Miniature Art

“This work is a visual mantra — an invitation to stillness. With no defined forms, only texture and vibration, the painting dissolves the boundary between the outer and inner world.”

A beautiful and sensitive study of a country girl by William Feron. William Feron was born in 1858 in Stockholm, Sweden. He was the son of the famous jeweller Ludwig Constantin Fero...

Available Gelatin Silver Print Sizes: 11" x 14" $8,000.00 Edition of 25 + 5 AP 16" x 20" $10,000.00 Edition of 20 + 4 AP 20" x 24" $15,000.00 Edition of 20 + 4 AP 30" x 40" ...

Top of the Cliffs Study 1 - England - no. 21378 >> Archival pigment ink print, edition of 9. >> Signed, titled, dated and numbered by artist. >> Certificate of authenticity include...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with an elegant and graceful modern appeal. Seemingly disparate cultures inspire Kallweit; the streng...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Ed Ruscha Hollywood Tantrum, 1979 (hand signed by Ed Ruscha), 2008 Offset lithograph postcard (Hand signed by Ed Ruscha) Offset lithograph postcard Boldly signed in black marker by E...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Le cavalier bleu (The Blue Rider), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, originates from the 1951 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Draeger freres, Maitres-Imprimeurs, Paris, October 25, 1951. This remarkable composition exemplifies Picasso’s dynamic postwar period in Vallauris, where he explored themes of mythology, vitality, and the human spirit through bold forms and radiant color. Le cavalier bleu reflects Picasso’s fascination with movement and symbolism, uniting painterly vigor and poetic freedom in a masterful vision of modernism. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Draeger freres atelier, renowned for its collaborations with the leading modernists of the 20th century. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: Le cavalier bleu (The Blue Rider), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, 1951 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1951 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Draeger freres, Maitres-Imprimeurs, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, published by Editions de la revue Verve, Paris, 1951 Notes: Excerpted from the album (translated from French), This issue of Verve is entirely devoted to Picasso’s recent works (peintures, sculptures et ceramiques) made in Vallauris between 1949 and 1951. The cover and the frontispiece were specially composed by the artist for this work which was completed to print on the presses of the Maitres-Imprimeurs, Draeger freres on October 25, 1951. About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi and the Nu Bleu series, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Le cavalier bleu, Picasso Verve...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series L, Variation 13, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published by Martin Fabiani, Editeur, Paris, and printed by Georges Duval, Paris, on February 27, 1943, this edition presents a suite of drawings that encapsulate Matisse’s lifelong pursuit of purity in draftsmanship and composition. Created under the artist’s supervision, each plate demonstrates Matisse’s mastery of contour and simplicity, transforming minimal gestures into harmonies of balance and grace that evoke both strength and serenity. Executed on velin pur fil paper, this lithograph measures 9.62 x 12.88 inches (24.44 x 32.72 cm). It is signed in the plate and unnumbered, as issued, in accordance with the authorized 1943 publication format. Produced during wartime Paris under the direction of publisher Martin Fabiani, this folio embodies Matisse’s commitment to artistic renewal through discipline, sensitivity, and elegance. It remains a landmark in 20th-century printmaking, celebrated for the lyrical clarity and modernity of its graphic vision. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Series L, Variation 13, from Henri Matisse, Dessins, Themes et Variations, 1943 Medium: Lithograph on velin pur fil paper Dimensions: Paper size 9.62 x 12.88 inches (24.44 x 32.72 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1943 Publisher: Martin Fabiani, Editeur, Paris Printer: Georges Duval, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 9 Condition: Well preserved, consistent with age and medium Provenance: From the 1943 folio Henri Matisse, Dessins, Themes et Variations, published by Martin Fabiani, Editeur, Paris Notes: Excerpted from the 1943 folio (translated from French): "Finished printing in Paris, on February 27, 1943, at the expense of Martin Fabiani, publisher, with the help of Roger Lacouriere. Henri Matisse’s 'Themes and Variations' were printed by G. Duval and the preface of Aragon, printed by Fequet et Baudier. Justification of the draw—This folio has been printed in CML examples, all numbered, namely: X examples on Imperial Japan, numbered from I to X, signed by the artist; XX examples on Velin d’Arches, numbered from II to XXX, signed by the artist; and CMXX examples on Velin pur fil, numbered from XXXI to CML." About the Artist: Henri Matisse (1869–1954) was a French painter, draughtsman, sculptor, and printmaker whose bold use of color, fluid line, and decorative brilliance helped define modernism and Fauvism. Born in Le Cateau-Cambresis, Matisse trained at the Academie Julian and later in Paris, where his expressive palette and relaxed compositions challenged conventions of light and form. Alongside his contemporary and friendly rival Pablo Picasso, Matisse reshaped the course of 20th-century art, each artist pushing the other toward greater innovation and emotional depth. Over his career, he worked across a wide array of media—painting, cut-outs, printmaking, sculpture, and interior design—always emphasizing harmony, balance, and visual poetry. His works are in the permanent collections of leading museums globally, including the Musee d'Orsay, MoMA, the Tate, and the Centre Pompidou. The highest price ever paid for a Matisse artwork is approximately $80.75 million USD, achieved in 2018 at Christie's New York for Odalisque Couchee aux Magnolias (1923). Henri Matisse lithograph, Matisse Series L Variation 13, Matisse Dessins Themes et Variations, Matisse 1943...

Artists tend to peak quite young, and I often love their early work. It tends to have an infectious enthusiasm, great vigour, originality, imagination and a sense of fun. René Marie...

This mid-1980s landscape photograph, captured by society photographer Slim Aarons, features a busy bay in Conca dei Marini, on the Amalfi coast in Italy, August 1984. This is an est...

Ed Ruscha WALKS TALKS FLIES SWIMS AND CRAWLS (Hand Signed by Ed Ruscha), 1992 Offset lithograph invitation card (hand signed) Vintage Robert Miller Gallery invitation card Boldly sig...

Pocket Sloe Berries (Pale Blue) 2c (canvas size 7x7cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paint...

PACKAGING: 30x40" and 40x60" prints are shipped in a special fortified tube to guard against bending or damage. Framed 30x40" prints are shipped via FedEx in a bespoke cardboard box ...

Medium: pochoir (after the mixed media collage). Printed in Paris at the atelier Daniel Jacomet and published in 1960 by Berggruen. The image measures 4 x 3 3/4 inches (105 x 96 mm)....

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Seemingly disparate cultures inspire Kallweit; the streng...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Pocket Sloe Berries (Pale Blue) 2c (canvas size 7x7cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paint...

The work is a sketch on a sunny day. Summer on the Spanish coast, the smell of the sea, a refreshing breeze, the sound of the waves, and vivid impressions. To create a sunny atmosphe...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Le seigneur et la dame (The Lord and the Lady), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York, and printed by Mourlot Freres, Paris, April 5, 1972. This refined and evocative composition exemplifies Picasso’s mature mastery of line, form, and gesture. Le seigneur et la dame captures the artist’s lifelong fascination with the dynamics of human relationships, presenting a pair of figures imbued with both nobility and sensual vitality. Through a synthesis of fluid contours and expressive tension, Picasso transforms a timeless theme—the union of man and woman—into an allegory of strength, grace, and mutual presence. The lithograph’s harmonious balance of spontaneity and structure reflects Picasso’s unparalleled ability to convey emotion and intellect with the most economical means, continuing his exploration of human connection in its most essential and poetic form. Executed as a lithograph on velin d’Arches paper, this work measures 12.81 x 9.81 inches (32.54 x 24.92 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, whose collaboration with Picasso over several decades helped define the golden age of modern lithography. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: Le seigneur et la dame (The Lord and the Lady), 1972 Medium: Lithograph on velin d’Arches paper Dimensions: 12.81 x 9.81 inches (32.54 x 24.92 cm) Inscription: Unsigned and unnumbered as issued Date: 1972 Publisher: Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York Printer: Mourlot Freres, Paris Catalogue raisonne references: Picasso, Pablo, et al. Pablo Picasso: Lithograph. Andre Sauret, Editions du Livre, 1970, illustration 322. Condition: Well preserved, consistent with age and medium Provenance: From the edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York, 1972 Notes: Excerpted from the album (translated from French), This album is the album of friendship, and I want to thank all the artists who wanted to participate. Some lithographs presented here, and whose authors have left us for too long, were made at my request for an album "Adieu a la rue de Chabrol" that I intended to publish ten years ago. So it was at this time that I was able to get the lithos of Braque, Cocteau, Derain, Giacometti and Villon. Mrs. Duthuit-Matisse and her brothers authorized me to print the composition of Henri Matisse, an unused original lithograph of the album by Teriade "La Religieuse portugaise". I am happy to have brought together so many works by contemporary artists, it is a great honor for me and I am infinitely grateful to them. Finished printing in Paris on April 5, 1972, this album was printed on velin d’Arches, in DCCC numbered examples. In addition, a number of copies were printed for artists, friends and collaborators of this album. The original lithographs were printed by Mourlot, and the typography is from Fequet and Baudier. Alain A.C. Mazo, Paris, and Leon Amiel, New York, publishers. About the Publication: Souvenirs et Portraits d'Artistes (Memories and Portraits of Artists), published in 1972 by Editions A. C. Mazo et Cie., Paris, and Leon Amiel, New York, is one of the most personal and heartfelt tributes in the history of 20th-century printmaking. Conceived by the publisher Alain A.C. Mazo as a celebration of friendship and artistic collaboration, the album gathers works by many of the great modern masters who were part of the vibrant Parisian art world. Picasso’s contribution, Le seigneur et la dame, stands as a testament to his expressive power and his lifelong engagement with the theme of human duality. The publication encapsulates the creative synergy that defined an era, uniting artists, printers, and publishers in shared devotion to the art of the lithograph. Each plate in the album resonates with the spirit of mutual admiration and artistic kinship, marking Souvenirs et Portraits d'Artistes as a historic testament to friendship, gratitude, and the enduring beauty of collaborative creation. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Le seigneur et la dame, Picasso Mourlot...

A Striking, 1950s Mid-Century Modern Ink Drawing of a Dancing Couple by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting an embracing couple engaged in the classic, romantic "Apache...

Pocket Ripe Pomegranate 2c (canvas size 7x7cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, wi...

Rjukandefossen Waterfall Study 1, Norway - no. 21373 Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Pri...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

An atmospheric sunset after the rain. The light reflected on the still-wet street is creating the most beautifully shimmering light. Two village women carrying baskets are chatting, ...

Medium: original lithograph. Catalogue reference: M 233. Printed in 1956 at the Mourlot atelier and published in Paris by Maeght for the Jacques Prévert catalogue. Sheet size: 9 x 14...

This acrylic painting on 400 g/m² Fabriano “Pittura” paper, finished with colored pencils, is part of Nico Pearleyes’ ongoing MinHwa series, a body of work inspired by traditional Ko...

Heart from Candy Box with Bowl is a vibrant Offset Lithograph by Andy Warhol, part of a portfolio of five prints published by te Neues and now long out of print. This work reflects W...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Early October, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s sensitive observation of the natural world and his mastery of mood through subtle tonality. Early October captures the lingering golden light of autumn—the calm before winter—expressed through his signature dry-brush precision and contemplative restraint. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who curated drawings from the artist’s studio that embodied the passage of time and the emotional tenor of each season. This image distills Wyeth’s gift for translating fleeting light and atmosphere into enduring poetic vision. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Early October, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

Stamped, verso, with certification of authenticity for Marlene Anderson (American, 1931-2023); accompanied with old backing signed by the artist, dated July 1978 and title, 'Road on ...

Torso is an offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now out of print. This striking work reflects Warhol's ongoing fascination with the h...

Medium: lithograph (after the original lithograph poster). This poster was executed in 1939 by Raoul Dufy. The lithograph offered here was printed by Mourlot in 1959, reproducing the...

Albert Heckman Woodstock Landscape Oil on board 10 x 8 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art ...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

The night sky over the densely treed forest of Hennen's Wyatt Mountain, Virginia home is the subject of this rich, highly detailed contemporary landscape painting in oil on panel set...

4032 Scandinavian painting of a female bather on cut out wood applied to a painted backround Set in a wood frame image size 8.5x10.5"

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Peintre et son modele (Painter and His Model), from the album Prints from the Mourlot Press, exhibition sponsored by th...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Miro created a series of posters at the atelier of Mourlot Freres. The li...

James Goodwin McManus (American 1882-1958) CT oil/panel Summer landscape with split rails signed LR dated June 22, 1934 verso 8 x 10 image Biography: James Goodwin McManus was a no...

Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spr...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on Teal Blue background with thick use of paint. It is...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled New Leaves, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s quiet observation of nature and the passage of time. New Leaves captures the delicate stir of spring renewal—the subtle emergence of life in the landscape—rendered with Wyeth’s hallmark balance of precision, restraint, and emotional depth. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio and personal archive to embody the poetic rhythm of the changing seasons. Each composition reveals Wyeth’s mastery of atmosphere, mood, and the quiet intensity of natural experience. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: New Leaves, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

This painting depicts an impressionistic scene of luminous flowers in a white and blue vase. The work reminds us of Claude Monet, with impressions similarly captured, reminiscent of ...

This painting is signed on the back, the frames are made of oak A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements,...

4 Drawings included Markers & acrylic on paper Shipped well protected, unframed

"BRAT" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual sh...

"Indian Paradise Flycatcher" is an original piece by Nayan and Venus made from watercolor on layered hand-cut paper. This piece measures 11.75”h x 9.5”w x 1"d framed, and is shipped ...

Mark Ryden - BABY BOS - BLUSH Date of creation: 2022 Medium: Vinyl figure Edition: 500 Size: 15.25 cm height Condition: In mint conditions, brand new inside its original package Desc...

Vintage b/w photograph realized by Herb Ritts in 1987. Excellent condition.

Vintage b/w photograph realized by Bill Krobin in 1963. Excellent condition.

Artist/ School: R. Leroy (French b. 1932) Title: The Orchestra Medium: oil painting on canvas Size: painting: 7 x 5 inches Provenance: all the paintings we have for sale by this ...

Lofty oil painting on board of trees, clouds and birds, executed in classic impressionist style and painted on a sunny afternoon in Florida. Signed J. Melvin Ziegler and presented in...

Vintage b/w photograph realized by Henri Cartier-Bresson in 1958. Copyright: Magnum Photos and Agenzia Contrasto. Excellent condition.

Vintage b/w photograph realized by Sante D'Orazio in 1980s. Copyright and provenance: Playboy. Excellent condition.

Vintage b/w photograph realized by Bill Kobrin in 1963. Excellent condition.