Miniature Art

Under Moonlight oil/panel 6 x 8 image Under Moonlight is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a uniquely beautiful seasc...

The painting "Sunset in Los Angeles" is made in oil on canvas measuring 20x20 cm and depicts a moment of solitary observation of the evening sunset. Thousands of people come to the s...

The contemporary work on paper is both art and photography, highlighting color fields. 16 x 16in photography and oil pastels on paper Tell Me a Story II, 2025 by Roberta Fineberg (RF...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...

19th Century English Folk Art School Portrait of a Cavalier King Charles Spaniel Oil on canvas, 13 x 15 inches Provenance: Iona Antiques As normal these folk art paintings are unsign...

This contemporary abstract expressive nature painting, created by French artist Natalya Mougenot, bursts with color and emotion. "Spring on the Horizon" captures the fresh energy of ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame M.P. (Mrs. M.P.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...

A lone figure drifts across an immeasurable sea, suspended between the weight of water and the breath of sky. The scale reduces presence to near invisibility, yet within that fragili...

Théophile Alexandre STEINLEN Dancing in Paris (Tribute to Toulouse Lautrec), 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. ...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

A Lively, Colorful 1950s Mid-Century Modern Floral Still Life Painting by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Full of color, with wonderful brushwork, the painti...

Title: French Watercolor of Vibrant Square with Painter, Palm Trees, and Architecture by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper ...

Nicholas Maravell. House in Snow, 1989. Ink and watercolor on paper, 10.5 x 13.75 inches; 18 x 21.25 inches framed. Signed with artist monogram lower right. Gallery label affixe...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled May Day, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition embodies Wyeth’s lyrical study of springtime renewal and human connection to the land. May Day captures a tender seasonal moment—nature reawakening beneath soft light—rendered with Wyeth’s quiet precision and emotional restraint that elevate the ordinary into the timeless. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio and private collection to express the cyclical harmony between nature and spirit. Each image reflects Wyeth’s devotion to atmosphere and the fragile poetry of the passing year. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: May Day, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

Melanie Sherman Vase with 3 Openings Porcelain, Glaze, Cone 6 Firing 2025 Size: 7.5 x 4.5 x 7 inches (19.05 x 11.43 x 17.78 cm) Signed by hand COA provided *One Opening slightly cr...

Abstract Contemporary Ceramic Sculpture, Glazed Stoneware Vessel, Orange Krater Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous researc...

Title: Impressionist Village Scene with Tower and Olive Tree View of Monte Maggiore By Fanch Lel Signed: Yes Size: 14.75 x 18 inches (height x width) Oil painting on board, unframed ...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of his idiosyncratic working met...

Yvon TAILLANDIER Four Seasons 1988 Original screen print Handsigned in pencil Justified e.a (artist's proof) On vellum 29 x 36.5 cm (c. 11.4 x 14.3 in) Excellent condition

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format...

Title: French Impressionist Coastal Scene with Crashing Waves and Sailing Boats By Fanch Lel Size: 13 x 16.25 inches (height x width) Oil painting on board, unframed Condition: The ...

This exquisite lithograph after Lucio Fontana (1899–1968), titled Concetto Spaziale (Spatial Concept), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe si...

Provence signed by Fanch Lel (French b. 1930) Dated 99 Size: 13.5 x 16 inches Oil painting on board, unframed Inscribed verso ' Provence' Condition: The painting is in good condition...

A truly masterful depiction of several colorful sail boats in Gloucester Harbor, scene on the reflective water with a glowing sun shimmering through the puffed clouds. An oil on boar...

Autumn Blooms in a Blue Vase signed by Fanch Lel (French b. 1930) Size: 10 x 8 inches Inscribed verso Oil painting on cardboard, unframed Condition: The painting is in good condition...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: Harwood Museum of Art, New Mexico Museum of Art, Phoenix Art Museum, Scottsdale Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

Medium: original lithograph. Printed in 1972 for the art revue Derriere le Miroir (issue number 196) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 276 mm). There is t...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a French pink background with thick use of paint. I...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a French Blue background with thick use of paint. I...

Michael Magrin's ( US based) "Sunset West" is an original, handmade oil painting of a sunset above Colorado plains. This piece is framed in a "barn wood" frame and is ready to hang. ...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Fernand Leger created a series of posters at the atelier of Mourlot Frere...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Cherry Blossom pink background with thick use of ...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

A majestic miniature painting by Victor Mongodin. Painted with extraordinary detail, it depicts a pretty young lady writing a letter in her boudoir. Mongodin clearly delights in painting fabrics... the silk of her skirt, the cotton of her camisole, as well as the luxurious velvets of the curtains and drapery. And then there is the mystery: who is she writing to? Born in Vire in Normandy in 1819, Victor Mongodin had studied with de Rudder. Working in the French Capital...

This exquisite lithograph by Andre Dunoyer de Segonzac (1884–1974), titled Eden Roc (Eden Roc), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), orig...

Medium: original lithograph. This Beaudin lithograph was printed in Paris in 1961 by the Mourlot Freres atelier and published by Editions Verve. Size: 11 1/2 x 8 1/2 inches (293 x 21...

This piece depicts a gestural figure of bunny against a gold background. Inspired by nature and a genuine love for animals, Slonem's paintings encompass unique inspirations drawn fro...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: signed and dated 46' oil on board, unframed Size : 16 x 13 inches Provenance: private collection, France Condition: The p...

F.171201 is a glass sculpture by Japanese contemporary artist Toshio Iezumi, dimensions are 17 × 42 × 35 cm (6.7 × 16.5 × 13.8 in). The sculpture is signed and numbered, it is part ...

Salvador Dali (1904-1989) - Sagittarius Etching from 1974. The edition HC IX/L on Guarro paper. Dimensions of work: 35 x 26.2 cm. Hand signed. Publisher: Léon Amiel, Paris - New...

Title: Impressionist Coastal Gouache Painting of Fishing Boats and Rowing Figure at Sea By Fanch Lel Signed: Yes Size: 9.75 x 11.75 inches (height x width) Gouache painting on cardbo...

In this piece, I poured my passion into capturing the serene yet vibrant dance between light and water. The soft pinks and shimmering greens evoke a peaceful, timeless moment by the ...

Artist: Vadim Zang Title: Nude - Lazy Model Medium: Oil on Linen Year: 2007 Style: Portrait Impressionism Dimensions: 8" x 8" x 0.8" inch (20 x 20 x 2cm) Presentation: Unframed, Gal...

Michaela Jean is an accomplished painter, devoted gardener, and mother from Southern California (USA). Her lifelong passion for art and nature began in childhood, inspired by her gra...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

Beautiful arts and crafts, Provincetown School Woodcut print of a Massachusetts Harbor. Appears to have been someone in the circle of Arthur Wesley Dow. Woodcut print on paper on art...

Title: Impressionist Beach Scene with Fisherman and Woman Walking Under Seagulls By F.T. Roussel Signed: yes Size: 11.5 x 15.5 inches (height x width) Oil painting on cardboard, unfr...

Watercolor on paper realized by Mino Maccari in 1950s. Hand signed in pencil lower right. Some minor folds, otherwise ver good condition.

"Sweet Morning Blooms" is a vibrant floral piece by French artist Natalya Mougenot, part of her Floral series. The artwork captures an exuberant bouquet in a strikingly impressionist...

Title: French Impressionist Oil Painting of Coastal Scene with Fishing Boats By Fanch Lel (French b. 1930) Size: 7.5 x 9.5 inches (height x width) Signed: Yes Oil painting on board, ...

Hand printed Platinum Photograph. Tom Millea was well known for his printing. He loved Death Valley and even made a portfolio of it. This is a loose print.

Charming Winter Village Scene titled verso by Henri Stenn (French 1903-1993) signed oil on canvas, unframed canvas : 15 x 18 inches Provenance: private collection, France Condition: ...

Title: Historic Miniature Watercolor Triptych of Coastal Vessels by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.75 inches (h...

Armand Point Golden Age (Légende dorée), 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograph...

Title: Waterside Village Scene with Boats and Church Bosham Sussex 1970s Watercolour By Tony Herbert (1927-2024) Medium: Watercolor on board, unframed Size: 10.5 inches (height) x 14...

A fine landscape painting attributed to Cornelius Varley (1781-1873), featuring a majestic tree rendered with rich, detailed foliage against a backdrop of rolling hills and a tranqui...

The Birth French Rococo School, mid 18th century sepia ink on paper over board, framed behind glass. framed: 13 x 11 inches painting : 8 x 6 inches Provenance: private collection, B...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a french pink background with thick use of paint. I...

LORENZO QUINN (Roma, 1966). “Confianza/Trust”, 2006. Chapado en bronce. Edición 82/999 RW. Firmado y numerado. Medidas: 19 x 31 x 25 cm. La obra de Lorenzo Quinn refleja la búsqueda...