Tri-State Area - Sculptures

This textured abstract diptych by Teodora Guererra features a light, cool palette with subtle warm pink accents throughout. The artist layers thick strokes of paint using a palette k...

Katharina Fritsch Schlange / Snake 1999/2001 Plastic, paint 7/8 x 7 1/2 x 3 3/8 inches; 2 x 19 x 9 cm Edition of 240 Accompanied by a certificate of authenticity signed and numbered ...

Porcelain and paper clay, 2012, 21.5 x 20 x 3 in Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the forms come from arc...

This is an Caleb Nichols Original glass sculpture Large . Buyer is required to pay any additional cost for shipping due to the size . Measures 33x13x7

This is an Lou Rankin concrete sculpture signed of a dog laying down. In good condition.

FOCUS is a public art sculpture about photographic vision and how it shapes the way we see the world. It is concerned with the viewer’s growing visual perception and bodily experienc...

"Gershwin" by Richard Pitts Brushed aluminum Richard Pitts works in many media, from steel to wood to bronze to aluminum, not to mention his paintings. His often colorful, abstract ...

Bronze sculpture of blind Samson collapsing the temple in the ultimate act in the story of Samson and Delilah created by American artist Arnold Goldstein...

Christine Romanell’s TriVortex is a mesmerizing acrylic-on-laser-cut-wood construction that fuses sacred geometry, optical illusion, and vibrant color theory into a dynamic three-dim...

This piece is Vacuum formed with plastic, painted and fabricated to be 3-D. All Yuki's works represent the 2-D while tricking our eyes in the 3-D physical world.

This porcelain vessel sculpture by Jon Puzzuoli is made with glazed porcelain and 14K gold luster. The round body is a light blue color with white crystals formed along the surface. ...

KAWS SHARE (Grey), new & unopened in its original packaging. KAWS SHARE first appeared in 'BLACKOUT' – the first London solo exhibition by KAWS (Skarstedt London 2019). In SHARE, KA...

Peter Kirkiles Biography American, b. 1966 Sculptor Peter Kirkiles stresses that the inspiration for his metal sculptures comes from the satisfaction of the process of fabricating a piece in a skilled manner and from his attraction to everyday objects and their relationship to humans. He finds beauty in the utilitarian tools, and objects that we may not notice in our day to day lives. By playing with their size and their proportion to human scale, he forces the viewer to examine more closely the object’s construction and its overall design importance. He has a nostalgia for well designed, well used, history laden objects. “I’m a maker; I’m also an admirer of things well made. Over the years, I’ve chosen to make things that I love. I find the subjects of my sculpture in real life; a shoe, a camera, a clock, a ruler…made to scale, as sculpture.” –Peter Kirkiles Kirkiles holds a Bachelor of Fine Arts from Tufts University, School of the Museum of Fine Arts, Boston, Massachusetts and a Masters of Fine Arts from Cranbrook Academy in Bloomfield Hills, Michigan. He has exhibited nationally including a 2021 solo exhibition “At Scale” at the Shelburne Museum, Shelburne Vermont. His work is held by The Shelburne Museum, The New Britain Museum of American Art, New Britain, CT and by private collectors throughout the US. ***** Peter Kirkiles’ sculptures are visual odes to everyday objects. He is a maker’s maker, a master craftsman, a lover of well-constructed things. He has a special affinity for things well-used, that have stood the test of time and remain steadfast in their intended purpose, that bear the marks of labor and living, that contain echoes of humanity: an antique chest of drawers, a well-worn...

Pollès The Little Sower La Petite Semeuse 2010 Bronze 14 x 8 x 8 in, 36 x 21 x 19 cm\ Edition 1/4 In continuity to the tradition of Greek sculpture, Pollès's works lie between Brancusi’s purity, Henry Moore’s figurative abstraction and Modigliani’s flowing siluets and forms. Considered as the inventor of the “Organic Cubism”, Pollès is immediately identifiable through this distant reminiscence of Picasso’s Cubism, mixed with great sensitivity and voluptuousness that characterize his subjects. His personal vision of beings in motion, his sculptures with extraordinary patinas, break the pure aesthetic and create a new, very intimate, mythology. Pollès has been in collaboration with the Boccara gallery...

This large crystalline glazed porcelain vase by Jon Puzzuoli features a vibrant blue and teal palette and a wide neck. Crystalline glazes are special ceramic glazes in which zinc-sil...

Takashi Murakami Flowers Skate Deck: A vibrant piece of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus Eats Its Own...

Originally conceived in 1880-82 for the tympanum of the Gates of Hell, where she is cradled in the arms of L'homme qui tombe, as well as crouching in slightly varied form to the lef...

Edition of 21 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and ne...

PIETRO BARZANTI Italian, 1825-1895 Allegory Of Spring Signed ‘P. Milanes/Galleria/P.Bazzanti/Florence.’ Carved White Italian marble circa 19TH C...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals...

This silk ikat textile wall hanging is by Japanese fiber artist, Jun Tomita.

LOUIS AUGUSTE MOREAU French, (1834-1917) Grecian Mother and Two Children Patinated bronze; Signed “MOREAU”. 22 x 25 inches

HIPPOLYTE FRANÇOIS MOREAU French, (1832-1927) Bronze sculpture of Two Beauties The base inscribed H. Moreau, surmounted on a green marble base. ...

Laurence Perratzi is a French figurative artist exploring the body’s expression. Her work is a reflection on movement, strongly influenced by her athletic background where poise and ...

Romero Britto Friar's Club Award for Tony Bennett, 2016 Mixed Media Enamel and Iron Sculpture on marble base This sculpture is signed by the artist with permanent marker on the base ...

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

Rare and Important Italian White Marble Bust Sculpture of Jesus Christ, C. 1850 A truly exceptionally carved marble relief of Holy Jesus Christ. Ver...

"Hot Sauce" by Kevin Barrett Epoxy, acrylic, and urethane on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall rel...

Artist: Claus Oldenburg (1929) Title: Fire Plug Souvenir - "Chicago August 1968" (P. 10) Year: 1968 Medium: Cast plaster multiple with acrylic paint Ed...

"WTF" - Limited edition blue glass pill sculpture by Edie Nadelhaft. Edition of 9. Signed and numbered on the back by the artist. The piece is equipped with a D-ring on the back f...

"Midnight Ride" by Kevin Barrett Unique welded bronze sculpture This sculpture is available at a larger size by commission. Kevin Barrett is noted for ...

Record, woven linen, cotton cord, 102" x 27", 2020. This abstract, geometric woven textile wall sculpture is by contemporary American fiber artist, Blair Tate. "In weaving there i...

Herbert Haseltine Sudbourne Premier: Suffolk Punch Stallion, 1927 Signed left side: © HASELTINE / MCMXXVII Bronze, dark brown patina, parcel gilding ...

Takashi Murakami Flowers Skateboard Decks: set of 2 works: Vibrant Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus E...

A large-scale steel sculpture by Naomi Press. Signed with initials. Naomi Press is a female abstract sculptor, who was one of the very few women working i...

Michele Brody, Nature Preserve: Installation, Wetlands plants floating on water, 2011 The essence of Michele Brody’s work thrives on the interaction with new communities and place-m...

Title: Library Series 2024 - 6 Materials: Magazines, Books, Iron Mesh, Transparent sealing materials Size: 47.2 × 57 × 1 inches Rarity: Unique Medium: Mixed Media Signature: Can be H...

Orange Vase Ira Sapir, American (1955) Hand-Blown Glass, signed and numbered Edition of 1/77 Size: 3.5 x 5.5 x 5.5 in. (8.89 x 13.97 x 13.97 cm) 1-inch opening at top

FRANZ BERGMAN (foundry) attrib. French, (1838 - 1894) The Prince and the Mandolin Player Austrian Bronze Marked to verso 21 in. x 10 1/2 in.

Emile Andre Boisseau (French, 1842-1923) "Ense et Aratro" [By Sword or by Plow] Patinated Bronze Sculpture, retailed by Tiffany & Co., late 19th century, the standing warrior holding...

"Dahlia" by Richard Pitts Powder-coated aluminum on a brushed aluminum base (height includes base) Richard Pitts works in many media, from steel to wood to bronze to aluminum, not t...

Charles Green Shaw Montage, circa 1935 Labeled on verso Pipes, antique playing cards 19 x 16 inches Charles Green Shaw, born into a wealthy New...

Dionysian Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 44 x 8 x 6 in "I am an artist, a sculptor...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Seymour Lipton Maquette for Laureate, ca. 1968-1969 Nickel silver on monel metal Unique 18 × 8 1/2 × 7 inches Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale This unique sculpture by important Abstract Expressionist sculptor Seymour Lipton is a maquette of the monumental sculpture "Laureate" - one of Lipton's most iconic and influential works located on the Riverwalk in downtown Milwaukee, Wisconsin. Laureate is a masterpiece that was commissioned by the Allen-Bradley Company in memory of Harry Lynde Bradley and as an enhancement for the newly constructed Performing Arts Center. It is located on the east bank of the Milwaukee River at 929 North Water Street. The Bradley family in Milwaukee were renowned patrons of modernist sculpture, known for their excellent taste who also founded an eponymous sculpture park. For reference only is an image of the monumental "Laureate" one of Milwaukee's most beloved public sculptures. According to the Smithsonian, which owns a different unique variation of this work, "The full-size sculpture Laureate was commissioned by the Marcus Center for the Performing Arts in Milwaukee. In the initial drawings, Seymour Lipton combined details from the architectural plan with a wide variety of images, ranging from musical instruments to a lighthouse on the island of Tobago. He transformed the basic shapes from these sketches into a welded sculpture, which evokes a figure composed of columns, harp strings, and coiled rope. Lipton created this piece to celebrate achievement in the arts. The dramatic silhouette commands your attention, reflecting the title Laureate, which means worthy of honor and distinction. The final version of the piece is over twelve feet high and stands out against the pale, flat buildings of the arts center.,," Provenance Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale About Seymour Lipton: Born in New York City in 1903, Seymour Lipton (1903-1986) grew up in a Bronx tenement at a time when much of the borough was still farmland. These rural surroundings enabled Lipton to explore the botanical and animal forms that would later become sources for his work. Lipton’s interest in the dialogue between artistic creation and natural phenomena was nurtured by a supportive family and cultivated through numerous visits to New York’s Museum of Natural History as well as its many botanical gardens and its zoos. In the early 1920s, with the encouragement of his family, Lipton studied electrical engineering at Brooklyn Polytechnic Institute and pursued a liberal arts education at City College. Ultimately, like fellow sculptor Herbert Ferber, Lipton became a dentist, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. In addition to providing him with financial security, dentistry gave Lipton a foundation in working with metal, a material he would later use in his artwork. In the early 1930s, though, Lipton’s primary sculptural medium was wood. Lipton led a comfortable life, but he was also aware of the economic and psychological devastation the Depression had caused New York. In response, he generally worked using direct carving techniques—a form of sculpting where the artist “finds” the sculpture within the wood in the process of carving it and without the use of models and maquettes. The immediacy of this practice enabled Lipton to create a rich, emotional and visual language with which to articulate the desperation of the downtrodden and the unwavering strength of the disenfranchised. In 1935, he exhibited one such early sculpture at the John Reed Club Gallery in New York, and three years later, ACA Gallery mounted Lipton’s first solo show, which featured these social-realist-inspired wooden works. In 1940, this largely self-taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965. In the 1940s, Lipton began to devote an increasing amount of time to his art, deviating from wood and working with brass, lead, and bronze. Choosing these metals for their visual simplicity, which he believed exemplified the universal heroism of the “everyman,” Lipton could also now explore various forms of abstraction. Lipton’s turn towards increasing abstraction in the 1940s allowed him to fully develop his metaphorical style, which in turn gave him a stronger lexicon for representing the horrors of World War II and questioning the ambiguities of human experience. He began his metal work with cast bronze sculptures, but, in 1946, he started welding sheet metal and lead. Lipton preferred welding because, as direct carving did with wood, this approach allowed “a more direct contact with the metal.”[ii] From this, Lipton developed the technique he would use for the remainder of his career: “He cut sheet metal, manipulated it to the desired shapes, then joined, soldered, or welded the pieces together. Next, he brazed a metal coating to the outside to produce a uniform texture.”[iii] In 1950, Lipton arrived at his mature style of brazing on Monel metal. He also began to draw extensively, exploring the automatism that abstract expressionist painters were boasting at the time. Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture.The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. In the years following the 1950s, Lipton’s optimism began to rise, and the size of his work grew in proportion. The oxyacetylene torch—invented during the Second World War—allowed him to rework the surfaces of metal sculptures, thus eliminating some of the risks involved with producing large-scale finished works. In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly regarded avant-garde constructivist sculptors. In 1960, he received a prestigious Guggenheim Award, which was followed by several prominent public commissions, including his heroic Archangel, currently residing in Lincoln Center’s David Geffen Hall. A number of important solo exhibitions of his work followed at The Phillips Collection in Washington, DC (1964); the Milwaukee Art Center and University of Wisconsin, Milwaukee (1969); the Virginia Museum of Fine Arts in Richmond (1972); the Everson Museum in Syracuse, NY (1973); the Herbert E. Johnson Museum of Art of Cornell University in Ithaca, NY (1973); the National Collection of Fine Arts, Smithsonian Institution (now the Smithsonian American Art Museum) in Washington, DC (1978); and a retrospective in 1979 at The Jewish Museum in New York. In 1982 and 1984 alone, two exhibitions of his sculpture, organized respectively by the Mint Museum (Charlotte, NC) and the Hillwood Art Gallery of Long Island University (Greenvale, NY), traveled extensively across museums and university galleries around the nation. In 2000, the traveling exhibition An American Sculptor: Seymour Lipton was first presented by the Palmer Museum of Art of Pennsylvania State University in University Park. Most recently, in 2009, the Ackland Art Museum in Chapel Hill, NC mounted The Guardian and the Avant-Garde: Seymour Lipton’s Sentinel II in Context. Since 2004, Michael Rosenfeld Gallery has been the exclusive representative of the Estate of Seymour Lipton and has presented two solo exhibitions of his work—Seymour Lipton: Abstract Expressionist Sculptor (2005) and Seymour Lipton: Metal (2008). In 2013, Michael Rosenfeld Gallery presented Abstract Expressionism, In Context: Seymour Lipton, which included twelve major sculptures by the artist, along with works by Charles Alston, Norman Bluhm, Beauford Delaney, Willem de Kooning, Jay DeFeo, Michael Goldberg, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Conrad Marca-Relli, Boris Margo, Alfonso Ossorio, Richard Pousette-Dart, Milton Resnick, Charles Seliger...

Keith Haring 1000% Bearbrick Vinyl Sculpture: A nicely sized (27 inch), highly collectible Keith haring Bearbrick statue piece. The partnered co...

This painted porcelain vase is of Chinese origin. Women can be seen socializing in an ancient Chinese garden. The analogous color scheme creates a serene and comfortable design. Or...

Jean-Michel Basquiat Bearbrick 1000% Vinyl Figure: A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat. The partnered collectible reveals the ...

Bertoia's "wheat" pieces are rare and a joy. These works do not make sound when one touches the tines and is meant less to be touched than to convey an organic feel of sunlight rippling through stalks of golden wheat. This is a great size for a table. An unusual composition for Bertoia, Untitled (Wheat) combines elements with the artist’s more familiar Tonals with those of the Sprays. Typical of the artist’s œuvre however is the pleasant sensation of touch when stroking the ends of the wires. Bertoia’s spray sculptures...

Takashi Murakami Flowers Skateboard Decks: set of 3 works: Vibrant Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus E...

Artist: after Robert Mapplethorpe, American (1946 - 1989) Title: Calla Lily Date: circa 2000 Medium: Porcelain Plate, printed signature verso Edition Size: 500 Diameter: 8.25 inches ...

including a set of six bowls or dishes and two similar serving dishes, each signed 'Emilan' on the underside, the set of six inscribed ' East Indian Rosewood' on the underside, one s...

Artist: Pablo Picasso, Spanish (1881 - 1973) Title: Colombe sur lit de paille, (Dove on a Straw Bed) [Ramie 79 variant] Year: 1949 Medium: White earthenware clay, white enamel brushe...

KAWS GONE Grey & KAWS Pink BFF Companions (set of 2 works 2017-2019): Medium: Vinyl paint & Cast Resin (applies to each work). Published 2017 & 2019, respectively. GONE: 14.25 x 7 i...

Meteoric Rainbow 2021 Embroidery thread, acrylic and wool on wood dimensions variable $300 per stick Lyndi Sales is an artist based in Cape Town, South A...

"Mercury" NYC 1931 Bronze 5th Ave Traffic Light Sculpture American Art Deco WPA In the late 1920s, Joseph Freedlander was asked by the City of New York ...

Sergio Bustamante (b.1949, MEX), papier-mache ostrich sculpture, freestanding, ed. 100, signed. Some minor wear on the feet in very good shape buyer must arrange shipping or can be p...

Albert-Ernest Carrier-Belleuse (1824 - 1887) Female Figural Bronze Sculpture Melodie (Melody)  A young lady with a lyre  in bronze with a dark green patina 19th Century  31" H x ...