Sculptures on Sale

Ann Rothman Elephant (Circus, Whimsical, Viola Frey, Delicate, Playful, Fun, Cirque du Soleil, The Ringling Bros., Barnum & Bailey) 2021 Porcelain, Low Fire Glazes, Crayons, Watercol...

Mixed media sculpture. Hand numbered on the underside of the sculpture. Hand signed and numbered certificate of authenticity by Ryan Travis Christian. Includes original wooden box...

Linda Stein, River Knight 617 - Contemporary Bronze Indoor or Outdoor Sculpture River Knight 617 is one of Linda Stein's most iconic works. It is from her Knights of Protection ser...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. T...

DANIEL ARSHAM Hourglass (Blue), 2019 Glass, sand, cast miniature camera and quartz crystal in opaque white resin accompanied by its original box with guara...

These are figurative works, of classical or archaic inspiration, reinterpreted using strictly contemporary signs and communicative languages, decontextualized and transformed into decorative elements: bar codes, qr codes, wi-fi icons, @, symbols of well-known advertising campaigns, numbers / formulas, which combine to form the vision of a dystopian archeology of the future which bring the individual closer to goods or objects, traces of mechanical or computer elements, which testify to a reality, ours, which has already happened, already lived. It is like an eye on the archeology of a distant future, or on a contemporary discovery that indicates an end already seen, towards which we can move. The metal structures are supports that enter the composition and the aesthetic vision and communication of the topics covered. The "cages" at the same time constrain but support, they root to the ground but soar upwards, in a liberating tension. ATLETA 2 - LA FORMA...

Linda Stein, Iron Knight 625 - Contemporary Art Ceramic Wall Sculpture Iron Knight 625 is from Linda Stein’s Knights of Protection series, which she started after being forced to ev...

A limited edition, yellow powder coated mild steel sculpture on a black steel base. The sculpture is typical to Uwe Pfaff's tongue in cheek approach, depicti...

After Marcel Duchamp Bicycle Wheel replica from the Philadelphia Museum (estate authorized), 2002 Wheel and painted wood. In original box 11 × 6 1/2 × 3 ...

Keith Haring Mickey Mouse Bearbrick: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals Keith Haring's Mickey Mouse artwork...

Scultura metacrilato metacrilato (plexiglass 100% riciclato) assemblata a mano - design by Gio Schiano (LIMITED EDITIONS OF 69) Misure: 30x30x5 è firmata e numerata con certificato,...

MATT DEVINE "Anemones #3 (Black)" Steel with Powdercoat (Indoor Only) 17 x 17 x 6 in. *Can be installed on wall or placed on table* Matt Devine is a self-taught sculptor working w...

Original, one-of-a-kind. Made in England, 2021. Black. Minimalistic. Abstract. Spheres: from molecules to planets. Look around: mono sphere or billions of small combinations of spher...

Linda Stein, Knight of Glyphs 626 - Contemporary Art Ceramic Wall Sculpture Knight of Glyphs 626 is from Linda Stein’s Knights of Protection series, which she started after being fo...

Linda Stein, Protection 469 - Contemporary Mixed Media Metal Wall Sculpture Protection 469 is from Linda Stein’s Knights of Protection series, which she started after being forced ...

Yayoi Kusama plush Pumpkins (set of 2 works): An iconic, vibrantly colored pop art set - these highly decorative plush Kusama pumpkins feature the u...

Linda Stein, Shaman 635 - Contemporary Bronze Indoor or Outdoor Sculpture Shaman 635 is one of Linda Stein's most iconic works. It is from her Knights of Protection series, which s...

Linda Stein, Case 1204 - Contemporary Art Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabi...

Linda Stein, Case 1203 - Contemporary Art Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabi...

Linda Stein, Summer Knight 616 - Contemporary Art Metallic Wall Sculpture Edition Summer Knight 616 is from Linda Stein’s Knights of Protection series, which she started after being...

Linda Stein, Knight Spirit 675 - Contemporary Art Metallic Wall Sculpture Edition Knight Spirit 675 is from Linda Stein’s Knights of Protection series, which she started after being...

MATT DEVINE "Anemones #3 (5 pieces)" Steel with Powdercoat (Indoor Only) 17 x 17 x 6 in. Each 17 x 85 x 6 in. Overall *Can be installed on wall or placed on table* Matt Devine is ...

Linda Stein, Picnic Case 928 - Contemporary Mixed Media Wunderkammer Sculpture This work from Linda Stein's Displacement From Home series draws from the t...

Javier Calleja Little Mickey Grey: A standout limited edition Javier Calleja Mickey Mouse art toy created by the artist in conjunction with the noted 2021 J...

This work is made out of ceramic terracotta and is in a Pre-Columbian style. It is a reproduction of sculptures typically found in the Colima culture in western Mexico. These origina...

Mid-Century earthenware vase with painted owl decoration, by Pablo Picasso, Vallauris, France (1952). This is a vintage, limited edition earthenware creation, in a run of 500 (Edition Picasso) at the Madoura pottery...

Linda Stein started her Knights of Protection series in 2002 after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Knights are shield-like forms ...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman Vintage Peacock II (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2022 Size: 6x4.25x0.5in Signed by hand COA provided Ref.: 924802-1331 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware...

Antique sculpture of a female Moor with flowering cornucopia Venice, 19th century Carved, lacquered and gilded/silvered wood Total height 202 cm (column base 82 cm, figure 120 cm) ...

Reflexio Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” Antoni Tàpies Moisés Gil’s sculptures can be described as philosophical and conceptual, as they encourage individuals to reflect and act in a never-ending existential struggle, in the face of the multiple situations by which they are affected in contemporary societies. Art is always a form of communication: communication with and between the materials employed by the artist, giving rise to an aesthetic visual balance able to convey feelings, emotions and ideas, all of which are essential to a nonconformist commitment and worldview. Moisés Gil puts his representations of individuals in sculptural structures to better indicate the place of humans in the world, the place of contemporary individuals in their different environments, sometimes hostile; they are naked men...

Winner 678 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Knights ar...

Keith Haring Bearbrick 400% (set of 2 works): Unique, timeless collectibles trademarked & licensed by the Estate of Keith Haring. This Bearbrick set reveals Keith Haring's iconic art...

-Made with Finest Calf Leather from the Weinheimer Tannery in Germany - Copyrighted Artgoods Exclusively Available at Moon Art & Masters - Strictly Limited Edition of 45 - Signed & N...

Industrial Machine Age American Scene WPA Mid 20th Century 1939 SF World's Fair HAIG PATIGIAN (American/Armenian, 1876-1950) Aeronautics Pediments Two Plaster Casts, c. 1930s each 13.25 x 14.75 x 6 inches It's possible these moquettes were created for the 1939 World's Fair, the Golden Gate International Exhibition in San Francisco. Provenance: Private Collection of Lois M. Wright, Author of "A Catalogue of the Life Works of Haig Patigian, San Francisco Sculptor, 1876-1950),” 1967 Loan to Oakland Museum of California (Oakland, CA) BIO Haig Patigian is noted for his classical works, which are especially numerous in public venues in San Francisco, California. Patigian was born in Van, Armenia, which at that time was under Turkish rule. Haig was the son of Avedis and Marine Patigian, both teachers in the American Mission School there. He and his older brother showed an aptitude for art early on and were encouraged by their parents. Their father himself had taken up the new hobby of photography. The 1880s were harsh times, however, for many Armenians under an oppressive rule by the Turkish government. Many people were fleeing to the safety of the United States. Suspicious Turkish authorities accused his father of photographing city structures for the Russian government, and in 1888 he fled for his life to America. Haigs father made his way to Fresno, California, and began life anew as a ranch hand. Within two years he sent for his wife, as well as Haig, his three sisters and brother, and in 1891 the Patigians made the journey from Armenia. Haigs father, an industrious man, worked on various farms, and eventually bought his own ranch and vineyard. It was among fertile farmland of Fresno that Haig grew up. Young Haigs education consisted of teachings by his parents and by intermittent attendance in public schools. Although he had dreams of becoming an artist, he did not have the opportunity for formal study of art, and began working long days in the vineyards around Fresno. At age seventeen, Haig made a step towards his dreams and apprenticed himself to learn the trade of sign painting. In his spare time he nurtured his interest in art by painting nature and life scenes with watercolors and oil paints. When his sign-painting mentor left Fresno, Haig opened his own shop and made a name for himself in the town. San Francisco, in the meantime, had been attracting artists since the Gold Rush and had become a thriving art center. Within a few years, Haig had put aside several hundred dollars to move to San Francisco, joining his brother who was already working there as an illustrator. In 1899, when he was twenty-three, Haig had saved enough money to enroll at the Mark Hopkins Art Institute in San Francisco. Like many aspiring artists of his time, Patigian supported himself by working as a staff artist in the art department of a local newspaper, and in the winter of 1900, nearing his 24th birthday, Haig began work for the San Francisco Bulletin, producing cartoons, black and white illustrations, as well as watercolors. In 1902 tragedy struck Haig and his family. His 29-year-old brother died of pneumonia, and then his frail mother died a short time later. Five months more saw his youngest sister, just out of high school, die too. Saddened and depressed, Haig moved out of the studio he had shared with his brother, and into a dilapidated studio in a poor section of town. During this time of sadness, Haig fed a growing interest in sculpture. In 1904 Haig created what he later called his "first finished piece in sculpture". The work, called "The Unquiet Soul", depicted a man thrown back against a rock while waves lash at his feet. The body was tense and twisted, with one hand, in Haig's own words, "searchingly leaning and clutching the rock, while the other masks his troubled head". The Press Club of San Francisco, which Haig had joined in 1901, put "The Unquiet Soul" on exhibition and local headlines proclaimed "Local Newspaper Artist Embraces Sculptor's Art", and "First Work Predicts Brilliant Future". With the support of friends and community acclaim, the young illustrator left his newspaper job and became a professional sculptor. The path of his new career was not easy though. Haig had never made much money working for the newspaper and his father needed help with growing debt from funeral expenses and business problems. From time to time Haig sold some artwork, but also occasionally borrowed from friends to pay the rent. He was the classic 'starving artist'. In the spring of 1905 a white-bearded 81-year-old stranger knocked on Haig's door. It was George Zehndner, from Arcata, California. Zehndner had been born in Bavaria, Germany in 1824, the son of a farmer. In 1849 he had come to America looking for prosperity, settling in Indiana, where he worked on a farm and learned English. He found his way to the West Coast in 1852. Penniless, he worked in various jobs from San Francisco to Sacramento, then found some luck working in the gold fields of Weaverville in Trinity County, and eventually moving to a farm on 188 acres near Arcata. In his 77th year in May of 1901, Zahndner had taken a trip to San Jose, where he stood in a crowd to see a man he thought much of, President William McKinley. McKinley was popular as 'the first modern president' partially because he realized going out to meet the common person increased his support. In September of that year, however, an anarchist assassinated the president while he stood in a receiving line at the Pan-American Exhibition in Buffalo, New York. Soon after, the city of San Jose erected a statue of the slain president in St. James Park. Zehndner took a second trip to San Jose where he visited the McKinley monument. Touched, Zehndner decided that, no matter the cost, his town of Arcata too would memorialize McKinley. George Zehndner had read about Haig in a newspaper article and asked if Patigian would create a heroic statue of the late President McKinley for Arcata. When asked how much it would cost, Haig responded, despite his borderline poverty, with the fabulous sum of $15,000. Zehndner agreed. The President was to be portrayed standing, wearing an overcoat, with his feet planted squarely on the ground. In the finished statue, one hand is held out before him in a typical posture of speaking, with the other hand holding the speech as his side. The 9-foot statue...

KAWS Blush Companion 2016. New and sealed in its original packaging. Published by Medicom Japan in conjunction with the exhibition, KAWS: Where The End Starts at the Modern Art Museum of Fort Worth (2016). Medium: Vinyl Paint, Cast Resin. Year: 2016. Dimensions: 11 × 5 inches. New in original packaging; excellent condition. Stamped on the underside of foot from a sold out edition of unknown. KAWS is an American graffiti artist and designer known for his toys, paintings, and prints. Born Brian Donnelly on November 4, 1974 in Jersey City, NJ, KAWS graduated with a BFA from the School of Visual Arts in New York and went on to work in animation. “When your whole art is based on the lettering you choose, you kinda figure out what ones work together. I just liked the shapes of the k, a, w, s,” he explained of his moniker. Having started as a graffiti artist in New York in the early 1990s, KAWS began reworking advertisements in his distinctive style. Pop Art and culture permeate his cartoonish Companion series of figurines, which bear a resemblance to the works of Takashi Murakami. KAWS worked together with Nike in 2017 to produce an Air Jordan 4 shoe and has done multiple collaborations with the clothing brand Uniqlo, continuing to blur the boundaries between fine and commercial art. The artist is also known for his large scale public installations, such as 2019’s KAWS: Holiday which was installed in the Hong Kong harbor during Basel Hong Kong. In 2019, THE KAWS ALBUM (2005) sold at auction for a record $14.8 million, breaking his previous record of $2.7 million which was set in 2018. This work is a take on the Beatles' famous 1967 album cover for Sgt. Pepper's Lonely Hearts Club Band, but instead replaced with characters from The Simpsons with the artist's signature Xs drawn across their eyes and skull. After years in the industry, KAWS gained approval from his peers in the street art world and more recently prestige from the museum and gallery worlds. Today, his work can be found in the collections at the High Museum of Art in Atlanta, the Modern Art Museum of Fort Worth, and the Rosenblum Collection in Paris. KAWS currently lives and works in Brooklyn, NY. Related Categories Shepard Fairey. Damien Hirst. KAWS red...

This is an artwork based on the transformation of a book. It uses the book historic print in the endsheets as background to a geometric form made up by ...

Lucien Smith Skateboard Deck: A vibrant piece of Lucien Smith wall art featuring 'Beast of Burden, 2020', limited series in conjunction with Sneeze Magazi...

Takashi Murakami Flowers Skateboard Decks: set of 3 works: Vibrant Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus E...

Alabaster temple with Corinthian capitals decorated with swans and flower ornaments. At the centre, a bronze statue representing the Queen Omphale dre...

Passadís Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” Antoni Tàpies Moisés Gil’s sculptures can be described as philosophical and conceptual, as they encourage individuals to reflect and act in a never-ending existential struggle, in the face of the multiple situations by which they are affected in contemporary societies. Art is always a form of communication: communication with and between the materials employed by the artist, giving rise to an aesthetic visual balance able to convey feelings, emotions and ideas, all of which are essential to a nonconformist commitment and worldview. Moisés Gil puts his representations of individuals in sculptural structures to better indicate the place of humans in the world, the place of contemporary individuals in their different environments, sometimes hostile; they are naked men...

Roy Carter (1938-2012) was a self-taught artist and sculptor who worked primarily in marble, terracotta, plaster, and stone sculpture. His practice utilized architectural and classic...

"The Gate" is a contemporary modern art polished bronze sculpture. This playfull and harmonious composition is a mix of geometrical and organic forms and stands well inside or outsid...

Marc Chagall Untitled (Roi David), 1954 is a rare and imaginative culmination of the collaboration between Marc Chagall and the Fucina degli Angeli. This work is from the beginning of Chagall’s usage of Murano glass as a means of expression. In 1954, Chagall was invited into the Fucina degli Angeli by Egidio Costantini who was the master glass blower at the time. This stunning and mesmeric sculpture beckons the eyes through the use of vivid, bold colors that blend seamlessly together. Blue, purple, teal and hints of red coalesce in the center of the glass plate, creating the backdrop for a whimsical scene placed in the foreground. A man in a crown kneels in the center of the work, preoccupied with the string instrument delicately constructed in his hands. Gilded flecks of gold are highlighted around the crown and instrument, showing us the depth of the lyrical poet. The transparent glass allows us to follow suite of the man, becoming entranced and lost in thought. Created in 1954 in the Fucina degli Angeli in Venice, Italy, this Murano glass sculpture was realized by master glass artist Egidio Costantini (Brindisi, 1912- Venice, 1998) in collaboration Marc Chagall, (Vitebsk, 1887 – Saint-Paul, 1985). This work is inscribed ‘M. Chagall E. Costantini 1954 © Fucina degli Angeli’ on verso and is an artist proof. Catalogue Raisonné: Marc Chagall Untitled (Roi David), 1954 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work). Egidio Costantini: Il Maestro dei Maestri. Brussels: Espace Kiron and Espace Medicis, 1990. A different Chagall glass...

KAWS WHAT PARTY Black: This KAWS Companion vinyl sculpture features KAWS' signature CHUM character in a sloping position. Published to commemora...

Jean Jules B. Salmson, A patinated bronze sculpture of William Shakespeare, 19th Century. Very rare sculpture of the famous William Shakespeare. A perfect fit for any library or gentleman's office...

Knight Emerged 641 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Knight Emerged 583 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

KAWS Black Holiday Companion (KAWS Taipei): This figure features KAWS' signature character COMPANION in a resting seated position. KAWS Holiday Taipei was published in 2019 to commem...

Patricia Corredor's modern sculptures evolve from her drawings into three-dimensional metal shapes created with precision laser cutting. She finishes the artworks with layers of elec...

ONE WEEK ONLY SALE "Lux-XI" is an abstract and kinetic sculpture constructed out of mirrored finished stainless steel by the French-Hungarian artist Nicolas Schöffer...

Roby Dwi Antono Kira (Black), 2021 Bronze sculpture with black patina finish and crystal resin tears 12 1/5 × 10 1/5 × 9 1/10 in 31 × 26 × 23 cm Edition of 75

Large Cloisonné Eggs Set of 2 Blue & Red with Birds & Flowers are a lovely set of sculptural beauty. Purchased directly from the Chinese manufacturing fa...

Heroic Vision 561 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kni...

Knight of Calm 621 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

Knight of Healing 614 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's...

Linda Stein started her Knights of Protection series in 2002 after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Knights are shield-like forms ...

"Aquatic Dance" is a larger version of Pietrina Checcacci's signature bronze legs. Pietrina Checcacci was born in Taranto, Italy. Currently, she lives in Rio de Janeiro, Brazil. ...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...