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18th Century and Earlier Drawings and Watercolor Paintings

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Period: 18th Century and Earlier
Louis Lesueur (1746-1803) Landscape with ruins, 1789, drawing signed and dated
Located in Paris, FR
Louis Lesueur (1746-1803) A Fantasy Landscape with ancient ruins, 1789, signed and dated "L Lesueur 1789" in the bottom centre Pen and ink and ink wash on paper 14.8 x 22 cm In goo...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink

Portrait of a Young Woman
Located in London, GB
Red chalk on paper Image size: 7 1/2 x 9 1/4 inches (19 x 23.5 cm) Contemporary frame An enigmatic portrait of a young woman after Sir Peter Lely's drawing, currently shown in the B...
Category

Victorian 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Chalk

Studio di volto (Study of a boy's face, 2 views) Florentine School 18th century
Located in Middletown, NY
An 18th century Florentine study of a head, circa 1700 Red crayon on light-weight laid paper with a partial Pro Patria watermark with Hollandia and a rampant lion, 5 5/8 x 7 1/2 inc...
Category

Italian School 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Laid Paper, Crayon

Studies of arms in draped sleeves
Located in Middletown, NY
Charcoal and graphite on grayish laid paper, 10 1/2 x 7 3/4 inches (265 x 195 mm), the full sheet. Scattered light, minor and unobtrusive foxing, several non-archival cellophane tape...
Category

Italian School 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Handmade Paper, Laid Paper, Graphite, Charcoal

Il Ratto della Sabine – Italian School 18th century
Located in Middletown, NY
An intense scene of an incident in the legendary history of Rome. Italian School 18th century, circa 1700. Ink and wash in brown and grayish black ink on cream laid paper, 12 1/8 x...
Category

Italian School 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Laid Paper, Ink, Graphite, Handmade Paper

La Porcellana (A Market Scene of Porcelain Vendors)
Located in Greenwich, CT
An old master drawing that can live in a very contemporary environment! Remarkable use of line and expression - should be enjoyed in an important spot - can grace a kitchen or livin...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink, Handmade Paper, Graphite

George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Engraving

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

Grimace - China Ink and Watercolor Drawing - 18th Century
Located in Roma, IT
Grimace is a beautiful brown and black China ink drawing and watercolor on wire rod paper, made by an anonymous artist of the late 18th century. A precious old master's original dra...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink, Watercolor

Antique Italian artist - 18th/19th century figure drawing - St. Sebastian
Located in Varmo, IT
Italian artist (18th-19th century) - Study for a St. Sebastian. 28 x 22 cm. 50 x 35 cm with passepartout. Ink and pencil drawing on paper, without frame (not signed). Condition re...
Category

Baroque 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Pencil

George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Engraving

The Torture of Saint Concordia
By Domenico Piola the Elder
Located in Paris, Île-de-France
Circle of Domenico Piola (Genoa 1627 – 1703) The Torture of Saint Concordia Black chalk, brown ink and brown wash on two sheets of paper, 40.5 x 42 cm Unsigned Provenance: Estate...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

A pair of oval drawings for Ovid, Metamophoses
By Charles Joseph Natoire
Located in Fairlawn, OH
A pair of oval drawings for Ovid, Metamophoses Left: The Triumph of Amphitrite (Book I) Right: Diana and Actaeon (Book III) From: Ovid, Metamophoses These mythological studies are after paintings by Simon Vouet (1590-1649) that decorated the Chateau de Chilly. They were commissioned by the Marquis D'Effiat in 1630-31. The scholarly record documenting the commission are a series of engravings by Michel...
Category

Baroque 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink, Pen

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

Italian School, 17th century - Study for the Vision of Saint Anthony
Located in Paris, Île-de-France
Italian School, 17th century Study for the Vision of Saint Anthony Red chalk on paper 247 x 185 mm Unsigned Provenance Private collection, Paris Collection of Count Alessandro Mag...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Chalk

Drawing from Hagbynäs Sweden, 1779
Located in Stockholm, SE
Jonas Carl Linnerhielm (1758–1829) Hagbynäs Dated and titled “1779 in Aug. Vid Hagbynäs” Red chalk on paper
21.3 × 33.4 cm (8.4 × 13.1 in.) with frame 40.5 x 51 cm (15 ⁷/⁸ x 20 ⅛ i...
Category

Romantic 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Chalk

La Bataille - The Battle - Drawing by J. P. Verdussen - 1740s
Located in Roma, IT
China ink and watercolor on paper. Conditions: Two cuts on the centre of the paper. Three holes on centre-right, botton-left and top-left of the paper. Worn on the top left of the ...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink, Watercolor

The Fish - Pencil on Paper by J. P. Verdussen - 1775 ca.
Located in Roma, IT
The Fish is a beautiful drawing in pencil on paper realized by Jan Peter Verdussen in 1755 ca. Hand-signed and dated on the lower in pencil. In good condition, and aged. The artwo...
Category

Modern 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Pencil

Landscape - Drawing by Jan Peter Verdussen - 1745 ca
Located in Roma, IT
Landscape is a beautiful drawing in pencil and watercolor on paper realized by Jan Peter Verdussen in 1745 ca. In good condition, excpet for some foxing on the right. The artwork r...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Pencil

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

H F Gravelot (1699-1773) Two Allegories, Faith and Vigilance, Pen and Ink
By Hubert-François Gravelot
Located in Paris, FR
Hubert-François Gravelot (1699-1773) Two Allegories : Vigilance and Faith Pen, black Ink, and black wash on paper 7.9 x 4.8 each one Framed 22 x 26 cm Old framing that needs to be...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink

Landscape - Pencil and Watercolor by Jan Pieter Verdussen - 1750
Located in Roma, IT
Landscape is a beautiful drawing in watercolor and pencil on ivory-colored paper realized by Jan Peter Verdussen. In good condition; only a smallspots at the edges of the drawing an...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Ink, Watercolor

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

Due ritratti figurativi aristocratici pastelli su pergamena primi del XIX secolo
Located in Florence, IT
Sul cartoncino applicato nella cornice è riportata l'annotazione, a penna e in grafia Kurrent, "Urgroßvater Ludwig Fr(ei)h(e)r(r) von Keller" "Urgroßmutter ...
Category

Other Art Style 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Parchment Paper, Pastel, Cardboard

Interior of the Nieuwe Kerk, Amsterdam
Located in Paris, Île-de-France
Jan Goeree (Middelburg 1670 – Amsterdam 1731) Interior of the Nieuwe Kerk, Amsterdam (c. 1724) Red chalk for the architecture, pen and black ink, grey wash on paper Composition reversed in preparation for engraving 25 × 17.5 cm Watermark: Hunting horn, Churchill 318 (dated 1724) Unsigned Provenance Private collection, France Context & Attribution Trained in the studio of Gérard de Lairesse, Jan Goeree was among the finest Dutch engravers of the early eighteenth century, celebrated for his architectural views of Amsterdam. This drawing is a preparatory study for an engraving of the same subject now preserved in a major public collection. The final print—slightly larger—closely follows the reversed composition of this sheet. Subject In the center of the Gothic nave, five bearers carry a catafalque toward a freshly dug grave—a tribute to the naval heroes often buried in the Nieuwe Kerk. This funerary motif, familiar from Dutch painting (e.g. Emanuel de Witte, 1657), evokes the vanitas theme and the transience of earthly life. Technical Analysis Goeree’s use of red chalk for the architecture and ink for the figures reveals his working method: the chalk lines could be used to produce a counterproof restoring the correct orientation of the architecture, while the inked figures remained adjustable before the design was transferred to the copper plate. Place within the Oeuvre Drawings of church...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink, Chalk

Johann Weinmann: 18th Century Engravings of Sunflowers, Set of 4, Framed
Located in Richmond, GB
A complete set of four hand-coloured mezzotint engravings of sunflowers from: "Phytanthoza Iconographia", c1739, presented in hand-made, parcel-gilt, ebonised and decalcomania frame...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Mezzotint

Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames
Located in Richmond, GB
"Phytanthoza Iconographia", c1737-1745. A wonderful selection of yellow and blue flowers: hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", presented in hand-m...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Mezzotint

The Adoration -Painting by Giuseppe Assereto - 1630
Located in Roma, IT
The Adoration is an original modern artwork realized by Giuseppe Assereto (died in Genoa in 1650) in the first half of the 17th Century. Original Oil Painting on Canvas. A 19th Century style gilded wood frame is included. The Autograph of the work was confirmed by Camillo Manzitti. Very good conditions. The frame is in excellent conditions too. Reference: C. Marcenaro, Pittori genovesi a Genova nel '600 e nel '700, Genova 1969, pp. 134 ; 135, n. 55. Z. Wazbinski, Un Quadro Caravaggesco Di Gioacchino Assereto, in Prospettiva, n. 26, 1981, pp. 60 ; 63. F. R. Pesenti, La Pittura in Liguria. Artisti del primo Seicento, Genova 1986, p. 397, nota 23. A. Gesino, Tracce di Matthias Stom nel collezionismo tra la Sicilia e Genova, in Caravaggio e i genovesi, catalogo della Mostra a cura di A. Orlando, Genova 2019, pp. 182 ; 195. The Adoration is an excellent example of the XVII Century Italian Painting. The style of the work denotes the suggestive influence of Assereto father's mature production, when influenced by Mathias Stom (Amersfoort, about 1600 - Sicily, after 1650) expresses dark sensibilities in a southern Italian style. In his works, however, there is an accentuated naturalism and interesting similarities with the production of Giovanni Benedetto Castiglione. Gioacchino Assereto died in 1650, while, according to Soprani, he was intent on painting a Last Supper for the oratory...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Oil

Death of the Virgin (Old Master drawing)
Located in Wilton Manors, FL
Old Master drawing, Death of the Virgin Surrounded by Apostles, ca. 17th century. Ink pen and wash on paper. Sheet measuring 11 x 15.5 inches. Framed measurement: 18.5 x 23.5 inches...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink

George Edwards, Engravings of Birds, published by Seligmann, 1770.
Located in Richmond, GB
Price is per each framed print. "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origin...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Engraving

Study for a standing man
Located in Paris, Île-de-France
Sir Anthony van Dyck (Antwerp 1599 - 1641 London) STUDY FOR A PORTRAIT OF A STANDING MAN Black and white chalk on blue-green paper 25,4 by 13,5 cm Provenance Prof. Julius S. Held (...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Chalk

Jan Cornelis Sylvius, Preacher by Rembrandt Van Rijn
Located in New Orleans, LA
Rembrandt van Rijn 1606–1669 Dutch Jan Cornelis Sylvius, Preacher New Hollstein Dutch and Flemish (Rembrandt) 235, state 2/2 Bartsch 280 Printed by Rembrandt Signed and dated "Rem...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Etching

Judith and Salome, a pair of oil paintings on canvas by Francesco Conti
Located in PARIS, FR
This widely referenced pair of paintings is one of Francesco Conti’s most successful productions. Francesco Conti is one of the finest painters of 18th-century Florence. In the shimmering colors typical of his best work, he represents two opposite characters from the Bible: the virtuous Judith, whose courage saves her people by cutting off the head of the invader Holofernes, and the depraved Salome, who under the influence of her mother becomes responsible for the beheading of the prophet John the Baptist. The artist's talent lies in his ability to treat these two macabre subjects with a light touch, presenting us with two attractive women who seem to twirl with glee amidst the severed heads... 1. Francesco Conti, the “Florentine Tiepolo” Francesco Conti is a major painter of the Florentine school of the 18th century; he can even probably be considered, along with Giovanni Domenico Ferretti (1692-1768), as one of the two main painters of the second quarter of the Florentine 18th century. Born in Florence in 1682, Francesco Conti began his apprenticeship in the workshop of Simone Pignoni (1611 - 1698), a disciple of Francesco Furini; he was also influenced by the Venetian Sebastiano Ricci. A protégé of Marquis Riccardi, he accompanied him to Rome between 1699 and 1705, where he frequented Carlo Maratta's studio. He settled permanently in Florence in 1705. Painted exclusively on canvas, the majority of his work consists of religious subjects, altarpieces or private devotional works. It is likely that Conti himself was a devout churchgoer, as evidenced by his affiliation, in the third decade of the eighteenth century, to the Society of the Disciples of Saint-John-the-Baptist, and his entry, at the end of his life, into the fraternity of the Venerable Society of the Holy Trinity. In Florence, Conti worked for the Grand Duchy's major patrons, including the last Medici - in particular Giangastone and Annamaria Luisa, Electress Palatine - and confirmed his role as a reference painter under the Lorraine Regency, as master of the Public Drawing School, which was closely linked to the institute responsible for the manufacture of semi-precious stone mosaics, then located in the Uffizi complex. Matteo Marangoni, an art critic of the early 20th century, praised his "brushwork full of elegance and true spirit of the 18th century", pointing out that Conti was "probably one of the best colorists" of the Florentine school of his time. These two characteristics led the art historian Paolo dal Poggetto to nickname him the "Florentine Tiepolo". 2. Judith and Salome, two biblical characters opposing each other These two paintings form a pair presenting two biblical episodes, which have in common the depiction of a "heroine" carrying the severed head of a man. While the Salome episode might at first appear to be an echo of the Old Testament story of Judith, each character is the exact opposite of the other. Judith, whose story is told in the Book of Judith, is a beautiful young widow from Bethulia who, accompanied by her maid, went into the camp of the invading Assyrians and won the confidence of Holofernes, the general commanding the enemy army. Invited to a great feast on the fourth evening, she took advantage of Holofernes' drunkenness to cut off his head. “She went up to the bedpost near Holofernes’ head, and took down his sword that hung there. She came close to his bed, took hold of the hair of his head, and said, “Give me strength today, O Lord God of Israel!” Then she struck his neck twice with all her might, and cut off his head. Next she rolled his body off the bed and pulled down the canopy from the posts. Soon afterward she went out and gave Holofernes’ head to her maid, who placed it in her food bag...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Canvas, Oil

Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Mezzotint

Sleeping Boy - Drawing by Giovanni Fontana - 16th Century
Located in Roma, IT
Sleeping Boy is an original modern artwork realized in the 16th century by Giovanni Fontana. Ivory colored sheet attached on an ivory colored cardboard (...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Pencil

Landscape - Original Pencil Drawing by J. P. Verdussen - Mid-18th Century
Located in Roma, IT
Landscape is an original drawing in pencil on ivory-colored paper realized by Jan Peter Verdussen. The artwork has some folds rips and foxings and is repaired on the middle line. T...
Category

Modern 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Pencil

Figures by a River at the Edge of a Wood
Located in Paris, Île-de-France
Ferdinand von Kobell (1740–1799) Figures by a River at the Edge of a Wood Black chalk, stump and white chalk highlights, on paper 19 x 28.8 cm Signed and dated lower right: 1777 P...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Chalk

18th Century Roman School , A Palazzo with antiques, drawing
Located in Paris, FR
18th Century Roman School A Palazzo with antiques Brown ink and pen, brown ink wash on paper 12.5 x 20 cm Framed : 28,5 x 35.5 This nice drawing represents a genre scene, with a nobleman, priests, a mother and her children...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink

Portrait Old Master, Joseph Vivien, Mme Silvestre, French Rococo, Pastel
By Joseph Vivien
Located in Greven, DE
The portrait shows Mme Silvestre. Born in Paris, Silvestre was the daughter of Charles-Antoine Hérault and his wife Marie-Geneviève, who were her first teachers. In 1706 she married the painter Louis de Silvestre, moving with him in 1716 to Dresden. The couple's daughter Marie-Maximilienne became a pastellist. Silvestre died in Dresden, the year before her husband retired and returned to Paris. Her surviving pastels show the influence of Rosalba Carriera...
Category

Rococo 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Gouache, Oil Pastel

Barbara Regina Dietzsch Watercolor Painting of White Primrose, ca. 1730
Located in New York, NY
Barbara Regina Dietzsch, 1706-1783 White Primrose, Japanese Quince, a Beetle, and a Butterfly, ca. 1730 Opaque watercolor painting inscribed on...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

Landscape - Watercolor and Pencil by Jan Peter Verdussen - 18th Century
Located in Roma, IT
Landscape is a beautiful dranwing in watercolor and pencil on ivory-colored paper realized by Jan Peter Verdussen. In good condition; only a sma...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Pencil

Turin Countryside - Original Ink and Watercolor by Jan Pieter Verdussen - 1744
Located in Roma, IT
China ink and Watercolour. With handwritten notes, indicating the place and date of the artwork in lower margin: "Fait proche de Turin, ce 13 Juin 1744". Numbered on the lower right ...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Ink, Watercolor

18th Century Watercolour - Jacob and the Pharaoh
Located in Corsham, GB
A charming watercolour interpretation of chapter forty-seven verse seven of Genesis where Joseph presents his father Jacob to the Pharaoh. The artist captures the religious figures o...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

Roman Charity (Cimon and Pero)
Located in Paris, Île-de-France
Michel CORNEILLE the Younger (Paris, 1642 – 1708) Roman Charity (Cimon and Pero) Black chalk with white highlights on beige paper Height: 28 cm – Width: 20 cm Unsigned France, cir...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Charcoal, Chalk

Landscape - Original Pencil on Paper by J. P. Verdussen - 18th Century
Located in Roma, IT
Landscape is an original drawing in pencil on ivory-colored paper realized by Jan Peter Verdussen. The artwork has some folds and foxing and is repair on the middle line. The artwo...
Category

Modern 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Pencil

Landscape - Pencil Drawing by J. P. Verdussen - Mid-18th Century
Located in Roma, IT
Landscape is a beautiful drawing in pencil on ivory-colored paper realized by Jan Peter Verdussen. The artwork has some folds and foxings. The artwork represents a landscape. Inclu...
Category

Modern 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Pencil

Landscape - Pencil on Paper by J. P. Verdussen - 18th Century
Located in Roma, IT
Landscape is an original drawing is realized by Jan Peter Verdussen. The artwork has some folds and foxings and is repaired on the middle line. The artwork represents a landscape. ...
Category

Modern 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Pencil

After John Downman - 1794 Watercolour, Sarah Siddons (née. Kemble)
Located in Corsham, GB
This accomplished watercolours is a fine copy of John Downman's portrait of Sarah Siddons. Painted in the early 19th century, watercolours was a contempo...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

Landscape - Ink and Watercolor by Verdussen - Mid 18th Century
Located in Roma, IT
Landscape is an original drawing in ink and watercolor artwork realized by Jan Peeter Verdussen. Good conditions except some minor stains and folds. Jan Peeter Verdussen (1700-1767...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Ink

Rome/Tevere - Pencil and Watercolor Drawing - 1741
Located in Roma, IT
Rome is a beautiful artwork realized by Jan Peter Verdussen in 1741. In good condition except for some pencil marks and traces of sealing wax on the back and some diffused foxings. ...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Pencil

Venus
Located in London, GB
Richard Westall, R.A. (1765-1836) Venus signed and dated ‘R. Westall 1794’ (lower right) pencil and watercolour, with white heightening image 11 ⅞ x 15 ¼ in. (30.2 x 38.7 cm.) frame 22 ⅛ x 26 in. (56.3 x 66.1 cm.) Provenance: Private Collection, UK. Venus (1794) was produced during a highly creative and defining period of Richard Westall’s career and artistic development, when from 1790-95 the ambitious young artist was sharing a house at 57 Greek Street, Soho, with his friend Sir Thomas Lawrence, the future President of the Royal Academy. Whilst lodging together, Lawrence became an Associate of the Royal Academy in 1791, Westall the following year, and both were elected full-members in 1794 – the year Lawrence was appointed Painter-in-Ordinary to His Majesty King George III. Westall was to become Queen Victoria’s first Drawing Master, before her ascension to the throne. It was in this very year, 1794 - as the two young artists became Royal Academicians - that the present watercolour was executed, and it is exciting to speculate that Lawrence would have examined and given his thoughts on the work. Highly comparable to The Wallace Collection’s Nymph and cupids (c.1793, cat. P757), acquired by Francis Seymour-Conway (1777-1842), 3rd Marquess of Hertford, (who hung it in his bedroom), the mid-1790s saw Westall exhibiting and returning to similar subject-matter on a number of occasions. Two works with titles that could be applied to the present picture were exhibited at the Royal Academy, in 1794 (no. 341 Nymph and Cupids) and 1795 (no. 620, A Wood–nymph and Cupids). However, a print after the watercolour, engraved by F. Screen, entitles the piece Venus. Westall is regarded as a great virtuoso watercolourist, and Venus is evidence of the young artist’s mastery of the medium. Indeed, it is unusual to find a watercolour of comparable age so well preserved, and retaining such vibrancy - the superb condition providing an insight into his exceptional brushwork and use of colour. Venus languishes luxuriously on her woodland bed, the trunk of a tree resembling a curtain, while three winged putti play beside her, seeming to gesture to someone in the woods. Cupid draws back his bow and aims an arrow of love, perhaps about to pierce the heart of a hunting nobleman, or unsuspecting woodcutter. The striking contrast between the almost luminescent nymph, with the deep, rich, luxuriant forest, gives the glade an alluring sense of mystery – perhaps an allusion to the mysteries of the heart, a pre-occupation with Romanticism, central to the emerging thought of the time. Westall can be classified as one of the great Romantic artists, and even painted Lord Byron’s portrait...
Category

Romantic 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Pencil

"Osprey, " William Lewin, Old Master, original gouache, realist, natural history
By William Lewin
Located in Wiscasset, ME
William Lewin (1747–1795) was an English naturalist and illustrator. By 1776 he was earning a living as a pattern drawer, and by 1783 was describing himself as a painter. Lewin spec...
Category

Realist 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Gouache

Academy Study of a Seated Male Figure Seen from the Back
By Charles Joseph Natoire
Located in Paris, Île-de-France
Attributed to Charles-Joseph NATOIRE (Nîmes 1700 – 1777 Gandolfo) Academy Study of a Seated Male Figure Seen from the Back (Youthful study executed around the 1720s–1730s, likely du...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Chalk

Hercules vanquishing a drakaina (half‑woman, half‑serpent)
Located in Paris, Île-de-France
Circle of Giovanni Domenico Tiepolo (Venice 1727 – Madrid 1804) Hercules vanquishing a drakaina (half‑woman, half‑serpent) – interpreted either as Echidna or a personified Hydra c. ...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink

Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Mezzotint

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

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