United Kingdom - Sculptures

Woman with Book is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of ...

Roman marble altar fragment with cupid Provenance: Nicolas Koutoulakis (1910-1996), Paris and Geneva

Pose is a fired clay constructed, painted and mounted on MDF sculpture by Patricia Volk, dimensions are 80 × 61 × 16 cm (31.5 × 24 × 6.3 in). It is a unique signed piece and comes ...

Earth by British sculptor Ian Thomson. Thomson's travels have provided inspiration for his work. He holds degrees in Architecture and Philosophy & describe...

A late 19th century bronze figure of a greyhound, his front leg raised and head turned backwards as he grooms his coat. A finely detailed figure with a dark brown patina, mounted on ...

Impressed with artist’s seal Porcelain, radiating inlaid lines, manganese bands to rim and foot, with kiln splits 5 x 11 1/2 inches

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Reclining Nude Resin bronze 56 x 26 cm An enigmatic resin bronze sculpture of...

Union is a unique fired clay constructed, painted and mounted on MDF sculpture by contemporary artist Patricia Volk, dimensions are 27 × 22 × 22 cm (10.6 × 8.7 × 8.7 in). The sculpt...

Tracey Emin "Docket in My Hand" Bronze. Edition of 100. Produced in 2014. Stamped with the artists initials and numbered on base.

A ‘Leaping Hares’ sterling silver sculpture by Lucy Kinsella, the limited edition finely modelled pair of long eared hares caught mid confrontation with one stood tall on stretched h...

Wearing a chiton with a himation draped at the left shoulder, and a modius on the crown of his head, the god's characteristic luxuriant wavy hair falling in ri...

Thinking, Reflecting By Hein Koh Hein Koh is a Korean-American visual artist known for her playful yet provocative sculptures, installations, and multimedia works that often explor...

DAVID E. PETERSON (b. 1979, USA) An abstract painter inspired by Product Design, Graphic Design and Architecture, David E. Peterson was born in Grand Rapids, Michigan in 1979. He ha...

Grayson Perry Piggy Bank, 2017 White ceramic piggy bank painted in blue and glazed, with a rubber stopper, contained in the original cardboard box....

Gallifa Study X By Barry Flanagan 1992 Bronze 20.6 x 11.1 x 8.9 cm Edition of 8

This is the table top version of the 4m high monumental Bronze placed within The Royal Enclosure at this year's Royal Ascot meeting. Created by Holly Hickmore, the rising star in con...

Emile Laporte French, (1858-1907) Tyrtée or Tyrtaeus Bronze, signed Height: 19 inches (48.5cm) Width: 7.5 inches (19cm) Depth: 6 inches (15cm) Emile Laporte was born in Paris on Nov...

Paul Villinski is an American sculptor widely known for transforming littered cans from the city streets into large-scale, abstract installations of life-like butterflies. Over three...

Balance is a unique fired clay constructed, painted and mounted on MDF sculpture by contemporary artist Patricia Volk, dimensions are 33 × 56 × 10 cm (13 × 22 × 3.9 in). The sculptu...

'In the manner of' Aristide Maillol 1861-1944, was a French sculptor, painter and print maker. Maillol predominantly was a painter and weaver of tapestry, however Gaugin advised him ...

The Torso of a Queen (Königen) is an elegant figurative bronze sculpture of the female human body complete with Egyptian crown by Nando Kallweit. She is often accompanied by her par...

A wonder study of a Giraffe striding created and cast in the UK by leading sculptor William Montgomery. This work is ideal for the desk or side table. Will is a skilled animalier...

Ash wood and lead on Portland limestone, 47 cm × 39 cm × 10 cm. The dimensions include the base, which is attached. Dimensions of the base: 8 H x 10 cm diameter Unique work delivere...

Christopher Marvell was born in 1964 and studied at University of Newcastle upon Tyne, from 1982 to 1986. He lives and works in Cambridge & St Ives, with the painter Elaine Pamphilon...

The iconic spraycan is ‘super-sized’ into a statement piece combining his traditional imagery with cutting edge techniques and materials. The cans, only 10 of each worldwide, are ...

Puzzle 94 by David E. Peterson is part of an ongoing series featuring a beautiful, exotic woods and abstract painting. These 3-dimensional wall sculptures look amazing, they are colored purple, navy and yellow, with natural wood showing through. David E. Peterson Artist Statement “Industrial Design informs my work. Inspiration might come from a brightly coloured sneaker, an eye- catching dress, an intricate watch...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Feel like Flying B&W" by Henk Jan Sanderman is a captivating w...

Original - Mixed media sculpture. Colourful and exquisitely finished toy dog sculpture in bright orange. Influenced by the Pop Art movement, Erik Salin's figurative artistic approa...

Cairn (4) is a fired clay constructed, painted and mounted on MDF sculpture by Patricia Volk, dimensions are 50 × 44 × 12 cm (19.7 × 17.3 × 4.7 in). It is a unique signed piece and ...

KAWS, Small Lie (Brown), 2017 Painted cast vinyl 27.5 x 12.3 x 12.9 cm (4.8 x 5.2 x 10.8 in) Open edition Pristine condition in original packaging KAWS is a New York-based art...

Using the lost wax technique, all Danuta's bronzes are one-off originals Free standing. Rests on carbonised oak block "The ripped raw edges of Elizabeth Frink...

Lesley Hilling is a self-taught English artist known for her intricate constructions made entirely from salvaged wood and found objects. Her work reflects a deep connection to the pa...

Mixed materials (wood & copper) Edition of 75 Signed on the base, and numbered on the base and the accompanying insert card Mint. Small chip on the wooden box bottom back corner, oth...

Stunning original panel made of 9 handmade fibreglass relief sculptures from the artist's own home. Each sculpture is unique, with beautiful rust and copper tones, and several are signed by the artist. This very large, striking piece has a great Brutalist and Modernist feel. It is particularly notable as an example of Hitchin’s mastery of finishing techniques in simulating aged metal. The relief sculptures were visible outside of Ron’s house and became a Hackney landmark. They were carefully removed by the artist's estate after Ron passed away. Year: unknown (Ron was active from the mid 1960s to the early 2000s) Colour: Rust and copper tones Signature: 5 of the relief sculptures bear the artist's trademark initials “RH” Framing: The sculptures have been carefully mounted on a cotton covered board with a walnut wood trim and a hidden subrame on the reverse for ease of hanging. Authenticity: This piece was purchased directly from the Artist's Estate and comes with a certificate of authenticity signed by the sole executor of the Ron Hitchins...

Goblets 4 is an original artwork by Joanne Tinker. Goblets is a unique wall sculpture by Joanne Tinker, depicting goblets made of recycled foil wrappers. This work is a one-off but c...

Complete set of 41 sewn cotton, sand-filled bags, contained in a wooden box with screenprinted box lid, 1978, signed and numbered from the edition of 16 (there are also 2 artist’s pr...

Monumental panel of 15 handmade fibreglass relief sculptures from the artist's own home. Each sculpture is signed and unique, with beautiful tarnished...

Patrick O'Reilly The Gardener with Sunflower Bronze 47 1/4 x 49 1/4 x 15 3/4 in 120 x 125 x 40 cm This piece is entitled The Gardener with Sunflower. It is a large scale outdoor scu...

Must Rest My Rampage Is Over (Sculpture) By David Shrigley David Shrigley is a British artist known for his darkly humorous and satirical drawings, animations, and sculptures, ofte...

Rocker is a fired clay constructed, painted and mounted on MDF sculpture by Patricia Volk, dimensions are 71 × 75 × 25 cm (28 × 29.5 × 9.8 in). It is a unique signed piece and comes...

Lesley Hilling is a self-taught English artist known for her intricate constructions made entirely from salvaged wood and found objects. Her work reflects a deep connection to the pa...

Resin, steel, string and acrylic paint with hand-drawn canvas Edition of 250 Figure: 36 × 23 × 18 cm (14.2 × 7.5 × 8.7 in) Canvas: 20.5 x 16.3 cm (8 x 6.5 in) Box: 47 x 31 x 32 cm (1...

This remarkably fluid terracotta bozetto was made in preparation for Pietro Pacilli’s most important public commission, a large-scale marble statue of San Camillo de Lellis for the nave of St Peter’s Basilica in Rome. Expressively modelled, this terracotta sculpture is a rare and significant work made by a major Roman sculptor at a transformative moment of European sculpture. Pacilli began his working life on the great Baroque decorative projects initiated in the seventeenth century, but he found success as a restorer of ancient sculpture working to finish antiquities for a tourist market, becoming an important figure in the emergence of an archaeologically minded Neoclassicism. Pacilli trained Vincenzo Pacetti and provided important decorative work for the Museo Pio-Clementino, at the same time he is recorded restoring some of the most celebrated antiquities excavated and exported during the period. Pacilli was born into a family of Roman craftsmen, his father Carlo was a wood carver, and Pacilli is recorded working with him on the Corsini Chapel in San Giovanni Laternao as early as 1735. In 1738 his terracotta model of Joseph and Potiphar’s Wife won the first prize in the second class of the sculpture concorso at the Accademia di San Luca, this is particularly notable as Bartolomeo Cavaceppi came third. He worked as a carver and stuccoist completing works for the churches of San Marco and SS. Trinita dei Domeniciani Spagnoli. Pacilli operated as a sculptor and restorer of antiquities from his studio at the top of the Spanish Steps, close to Santa Trinita dei Monti, where he is listed as a potential vendor to the Museo Pio-Clementino in 1770. In 1763 Pacilli completed a silver figure of San Venanzio for the treasury of San Venanzio. He is recorded as Pacetti’s first master and it was evidently through Pacilli that he began to acquire his facility as a restorer of ancient sculpture. Pacilli, at his studio ‘poco prima dell’Arco della Regina alla Trinita dei Monti,’ exercised, what the nineteenth-century scholar, Adolf Michaelis called ‘rejuvenating arts’ on several important pieces of classical sculpture, including in 1760 the group of a Satyr with a Flute for the natural brother of George III, General Wallmoden, Hanovarian minister at Vienna. In 1765, Dallaway and Michaelis record that Pacilli was responsible for the restorations, including the addition of a new head, to the Barberini Venus which he had acquired from Gavin Hamilton. The Venus was then sold to Thomas Jenkins, who in turn passed it on to William Weddell at Newby Hall. In 1767 Pacilli exported a series of ancient busts ‘al naturale’ including portraits of Antinous, Julius Ceaser and Marus Aurelius, also a statue of a Muse and a Venus. As early as 1756 Pacilli seems to have been operating as an antiquarian, helping to disperse the collection of the Villa Borrioni. Pacilli supplied sculpture to notable British collectors, including Charles Townley, who on his first trip to Italy purchased the Palazzo Giustiniani statue of Hecate from Pacilli. Pacilli was involved with the Museo Pio Clementino from its conception, supplying busts of Julius Ceaser and a Roman Woman as well as completing stucco putti surmounting the arms of Pope Bendedict XIV to signal the entrance to the new Museo Critiano. In 1750 Il Diario Ordinario del Chracas announced that Pacilli had begun work on a sculpture of San Camillo de Lellis for St Peter’s. Camillo de Lellis founded his congregation, the Camillians, with their distinctive red felt crosses stitched on black habits in 1591. Having served as a soldier in the Venetian army, Camillo de Lellis became a novitiate of the Capuchin friars, he moved to Rome and established a religious community for the purpose of caring for the sick. In 1586 Pope Sixtus V formerly recognised the Camillians and assigned them to the Church of Santa Maria Maddalena in Rome. Camillo de Lellis died in 1614 and was entombed at Santa Maria Maddalena, he was canonised by Benedict XIV on June 26, 1746. It was an occasion that prompted the Camillians to make a number of significant artistic commissions, including two canvases by Pierre Subleyras showing episodes from San Camillo’s life which they presented to Benedict XIV. In 1750 Pacilli was commissioned to fill one of the large niches on the north wall of the nave with a sculpture of San Camillo. The present terracotta bozetto presumably had two important functions, to enable Pacilli to work out his ideas for the finished sculpture and at the same time to show his design to the various commissioning bodies. In this case it would have been Cardinal Alessandro Albani and Monsignor Giovan Francesco Olivieri, the ‘economo’ or treasurer of the fabric of St Peter’s. Previously unrecorded, this terracotta relates to a smaller, less finished model which has recently been identified as being Pacilli’s first idea for his statue of San Camillo. Preserved in Palazzo Venezia, in Rome, the terracotta shows San Camillo with his left hand clutching his vestments to his breast; the pose and action more deliberate and contained than the finished sculpture. In producing the present terracotta Pacilli has expanded and energised the figure. San Camillo is shown with his left hand extended, his head turned to the right, apparently in an attempt to look east down the nave of St Peter’s. The model shows Pacilli experimenting with San Camillo’s costume; prominently on his breast is the red cross of his order, whilst a sense of animation is injected into the figure through the billowing cloak which is pulled across the saint’s projecting right leg. The power of the restrained, axial contrapposto of bent right leg and outstretched left arm, is diminished in the final sculpture where a baroque fussiness is introduced to the drapery. What Pacilli’s terracotta demonstrates, is that he conceived the figure of San Camillo very much in line with the immediate tradition of depicting single figures in St Peter’s; the rhetorical gesture of dynamic saint, arm outstretched, book in hand, head pointed upwards was perhaps borrowed from Camillo Rusconi’s 1733 sculpture of St. Ignatius...

Ceramic Edition 46 of 250 Numbered on the base New, as issued Packaged in wooden box with COA Our mission is to connect art collectors to opportunity. Whether it be figurative, abs...

Roy Carter (1938-2012) was a self-taught artist and sculptor who worked primarily in marble, terracotta, plaster, and stone sculpture. His practice utilized...

Born in Paris in 1960 and Influenced by the Pop Art movement, Erik Salin's figurative artistic approach diverts objects from their context creating wonderful eye catching art and scu...

Born in Amsterdam in 1939, Blik is an Anglo-Dutch artist whose work is exhibited at major London and international art fairs. Having spent the majority of his 40-year career creating...

A joyous sculpture depicting Greyhounds at play, on a slate base and finished in a lovely blue/ verdigris patina. Jane is passionate about capturing the overall essence and movement...

August Moon Waxing is a unique Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 35 × 35 × 35 cm (13.8 × 13.8 × 13.8 in). The sculpture is signed and com...

Damien Hirst (b.1965) Abacus - The Dream is Dead 2007 silver 14.5 x 14 x 21 cm incised, titled and numbered ‘Abacus Damien Hirst The Dream is dead 2/12’ (on the verso) edition 2/12 Price: $85,000 USD Provenance: White Cube, London Private collection, New York Sale: Christie’s London, 29 June 2011, lot 114 Private collection, London (acquired at the above sale) Notes: ‘I remember I was thinking that there were four important things in life: religion, love, art and science. At their best, they’re all just tools to help you find a path through the darkness. None of them really work that well, but they help. Of them all, science seems to be the one right now. Like religion, it provides the glimmer of hope that maybe it will be all right in the end.’ (D. Hirst, quoted in conversation with S. O’Hagan in New Religion Damien Hirst, exh. cat., British Council, London, 2006, p. 5) Born in 1965 in Bristol, Hirst grew up in Leeds and subsequently went to Goldsmith's College in London. Between 1988 and 1990 he curated a series of exhibitions of work by his contemporaries including the highly acclaimed group shows Freeze, Modern Medicine and Gambler. In his own work Hirst has continually challenged the boundaries between art, science, the media and popular culture. A 12-foot tiger shark, a cow and her calf sawn in two, pharmaceutical bottles...

This tower is a deeply personal piece for Lesley Hilling, dedicated to the memory of her father, Pete Hilling (1926–2016), and men like him—those who worked with their hands, repaire...

Naked Raku Pottery, Duck Egg Blue Vase- Extra Small is a ceramic work by Tamsin Levene ADDITIONAL INFORMATION: Clay 16.3 cm H x 5.5 cm D Sold unframed ARTIST BIOGRAPHY: Tamsin Lev...

"Stitched Up" by Katharine Morling – Porcelain Sculpture Installation of Sewing Machine - This piece is offered as a commission. Please allow about 8-10 weeks. Delicate yet bold, Th...

‘ In the expression of our heart’s desires, we take the Leap of Faith.’ Leap of Faith Sculpture is from a limited edition of 12. British artist Ian Edwards creates contemporary figu...

Original handmade fibreglass relief sculpture from Ron Hitchins' own home. Uniquely handmade and signed by the artist. Part of a series of 3 (see our other listings for the other two...

19th century bronze group of a standing and sitting hare by French animalier sculptor Alfred Dubucand (1823-1894). Finely detailed bronze with good dark brown patination. Signature '...

Sympathetically capturing the essence of the urban landscape in his work, Jeff says - ‘I studied HND Art & Design at the Glasgow College of Building & Printing before working as a set artist for “the Complex” theatre, Los Angeles. I then went on to study BSc “Special Effects” at Southbank University, London, which led to employment in the Art/Special Effects departments on major movie productions including the Oscar-winning “Last Samurai” and Steven Spielbergs’ Oscar-nominated “Munich”. After several years working as a fine artist in the industry, I realised a lifelong ambition, setting up my own glass studio to research and work with the diverse materials and challenging techniques involved in the creation of multi-layered glass sculpture.’

Mini Mori Girl By Yoshitomo Nara Yoshitomo Nara is a Japanese contemporary artist acclaimed for his evocative and emotive depictions of children, often characterized by their larg...