Miniature Art

Original Oil Painting signed by the Artist in the lower right corner.

Bethanne Cople’s Cloudy Vista is an original landscape painting in oil on paper. Measuring 6.5 x 7.5 inches and presented in a 15.5 x 17 inch frame, the intimate composition captures...

Untitled Prakash Jogi Ink on Paper 30cm x 42cm Signed and Dated 2014

Archival inkjet print created for The Royal Academy of the Arts for the ongoing show, "Kerry James Marshall: The Histories." Part of the Vignette series produced on fine 330gsm textu...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's evening gown. Artwork size: 11 x 8 1/2 inches. Colored pencil and pencil on paper. Archivally ma...

Patty deGrandpre’s “Landlocked (Seasick)” is a 15 x 12 inch unique mixed media abstracted landscape print represented on Awagami Bamboo Japanese paper utilizing both printmaking and ...

In this contemporary landscape painting in oil on panel, a peaceful summer scene is set, beautifully capturing the idyllic feel of a field of purple wildflowers in August. Signed, da...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a soft Pink background with thick use of paint. It ...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 inches (202 ...

Dimensions: 26 W x 42 H x 7 D cm Weight: 4,1 kg Material: Bronze, patina, metal Edition: 2/5 + 1 AP, signed on base Condition: Excellent, certificate Free worldwide shipping in a b...

A joyful scene of lighthearted merriment in the palace of Jangahir Mahal Agra Circa 1750. Gouache and ink with gold heightening on light weight cream laid paper, 8 1/4 x 6 inches (2...

In this contemporary landscape painting in oil on panel, a peaceful summer scene is set, beautifully capturing the idyllic feel of a field of wildflowers in early August Signed, date...

'1. 2. Delias eucharis 3. Delias philyra' Late 19th century colour lithograph of butterflies.

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

"Flow Meter" (Small Pops Series) is a modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. The piece has uses a Satin lacquer finish (on 2" thic...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

"Washington Square" is an original painting by Tom Haugomat, made as part of his traveling artist residency with The Jaunt. Traveling from France to Philadelphia, Haugomat was inspir...

* No US duty or taxes to pay on works of art * A very beautiful signed and dated 1875 oil on panel depicting a river landscape, by Belgian artist Vital de Gronckel. Excellent quali...

William Hughes British, 19th Century Study of Apples, circa 1870 Oil on panel Monogrammed lower right A finely observed and intimate still life by William Hughes, painted circa 1870, depicting a small grouping of apples arranged upon a simple wooden surface. Executed with quiet restraint and technical assurance, the composition reflects the enduring appeal of Victorian still life painting, where humble subjects are elevated through careful observation and painterly sensitivity. The apples, shown attached to a slender branch with leaves, are rendered with particular attention to texture and natural variation. Subtle transitions of colour—soft greens, warm russets, and touches of golden ochre—capture the ripeness and individuality of each fruit. The surfaces are delicately modelled, with highlights and imperfections thoughtfully described, lending the work both realism and charm. Set against a rich, dark background, the fruit is brought into sharp relief, a compositional device that enhances both depth and focus. The contrast between the illuminated forms and the shadowed ground creates a sense of quiet drama, while the horizontal line of the wooden ledge anchors the composition with stability and balance. Hughes’ handling is confident yet controlled, combining fine brushwork with a painterly softness that avoids excessive detail. The leaves and stems are treated with a lighter touch, providing a natural counterpoint to the more solid forms of the apples. This balance between precision and atmosphere is characteristic of well-executed 19th-century British still life painting...

Pocket Hedgehog 244 (canvas size 5x5cm) is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a no...

Cast resin multiple painted in colors, 2016, with the artist's stamped signature and title on the underside, from a limited edition of undisclosed size, published by Benesse Holdings...

Colorful geometric houses beside a jetty emerge from a delicately sketched landscape in this playful architectural acrylic painting by Spanish artist María Magán Lampón. Created in ...

➡️ French school Riverside Landscape with Reeds oil paintingl⬅️ ⏩It is unsigned, anonymous⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Si...

On offer is a classic 19th-century or early 20th-century marine painting that captures a serene, atmospheric scene of traditional maritime life. The work depicts a harbor or coastal ...

Storm at Sea English School, early 1900's original watercolor painting on artists paper, unframed overall paper size: 7.75 x 11.25 inches From a large private collection of Englis...

Nautical Oil Painting of Ship at Sea. In good condition measures 17x15

English Country Cottage Landscape British School (early 19th century) influence from John Constable Medium: oil on panel, framed. Framed: 10 × 12 inches Panel: 6.5 × 9.5 inches Prove...

São Miguel, the largest island in the Azores archipelago, offers stunning sunsets over its diverse landscapes. Known for its volcanic origin and lush greenery, São Miguel boasts pano...

Pablo Picasso (1881-1973) - Tête d'homme barbu Felt-tip pen from 1971. Dimensions of work: 16.5 x 16.5 cm. Hand signed. This work is accompanied by a certificate from the Comité ...

'Common Flax' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freeha...

Pastel Landscape by Irina Hale (British 1932-2022) pastel and pencil sketch on brown artist tracing paper , unframed painting: 4.5 x 3.75 inches provenance: private collection, Cotsw...

Pines facing waves II is a unique painting by contemporary artist Lumi Mizutani. The painting is made with Indian ink, Chinese painting and gold leaves on Japanese cardboard, dimensi...

"Cinderblock" is an original piece by Jeremy Miranda made from acrylic on panel. This piece measures 12”h x 9.5”w and comes with a gallery-issued Certif...

From the Nudes portfolio, single sheet titled "Nude with Blue Hair; State 1" by Roy Lichtenstein published by Tyler Graphics. Not numbered and unsigned. Paper Size: 11 x 8.5 inches...

'Portrait of a Girl', gouache and crayon on fine paper (1966), by Raymond Debiève (1931 - 2011). Here the artist paints a young girl with blond hair in his post-cubist style. Clearly...

Portrait of Sophia Clifton, aged 33 years, dated January 29th 1841 watercolour on artist paper with wood panel backing, framed framed: 16 x 12 inches painting : 13.5 x 9.5 inches Pro...

Bedroom at Arles is an offset lithograph by Roy Lichtenstein, from a portfolio of six prints published by the Guggenheim Museum, now out of print. In this witty reinterpretation of V...

Offset lithograph postcard Hand signed in black marker by Frank Stella Provenance: Obtained directly from the artist by the present owner This signed card depicts Frank Stella's 1977...

"Gay Armory" is an original piece by Jeff Rubio made from stoneware, glaze, epoxy clay, 22k gold. This pieces measures 12"h x 11.5"w x 2"d and comes with a signed Certificate of Auth...

This piece, titled "Neighborling Maquette 25" is an original free-standing sculpture by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark's deteriorating str...

Initialed lower right, 'WG' for Wedo Georgetti (American, 1911-2005) and created circa 1950. Born in Italy, this California Post-Impressionist came to the United States at the age o...

Madras School C 1910 Acrylic on board 11.5" x 8" Address on verso This painting dating to the early 20th century, c 1910, shows a young woman, possibly from Madras (see info on reverse), The colours follow the conventions of a genre of art called Company School painting...

Bold and expressive abstract mixed media work on paper featuring a rich rust-red central form, energetic black linework, and vivid touches of yellow. The composition has an appealing...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

NEW! Limited Edition Hyperreal Bubble Fish glass water bag sculpture - solid and hollow glass by Dylan Martinez. Martinez's hyperreal sculptures are hand-molded, hot-sculpted glass,...

Boats Arriving at the Harbour by Fanch Lel Size: 15 x 18 inches (height x width) Oil painting on board , unframed Condition: Good condition overall with minor surface handling marks ...

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braq...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Vermont Hills 1 oil/panel 8n x 10 unframed 11.75 x 13.75 x 1 framed signed LL Vermont Hills I is an oil painting on canvas panel that showcases the beautiful light shining on a Vermo...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...

Monet’s Dahlias is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments and Indian ink on Japanese paper mounted on panel, dimensions are 31.8 ×...

Offset lithograph card Provenance: Collection of Dan Pope, CBS News photographer who amassed an impressive collection of signed artist cards during the 1980s-1990s, acquired directly...

Artist: Rafael Durán Benet (Terrassa, 1931 – Barcelona, 2015) Title: Landscape with Farmhouse Date: 1973 Medium: Oil on canvas laid on cardboard Dimensions without frame: 22 × 27 cm ...

This late-1980s photograph, taken by society photographer Slim Aarons, features an aerial view of sunbathers and parasols at La Fontelina beach, at the base of the Faraglioni rocks o...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Title: French Town Square Impressionist Painting with Figures and Market Stalls by Fanch Lel Size: 8.75 inches (height) x 10.5 inches (wi...

Jacques La Grange, 'The Yankee', color woodcut, edition 500, 1934. Signed and numbered '25/500' in pencil. A fine impression, with fresh colors, on cream wove paper, with margins (1 1/8 to 1 1/4 inches), in excellent condition. A work from La Grange’s celebrated series of woodcuts 'Drama and Color in the America's Cup Races'. Image size 10 x 10 11/16 inches (254 x 271 mm); sheet size 12 1/4 x 13 1/4 inches (311 x 337 mm). Archivally matted to museum standards, unframed. When the artist created this print in 1934, the 'Yankee' was one of the most promising yachts eligible for the America's Cup but ultimately 'Rainbow' was chosen to defend against England's 'Endeavor' in that year's race. The 'Endeavor' was built for Thomas Sopwith who used his aviation design expertise to ensure the yacht was the most advanced of its day with a steel hull and mast. She was launched in 1934 and won many races in her first season but the Cup challenge was blighted by a strike of Sopwith's professional crew prior to departing for America. Forced to rely mainly on keen amateurs, who lacked the necessary experience, the campaign failed. 'Rainbow' won the series 4–2. This was one of the most contentious of the America's Cup battles and prompted the headline "Britannia rules the waves and America waives the rules." ABOUT THE ARTIST Jacques La Grange was born in Clanwilliam (near Cape Town) in South Africa in 1895. He studied at London University and later immigrated to the United States. La Grange established himself as a painter, illustrator, and printmaker specializing in nautical subjects. He and his wife, Helen La Grange, published 'Drama and Color in the America's Cup Races' in 1934 and 'Clipper Ships of America and Great Britain 1833-1869', in 1936. Both were deluxe hardcover limited edition volumes with signed original color woodblock prints. La Grange had solo exhibitions at the Buchanan Gallery in 1929; the Babcock Gallery and the 56th Street Gallery, New York, in 1930; and at the Nicholas Roerich...

Painting on glass realized in the 1980s. Hans signed and framed. Very good condition.

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...