Tom Haugomat Art

1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawing on light brown artist paper stuck on A4 artist paper, unframed overall size: 12.5 x 8.5 inches ...

Minimalist Coastal Watercolors set of 6 watercolour painting on artist paper painting: 10 x 7.25 inches provenance: private collection, England co...

Set of Two Paired Studies 1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawings on light brown artist paper stuck on A4 artist paper, unframed overal...

1960's British Modernist Drawing by Irina Hale (British 1932-2022) watercolour painting on artist paper, unframed overall size: 7 x 5 inches provenance: private collection, Cotswolds...

Rosarian, 2026 (After Van Gogh) is Shizico Yi's latest work, inspired by the lost seventh painting from Vincent van Gogh's celebrated Sunflowers series, often referred to as Six Sunf...

Set of Two Paired Studies 1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawings on light brown artist paper stuck on A4 artist paper, unframed overal...

Lionel S. Reiss (1894 - 1988) Lobstermen in Gloucester, Massachusetts, circa 1943 Watercolor on paper Sight 17 1/2 x 23 inches Signed lower left Provenance: Private Collection, Las Vegas, Nevada In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

Original Painting Undersea Whale Life Mag Published 1953 Illustration Ocean Sea Antonio Petruccelli (1907 – 1994) Underwater Whale Life Illustration published, c. November 7, 1953 1...

Pink Flamingo's Frank Duffield (British, 1908-1982) original watercolor painting on thick artist paper, unframed size: 10.5 x 11.5 inches condition: overall very good, minor wear to the edges as is normal for an unframed work, minor staining from age/ light to the surface provenance: from a large private collection of this artists work in the UK The artist: Born in Warwick in 1901, Duffield came to Bristol at the age of 23 as an artist at the studio of Mardon Son and Hall. He worked as an illustrator producing designs for cigarette cards, remaining with the company for 37 years until his retirement. He was elected an Artist Member of the Bristol Savages in 1946. He was an extremely keen and regular attender not only in the studio but at all other Savage functions. He was noted for his friendly demeanour and seldom seen without a pipe in his mouth. He was a good pianist and would play popular tunes after the Wednesday evenings’ entertainment for members to join in singing and always with his pipe in his mouth. In 1965 he was commissioned by the Gloucester Regiment to paint a portrait of Brigadier Manley Angell James, VC, DSO, MBE, MC, a Bristol man who won his VC during the first World War. The painting is now in the Imperial War Museum. Frank was made a Life Member in 1973 and died in 1982. Frank Duffiled was a member of the artist group, known as "The Bristol Savages": Founded in 1894 by Ernest Ehlers, he invited his fellow Bristol based artists to spend a friendly evening in his studio to work and talk. At first, meetings were held in their private studios, then as their numbers grew, in rented premises. By 1904 this led to the official founding of the Bristol Savages and the holding ever since, of similar weekly meetings between October and May each year. In 1905 the first exhibition of paintings was held at the premises of George Nichols & Co., an auctioneer in Broad Street, Bristol. During the next 14 years exhibitions were held annually in Bristol and their first permanent home was Brandon Cottage which was made available to them through the good offices of fellow member James Fuller Eberle. When the Red Lodge...

Romantic, tonalist style landscape drawing by Sue Bryan charcoal and acrylic on book pages on wood 8 x 10 inches Hangs flush to the wall, with nail notch on back Signed verso Clean, ...

Set of Two Paired Studies 1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawings on light brown artist paper stuck on A4 artist paper, unframed overal...

A masterful example of John Whorf at the height of his powers, this large and luminous watercolor depicts three fishermen on a calm, silver-blue lake or bay, their figures rendered w...