Miniature Art

Benton, Thomas Hart (American, 1889-1975 SLOW TRAIN THROUGH ARKANSAS. Fath . Lithograph, 1941. Edition of 250 published by Associated American Artists (A.A.A.). 9 7/8 x 12 inches (im...

Hurricane (Bombay Beach) - 2019 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signed on the back and with certificate. Artist ...

"Lemon" is a radiant sculptural piece from Elizabeth Art Candy’s Fake Marshmallow series, where tactile forms and vibrant hues evoke a playful yet sophisticated visual language. Crea...

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000...

I love the way the silver and porcelain objects are reflected and the subtle warm and cool color throughout. The medium used is oil on canvas, which allows to capture the vibrant col...

Beautiful Dutch School painting dating from 17th century. Oil on wood panel measuring 10 3/8 x 14 7/16 inches. Unsigned. No inpainting or conservation. Depicted is a scene with a beautiful young woman singing...

Giner Bueno (1935-2000) Painter from Alicante, son of the painter Luis Giner Valls. He studied at the School of Arts and Crafts of Valencia and finished his studies in Paris, where...

"FUCK IT" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual...

El Vergponzoso (The Shamefaced One) etching & aquatint, 1799 Unsigned (as are all Goya etchings) From: Los Caprichos, Plate 54 From the First Edition, printed 1799, on laid paper Ref...

Colourful and witty portrait with lively patterns and still life elements. Painted in acrylic on paper and framed in a gorgeous chunky black wooden frame. A small painting with a big...

Beautiful WPA era NYC street scene by American artist, Albert Sway (b.1913). Jiggers on Broadway, ca. 1935. Lithograph on paper, image measures 9 x 13 inches. Full sheet measuring 11...

"Sitting Girl on Panel" is a bronze sculpture of a nude sitting female on a rustic panel. Edition 30, signed, numbered and dated on the back. The rustic panel can be hung on a wall ...

The painting depicts the Venice Canal flooded with soft sunlight. The water reflects the warm colors of the sky and the majestic facades of palaces decorated with arches and columns....

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features holidaymakers relaxing on a beach in Bermuda. This is an estate stamped and hand numbere...

Artist: Jeff Koons Title: Balloon Monkey (Blue) Year: 2017 Medium: Porcelain with blue chromatic coating Dimensions: 9 7/8 × 15 7/8 × 8 1/4 inches (24.9 × 39.2 × 21 cm) Edition: 999;...

Medium: pochoir (after the mixed media collage). Printed in Paris at the Daniel Jacomet atelier and published in 1960 by the Berggruen Gallery. Image size: 6 x 3 3/4 inches (153 x 96...

Archival pigment print Signed in black ink, recto 14 x 11 inches, sheet size 10 x 10 inches, image size This artwork is offered by ClampArt, located in New York City. Born in Poland in 1942 as Armin Hagen Freiherr von Hoyningen-Huene, Peter Berlin is a relative of the celebrated fashion photographer George Hoyningen-Huene (1900-1968). Raised in Germany, Peter Berlin received post-secondary education as a photo-technician, and in his early 20s worked as a celebrity portraitist for German television. However, it was around this time that he curiously began designing and sewing his own skin-tight clothing which he would wear as he cruised the parks and train stations in Berlin, Rome, Paris, New York, and San Francisco. After several long-term stays on the east coast of the United States, Peter Berlin eventually moved to San Francisco in 1969, and became a fixture on the steep streets with his signature look and perpetual posing. He soon began producing films and starred in the now iconic “Nights in Black Leather” (1973), co-directed by Richard Abel. Berlin then produced, directed, and starred in “That Boy” the following year, and made four shorter films through the mid- to late-1970s, while publishing and selling his photographic self portraits. Peter Berlin was the subject of several Robert Mapplethorpe photographs...

Pablo Picasso (1881-1973) - La Comédie Humaine Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and s...

Ralston Crawford, 'Third Avenue Elevated #1', lithograph, 1951, edition 55. Freeman L51.4. Signed, titled and numbered '48/55' in pencil. A fine, richly-inked impression, with rich ...

5035 Vintage Italian oil Painting "The Streets of Naples Italy" Framed in a black wood frame Image size 13x10"

Digital pigment print on Takeo Deep PV Hakou paper and hardback book 27.9 x 22.9 cm Edition of 100 + 5 APs It was produced in Tokyo under the direction of the artist. Each print come...

Composition au verre a pied (Composition with stemmed glass) Lithograph (Ink drawing, pen and brush transferred to lithograph stone) , 1947 Unsigned Editi...

Andrew Scott, The Boxer, 2023 Watercolor paper with broken glass and hand drawn digital illustration 44.5 × 33 cm (17 1/2 × 13 in) Edition of 192 (Prin...

Lithograph on vélin paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the album, Les Cavaliers d'Ombre; Sous le Manteau de Feu, 1956. Pub...

Aventure d'une libertine XVI, Paris, 2015 From The Secret Album Series Edition 6/6 ex. 5 AP. Unframed The Secret Album Series This series is born from a...

SOME SURMOUNT 2024 Paris, France This charming painting on canvas visually represents the notion of being unshackled from a burden, and an ascension from a darker place. A black, e...

Alexander Calder Card Players Lithograph form Derrière le miroir: Lithograph in colors; circa 1975. 11 x 15 inches. Good to very good overall vintage condition. Unsigned from an edi...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

Rene Marcil: 1917-1993. Very well listed Canadian artist who has auction records as high as $100,000. This fabulous fresh to the market oil painting is either on a thin board or thic...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shizen (自然): the Japanese concept of naturalness, absence of pretense, or artificiality. Material is stretched over a supporting three-dimensional framework, like a tent, and coated with paint. This multi-dimensional 18-inch square and 3.25-inch deep post-minimalist artwork is wired and ready to hang. It is created with mixed media on canvas, stretched over a three-dimensional wooden form. The sides of this artwork are finished by the artist as a continuation of the front, and it does not require framing. The artist signs and titles the artwork on the back. Convenient delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. A certificate of authenticity issued by the gallery is included. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is characterized by “mindful artlessness” and simplicity. The natural-like radiation that comes from the structure of the materials and color schemes expresses calmness. With a fusion of art and architecture, Klikunas presents compositions that defy conventional perceptions. Through strategic placement and a rich color palette, he creates three-dimensional structures that engage viewers in a captivating visual experience. Len Klikunas' sculptural minimalist works are represented by Artspace Warehouse Los Angeles. They have been exhibited and collected throughout the world. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2018 Lacy Lines, The District, Boise, Idaho Horizons, Landscapes, The District, Boise, Idaho 2013 Block in the Void, The District, Boise, Idaho 2012 Back of the Light, The District, Boise, Idaho 1979 Nudes by Klikunas, Courtyard Gallery, Portland, Oregon 1976 Solar Votives, Clackamas College Gallery, Oregon City, Oregon SELECT GROUP EXHIBITIONS 2023 “Fluro Colour Forever”, Civic Center, Nampa, ID 2022 “Lines In Motion”, Artspace Warehouse, Los Angeles, CA 2020 Midnight Blue, Artspace Warehouse, Los Angeles, CA Reflections and Shadows, Meridian Library, ID Behind the Red Door, Initial Point Gallery, ID 2019 Affordable Art Fair, New York, NY Roots, Nampa Civic Center, Nampa, ID Binary Response, Artspace Warehouse, Los Angeles, CA After Dark: A Duality, Nampa Civic Center, Nampa, ID 2018 Affordable Art Fair, New York, NY Artspace Warehouse, Los Angeles, CA Art Palm Springs, CA 2017 Artspace Warehouse, Los Angeles, CA 2016 6 by Six, Art Source Gallery, Boise, Idaho (juried) This American Life, Treasure Valley Artists Alliance, Boise, Idaho (juried) Celebrating Private Idaho, Treasure Valley Artists Alliance, Boise, Idaho (juried) Inner Workings, Surel's Place, Winston C. Mitchell and Surel L. Mitchell Family Foundation honorarium, Garden City, Idaho (juried) 2015 Hunting and Gathering Exhibition, Treasure Valley Artists Alliance, Boise, Idaho (juried) Artspace Warehouse, Los Angeles, California 2nd 2015 Showcase Competition, winner, Artslant Bellingham National Salon des Refusés, Whatcom Museum, Bellingham, Washington 2011 Elon University Gallery, Elon, North Carolina 2010 Idaho Triennial, Boise Art Museum, Boise, Idaho 1987 La Quinta Juried Art Festival, La Quinta, California 1984 Courtyard Gallery, Portland, Oregon 1983 Courtyard Gallery, Portland, Oregon 1982 Courtyard Gallery, Portland, Oregon 1981 Courtyard Gallery, Portland, Oregon 1980 Salon de Refuses, Portland Center for the Visual Arts (PCVA), Portland, Oregon Courtyard Gallery, Portland, Oregon 1979 Courtyard Gallery, Portland, Oregon 1978 Artists of Oregon, Portland Art Museum, Portland, Oregon (juror: Wayne Thiebaud) Courtyard Gallery, Portland, Oregon Gazebo Gallery, Lake Oswego, Oregon 1977-1974 Courtyard Gallery, Portland, Oregon Gazebo Gallery, Lake Oswego, Oregon PUBLICATIONS 2010 ArtDaily, Feb 5–May 25, 2010 2010 Boise Weekly Vol. 19 Issue 15, Oct 6–12, 2010 2010 Sustain + Expand, Boise Art Museum, Boise, Idaho 2010 Idaho Statesman, Boise, Idaho, Taking the Pulse of Idaho’s Art...

From Les Maitres de L'Affiche, plate 94. Printed by Imprimerie Chaix, Paris. Maîtres de l'Affiche (Masters of the Poster) refers to 256 color lithographic plates used to create an a...

A very attractive rural scene of a fisherman and his dog on a riverbank, in very good colour and an appealing composition. Claude Hayes (1852-1922) A fisherman and his dog by a riverbank Signed Watercolour with touches of pencil 6½ x 10 inches, image only 13 x 16 inches with the frame Claude Hayes was a Dublin born painter who to avoid his father's wish to make a businessman of him ran away to sea and served on the Golden Fleece, one of the transports used in the Abyssinian expedition of 1867-68, and also spent a year in the United States. Returning to London, he studied art at Heatherley's and the Royal Academy Schools, and then in Antwerp, under Charles Verlat. He worked in Hampshire with James Aumonier and also in Surrey with William Charles Estall, whose sister he married. Hayes exhibited widely in London and provincial centres, and was elected a member of the Royal Institute of Painters in Water Colours in 1886, the Royal Institute of Oil Painters in 1883, and the Royal Scottish Society of Painters in Watercolour, 1902. He also showed at the RA, RBSA, Brook Street Art Gallery, Dudley Gallery, FAS, GI, Grosvenor Gallery, Walker Art Gallery, Liverpool, MAFA, RBA, RHA, Ridley Art Club, RSW and Walker's Gallery, London. In 1912, Claude Hayes represented England at the Venice Biennale. His work is in various public collections in England and Ireland including the Ulster Museum, Museums Sheffield, Torre Abbey Museum and the Leeds City Art Gallery. His father was the artist Edwin Hayes.

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Castanea Equina, Chateignier amaire (Horse Chestnut)". It is plate 342 in...

This experimental painting entitled “Faster! Faster!” by Chicago artist Patrick Fitzgerald continues his series of abstract “track paintings,” initially born as the imagined racetrac...

Kate #2, 2002 by Leonard Freed is an 8" x 10" hand printed, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on verso (back of print).. M...

Title: Mid Century French Ink Portrait of a Woman Artist: Josine Vignon (French 1922-2022) Medium: Ink on paper Size: 11 (height) x 7.5 (width) Stamped: Verso Condition: Good P...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Artist: Roger Mühl Medium: Original Lithograph, signed and numbered, 1986 Dimensions: 12.5 x 16.5 in, 41.9 x 31.8 cm Arches Paper - Perfect Condition A+ In 1986, from the Lithographic Portfolio "Provence" One of Mühl's major sources of creativity throughout his career was light. It was in the south of France that he found the intense, bright sunlight that inspired him most. In this series of original signed lithographs, the artist depicts the landscapes around his home in Provence. These works were created to illustrate texts and poems written by French author Marcel Pagnol. Marcel Paul Pagnol was a French novelist, playwright, and filmmaker. He was born in 1895 in Aubagne, Provence. While he is still generally regarded as one of France's greatest 20th-century writers, he became the first filmmaker elected to the Académie française...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Henri Matisse created a series of posters at the atelier of Mourlot Frere...

Daniel Arsham Future Relic no.3 (Clock), 2015 Plaster and broken glass comes with the original box some minor wear to the box. 14 × 12.7 × 6.4 cm Edition of 400 Daniel Arsham is a c...

Narelle Zeller's "Cymbidium Orchids" is an oil painting that depicts four blush colored orchid flowers blossoming in contrast with the vivid orange back...

Les Fleurs Animées is an original modern rare book engraved by Jean Jeacques Grandville (Nancy, 1803 – Vanves, 1847) and written by Taxile De...

A fine small Italian 17th/18th century sepia ink study of 6 putti in different positions. Paper mounted on paper. A tergo written "Scuola Lombarda". A putto/putti are figure in a wo...

Here for your consideration is a very well executed and highly detailed oil on mahogany wooden panel painting by one the the leading Victorian artists of the day, Joseph Thors. Sign...

"Revelation 1" by Mark Bradley Schwartz is an original oil on board depicting a nude female in a monochromatic palette. A native of Illinois, He began his professional life as a graphic designer and art director in St. Louis, Missouri and later moved to Southern California to further his design career. Although Schwartz’s career was successful, he wanted to pursue work of a more personally fulfilling nature. To reach these new goals Schwartz first attended life drawing classes at Associates in Art, in Sherman Oaks, California. He later studied at the California Art Institute in Westlake Village, California, where he received extensive training in drawing and painting the human figure from life. While studying with famed illustrator Glen Orbik...

OIL PAINTING Antique 19th Century Fine Quality Piece Gold Gilt frame ( damaged frame ) OLD MASTER OIL PAINTING BRITISH SCHOOL 19th Century in a Gold Frame Description. 19th centu...

A beautifully painted character study of a terrier dating from the Victorian era. Edward Aistrop specialised in such intimate portraits of dogs and clearly held them in great affecti...

Model Michael Findlay, nude portrait study, 1970. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes ...

"Jin’long (Golden Dragon)" 18K Gold Sculpture 7.5 x 1 in Ed. of 5 by Colin Burn Medium: 24K Yellow Gold, 18K White Gold & Diamonds Edition of 5 NOTE: preparation time may take up to 8 weeks. Electroformed 24k gold and diamond olisbos sculpture featuring a traditional Chinese dragon totem symbolizing power, strength and good luck, combined with an 18k white gold and pave diamond set lotus flower, reflecting purity of the mind and heart. The diamond lotus flower features a 3.8 carat flawless diamond solitaire at its peak. Sculpture comes with Limited Edition Artist Certificate of Authenticity and Jewelry Certificate of Materials. Artists Inspiration: “Influence was drawn from visiting Shanghai and encountering a city on the move like no other, expanding at lightning pace but reflecting back to the 1930’s when Shanghai was seen as the Paris of the East or better known as the whore of the Orient. There seemed to be a movement underway to ensure the city not forget its exciting past and efforts to recapture some of this vibrant history were at play. From my observation, modern China is experiencing a sexual revolution, where an oppressive past has given way to a new modern world of fashion, fun and luxurious opulence. I wanted to create a unique art piece that would reflect what I was seeing and feeling, it had to have deep Chinese tradition and power balanced out with this new outrageous opulence. From my perspective the new Shanghai is still the vibrant Paris of the East, or as she was better known, “the whore of the Orient”. Electroformed in pure 24k yellow gold, featuring a traditional Chinese dragon totem, symbolizing power, strength and good luck, combined with a solid 18k white gold pave’ set diamond lotus flower with 3.8 carat flawless white diamond solitaire at its peak. “It had to have deep Chinese tradition and power, balanced out with this new outrageous opulence” - Colin Burn ABOUT COLIN BURN: Australian artist Colin Burn is a bold provocateur in the world of conceptual art, using his work to disrupt societal norms and spark critical dialogue often around uncomfortable truths. His art pushes boundaries, urging viewers to rethink their assumptions on value, power, and meaning, especially in contexts often deemed taboo or overlooked. Known for his masterful fusion of symbolism and opulence, Burn transforms ordinary objects into potent allegories, frequently employing their high monetary value to amplify the emotional and intellectual resonance of his themes. He understands that society frequently ties value to price, and this awareness is central to his approach. With an attention-grabbing allure, Burn’s work invites viewers to look beyond the surface, encouraging them to explore the deeper, often concealed meanings behind what they see—reminding them that true value lies not only in the material cost, but in the idea or theme that it represents. A compelling example of this is his Pearl Royale chess set...

Bonjour Robert - 2016, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-17...

Medium: lithograph (after the colored pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 12 1/8 x 9 1/4 i...

Unidentified male model, multiple exposure with plant leaves, 1971. Mounted on archival board and signed in pencil. This is a vintage silver gelatin photograph made by hand by master...

Lithograph on vélin Saint-Vincent-de-Blanzat des Papeteries Navarre paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Sources du vent 1915-1929, avec ...

Hunt Slonem "Purple Haze" Pink Bunny A single rabbit gestured in black on a pink background in a vintage frame Unframed: 8 x 6 inches Framed: 10.5 x 8.5 inches *Painting is framed -...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Panel Year: 2025 Style: Impressionism, Title: Winter City Size: 14" x 11" x 0....

From Wikipedia: Woodstock was a music festival held between August 15–18, 1969, which attracted an audience of more than 400,000. Billed as "An Aquarian Exposition: 3 Days of Peace & Music", it was held at Max Yasgur's 600-acre dairy farm near White Lake in Bethel, New York, 43 miles (70 km) southwest of Woodstock. Over the sometimes rainy weekend, 32 acts performed outdoors. It is widely regarded as a pivotal moment in popular music history, as well as the definitive nexus for the larger counterculture generation. Rolling Stone listed it as number 19 of the 50 Moments That Changed the History of Rock and Roll. The event was captured in the Academy Award-winning 1970 documentary film Woodstock, an accompanying soundtrack album, and Joni Mitchell's song "Woodstock", which commemorated the event and became a major hit for both Crosby, Stills, Nash & Young and Matthews Southern Comfort...