More Furniture and Collectibles on Sale

The Beovox Cona, designed in beautifully austere fashion by David Lewis and now permanently in the MOMA collection, was the first B&O subwoofer loudspeaker. It was specifically inten...

A ball table-desk lighter designed by Ronson. Very beautiful and extremely rare RonDeLight desk lighter, created in England by The Ronson Lighter Co. during the art deco period, bac...

This nightstand/bedside table was designed by Mojmír Požár for UP Závody and made in the former Czechoslovakia in the 1960´s. It´s made of beech wood, it has an opaxite glass on the ...

Traditional religious plaster wall artwork depicting The Last Supper. Made in traditional Catalan atelier in Olot, Spain, circa 1950. In original condition, with minor wear con...

Copper bar Planishere in hand-hammered polished copper, feet in black lacquered high gloss wood. Inside spaces for glasses and bottles. Top in black lacquered glass. Also vailable in...

A set of three rare KAWS illustrated publications: Made magazine 2003 featuring a KAWS illustrated cover band and ten or more interior photographs of the artists work additionally fe...

Extremely old box that is covered with leather and metal decorations. Rare find. France, circa 1600-1700 Weathered and some losses.

This bed has a half canopy with a cornice frieze of flame grained mahogany and carved acanthus leaf pendant finials. The size is 54" x 76 1/2", wh...

Art deco mechanical perfume dispenser Perfu-mist designed by Ronson. This is a beautiful and rare perfume dispenser flask, created in the city of Newark, New Jersey United States by...

Vintage Indian large Silver beaded necklace large silver beads on woven cord Darjeeling India early/ mid 20th century High grade silver. Measure: length 58 cm 23.5 inches, Per...

Early turn of the 20th century Art Nouveau veiled female portrait brooch/pin by Rine Pewter. The portrait is reminiscent of female portraits painted by Alphonse Mucha. The elegant w...

Antique Japanese Ehon Book Meiji Era, but details are unknown Woodblack print book Book dimensions 266 mm x 190 mm There are damages because it is antique item as we show on the ph...

Chinese screen for export with 6 panels decorated on both sides. The front side with various scenes of daily palatial life with relief figures, buildings and landscapes made of pain...

Lovely tan leather suitcase Superb colour of leather In very good condition No makers marks Clean canvas interior Original patina to the nickel plated brass hardware Weighs 10 ...

Antique map of an hemisphere and several figures illustrating the position of the earth, moon and sun. Printed for Scherer's 'Atlas Novus' (1702-1710). Artists and Engravers: Heinrich Scherer (1628-1704) was a Professor of Hebrew, Mathematics and Ethics at the University of Dillingen until about 1680. Thereafter he obtained important positions as Official Tutor to the Royal Princes...

Pair of iconic bleached walnut nightstands by T.H. Robsjohn-Gibbings for Widdicomb. Single drawer with intrinsic walnut pull and open top c...

The Moplen Car is a pedal car that represents an icon of 20th century design and technological innovation. Made entirely of Moplen, a thermoplastic polymer developed in 1954 by the ...

A rollalite lighter designed by Alfred Dunhill This is a very scarce petrol pocket lighter, created in Switzerland by La Nationale company for the Alfred Dunhill Company in London E...

Refined magazine rack made in Italy between the 50s and 60s. Handmade by flexing thin bamboo and rattan canes, this vintage magazine holder is covered in Vienna straw; the wheat colo...

Rattan bamboo room divider screen Paravant Italy, circa 1965 Ornamental handmade screen from 3 panels made from bent bamboo and rattan pieces held together with leather 'clamps'. ...

Untitled print with descriptive text (also on verso) illustrating a battle scene in the Moluccas. This print originates from 'Oud en Nieuw Oost-Indiën' by F. Valentijn. Artists an...

This cushion was designed to create a mélange of natural colours which will bring a shine to your interns. This particular design, with its superior material skillfully crafted by ou...

Antique map titled 'Carte de l'Empire Romain'. Original antique map of the Roman Empire, two sheets joined. Engraved by Pierre Francois Tardieu and published by Edme Mentelle, circa ...

A Maltese clock & touch tip lighter designed by Ronson. This is an extremely rare Ronson Maltese clock Touch-Tip lighter. This is a very iconic piece made in 1936 at Newark, New Jersey in the United States by the Ronson Art Metal Works Inc. This touch tip lighter began a very successful era for Ronson Touch Tip series of lighters which pushed out the strike lighters from the market. This fabulous Art Deco / Machine Age design, was crafted with streamline patterns. Solid construction in polished chromium plate and parts of the metal body are treated with black lacquer and the lighter base is padded with green felt. This surely is a very decorative piece and a great conversation item in gorgeous and exceptional preserved and almost mint condition. This version with the large dial are more rarer and more prized and desirable for collectors than the small dial version. It is illustrated at the Cummings book as very rare. This piece was used in 1941, in the Hollywood movie titled The Maltese Falcon, there the nick name for this specific model. Weight: 897.45 Grams, (1.87 Pounds). Measurements: 108 mm by 64 mm by 103 mm (4.25 x 2.52 x 4.06 Inches). Marks: Stamped with the maker's mark and signed, "RONSON TOUCH TIP US PATS. 1,986,754-DES PAT. 97,247 BRITISH PAT. APPLY FOR CANADA PAT. 349,148 NEWARK NJ-USA-ART METAL WORKS INC". With all supportive Ronson stickers and labels at the bottom. The Ronson lighter company The company started as The Art Metal Works in 1897 and was incorporated on July 20, 1898, by Max Hecht, Louis Vincent Aronson and Leopold Herzig, in Newark, New Jersey. Louis V. Aronson was a huge creative driving force for the company; and, with a few business adjustments, including the addition of Alexander Harris (1910–11) as Business Manager, the company soon became World Famous. In the 1910s The Art Metal Works were producing very good quality Hood Ornaments and gained a reputation as a dependable supplier of same. All accounts state that Louis Aronson was a gifted man, who at 16 years old set up a money-making shop in his parent's home - before receiving a U.S. patent for a commercially valuable metal-plating process he developed when he was 24 years old, and he sold half the rights while retaining the Right to Use. "His experiments, which he has been conducting since his early youth, resulted in 1893 in the discovery of a process for electrically producing tinplate. Much money was expended upon improving the process... and has been of great practical value to the whole industry. Retaining its rights, he sold half the patent rights, and later used part of the proceeds to open the Art Metal Works in Newark, N.J. Soon the company was producing a variety of high-quality Lamps, Book ends, Art Statues and other decorative items, prized today for their detail in the collector marketplace. Literature: Urban K. Cummings, Ronson, the World's Greatest Lighter : Wick Lighters...

Beautiful vintage wooden rung ladder of Italian manufacture from the 1950s. The ladder was made with sturdy and fine wood, still in excellent condition. The vintage ladder has seven...

Beautiful bauhaus style free standing coat rack with the functionality to welcome your guests with a great place for storing coats in a hall. The Bauhaus style offers a sleek chrome finish over a tube frame with six chrome hooks...

An opulent pair of Hollywood regency style commodes, chests or nightstands. These exceptional chests depict and compliment the Hollywo...

Vintage Louis Vuitton canvas & leather monogram diminutive suitcase, circa 1970s This vintage Louis Vuitton monogram suitcase, made in the 1970s, exemplifies the brand's timeless el...

Antique religion print titled 'Het Heilige der Heilige binnen den Tempel van Salomon'. This print depicts Solomon's Temple, the Holy of Holies, showing the Ark of the Covenant...

Antique print titled 'Madonna and Child with Angels'. Original antique print on chine collé, made after the painting by Correggio. Source unknown, to be determined. Published circa 1...

Pair of American mahogany pencil and bulbous post twin tester beds with original carved scrolled headboards, brass escutcheons, and side rails. Fits S...

A beautiful natural specimen, Charonia is a genus of very large sea snail, commonly known as Triton's trumpet or Triton snail. They are marine gastropod moll...

Aldunil gas lighter designed by Alfred Dunhill This is a very rare gas pocket-lighter, created in France for the Alfred Dunhill Company in Paris, back in the 1952. This semi-automatic lighter is the iconic and popular Aldunil model, crafted with art deco patterns in solid .800/.999 sterling silver with 18 karats rose-gold vermeil. All finished with high polish and substantial weight. This very early Aldunil Dunhill lighter is highly collectible and is decorated with diagonal undulates ribbed lines. Model: ALDUNIL. First Produced: Paris, France 1952. Material: 18 karats rose gold. over .800 Sterling silver. Weight: 74.4 Grams, (47.70 Dwt). Measurements: 60 mm by 23 mm by 12 mm (2.36 x 0.91 x 0.47 Inches). Hallmarks: Stamped with French marks: the jewelry atelier maker's mark, three times with the mark of the Crab for the assay of the .800 silver, the Parisian maker's mark, the reference number, the six-digits serial number and signed in full as follow, "DUNHILL PARIS 64 134482". Alfred Dunhill He inherited his father’s London saddlery in 1893. Following the increase in motor car ownership, Alfred developed the business to include motoring accessories, which he called ‘Dunhill’s Motorities’. This included goggles, timepieces, picnic sets, and leather coats, and it wasn’t long before the brand became associated with men’s general motoring attire. They opened two shops in Mayfair and had a catalogue of over 1300 items. Between the 1904 and 1905, Dunhill introduced their ‘Windshield Pipe’, to help drivers combat the effect of wind and travel on their ability to smoke. This marked both the end of the ‘motorities’ focus and their entry into the world of smoking ephemera, and they shortly opened their first tobacconist in 1907 on Duke Street. The proximity to several esteemed Private Members Clubs around the Mayfair, St James’ area ensured that the venture was a success. (From Nicholas Wells With Thanks). Literature: Blei-Bottoni, The Dunhill Petrol Lighter "A Unique Story", Unique SRL 2004 first edition. Figure-571 Pp-284 for illustrations of this model in silver and gold. Note: This Aldunil pocket lighter is empty of any flammable, gas or butane substances and is ready to be ship by any carrier. This lighter just need a new flint and proper butane gas. Was tested and is in working condition. Condition: The overall condition of this Alfred Dunhill lighter...

T-T Smoker's desk box with lighter made by Ronson. This desk box for cigarettes is exceptional and very rare. Has been created in the city of Newark, New Jersey United States by The...

Antique map titled 'Hemispherium Orbis Antiqui, Cumzonis Circulis, Et Sity populorum Diverso'. Decorative example of Andreas Cellarius's map of the Eastern Hemisphere, illustrating with climatic zones ranging from Frigida Borealis to Torrida, with planetary details superimposed. The elaborate border includes fine scrollwork, numerous putti, and additional diagrams showing armillary spheres and climatic zones. Andreas Cellarius was born in 1596 in Neuhausen and educated in Heidelberg. He emigrated to Holland in the early 17th century and 1637 moved to Hoorn, where he became the rector of the Latin School. Cellarius' best known work is his Harmonia Macrocosmica, first issued in 1660 by Jan Jansson, as a supplement to Jansson's Atlas Novus. The work consists of a series of Celestial Charts...

Royal House Antiques Royal House Antiques is delighted to offer for sale this handmade in America, Ralph Lauren Modern Metropolis UK Qu...

Original Australian film poster for the 1968 drama staring Joe Dallesandro and Geraldine Smith, and directed by Paul Morrissey. This film was pr...

Arising from the collaboration of the automobile brands, these exclusive antique model cars are 1:10 scale models that took over 4,000 hours to deve...

New Hand-Embroidered 100% Silk Cushion Cover – Authentic Uzbek Textile Art Elevate your home décor with this exquisite hand-embroidered Suzani cushion cover, crafted from 100% pure ...

🌟 Introducing the Perfect Blend of Style and Functionality! 🌟 Elevate your living space with our Beautiful Mid-Century Modern Magazine Rack that doubles as a sophisticated Side Ta...

Vintage Chinese Peach-Stone Carving Arhats Heads Necklace – Hand-Carved Buddhist Beads Jewelry Celebrate spiritual artistry with this Vintage Chinese P...

Antique religion print titled 'Het kopere Waschvat, Tusschen de Tente der t'zamenkomst en den altaar'. Antique print of the Brass Laver in Solomon's Tem...

Maquette or Sculpture of Victor David Brenner's 1933 D Lincoln Penny Front/Obverse Offered for sale is a remarkable maquette or sculpture replicating Vi...

A Nanna Ditzel for Georg Jensen sterling silver ring. Designed as a curved undulating sculptural form. It sits beautifully on the finger, catching light from different angles. The ri...

Antique Map of Germany by Thomas Kelly, London, circa 1830, with hand colouring Finely engraved map of Germany titled 'Germany', published by Thomas Kelly at 17 Paternoster Row, London, circa 1830. This historical map outlines the German states, duchies, and surrounding regions including parts of Austria, Switzerland, France, Poland, and Bohemia. Borders are hand-coloured by region, and major rivers, mountain ranges, and cities such as Berlin, Hamburg, Frankfurt, and Munich are clearly marked. Engraved by H. Cooper. This beautifully detailed copperplate engraving features original hand colouring and displays the political divisions of early 19th-century Germany, including Prussia, Bavaria, Saxony, and Württemberg, along with neighboring regions such as Austria, Switzerland, Bohemia, and parts of Poland and France. Major cities like Berlin, Munich, Hamburg, and Frankfurt are clearly marked, as well as rivers, mountain ranges, and regional borders. Engraved by H. Cooper. A fine historical map ideal for collectors, interior decorators, or anyone with an interest in European history or cartography. Technique and material: Copperplate engraving, original hand colouring Condition report : Good condition. Strong impression with hand colour. Small chips and edge wear to upper margin, not affecting image. Light age toning and minor handling marks. Tight on the left and right margins. Framing tip: Use a neutral or antique white mat to highlight the engraved detail. A dark wood or classic gilt frame complements the historical aesthetic. UV-filtering glass recommended to protect the original colouring. Keywords for SEO: antique map, map of Germany, 1830s map, hand-colored map, Thomas Kelly map, old Germany map, Prussia map...

Traditional religious plaster figure of a virgin in a wooden altar. Made in traditional Catalan atelier in Olot, Spain, circa 1950. In original condition, with minor wear consi...

An impressive rare and monumental antique hanging brass bird cage. Octagonal form with dome top, three wooden perches (two movable), three dish stands, and removable lower grate. Whi...

Pair of Exquisite Regency Period Mahogany Side Cabinets with Decorative Brass Lattice Fronts Internal measurements Depth of shelf 24cm Internal Cabinet Height 77cm

'Astronomie populaire, description générale du ciel' by Camille Flammarion. Published in Paris, 1880. First edition of this pleasant work of scienti...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original Arts & Crafts Shapland & Petter Hall stand with hand hammered Copper panels over a Walnut frame with inset sheild mirror Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good looking well made and decorative hat glove coat and scarf rack, this one is rare as it has the central mirror and its an earlier than usual example circa 1900 Made by Shapland & Petter, a full blub on their life and works can be found below In terms of the condition it is straight and solid, the piece sits well in any setting and looks decorative and very English country house, we have cleaned waxed and polished the timber, there is one hook slightly bent, otherwise its in fine order Dimensions Height:- 205cm Width:- 113cm Depth:- 40cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask Shapland and Petter of Barnstaple Introduction This Barnstaple based company manufactured some of the finest pieces of furniture in Arts and Crafts style but very little has been written about the company or the pieces they produced. It a great shame that whilst Shapland and Petter pieces have been illustrated in books and auction catalogues they are invariably attributed to other makers such as Liberty and Co in London or Wylie and Lochhead in Glasgow. With this feature, we intend to inspire a more thorough appreciation of the work of the company; readers are invited to help with the task by sending photographs and information. Collectors and auction houses are now showing significantly more interest in Shapland and Petter pieces. The company, based in Barnstaple, England produced a very wide range of furniture in several different styles including many pieces in period reproduction and municipal style for town halls and commercial premises alongside their superb Arts and Crafts range Distinctive features of their superb Arts and Crafts style are the use of heart shaped piercing, geometric shapes with angled arches and the application of repousse copper panels. Decoration with marquetry, metal inlay, mounting of ceramic and enamel cabochons were techniques which they mastered with a combination of state of the art technology and traditional craftsmanship. Most distinctively, the pieces were extremely well made, with care and very best quality materials The growing interest in Shapland and Petter has raised many questions about the origins of the firm, and the sources of influence on their designs, some of which resemble designs by Ashbee, Ballie Scott, Voysey and Talwin Morris. Links have been assumed with Liberty and Co with the supposition Shapland and Petter worked on commissions for Liberty. There appears to be little evidence to support many of the assumptions which have developed around the company and this article is intended to help to start the discussion and to stimulate research The History of Shapland and Petter The Museum of North Devon in Barnstaple have an archive of Shapland and Petter which includes some company records and a small display of furniture and related items. The following text gives history of the company and is reproduced from the display boards in the museum with kind permission of North Devon Museums For over 100 years the Shapland and Petter factory has stood at the end of Barnstaple Long Bridge. Manufacturers of doors, door sets, and custom wood interiors, NT Shapland and Petter Ltd are still one of the towns largest employers. The company was established by Henry Shapland (b. 1823), a cabinet maker by trade. He embarked on a voyage to America in 1848, where he was inspired by an invention for a wave-moulding machine. He was only allowed to see it if he left the country immediately. Returning home with only rough notes, he reproduced the machine and in 1854 began a cabinet making business in one room at the Raleigh woolen mill in Pilton. Later the firm moved to Bear Street in Barnstaple. Henry Petter was an accountant who entered into partnership with Mr Shapland. The business progressed and in 1864 they bought the Raleigh Factory where Shapland first began his work. Success was rapid, but in 1888 the building burnt down. Immediately work began on a bigger and better factory - their present site by the Long Bridge - which included many modern inventions The two Henrys died within two years of each other - Petter in 1907 and Shapland in 1909. In 1924 Shapland and Petter merged with the Barnstaple Cabinet Company, producing North Devon's biggest industry. During the First World War Shapland and Petter's skilled craftsmen turned their hands to wooden propellers for the aircraft of the Royal Flying Corps. After the war, public tastes changed, and hand carved furniture was too expensive for many. Shapland and Petter's output now included elegant veneered pieces with smooth Art Deco lines. The company fitted out Pullman carriages and ocean liners and made hand-carved church furniture. The famous England Rugby Captain W. W. Wakefield was appointed Company Director in 1927. Throughout the depression of the late 1920's and early 1930's the company still managed to produce high quality work Furniture manufacturing continued until the outbreak of the Second World War in 1939. Many workers left to fight, while the factory worked on Air Ministry contracts for ammunition boxes. After the war came radio cabinets and laboratory and contract furniture, until eventually large quantities of doors were being produced for hospitals, hotels, schools, offices and other buildings. Examples of Shapland and Petter's work can be seen all over North Devon. In Barnstaple, the shop front at 109 High Street is a good example, and the interior of the old Lloyd's Bank, now Chamber's Brasserie, was also Shapland's work. Examples of carving by Shapland's men can be seen in two chairs and a reading desk in Barnstaple Parish Church As cabinet makers, Shapland and Petter employed up to 350 people at a time. There were designers, carvers, cabinet makers, machinists, polishers, and labourers. The company was one of the first to install American labour-saving devices and was keen to adopt the most up-to-date machinery The fire of 1888 at the Raleigh Cabinet Works was a huge loss for the company. However, it resulted in a new factory which was altogether more modern and better equipped. The new building by the river was arranged into blocks. The production line began with the saw mills and ended with the finishing rooms. There was modern machinery in every department - one of their saws was the first of its kind in Britain. Water sprinklers and electric lights were a necessity - this factory would not burn down As well as the furniture production, Shapland and Petter imported timber by sea and rail. The new factory 's facilities were exceptional Shapland and Petter were renowned for excellent design and workmanship. The carvers were highly skilled, serving seven year apprenticeships and attending classes at the Barnstaple School of Art. Ornately carved furniture required up to a hundred tools The factory produced made to order woodwork for banks, hotels, and shops; mantelpieces, paneling and staircases. They fitted out Pullman railway carriages, the London Guildhall, and Edgar Wallace 's dining room as well as houses like Tapeley Park in North Devon Much of the work involved intricate leaded glass panels, or inlaid fruitwood designs, like the white bedroom suite shown in the exhibition here. This type of work is typical of Art Nouveau 1895 to 1910, inspired by the fluid shapes of plants and flowers Many pieces were made from standard designs. There were hundreds to choose from, and a selection could be seen in local and London showrooms and in catalogues. Although mass-produced, this furniture was well-made by skilled technicians and modern machinery Arts and Crafts designs of Shapland and Petter The development of the Arts and Crafts Movement in the South West of England has not been written up in any detail though we do know of the Art Potters of Barnstaple from the excellent book of this name by Audrey Edgeler. Less is known of the Barnstaple Guild of Metal Workers. We know of the Bath Cabinet Makers and the Newlyn School of Industrial Art in Cornwall but very little has been written about the furniture makers of Barnstaple in Devon The establishment of a large cabinet making firm in Barnstaple is not remarkable in itself; there were several cabinet makers in the area. What is interesting is that this particular Barnstaple firm should become a leading maker of Arts and Crafts furniture, copying the styles of the leading Architect designers and creating their own unique style Critics may point out that as their work was commercially driven and reliant upon machines it therefore does not really qualify as Arts and Crafts. Whilst the company was highly innovative in machine technology, they also employed many craftsmen who worked with their hands in woodcarving, marquetry work, design and application of decorative copperwork and other artistic embellishment in the true Arts and Crafts tradition. Anyone who has experience of Shapland and Petter workmanship knows the level of craftsmanship invested in each piece Sources of inspiration There appears to be no evidence to link any known architect, artist or designer to the Shapland and Petter company. Their designs appear to have been created solely by their own internal design staff none of whom appear to have published or registered their work in any other context C. R. Ashbee who established the Guild of Handicrafts visited Barnstaple in 1893 and provided a twelve week course on the design and decoration of furniture. It is presumed that this visit was hosted by Shapland and Petter, and that their own staff and those from other local furniture makers attended the course. Ashbee appears to have been unimpressed by the commercial attitudes he encountered and apparently disappointed at the lack of interest in his (high minded) lectures. What is interesting however is the similarity between some of his designs and those used by Shapland and Petter, particularly in respect to inlaid floral design. Perhaps he left a lasting influence which has not yet been verified There has been some speculation on the influence of Scottish designers, particularly because of the use of Glasgow rose designs which are typical of the Glasgow School, and particularly of Talwin Morris. There are also several designs which use similar motifs to those used by Baillie Scott, the use of two doves in flight for example. More research is needed to trace possible links here. One thing that is clear is that there was a great deal of copying and selling designs in the furniture industry at the time and a nineteenth century survey on the furniture trade recorded that '' Barnstaple pays the best prices for designs ..'' Collaboration with other companies There is evidence that Shapland and Petter organised a wide network of companies to retail their products and hence many pieces have the labels of retail furnishers added. Little is known of their marketing in Europe and America but it may be that many Arts and Crafts pieces were sold abroad. Shapland and Petter had excellent access to rail and shipping lines for importing timber and presumably for exporting their finished products The extent of their collaboration with other companies is yet to be ascertained but there is evidence that their suppliers included the Della Robbia Pottery, Pilkingtons Tile...

Pair of bedside tables from 1970, Italian, veneered in teak on chipboard. Particular opening of the doors. Honey color. Comes from an old rich country house in the Florence area of...

Late 18th century hand painted Bavarian dowry chest dated 1767 Offered for sale is a Bavarian hand painted dowry chest with cast iron handles, e...

A luxurious wooly bouclette face with stone washed linen back. Linen & boucle fabric is imported from France. Custom made to order, can be customized to your size. Color: Natural Ant...

Fine Italian midcentury bed room set with a pair bed frame, a pair of nightstands and an elegant dressing with a glass top. Excellent vintage condition....

3-941 Hand made diorama using bird feathers and natural fauna set in a lacquered wood frame under glass.

20th Century French gilt wood hand carved headboard in Rococo style in original condition. Very stable one with astonishing details and great proportions. France, circa 1900

Early 20th chalice. by unknown manufacturer, Spain. In original condition, with minor wear consistent with age and use, preserving a beautiful patina. Materials: Metal Dim...

A pair of wonderful Vintage Brutalist nightstands or end tables that have been re-done and coated in textured metal by a local artisan. These "rib...