USA - Color Photography

I cherish a the Dutch Old Masters. As a contemporary artist, I work with the female nude and portraiture, so I was enthusiastic when the Rembrandt House approached me to create a new series inspired by Rembrandt’s nudes. His incredible drawings and etchings show not only amazing technique and individuality, but also a sublime mastery of light, shadow and composition. His strong light-dark contrasts and his bold compositions, engaging costumes and draperies, resulted in powerful visual images. His models, portrayed from life, with their own personalities and bodies, not adjusted to fashion and ideals, were striking in their day, and have remained so into the present. Rembrandt’s nudes inspired me to create new works in which I have been able to capture magical moments in new works of art. The explosion of creativity has resulted in a large body of work which I call The Rembrandt Series...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features guests at the La Jolla Beach and Tennis Club, La Jolla, San Diego. This is an estate stamp...

One of a kind Photomontage on archival paper Overall sheet size: 27.5 in. H x 39 in. W Individual sheet Size: 27.5 in. H x 19.5 in. W Unframed Signed, titled and dated by the artist The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from the photographs he took with his camera larger versions of those pieces, but having only registered his models with a single photograph it was impossible to achieve, given this need he adopts the language of fractionation completing the message he wants to transmit through his work. Castro perfected his technique throughout the years, now on he takes numbers of photographs of his subject, which are then assembled to conform a unique photo collage...

K-narf, French (b. 1970) Collage photo artwork (Graffiti Vans) (2011) Tape-o-graph photography Signed lower right, numbered 1/5 16 x 12 7/8 inches K-NARF was born in 1970 in Saint-...

C-Prints printed on FujiFlex Crystal Archive Super Gloss Paper 40 x 60 inches Signed and numbered edition of 10 with certificate of authenticity Steve McCurry (American, b.1950) is ...

image size: 8 1/2 x 8 inches William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from conventiona...

large format photograph from a series of colorful floral explosions, flower power and liquid clouds captured in water FLORA lI by Christian Stoll 27 x 40 inches (68.5 x 102cm) sign...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

Living in a Dream (Till Death do us Part) - 2005 20x20cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 9781. Not mounted. on offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Til Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting im ages rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real time, and the edited moving shot, despite its artificial rendering of time, all too 2009often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death Do Us Part where consistently, the artist associates them with desire, dream, memory, passion, and the ensemble of mental states that accompany a love relationship in its nascent, mature, and declining aspects. A SYNTHESIS OF MOVING AND STILL IMAGES BOTH FORMAL AND CONCEPTUAL It is noteworthy that, after a transition from a still image to a moving image, as soon as the viewer expects the movement to continue, there is a “logical” cut that we expect to result in another moving image, not only because of its mise en scène, but also because of its implicit respect of traditional rules of film editing, its planarity, its sight line, its treatment of 3D space—all these lead us to expect that the successive shot, as it is revealed, is bound to be another moving image. But contrary to our expectation, and in delayed reaction, we are startled to find that it is another still image. One effect of this technique is to reinforce the tension between still and moving image by means of surprise. But in another sense, the technique reminds us that, in film, the moving image is also a succession of stills that only generate an illusion of movement. Although it is a fact that here the artist employs Super 8 footage, in principle, even were the moving images shot with video, the fact would remain since video images are all reducible to a series of discrete still images no matter how “seamless” the transitions between them. Yet a third effect of the technique has to do with its temporal implication. Often art aspires to conflate or otherwise distort time. Here, instead, the juxtaposition poses a tension between two times: the “real time” of the moving image that is by definition associated with reality in its temporal aspect; and the “frozen time” of the still image associated with an altered sense of time in memory and fantasy of the object of desire—not to mention the unreal time of the sense of the monopolization of the gaze conventionally attributed to the photographic medium, but which here is associated as much with the yearning narrator as it is with the viewer. In this way, the work establishes and juxtaposes two times for two levels of consciousness, both for the narrator of the story and, implicitly, for the viewer: A) the immediate experience of reality, and B) the background of reflective effects of reality, such as dream, memory, fantasy, and their inherent compounding of past and present emotions. In addition, the piece advances in the direction of a Gesammtkunstwerk, but in a way that reconsiders this synaesthesia as a unified complex of genres—not only because it uses new media that did not exist when the idea was first enunciated in Wagner’s time, but also because it comprises elements that are not entirely of one artist’s making, but which are subsumed by the work overall. The totality remains the vision of one artist. In this sense, Till Death Do Us Part reveals a further tension between the central intelligence of the artist and the products of other individual participants. This tension is compounded to the degree that the characters’ attributes and narrated statements are part fiction and part reality, part themselves, and part their characters. But Stefanie Schneider is the one who assembles, organizes, and selects them all. THE RELATIONSHIP BETWEEN THIS IDEA (above) AND PHOTOGRAPHY This selective aspect of the work is an expansion of idea of the act of photography in which the artistic photographer selects that which is already there, and then, by distortion, definition or delimitation, compositional and lighting emphasis, and by a host of other techniques, subsumes that which is already there to transform it into an image of the artist’s contrivance, one that is no less of the artist’s making than a work in any other medium, but which is distinct from many traditional media (such as painting) in that it retains an evocation of the tension between what is already there and what is of the artist’s making. Should it fail to achieve this, it remains, to that degree, mere illustration to which aesthetic technique has been applied with greater or lesser skill. The way Til Death Do Us Part expands this basic principle of the photographic act, is to apply it to further existing elements, and, similarly, to transform them. These additional existing elements include written or improvised pieces narrated by their authors in a way that shifts between their own identities and the identities of fictional characters. Such characters derive partially from their own identities by making use of real or imagined memories, dreams, fears of the future, genuine impressions, and emotional responses to unexpected or even banal events. There is also music, with voice and instrumental accompaniment. The music slips between integration with the narrative voices and disjunction, between consistency and tension. At times it would direct the mood, and at other times it would disrupt. Despite that much of this material is made by others, it becomes, like the reality that is the raw material of an art photo, subsumed and transformed by the overall aesthetic act of the manner of its selection, distortion, organization, duration, and emotional effect. * * * David Lean was fond of saying that a love story is most effective in a squalid visual environment. In Til Death Do Us Part, the squalor of the American desert...

Soraya (The Princess and her Lover) - 2007 20x20cm. Edition of 10, plus 2 Artist Proofs. Archival Print based on the Polaroid. Signature label and Certificate. Artist Inventory ...

Vintage candid image of The King, Elvis Presley photographed early in his career in 1956 in Memphis Tennessee by Lloyd Dinkins. Elvis Aaron Presley, also known simply as Elvis, was an American singer, musician, and actor. He is regarded as one of the most significant cultural icons of the 20th century and is often referred to as the "King of Rock and Roll" or simply "The King". His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations...

Sexy, fun photograph of woman climbing into a car. Face mounted on acrylic. About the artist: Photographer Greg Lotus' work can be found regularly...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimizing the modern elements. I love the geometry of the tiles, the lines on the b...

large format Panorama photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to th...

Inner World #3, 2016 Archival pigment print on Hahne Muehle 200 gm Edition of 7 20 x 35 cm - $1600 40 x 60 cm - $2300 70 x 90 cm - $3400 Stratis Vogiatzis was born on 12th o...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

Mint Condition Hand printed by artist. Signed and numbered by artist. Cibachrome paper. Framed in off white metal.

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Tao Ruspoli (born November 7, 1975) is an Italian-American filmmaker, photographer, and musician. Background Tao is the second son of Prince Alessandro Ruspoli, 9th Prince of Cervet...

'Memories of Love' (The Girl behind the White Picket Fence) - 2013 50x50cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and signature ...

Lovefight (The Princess and her Lover) from 29 Palms, CA - 2009 120x180cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on 15 original Polaroids. Certificate and S...

From The series Guerreros Unique Photomontage on archival paper Unframed Signed, titled and dated by the artist The root of these unique photographic works by the artist Celso Cas...

C-print Signed, titled, dated, and numbered, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City. About the artist: Christopher Harris’s devastati...

Last Frame (29 palms, CA) - 2008 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4655. ...

Riggs Library II, Washington DC, by world-renowned architectural photographer Reinhard Görner, captures the timeless elegance of one of America's rare surviving cast-iron libraries. ...

Wilson US OPEN 4 Tennis Ball Digital C-Print / Archival Pigment Print Edition of 5 per size Available sizes: 24" x 24" 36" x 36" 48" x 48" Lusztyk’s “Collectible” series is a macro ...

Fade to Grey - 2016, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-2003...

Norman Parkinson's iconic image of models wear a variety of hats on the roof of the Condé Nast building on Lexington Avenue, New York City. Published in American Vogue on 15th Octobe...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimizing the modern elements. I love the geometry of the tiles, the lines on the b...

'Don't fence me in' (Bombay Beach) 2019, 45x60cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist ...

The artist's computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's w...

Combined Edition 10 Portrait of the Jamaican model, singer, songwriter, record producer and actress. From personality portraits and advertising campaigns to magazine layouts and fine art work, Greg Gorman has developed a unique style in his profession. His distinctive use of light in his black and white portraits is one of the identifying aspects of a Gorman photograph. Gorman’s strength has been photographing motion picture and music personalities. His work has been used in film advertising and publicity campaigns as well as album and CD covers. Some of the motion picture celebrities that he has photographed include Ben Affleck, Lauren Bacall, Alec Baldwin, Antonio Banderas, Kim Basinger, Marlon Brando, Pierce Brosnan, Kevin Costner, Bette Davis, Robert De Niro, Brad Pitt, Andy Garcia, Sir Anthony Hopkins, Dustin Hoffman, Sophia Loren, Al Pacino, Barbra Streisand, Kiera Knightley, Clive Owen, Jennifer Lopez and John Travolta. In the music field, Mr. Gorman has worked with Elton John, Michael Jackson, David Bowie, Morrissey, John Mayer, Bette Midler, Grace Jones and Frank Zappa to name a few. A partial list of the films that he has generated graphics and publicity for include “The Hurt Locker”, “Pirates of the Caribbean”, “King Arthur”, “Tootsie”, “The Big Chill”, “Bull Durham...

ABOUT THIS ARTIST: In rich, cinematic reds and browns, vivid yellows, and muted neutral shades, Adrian Samson’s photographs seduce viewers into a radiant, chromatic universe. With a ...

Girl Nude (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certificate. Artist inventory Number ...

Archival pigment print Signed, titled, and inscribed in pencil, recto 17 x 17 inches, sheet 11 x 11 inches, image This artwork is offered by ClampArt, located in New York City. Ro...

From The series Guerreros Unique Photomontage on archival paper Unframed Signed, titled and dated by the artist The root of these unique photographic works by the artist Celso Cast...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

Poolside Backgammon 1972 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Guests at the Villa Nirvana, owned by Oscar Obreg...

The gallery has the most extensive New York City landscape art photography, due to our abiding love for the city. We present the work of different photographers, some of whom are eme...

Extra large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle pai...

large format Panorama photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to th...

The ungovernable nature of water provides a balance between order and chaos. The photographer can compose the general nature of a photograph of a nude swimmer, but the exact results ...

The morning desert of Northern Territory, Australia as captured by photographer, Peter Lik in Painted Skies, an original cibachrome color print mounted on plexiglass measuring 8 x 20...

A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured in the group are: industrial designer Raymond Loewy (189...

The Atlantic Ocean series places a little contextual history of this scenic image with its maritime history at that spot with the interplay of th...

Bill, 2002 by Celso José Castro Daza From the Series Guerreros One of-a kind Photomontage on archival paper Unframed Signed, titled and dated by the artist The root of these unique ...

Stefanie Schneider's Minis Party's over (Oxana's 30th Birthday), 2008 featuring Radha Mitchell Signed and signature brand on verso. Lambda digital Color Photographs based on a Polar...

"Chrysalis" Nude Photography 36" x 24" in Ed. 1/7 by Aaron Mcpolin Archival Giclee Print & Museum Framed NOT framed. Ships in a tube. OTHER SIZES AVAILABLE: Edition of 15: 24 x...

Ezra II, limited edition, archival pigment ink photograph, signed and numbered When looking at Julie Blackmon’s “Hilltop,” notice the elements that are in motion: the grass on the h...

Into the Wild (Stranger than Paradise) - 2001, 32x52cm, Edition of 10, Archival C-Print based on the Polaroid, Signature label and Certificate. Artist Inventory No. 2896. Not m...

Branching, 2025 by Isabelle Schneider is a contemporary photographic resin work. Branches and fragments of deep blue sky are reflected on a window shade, with soft light illuminating...

Museum quality fine art print of Beyonce by photographer Markus Klinko. Shot in 2003 for the cover of the album, Dangerously In Love This print is available in the following sizes,...

Available sizes: 30" x 37.5", Edition of 15 40" x 50", Edition of 10 48" x 60", Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ...

Palma #5 (Palma de Mallorca, 2022) Beautiful picture of Jacaranda tree captured in OldTown of Palma. Size: 43 x 28 inches / Edition of 6 Size: 70 x 47 inches / Edition of 3 Size: ...

This stunning color action shot features American actor Steve McQueen. Often called "The King of Cool", whose "anti-hero" persona developed at the height of the counterculture of the...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimizing the modern elements. I love the geometry of the tiles, the lines on the bottom of the pool and the typography of the signs. Since my first Poolside exhibition in 2018, I have travelled to London, Paris, Manchester and Glasgow to add to my collection. Focusing on composition, carefully using blocks of colour to show interesting shape and proportion. The eye is drawn to the architecture, then the symmetry and reflections, and finally to the models, which feels more intimate.‘ Although my first collections were heavily inspired by my love of Wes Anderson's work, I’ve also been looking to other cinematic imagery from directors like Terrence Malick and Stanley Kubrick, while still keeping my signature style.’ We are so lucky to still have these beautiful old pools and maybe the photographs will remind people how lovely they are." - Soo Burnell ABOUT THIS ARTIST: Growing up surrounded by Edinburgh's historic beauty, it would be hard for any photographer not be inspired by its incredible buildings. However, it was the Victorian swimming pools of her childhood that really spoke to photographer Soo Burnell, and allowed her to apply her personal style and aesthetic to shoot these iconic buildings. Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film...

ADDITIONAL SIZES AND FRAMING: Additional sizes are available. Please inquire for more information on larger sizes. We offer fully archival professional framing for all prints for an ...

Through Jay’s photography, context evaporates, and we as the viewer are left to engage the subjects, trade places, and for a moment, live behind their eyes. David Jay's work gives a unique and intimate perspective on how we define beauty. A confrontation between the perception of beauty and the transitory nature of existence, Jay’s subjects, muses, and warriors, reside within the unseen domain of the human narrative. Hotel Bondi...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety procedures on a small craft that happens to be indoors. Another pair have a psychological game of tug of war...

"Through the Falls" The famous horses of Iceland pay no attention to the extreme elements of their homeland most would find daunting - including some of the mightiest waterfalls on ...