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Period: 18th Century and Earlier
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
Study of a Franciscan Saint, probably San Diego de Alcalá
Located in New York, NY
Provenance: Ivan E. Phillips, Montreal and New York, until 2023.
The brothers Bartolomé Carducho and Vicente Carducho, both born and trained in Florence, settled in Spain where they made their careers. Vicente worked on numerous commissions for both the church and the Spanish court...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Chalk, Ink, Pen
George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761.
A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor
The Flight into Egypt
Located in New York, NY
Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto
Provenance:
Private Collection, UK, since 1999
This expressive and boldly executed drawing is the work of Luca...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Chalk, Ink, Pen, Paper
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
Louis-Félix de La Rue (1730-1777) Putti playing around a sculpture, drawing
Located in Paris, FR
Louis-Félix de La Rue (1730-1777)
Putti playing around a sculpture, a mythological scene
Pen and brown ink on paper
15.4 x 31 cm
In good condition
The ancient mount has has a smal...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink
Portrait of an Ottoman Dignitary, a drawing by Giuseppe Nogari (ca. 1760)
Located in PARIS, FR
We would like to thank Mrs. Bozena Anna Kowalczyk for confirming the attribution of this drawing to Giuseppe Nogari in a study (available in Italian) from which we have taken our ins...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Laid Paper, Chalk
Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-1741), a G...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Mezzotint
Study after Michelangelo’s “The Last Judgment”
By Michelangelo Buonarroti
Located in New York, NY
Italian School, 16th Century
Provenance:
Private Collection, New York
This intriguing drawing is a study by an anonymous 16th-century Italian artist after a vignette in Michelangelo’s fresco of The Last Judgement in the Sistine Chapel. The altar wall of the Sistine Chapel was already richly decorated when Pope Clement VII commissioned Michelangelo to paint his Last Judgment...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Gouache
Late 17th cent. Drawing of a rider galloping away from the viewer
By Georg Philipp Rugendas the Elder
Located in Greenwich, CT
Late 17th-early18th century Drawing
Pen and brown ink , brush and gray wash on paper
att. to Georg Philipp Rugendas (1666 – 1742)
bears a period ink inscription in bottom margin...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
India Ink, Pen
French School Of The 18th century, An Ancient Shipyard, Drawing
Located in Paris, FR
French school of the 18th century
An ancient shipyard or building site (?)
Ink and ink wash on paper
17.5 x 23 cm
In a modern frame 32 x 37 cm
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink
Study of a Sleeping Girl in a Cap
By Jean-Baptiste Greuze
Located in Middletown, NY
Graphite on greenish gray wove paper. 15 1/4 x 11 5/8 inches (390 x 295 mm). Initialed "G. B." in pencil on the lower right recto. In generally good condition with some minor scattered surface soiling. Condition is consistent with age.
____
This drawing is closely related to two known mid 18th century oils...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Handmade Paper, Graphite
View of a Mansion in the South of France, a drawing by Claude-Joseph Vernet
By Claude-Joseph Vernet
Located in PARIS, FR
We would like to thank Madame Beck-Saiello for confirming the autograph nature of this drawing after an in-person examination.
It was probably during an excursion in the countryside near Avignon that Claude-Joseph Vernet executed this drawing, enhanced with pen and brown ink, depicting a mansion on a hilltop overlooking a small village with geometric shapes.
1. Joseph Vernet, a painter influenced by Italy
Claude-Joseph Vernet was born in Avignon in 1714, the son of Antoine Vernet (1689-1753), an artisan painter of architectural decorations, coach panels, and the like. He moved to the studio of Philippe Sauvan (1697-1792), a leading history painter in Avignon, and then worked with Jacques Viali (active 1681-1745), a decorative, landscape, and marine painter in Aix-en-Provence. Vernet's first recorded paintings were decorative overdoors executed in 1731 in the Aix townhouse of the marquise de Simiane. In 1734, Joseph de Seytres, marquis de Caumont, a leading amateur in Avignon, sponsored Vernet to make a study trip to Italy to complete his artistic education and to draw antiquities for his patron.
As Avignon was a papal territory in Vernet's day, he also had a number of useful introductions among influential churchmen when he arrived in Rome. Vernet was soon at home in the French community there, and he was encouraged by Nicolas Vleughels (1668-1737), director of the Académie de France in Rome, even though the young painter had no official affiliation with the royal institution. He likely entered the studio of the French marine painter Adrien Manglard...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Laid Paper, Pen, Carbon Pencil
Roman School, early 17th century - Portrait of a Gentleman
Located in Paris, Île-de-France
Roman School, early 17th century
Portrait of a Gentleman
Black chalk with stumping on slightly tinted laid paper,
23 × 30 cm
Inscription: Lower left, in a later hand: “Ant. van D...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Chalk
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761.
A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor
A bridge over river Oil on canvas British Inscribed William Marlow
Located in London, GB
William Marlow (1740 - 1815)
A bridge over river
Oil on canvas
Inscribed, 'William Marlow' to old label verso
Provenance:
J. Palser & Sons, 27 King Street, London
Dimensions:
(Fra...
Category
English School 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Oil
George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761.
A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Engraving
Johann Seligmann: Engravings of Parrots After George Edwards, 1770, Framed
Located in Richmond, GB
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with original hand-colouring after the drawi...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor
Portrait - Original Ink and Watercolor on Paper - 18th Century
Located in Roma, IT
Portrait is an original Modern artwork realized in the half of the 18th Century in France.
Original watercolor on ivory paper.
The work is surrounded by a colored frame.
The sig...
Category
Modern 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Ink
Virgin and Child with Saint John the Baptist and Saint Jerome
Located in Paris, Île-de-France
Felice Pinariccio, known as Le Lasagna (active in Bologna during the 1560s-1570s)
Virgin and Child with Saint John the Baptist and Saint Jerome
Pen and brown ink, brown wash heighte...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink
Johann Weinmann: 18th Century Engraving of an aloe in a decorative pot.
Located in Richmond, GB
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Mezzotint
Allegory of the Treaty of Angoulême, a drawing attributed to Donato Mascagni
Located in PARIS, FR
We would like to thank Mrs. Ursula Verena Fischer Pace for suggesting the attribution to Donato Arsenio Mascagni.
We were immediately seduced by the rich tonalities of this allegory...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink
Design for a theatre fresco with fancy plasterwork - early 18th century French S
Located in Middletown, NY
Pen and sepia ink on cream laid paper, 8 3/4 x 5 3/8 inches (222 x 136 mm). Scattered paper tape repairs on the verso in the area of the upper left corner, and along the right sheet...
Category
French School 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Laid Paper
Life study of a male nude in repose - European School, late 18th Century
Located in Middletown, NY
European School, late 18th century. Red chalk with primo pensiero in graphite on cream laid paper, 8 1/2 x 11 1/2 inches (215 x 293 mm). Scattered light handling wear and multiple s...
Category
Naturalistic 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Chalk, Laid Paper, Pencil, Graphite
The Assumption of the Virgin
Located in New York, NY
Provenance:
Unidentified collector’s mark “D.G.R,” lower right (Lugt 757b)
Wilhelm Suida (1877–1959), New York; by descent to:
Robert L. and Bertina Suida Manning, New York, until 1996
Private Collection, USA
This impressive drawing of the Assumption of the Virgin is the work of the Genoese artist Giovanni Battista Paggi. The son of a nobleman, Paggi received a humanist education and was a self-taught artist. According to Paggi’s first biographer, Raffaele Soprani, it was only after encountering Luca...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Ink, Pen
Rocky Landscape with Trees and Temple Ruins a drawing by Giulio Parigi (ca 1615)
Located in PARIS, FR
This Rocky Landscape with Trees and the Ruins of a Temple is a drawing by Giulio Parigi, an eclectic and prolific artist of the Medici court. An engraver, architect, furniture and je...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Laid Paper, Pen
A sketch of children climbing a fence
Located in Maidenhead, GB
Peter de Wint OWS (1784-1849)
A sketch of children climbing a fence
Watercolour and graphite on paper
7 x 17.8 cm; (within frame) 26.7 x 36.5 cm.
Provenance:
Bequeathed by the a...
Category
English School 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor
18th century portrait of the Royal Academy model George White
By John Russell
Located in London, GB
Collections:
Russell sale, Christie’s, 14 February, 1807: ‘John Russell, Esq., R.A. deceased, crayon painter to His Majesty, the Prince of Wales, and Duke of York; and brought from his late Dwelling in Newman Street’, lot 92, ‘St Peter’, bt. Thompson (£1.13s);
Anonymous sale; Sotheby's, London, 25th September 1980, lot 113;
Private collection, UK, 2016.
Literature:
Martin Postle, 'Patriarchs, prophets and paviours: Reynolds's images of old age', The Burlington Magazine, vol. cxxx, no. 1027, October 1988, pp. 739-40, fig. 9;
Martin Postle, Sir Joshua Reynolds: The Subject Pictures, Cambridge, 1995, p.136, repr.;
Neil Jeffares, Dictionary of pastellists before 1800, online edition, J.64.2928.
Signed and dated: J Russell/ fecit 1772 (lower right)
Framed dimensions: 25 x 31 inches
John Russell was admitted to the Royal Academy in March 1770, at the same time as Daniel Gardner. The nascent Academy Schools were still establishing their teaching structures, but central to the syllabus were the twin components of drawing after the antique and from life models. By 1772 Russell had already been awarded a silver medal and progressed to the life academy, where he produced this remarkable pastel study of George White. White was the most famous model employed by the Royal Academy and prominent artists in the second half of the eighteenth century. A paviour – or street mender –by profession White had been discovered by Joshua Reynolds, who in turn introduced him to the Academy. Russell’s striking head study demonstrates his abilities as a portraitist and pastellist, at the same time showing his interest in the Academy’s preoccupation with promoting history painting.
George White was one of the most celebrated models in eighteenth-century London. According to the painter Joseph Moser:
'Old George…owed the ease in which he passed his latter days, in a great measure to Sir Joshua Reynolds, who found him exerting himself in the laborious employment of thumping down stones in the street; and observing not only the grand and majestic traits of his countenance, but the dignity of his muscular figure, took him out of a situation to which his strength was by no means equal, clothed, fed, and had him, first as a model in his own painting room, then introduced him as a subject for the students of the Royal Academy.'
As Martin Postle has pointed out, whilst characterful studies of old men posed as biblical figures, prophets or saints by Continental old masters were readily available on the art market – Reynolds himself had copied a head of Joab by Federico Bencovich in the collection of his friend and patron, Lord Palmerston - finding a model in Britain from whom to execute a painting was more difficult.
White therefore offered a rare opportunity for artists to combine portraiture and history painting, by painting a model in the guise of an historical or literary character. In 1771 Reynolds showed at the Royal Academy a picture of White entitled Resignation. It was engraved in 1772 and accompanied by a stanza from Oliver Goldsmith’s Deserted Village, implying a literary context to what is essentially a portrait. In his annotated Royal Academy catalogue, Horace Walpole noted: ‘This was an old beggar, who had so fine a head that Sir Joshua chose him for the father in his picture from Dante, and painted him several times, as did others in imitation of Reynolds. There were even cameos and busts of him.’ White sat to, amongst others Johan Zoffany, John Sanders, Nathaniel Hone and the sculptor John Bacon...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Pastel
Johann Weinmann: 18th Century Engraving of an aloe in a decorative pot.
Located in Richmond, GB
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Mezzotint
The Triumph of Constantine the Great
Located in Chicago, IL
Inscribed on the verso: EE 27/10
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Chalk, Ink, Pen
The Death of Coresus
By Jean-Baptiste Greuze
Located in Paris, Île-de-France
JEAN-BAPTISTE GREUZE
(Tournus 1725 - 1805 Paris)
The Death of Coresus, circa 1750
Pen and brown ink, black ink tips, gray wash on black chalk, 455 x 385 cm
Bears on the reverse in ...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Watercolor
1600’s Flemish Old Master Ink Wash Drawing Biblical Figures Group on paper
Located in Cirencester, Gloucestershire
Figure Studies
Attriubted to Cornelis Schut
(1597 - 1655) Flemish
ink drawing on paper, inscribed on mount
size: 4.75 x 7 inches
private collection, France
The painting is in overa...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Watercolor
$912 Sale Price
30% Off
Three studies executed in the Pitti Palace in 1761 by Jean-Honoré Fragonard
Located in PARIS, FR
This brilliant study sheet, of which we present here a counterproof, is a souvenir of Fragonard's return journey from Italy. Between April and September 1761, he accompanied the abbot of Saint-Non on his way back to France. Three studies after the masters taken from the Pitti Palace’s gallery in Florence are gathered on this sheet. Although The Ecstasy of Saint Margaret...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Carbon Pencil
Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-1741), a G...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Mezzotint
Costume drawings for ‘Ambassadeur de Siam’ and ‘La Sultana Reine’
Located in Amsterdam, NL
Joseph-Marie Vien (1716-1809)
‘Ambassadeur de Siam’ and ‘La Sultana Reine’
Both titled lower centre, the drawing of the ambassador inscribed with colours intended for the prints, e...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Pencil
Johann Seligmann: Engravings of Parrots After George Edwards, 1770, Framed
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
Johann Weinmann: 18th Century Engravings of an aloe in a decorative pot.
Located in Richmond, GB
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Mezzotint
Study of fourteen birds
Located in Ottikon, CH
Circle of Alexandre Francois Desportes
Study of fourteen birds (Study of fourteen birds)
28.3 x 43.8 cm
Watercolor, pencil, mixed media on paper
Verso:
Faintly legible monogram i...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Mixed Media, Watercolor, Pencil
A Pair of 18th cent Dutch Still Life Watercolors Flowers in a Glass Vase 1797
Located in Rancho Santa Fe, CA
Cornelis Johannes de Bruyn (c. 1763- c. 1828)
A lovely pair of 18th century Dutch still life watercolors depicting assorted flowers in a glass vase.
Watercolor on paper
13 5/8 x 9 5/8 inches (34.6 x 24.4 cm) each
Framed: 23 x 18 1/2 inches each
Signed: J.C.J. Bruyn 1797 G
(Please request photos of the actual frame)
Johannes de Bruyn made his debut as a flower and fruit still life painter in the 19th
century in Utrecht. He was a student of the painter G.J. van Hulstyn. In our pair of flower still lifes, Cornelis Johannes de Bruyn has depicted two bouquets of colorful flowers set in a stone niche. They are delicate, highly detailed, realistic pieces painted in the vein of seventeenth century Old Master works. Each bouquet is arranged in a low glass bowl on a small marble pedestal...
Category
Dutch School 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Portraits of the Hon. Mary Shuttleworth and Anna Maria, 9th Baroness Forrester
Located in London, GB
THE HON. MARY SHUTTLEWORTH, NÉE COCKBURN (D. 1777)
and her sister
ANNA MARIA, 9TH BARONESS FORRESTER (D. 1808)
Pastel and gouache on paper laid on canvas, on their original backb...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Pastel, Gouache
Johann Weinmann: 18th Century Engraving of an aloe in a decorative pot.
Located in Richmond, GB
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Mezzotint
Johann Weinmann: 18th Century Engravings of an aloe in a decorative pot.
Located in Richmond, GB
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Mezzotint
16th Century by Andrea Boscoli The payment of the duty Pen and ink on paper
Located in Milano, Lombardia
Andrea Boscoli (Florence, Italy, 1564 – Rome, Italy, 1608)
Title: 𝘛𝘩𝘦 𝘱𝘢𝘺𝘮𝘦𝘯𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘥𝘶𝘵𝘺, 𝘧𝘳𝘰𝘮 𝘗𝘰𝘭𝘪𝘥𝘰𝘳𝘰 𝘥𝘢 𝘊𝘢𝘳𝘢𝘷𝘢𝘨𝘨𝘪𝘰
Medium: Pen and brow...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Paper, Cardboard, Pen
View of an Antique City, a wash landscape by Jan de Bisschop (1628 - 1671)
Located in PARIS, FR
The attribution to Jan de Bisschop has been confirmed by the RKD with the following comment: "We base this attribution on the dark washes, the subject represented and the monogram".
...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Pen
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
Three drawings by François Boucher in a mounting by Jean-Baptiste Glomy
Located in PARIS, FR
We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages.
This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York.
1. François Boucher, the master of French rocaille
The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre.
As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him.
On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Chalk, Ink
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
Old Master Drawing, 17th Century, Italian Art, Peace, Allegory, Love, Dove
Located in Greven, DE
Oak Leaf Peace Wreath with Dove and Serpent
Around 1700
Black chalk on thin, brownish paper
39,8 x 52,7 cm
Inscribed "N" in the centre left
This drawing is probably by an Italian Ar...
Category
Baroque 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Chalk
$382 Sale Price
20% Off
Johann Seligmann: Engravings of Parrots After George Edwards, 1770, Framed
Located in Richmond, GB
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with original hand-colouring after the drawi...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
Allegory of Chastity, a drawing attributed to G. Porta with great provenance
Located in PARIS, FR
This magnificent drawing from the Venetian Renaissance intrigues us in many ways. It depicts an allegorical composition whose meaning partly escapes us: a veiled figure seated on a stone bench (which we have identified as Chastity), seems to be turning away from a woman's bust beside her, below which are two rabbits, a traditional allegory of fertility, but also sometimes of lust.
This drawing, executed on blue paper, undoubtedly belongs to the Venetian Renaissance. The inscriptions on the back of the old mounting board indicate the various attributions considered by its last owner, the British painter and art historian Sir Lawrence Gowing. We have retained the attribution to Giuseppe Porta proposed by art historian John Arthur Gere as the most relevant.
We were incredibly fortunate to find a hexagonal frame of a very similar format for this drawing, the upper corners of which were formerly cut (irregularly). This 17th-century Dutch frame comes from an aristocratic collection in Lombardy, and creates a kind of fascinating chase around this Venetian drawing...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Chalk
Theatre Scene, Opera, Old Master Drawing, Griselidis, Mallet, French Art
Located in Greven, DE
Unknown Artist, French School 18th Century, Circle of Mallet? Scene taken from the Decamerone.
Old Master Drawing
Category
Romantic 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Cardboard
$1,433 Sale Price
20% Off
Johann Weinmann: 18th Century Engraving of an aloe in a decorative pot.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED ITEM. MORE EXAMPLES AVAILABLE
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, present...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Mezzotint
Consecration of a Church 15th Century English School Illuminated Manuscript
Located in London, GB
English School
15th Century
The Consecration of a Church
Illuminated manuscript on Vellum
Image size: 5 ½ x 5 inches (14 x 12.7 cm)
18th century ornate Tabernacle frame
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Vellum
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
Johann Weinmann: 18th Century Engraving. Aloe in a Decorative pot.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT.
Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parce...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Mezzotint
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
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