundry, the figure standing on a circular base, signed. ...

KAWS Along The Way (Black) 2019. New and unopened in its original packaging. The KAWS Along The Way figurine is a rendition of the artist's 2013 eighteen-foot wood sculpture origin...

Keith Haring Mickey Mouse Bearbrick: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals Keith Haring's Mickey Mouse artwork...

Artist: KAWS, Title: Together (Black) Series: Toys Date: 2018 Medium: Sculpture Unframed Dimensions: 10" x 8" x 5" Signature: Stamped Edition: Open Edition

Sharon Stevens (1960- ) Acoma pottery Geometric pattern black & white storage Jar 10 x 10 Signed on bottom by artist No chips or cracks

Keith Murray, architect and industrial designer, created this particular vase, "Chinese Lantern" in moonstone white ( shape no.3765) Made in England. Priced individually at $1200 each, we have this same vase in Yellow and in Green. A quote can be given for additional pieces. We have yellow green and moonstone in bombe in small and large sizes. We have celadon bowls, yellow bowls, and small moonstone pot with lid. All c. 1935 art deco style made in England. All in excellent condition. These are the most desirable classic examples of pottery by Architect Keith Murray produced for Wedgwood in the 1930's. Published and illustrated in the book "Wedgwood Ceramics...

"Intrepid Cloud" by Hans Van de Bovenkamp Large-scale, abstract outdoor sculpture in stainless steel Renowned for his monumental sculpture created primarily for open-air public loca...

Pedro's sculpture's are whimsical and sophisticated. The sailboat series is affordable for the work involved in creating them. His use of mixed media gives the sculptures a unique ...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Sidney Gordin Untitled, 1958 Incised with initials Welded Steel 15 x 10 1/2 x 6 inches Provenance: Eric Firestone Gallery, New York On October 24, 1918, Sidney Gordin was born in Chelyabinsk, Russia. He spent his early years in Shanghai, China. At the age of four, he moved with his family to New York. Gordin’s nephew, Eliot Nemzer recalls that when Gordin was a child he attended “a dinner party with his parents. Someone showed him a book of pictures that when thumbed through quickly made the image appear to move. This person then gave him a wad of blank papers and something to write with. Sid created a similar type of moving image with his materials. All the adults at the party became quite excited [and] praised his efforts. Sid told me he thought this was a pivotal experience in guiding him towards his vocation.” During his formative years at Brooklyn Technical High School, he briefly contemplated the idea of becoming an architect; yet, by the time he enrolled at Cooper Union, he was determined to become a professional artist. There, he studied under Morris Kantor (1896-1974) and Leo Katz...

After Edouard Henri Delesalle (French, 1823-1851) "Sapphos" Patinated Bronze Sculpture, late 19th century, impressed to base "F. Barbedienne, fondeur" and "Reduction Mecanique A. Col...

Hebru Brantley Flyboy, 2018: A rare example of this coveted Hebru Brantley Flyboy - signed, dated and inscribed on the outer packaging. New in its original packaging. Medium: Painte...