Tri-State Area - Vases and Vessels

A fine pair of antique Austrian enamel, silver and gold ewers. Each beautifully inset with chunks of semi precious stones. Including amethyst r...

A ceramic vase in a beautiful glaze of blue and brown produced by Accolay Pottery. Founded in the 1950s in Accolay, France, the Accolay studio became well known after it produced but...

Decorative, midcentury, frosted glass vase features gilt banded detail.

A large garnet toned planter with palm leaf and rope motifs. This striking large garnet-toned planter captures attention with its rich color palette, enhanced by intricately sculpted...

Ingrid Atterberg, Swedish Mid-Century Modern, Ceramic Vase, Ekeby, 20th C. Swedish ceramic vase designed by Ingrid Atterberg for Ekeby in Sweden in the later half of the 20th centur...

The beauty of Richard’s signature STACKED style is based entirely in the process. This Vessel, as with every STACKED object Richard creates is built, sculpted, and finished entirely ...

5 Antique Chinese (Early 20th Century) similar porcelain ginger jars with blue floral designs around bold, centered characters and geometric bands leading to unglazed rims (jars vary...

American Post-War Design terra cotta and black trimmed vase with 4 profiles of faces in relief. (by ROBERT BENTLEY)

Our French centerpiece, circa 1880, features a large oval shaped glass bowl exquisitely cut with diamond and shell motifs and engraved with floral designs on the sides, and an ormolu...

Pair of Hungarian (20th Century porcelain urns with bright blue backgrounds and painted central pastoral scenes with gilt and pink details and lids with decorative cutouts...

Pair of italian Neo-Classic style (19/20th century) Majolica style glazed yellow & green porcelain floor vases. With large brown handles and flor...

An enameled cameo glass vase signed in cameo Daum Nancy with Cross of Lorraine, circa 1910.

A Rare and Highly Important Antique English 19th Century Thomas Webb & Sons Blue Cut-to-Clear Double Handle Cameo Wine Cooler, Signed G. Woodall. Etched and Ccid Washed. This 19th ...

Highly important pair of royal Vienna painted porcelain urn and cover Painted with two large allegorical scenes. Cobalt blue ground with gold raised decoration and two handles. Sign...

Royal Copenhagen Trumpet shaped porcelain vase, terracotta and grey crackle glaze with gold decorative trim. Marks on base. Denmark, 1950s Dimensions: 9.5 height x 5.5 diameter. ...

Unused Hand Cut Crystal Vase by Lenox. Art Deco Design. Heavy Sturdy Substantial Weight. Still restrains original marking stamp.

Dimensions Height: 7.25 inches Width: 5.25 inches Depth: 4.5 inches. Markings Fully marked on the bottom with a "B" in an urn-shaped cartouche (for “Bergmann”), and “GESHUTZED” (German: “PROTECTED). ABOUT What distinguishes this unique bud vase from others is a perfect synthesis of a utilitarian object and a Fine sculpture. It is not only the amazing subtlety and taste of the author’s artist skills, but an extraordinary design and an absolutely outstanding original plot. Designed for a single flower only, it is nonetheless a very complex and multifaceted composition filled with warm humor and fantasy. Sitting on a vessel shaped as a gourd, clasping its goat legs with hooves and holding on to the neck with one hand in order not to fall of it; a playful and mischievous faun holds by the tail a fleeing lizard with the other hand. FRANZ XAVIER BERGMANN (Austrian, 1861–1936) was the owner of a Viennese foundry who produced numerous patinated and cold-painted bronze oriental, erotic and animal figures, the latter often humanized or whimsical, humorous objects d'art. Cold painted bronze refers to pieces cast in Vienna and then decorated in several layers with so-called dust paint; the expertise for the mix of this kind of paint has been lost. The color was not fired hence "cold painted". Mainly women working...

A tall brown ceramic vase / urn with brown glaze, with small loop handles on its neck. Hand-crafted in Thailand, in the tradition of antique Thai earthenware. With its mottled brown ...

During the glass blowing process, vases are twisted and shaped to create crushed forms within the confines of a simple geometric framework. Each piece is unique and handmade in Brook...

Simple glazed ceramic vase, in the style of Stig Lindberg. 

Handblown glass vase with multicolor glass fragments and complex murrhines with a lattimo (white glass) interior by Arte Vetraria Muranese (A.V.E.M.), Murano Italy 1960's. These hand...

PAIR of Chinese Ming/Jiajing-style beige porcelain vases with Meiping forms decorated in orange fish and flower motifs and geometric-patterned bands around the tops and bases, accent...

Two Italian 1960s glass bowls one is green with the top in amber the smaller one is blue with the top layer of glass in purple beautiful and...

A Pair of 20th Century French Silvered Bronze and Crystal Centerpieces/Vases/Planters. This pair of vase centerpieces are a stunning example of 20th-century French design, combining...

An important rare pair of Sèvres gilded porcelain vases with lion heads and hand painted flowers Date: circa 1880 Origin: French Dimension: 29...

Pair of 1930s bronze vases by Tinos Denmark.

Art Nouveau copper veneered square shaped vase with tapered neck and incised floral design with opaline inserts as flowers.

Wheel carved glass. Venini label adhered to bottom. Provenance: Private collection, FL.

A Prem Collection ceramic artisan made vase with soft burgundy textured finish, bottle shape, square grid style motifs and narrow mouth. Showcasing ...

French Art Deco clear and frosted glass perfume bottle (Blue Lagoon by Dubarry) with multicolored patina, squatty four-lobed shape with Egyptian designs between each and a stopper shaped like a seated Egyptian woman (designed by Julien Viard...

A French green opaline glass cachepot with gilt mounting. 20th century.

Pair of Blue-ground porcelain potpourri / incense vases with eagle finials and griffin supports. Removable lid and band of bronze at the neck of the vase with cut outs allows one to ...

An elegant brass vase, hand-crafted in Japan, Showa Period. The finish is Murashido, a centuries-old technique that consists in quenching the cast brass in hot oil and smoke it with ...

Embodying the legendary craftsmanship of Murano's glassmakers, this exquisite, hand-crafted Murano glass vase showcases the unique Sommerso technique with the addition of aventurina....

Bronze Pompeian Athénienne-Jardinière attributed to Sabatino De Angelis & Fils The present work was inspired by a Pompeian brazier that was buried in 78 A.D. and excavated later. as ...

PAIR of Chinese (Mid-20th Century) teal porcelain vases depicting a playful figurative scene of children at play in and around a peach tree and nine ripe peaches in total, symbolizin...

Guido Gambone green snake vase, 1950s, Mid-Century Modern ceramic vessel, Italy. Guido Gambone (Italian, 1909 - 1969) Green and white snake design ceramic vase. Signed (Signature and donkey) on bottom. Stunning piece with gorgeous, rare green glaze and elegant lines that are elegantly accentuated by the snake that curls around the waist and body of the vessel. Museum-worth masterpiece by one of the most influential ceramicists of the 20th century. Dimensions: 12" H; Provenance: Collection of John 'Parker' Prindle, Jr., Boston, MA. Gambone's unique style is a combination of ancestral ceramic techniques and Etruscan or abstract decorations composed of primary and secondary colors. Ne fused traditional ceramic methods with amorphous forms that echoed equally the art of the past and of his modern day. His dynamic objects, in which he often experimented with glazes and patterns, garnered great popularity and today are treasured holdings in important private and museums collections around the globe. The year 1950 also marked the showcase of one of Gambone’s collaborative works at a group exhibition at the Brooklyn Museum in New York, and the following year Gambone enjoyed his first solo showing at the Galleria Il Milione in Milan. By the end of the decade, Gambone had achieved international acclaim for his pieces. He upheld his dedication to his work until 1967, when the La Tirrena...

1920s Chinese Soapstone Hand Carved Floral & Bird Vase All one piece - base and vase cannot be separated Beautifully decorated to the front with a high-relief flower branch and bird...

Céliz begins each piece with an idea (rather than sketches) and in the making of it discovers his final design. More incredible still, his decorative artworks are often wrought from ...

Magnificent pair of palatial double overlay cobalt blue over clear Bohemian crystal trumpet-shaped vases, hand engraved with scenes of stags in a forest...

Dreaming of exotic shores? of Safari storytelling? Be inspired by this one-of-a-kind Italian contemporary pair of Art Deco design Murano glass vases, entirely handcrafted. The blown body in a unique sophisticated smoked amber transparent color worked with pure 24 kt gold inside the glass, decorated with an organic gray pattern of zebra stripes or feathers, whatever your imagination..., finished with an iridescence that adds a glow and creates movement of light. Signed pieces...

The cylindrical body molded with overlapping waves and applied with leaping carp; the underside bearing a molded apocryphal Daoguang seal mark.

Petite, mid-century, West German, Fat Lava, art pottery, guitar vase by Roth Keramik in striking red and black.

Blown Murano Art glass signed Formia, created exclusively for Roche Bobois Paris. The very modern minimalist design and execution are striking in the luxurious quality of glass, that...

London, 1869, Maker: S Smith.

Marked on base - Made in France hand-painted, Elbee.

Two tall ceremonial urns dating from the 12th-13th century, Southern Song dynasty. Glazed terracotta. They depict 12 traditional ritual attendant...

Contemporary American ceramic artist Giselle Hicks' glazed white stoneware vase is part of her Vessel Series. Each form is built by hand using a coil and pinch technique. They are fo...

Raymor vases, ceramic, sgraffito, gold, silver, gunmetal, signed. A pair of medium scale bottle form vases with incised geometric patterns and glazed in a burnished gold, dark silver...

Fürstenberg Op Art vase, porcelain, gold, white, signed. Medium scale vase decorated with light and dark gold glazed optical circles and ellipses over a white porcelain slightly squa...

A tall artisan hand-crafted ceramic vase with narrow mouth, blue and reddish-brown glaze. Graceful in silhouette and rich in tone, this tall ceramic vase draws the eye with its striking color palette and elegant proportions. The slender neck flares gently at the lip, creating a refined opening that transitions into a curving, full-bodied form. A smooth blue glaze envelops the upper portion, evoking a sense of calm reminiscent of twilight skies or deep water. Just below, a dark band—almost black with subtle green and amber undertones—introduces a dramatic shift in palette, marking a bold visual threshold. This transitional band...

From the Tourmaline series by Thom Lussier, hand-crafted exclusively for Cafiero Select. #8 Is quiet. An evenly speckled exterior. Soft, gently cascadin...

This cream colored urn is illustrated with mythological figurative scenes along with finely detailed patterning and gilded edges. Signed.

A circa 1950's Italian oversized vase with handles. Measurements: Height: 28” Width: 17” (at widest) Base diameter: 7 3/8”

Large scale stoneware bottle form sculpture/vase with incised line decoration to front and back faces. Off-white matte glaze with brown lip. Artist signed at base.

Stunning hand cut lead crystal vase created as a work of art by the hands of the finest Czech glass workers. The Caesar Crystal Company in the Czech Rep...

Vase A by Cesar Baldaccini for Daum, France, 1970s, is a magnificent work of art that seamlessly combines form and function. Designed by renowned French sculptor Cesar Baldaccini, this multi-faceted vase is a stunning example of his mastery of sculptural forms. Made by renowned French glassmaker Daum, this vase features a highly polished, multi-faceted surface that reflects and refracts light in fascinating ways. The veneers are perfectly aligned and flawlessly executed, creating a breathtaking sense of depth and texture. The vase is signed "Daum France", which adds a touch of authenticity and provenance to the piece. This is a true collector's item, sought after by art lovers and collectors around the world. Functional, the Argos vase is ideal for presenting flowers or other decorative objects. Its sculptural form and multi-faceted surface create a dynamic backdrop that enhances the beauty of any arrangement. Overall, the Argos vase by Cesar Baldaccini for Daum, France, 1970s, is a masterpiece of design and craftsmanship. Its striking form, impeccable craftsmanship and exceptional provenance make it a highly coveted piece that is sure to impress and enchant anyone who sees it. Cesar Badaccini (1921-1998) His parents, Omer and Lelia Baldaccini, Italians of Tuscan origin, ran a bar in Marseille where César was born, with his twin sister Amandine, in 1921 in the popular district of Belle-de-Mai, at 71 rue Loubon, in the 3rd arrondissement1. "I am basically an absolute self-taught," he will say2. At the time, he designed and tinkered with carts for his little brother with cans. Nevertheless, after first working for his father (he also helped a butcher neighbor for a meager salary after leaving school at the age of twelve), he followed the courses of the École supérieure des beaux-arts de Marseille from 1935 to 1939; in 1937, he obtained three prizes, in engraving, drawing and architecture3. Not mobilized during the war (he also escaped the STO), he lived on scams before settling in Paris to be admitted, in 1943, to the École nationale supérieure des beaux-arts with Michel Guino, Albert Féraud, Daniel David, Eugène Dodeigne and Philippe Hiquily, like him in the workshop of Marcel Gimond. In 1945, he returned to Marseille to marry Maria Astruc, with whom he set up a business (they divorced in 1959). He returned to Paris in 1946 where he occupied a studio in an old brothel at 21 rue de l'Échaudé, whose rooms, following the Marthe Richard law, had been assigned to students4. There he met Émilenne Deschamps, who would later become one of his muses. Faced with the impossibility for him to work the stone, because of its cost, he turned to other materials3. From 1947, he worked on plaster and iron. In 1949, he was introduced to arc welding in an industrial carpentry in Trans-en-Provence and used lead in pushed sheets and welded iron wires. In 1951, he visited Pompeii and remained marked by the casts of the bodies of the inhabitants caught in the lava3. In 1952, he used inexpensive recovered materials and made his first sculptures in welded scrap metal: his means were then still modest. Thus, for lack of money and to afford marble, César will recover in the scrap dumps the materials of his first sculptures: tubes, bolts, screws that become insects or end up in the powerful curves of the Venus de Villetaneuse (1962). In 1954, he exhibited at the Lucien Durand gallery in Paris and obtained the "collabo" prize for a sculpture entitled Le Poisson5, made in Villetaneuse, a city where he worked for a dozen years thanks to the help of a local industrialist, Léon Jacques6. He gained fame when his work was bought for 100,000 francs in 1955 by the State for the National Museum of Modern Art7. The same year, he exhibited at the Salon de Mai. The following year, the MNAM bought Chauve-souris from 1954 and the museum of modern art in the city of Paris Le scorpion from 1955. From 1954 (Torse, MOMA), he also made sculptures in welded metal, then in partially polished bronze, of busty women (Ginette, 1958, Victoire de Villetaneuse, 1965). In 1956, he participated in the Venice Biennale then in the São Paulo Biennale and in the Documenta II in 1959. In 1958, he signed a contract with the Parisian gallery Claude Bernard3. In 1961, he approached Marino di Teana and joined the group of Nouveaux réalistes, a movement founded by art critic Pierre Restany8, including Arman, Jean Tinguely, Niki de Saint Phalle and Gérard Deschamps. When he could afford a workshop in 1957, rue Campagne-Première in Paris, he married Rosine Groult-Baldaccini (met at the Beaux-Arts in 1948) with whom he had a daughter, Anna, a year later. He also begins to frequent the world of the In 1968, he created at the National Manufacture of Sèvres a porcelain Ashtray published in fifty copies. Made of porcelain with a semi-matt pearly cover, it represents a plaster mold used for the production of the pieces, and was produced from an original aluminum model. In 1971, during a premiere at the Lido, he found more media than him: Salvador Dalí, the master of extravagance. He debates the same year in Italiques with François Truffaut, Lucien Bodard and Asher Ben...

Delicately painted on a striking purple ground on an integrally marbleized porcelain base.

Edwardian sterling silver covered urn. Made by William Comyns in London in 1908. Bowl has straight sides and curved bottom with leaf-capped and wrapped s-scroll side handles and step...

Hand-built earthenware vase with texture and movement throughout. Great earth tone glazes suggesting flames. Artist-signed and dated on underside.