18th Century and Earlier Drawings and Watercolor Paintings
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Period: 18th Century and Earlier
George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761.
A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor
Mughal School, 18th cent – Emperor Jahangir & Empress Nur Jahan on a Tiger Hunt
Located in Middletown, NY
A beautiful composition depicting Empress Nur Jahan on a tiger hunt, an act of feminism.
Circa 1750. Gouache and ink with heightening in gold on brown laid paper, 12 1/2 x 8 1/4 inches (317 x 210 mm), with a floral-motif border painted in blue and oxblood, the full sheet. With extensive inscriptions in Persian written in black ink on the verso. In good condition with overall toning and minor creasing, all consistent with age. The color is rich and and fresh with bright yellow illumination. In the distance we see the Jahangir Mahal Agra, as well as a sage meditating in his hut. A beautiful composition.
Nur Jahan was fond of hunting and often went on hunting tours with her husband and was known for her boldness in hunting ferocious tigers. She is reported to have slain four tigers with six bullets during one hunt. According to Sir Syed Ahmad Khan this feat, inspired a poet to declaim a spontaneous couplet in her honor: "Though Nur Jahan be in form a woman, In the ranks of men she...
Category
Rajput 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Gold
George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761.
A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Engraving
Disegno figurativo fiammingo ad acquerello del XVIII secolo, scena di genere
Located in Florence, IT
Sullo sfondo di un paesaggio dai tratti centro-settentrionali europei-in cui si riconoscono una cappella e il profilo di una città dagli alti pinnacoli-si svolge una scena di svago, ...
Category
Other Art Style 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Ink, Watercolor
"Osprey, " William Lewin, Old Master, original gouache, realist, natural history
By William Lewin
Located in Wiscasset, ME
William Lewin (1747–1795) was an English naturalist and illustrator. By 1776 he was earning a living as a pattern drawer, and by 1783 was describing himself as a painter. Lewin spec...
Category
Realist 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Gouache
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
View of an Antique City, a wash landscape by Jan de Bisschop (1628 - 1671)
Located in PARIS, FR
The attribution to Jan de Bisschop has been confirmed by the RKD with the following comment: "We base this attribution on the dark washes, the subject represented and the monogram".
...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Pen, Ink
George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761.
A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor
The Dethroning / Italian School, 18th Century
Located in Middletown, NY
Graphite and grayish ink wash on bluish wove paper, 7 x 10 1/2 inches (177 x 265 mm) (matrix). Scattered surface soiling, adhesive residue, dog-eared corners, and scattered edge tears along left margin, outside of image area. Paper is braced on the verso with two pages from a mid 19th century book with illustrations by C.Perrin. One image depicts a scene of a group of soldiers representing the Holy Roman Empire...
Category
Italian School 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Handmade Paper, Ink, Graphite
Johann Seligmann: Engravings of Parrots After George Edwards, 1770, Framed
Located in Richmond, GB
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with original hand-colouring after the drawi...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
Soldier begging for Mercy a preparatory study by Jean-Marc Nattier (1685 - 1766)
Located in PARIS, FR
This rare drawing by Nattier is part of a set of preparatory studies executed in 1717 for one of the painter's first commissions, the painting commissioned by Tsar Peter I of Russia ...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Chalk
Study of horse and ox bones
Located in Middletown, NY
Graphite, ink wash and watercolor on handmade laid paper with a large, indistinguishable ovoid watermark with a bunch of grapes, 8 7/16 x 12 5/8 inches (225 x 320 mm), signed in brown ink in the lower left. With the Henry Scipio Reitlinger oval stamp in brown ink on the verso (Lugt 2274a).
The condition of the image and paper is consistent with age, there is minor toning on the recto and some attenuation of the green pigment. The drawing is laid down to an 18th century laid paper support and has a small pencil notation in the lower right corner (modern), and scattered notations in pencil on the verso of the support (also modern, perhaps auction/accession notes). On the paper support is an ink drawing in red and black of what appears to be the floor plan for the wing of a large building. The drawing is top-up, adhered facing the verso of the drawing. The architectural drawing on the support is visible through to the recto of the composition when the sheets are viewed through raking light. There is a small area of stipple point spotting in brown ink on the verso of the support. Examination under black light shows no indication of repairs or additions, expert or otherwise.
Provenance:
Henry Scipio Reitlinger was born in either 1882 or 1885, attended Kings College...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Handmade Paper, Laid Paper, Graphite
French Art, Rococo Portrait, Oval, Pastel, Portrait of a Lady, Circle of Vivien
Located in Greven, DE
French School, Portrait of a Lady, Rococo, 18th Century, Fine drawing in Pastel/ Oil Pastel on Paper in the style of Vivien. The Lady might be a woman from Marie Antoinette's Court. It is part of a Pendant (see the other listing with the portrait of Queen Marie Antoinette...
Category
Rococo 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Oil Pastel, Gouache
$6,672 Sale Price
72% Off
Animal painting of a 'Tamanuâguacû (Ant-eater)' late 17th/18th century, Brazil
Located in Amsterdam, NL
Follower of Zacharias Wagener (1614-1688)
Tamanuâguasû (Giant Anteater)
On Italian 17th or 18th-century paper, H. 28 x W. 43.5 cm
The present painting is a copy after Wagener’s painting of the anteater, Tamanduá-bandeira, which is illustrated in his “Thier Buch”, with 109 drawings of Brazilian fish, birds and mammals, published in Amsterdam c. 1641, in German.
Zacharias Wagener, or Wagenaer in Dutch, (Dresden 1614 – Amsterdam 1668) was a real adventurer who became Opperhoofd on Deshima and Governor of the Cape of Good Hope in the service of the VOC. During the Thirty-Year War in Germany Wagener tried his luck in Amsterdam where he worked for the map-maker Willem Blaeu. In 1634 he joined the WIC and left for Dutch Brazil where he worked as writer and painter, together with Frans Post...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, India Ink, Gouache
Attrib. Lady Diana Beauclerk (1734-1808) - Watercolour, Shepherdess with Baby
Located in Corsham, GB
A heartwarming sepia study of a shepherdess comforting her young baby. Well-presented in a contemporary gilt-effect frame. Unsigned. On paper.
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor
1600’s Flemish Old Master Ink Wash Drawing Biblical Figures Group on paper
Located in Cirencester, Gloucestershire
Figure Studies
Attriubted to Cornelis Schut
(1597 - 1655) Flemish
ink drawing on paper, inscribed on mount
size: 4.75 x 7 inches
private collection, France
The painting is in overa...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Watercolor
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
Johann Seligmann: Engravings of Parrots After George Edwards, 1770, Framed
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
Architectural Stucco Design, Pen and Ink Drawing, Signed, 18th Century Italian
Located in London, GB
Pen and brown ink and brown and grey washes on paper
Signed top middle
Image size: 10 x 3 3/4 inches (25.5 x 8 cm)
The sketch is a useful example of Bigari's work in the late-Baroqu...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Ink, Pen
The Assumption of the Virgin
Located in New York, NY
Provenance:
Unidentified collector’s mark “D.G.R,” lower right (Lugt 757b)
Wilhelm Suida (1877–1959), New York; by descent to:
Robert L. and Bertina Suida Manning, New York, until 1996
Private Collection, USA
This impressive drawing of the Assumption of the Virgin is the work of the Genoese artist Giovanni Battista Paggi. The son of a nobleman, Paggi received a humanist education and was a self-taught artist. According to Paggi’s first biographer, Raffaele Soprani, it was only after encountering Luca...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Ink, Pen
The Flight into Egypt
Located in New York, NY
Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto
Provenance:
Private Collection, UK, since 1999
This expressive and boldly executed drawing is the work of Luca...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Chalk, Ink, Pen, Paper
Consecration of a Church 15th Century English School Illuminated Manuscript
Located in London, GB
English School
15th Century
The Consecration of a Church
Illuminated manuscript on Vellum
Image size: 5 ½ x 5 inches (14 x 12.7 cm)
18th century ornate Tabernacle frame
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Vellum
George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761.
A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor
Theatre Scene, Opera, Old Master Drawing, Griselidis, Mallet, French Art
Located in Greven, DE
Unknown Artist, French School 18th Century, Circle of Mallet? Scene taken from the Decamerone.
Old Master Drawing
Category
Romantic 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Cardboard
$1,429 Sale Price
20% Off
George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT
"Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Etching
George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761.
A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor
Costume drawings for ‘Ambassadeur de Siam’ and ‘La Sultana Reine’
Located in Amsterdam, NL
Joseph-Marie Vien (1716-1809)
‘Ambassadeur de Siam’ and ‘La Sultana Reine’
Both titled lower centre, the drawing of the ambassador inscribed with colours intended for the prints, e...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Pencil
Studies of a kneeling female figure, an arm, a hand, and a head in profile
Located in Paris, Île-de-France
Studio of Carlo Maratti (or Maratta)
Camerano 1625 – Rome 1713
Studies of a kneeling female figure, an arm, a hand, and a head in profile
Red chalk on paper
43.4 x 26.6 cm
Unsigne...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Chalk
The Triumph of Constantine the Great
Located in Chicago, IL
Inscribed on the verso: EE 27/10
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Chalk, Ink, Pen
Due ritratti figurativi aristocratici pastelli su pergamena primi del XIX secolo
Located in Florence, IT
Sul cartoncino applicato nella cornice è riportata l'annotazione, a penna e in grafia Kurrent, "Urgroßvater Ludwig Fr(ei)h(e)r(r) von Keller" "Urgroßmutter ...
Category
Other Art Style 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Parchment Paper, Pastel, Cardboard
Sketch of Three Figures
Located in London, GB
Benjamin Robert Haydon
1786 - 1846
Sketch of Three Figures
Pen and ink on paper,
Image size: 9 3/4 x 7 3/4 inches (25 x 20 cm)
Acid Free mount, original frame
Provenance
Private Col...
Category
English School 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Ink, Pen
The Assumption of Mary Magdalene, Italian School, 16th Century
Located in Middletown, NY
Brownish ink and grayish ink wash with white heightening on handmade cream laid paper, 10 5/8 x 8 1/4 inches (267 x 208 mm)(matrix). Scattered minor losses to top sheet edge (outside...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Handmade Paper, Laid Paper
View of Castle of Vianen, Batestein, Dutch Golden Age, Schouman, Old Master Art
By Aert Schouman
Located in Greven, DE
Though he is most celebrated today for his extraordinary work as an artist of ornithological and zoological subject matters, Schouman was also a prolific documenter of landscape in his native Holland. The present drawing, which depicts a view of the Castel of Vianen, fits securely into a corpus of drawings Schouman produced on the same scale and in the same distinctive combination of media, examples of which are today housed in the collection of the Koninklijk Zeeuwsch Genootschap der Wetenschappen, Middelburg.
Castle Batestein (also called Batenstein ) is a castle disappeared from the Netherlands . It was built on the banks of the Lek in the small town of Vianen, then in the province of South Holland (now in the province of Utrecht ).
The castle was burned down in 1696 and then demolished. Remains only the Hofpoort (or castle gate...
Category
Baroque 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Handmade Paper, Pen
A Pair of 18th cent Dutch Still Life Watercolors Flowers in a Glass Vase 1797
Located in Rancho Santa Fe, CA
Cornelis Johannes de Bruyn (c. 1763- c. 1828)
A lovely pair of 18th century Dutch still life watercolors depicting assorted flowers in a glass vase.
Watercolor on paper
13 5/8 x 9 5/8 inches (34.6 x 24.4 cm) each
Framed: 23 x 18 1/2 inches each
Signed: J.C.J. Bruyn 1797 G
(Please request photos of the actual frame)
Johannes de Bruyn made his debut as a flower and fruit still life painter in the 19th
century in Utrecht. He was a student of the painter G.J. van Hulstyn. In our pair of flower still lifes, Cornelis Johannes de Bruyn has depicted two bouquets of colorful flowers set in a stone niche. They are delicate, highly detailed, realistic pieces painted in the vein of seventeenth century Old Master works. Each bouquet is arranged in a low glass bowl on a small marble pedestal...
Category
Dutch School 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Watercolor
18th century portrait of the Royal Academy model George White
By John Russell
Located in London, GB
Collections:
Russell sale, Christie’s, 14 February, 1807: ‘John Russell, Esq., R.A. deceased, crayon painter to His Majesty, the Prince of Wales, and Duke of York; and brought from his late Dwelling in Newman Street’, lot 92, ‘St Peter’, bt. Thompson (£1.13s);
Anonymous sale; Sotheby's, London, 25th September 1980, lot 113;
Private collection, UK, 2016.
Literature:
Martin Postle, 'Patriarchs, prophets and paviours: Reynolds's images of old age', The Burlington Magazine, vol. cxxx, no. 1027, October 1988, pp. 739-40, fig. 9;
Martin Postle, Sir Joshua Reynolds: The Subject Pictures, Cambridge, 1995, p.136, repr.;
Neil Jeffares, Dictionary of pastellists before 1800, online edition, J.64.2928.
Signed and dated: J Russell/ fecit 1772 (lower right)
Framed dimensions: 25 x 31 inches
John Russell was admitted to the Royal Academy in March 1770, at the same time as Daniel Gardner. The nascent Academy Schools were still establishing their teaching structures, but central to the syllabus were the twin components of drawing after the antique and from life models. By 1772 Russell had already been awarded a silver medal and progressed to the life academy, where he produced this remarkable pastel study of George White. White was the most famous model employed by the Royal Academy and prominent artists in the second half of the eighteenth century. A paviour – or street mender –by profession White had been discovered by Joshua Reynolds, who in turn introduced him to the Academy. Russell’s striking head study demonstrates his abilities as a portraitist and pastellist, at the same time showing his interest in the Academy’s preoccupation with promoting history painting.
George White was one of the most celebrated models in eighteenth-century London. According to the painter Joseph Moser:
'Old George…owed the ease in which he passed his latter days, in a great measure to Sir Joshua Reynolds, who found him exerting himself in the laborious employment of thumping down stones in the street; and observing not only the grand and majestic traits of his countenance, but the dignity of his muscular figure, took him out of a situation to which his strength was by no means equal, clothed, fed, and had him, first as a model in his own painting room, then introduced him as a subject for the students of the Royal Academy.'
As Martin Postle has pointed out, whilst characterful studies of old men posed as biblical figures, prophets or saints by Continental old masters were readily available on the art market – Reynolds himself had copied a head of Joab by Federico Bencovich in the collection of his friend and patron, Lord Palmerston - finding a model in Britain from whom to execute a painting was more difficult.
White therefore offered a rare opportunity for artists to combine portraiture and history painting, by painting a model in the guise of an historical or literary character. In 1771 Reynolds showed at the Royal Academy a picture of White entitled Resignation. It was engraved in 1772 and accompanied by a stanza from Oliver Goldsmith’s Deserted Village, implying a literary context to what is essentially a portrait. In his annotated Royal Academy catalogue, Horace Walpole noted: ‘This was an old beggar, who had so fine a head that Sir Joshua chose him for the father in his picture from Dante, and painted him several times, as did others in imitation of Reynolds. There were even cameos and busts of him.’ White sat to, amongst others Johan Zoffany, John Sanders, Nathaniel Hone and the sculptor John Bacon...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Pastel
Barbara Regina Dietzsch Watercolor Painting of White Primrose, ca. 1730
Located in New York, NY
Barbara Regina Dietzsch, 1706-1783
White Primrose, Japanese Quince, a Beetle, and a Butterfly, ca. 1730
Opaque watercolor painting
inscribed on...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor
Portrait of a Lady in a White Dress - 18th Century Watercolour
By John Downman
Located in London, GB
John Downman
1750-1824
Portrait of a Lady in a White Dress
Pencil, stump and watercolour, heightened with white chalk, signed and dated 1784
Imag...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor, Paper
Woman in Fantasy Costume (pair)
Located in New York, NY
The pair consists of the present work and an engraving after it by the hand of Giles DeMarteau (Liège 1722 – 1776 Paris) titled Woman in Fantasy Costume, after Jean Baptiste Le Prince, and measuring, 10 ⅜ x 8 ⅝ inches (26.5 x 22 cm).
DeMarteau's engraving is inscribed at the bottom:
Le Prince inv. del. / Demarteau sc. / A Paris ches Demarteau Graveur du Roi, rue de la Pelterie à la Cloche...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Chalk, Engraving
Study for a fresco
Located in Paris, Île-de-France
Attributed to Francesco PENNI (1488 – 1528)
Study for a fresco
Pen and brown ink, brown wash heightened with white on prepared paper
14 x 12 cm
Unsigned
On the mount, handwriting ...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink
$11,909
The Tiber, near Rome / Italian School 18th Century
Located in Middletown, NY
Pen and sepia ink wash on cream laid paper, 4 1/8 x 6 3/16 inches (103 x 152 mm). In good condition with scattered areas of light brown discoloration, and un...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Laid Paper, Pencil
Portrait of a Young Woman
Located in London, GB
Red chalk on paper
Image size: 7 1/2 x 9 1/4 inches (19 x 23.5 cm)
Contemporary frame
An enigmatic portrait of a young woman after Sir Peter Lely's drawing, currently shown in the B...
Category
Victorian 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Chalk
LE PAON Watercolor lavis ink Military scene castle bridge French 18th
Located in PARIS, FR
Jean-Baptiste LE PAON
Paris, 1738 – Paris, 1785
Military scene near a castle
Wash and ink on paper
25 x 31 cm (38 x 44 cm with frame)
Signed and dated lower right: “Le Paon / 1785”
C...
Category
Baroque 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor
Paull Sandby, R.A. Ink & Wash on Paper of a Chair
By Paul Sandby
Located in Bristol, CT
Art Sz: 4 1/4"H x 3 1/2"W
Frame Sz: 8"H x 7"W
Paul Sandby RA (1731 – 7 November 1809) was an English map-maker turned landscape painter in watercolours, who, along with his older b...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Pen
Circle of Angelika Kauffmann, Venus and Amor, Arrow and Spindle, Oval Drawing
Located in Greven, DE
Fine drawing in pencil, oval format. Circle of Angelika Kauffmann.
The subject is not clear. It is Amor with his arrows and perhaps Venus with a sp...
Category
Romantic 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Crayon, Handmade Paper
$1,143 Sale Price
20% Off
Old Master Drawing, Roccoco, 18th Century, German Artist, Animal Drawing
By Johann Martin Metz
Located in Greven, DE
Black chalk, partly washed, on paper, sheet 27.5 x 19.7 cm
Plain gold moulding, 44.8 x 36 cm
The Rhenish still life painter Johann Martin Metz was ...
Category
Rococo 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Crayon
$762 Sale Price
20% Off
Study of a Franciscan Saint, probably San Diego de Alcalá
Located in New York, NY
Provenance: Ivan E. Phillips, Montreal and New York, until 2023.
The brothers Bartolomé Carducho and Vicente Carducho, both born and trained in Florence, settled in Spain where they made their careers. Vicente worked on numerous commissions for both the church and the Spanish court...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Chalk, Ink, Pen
Italian Old Master Ink & Wash Drawing St. Anne & The Virgin Mary with Cherubs
Located in Cirencester, Gloucestershire
Pietro Fancelli (Italian 1764 - 1850)
bio details attached to the frame
'St. Anne & The Virgin'
ink with watercolor wash on paper, framed
framed: 22 x 16 inches
image: 11 x 6.5 inche...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Watercolor
French 18th Century Pastel Portrait of a Young Lady in Period Costume.
Located in Cotignac, FR
Late 18th Century French pastel portrait on paper of a young lady in period dress in a 'feigned oval'. In gilt wood frame presented under glass.
Very much of its period and similar ...
Category
Realist 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Crayon, Pastel
$1,333 Sale Price
37% Off
Figure of Breton Woman - Drawing by J. P. Verdussen - End of 18th Century
Located in Roma, IT
Figure of Breton Woman is a beautiful ink and watercolor original drawing on wire rod and watermarked paper realized at the middle of XVIII century by Jan Peter Verdussen.
This ori...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper
Still life with ornamental urn, grapes and flora - French School 17 Cent.
Located in Middletown, NY
Pencil on cream laid paper, 10 x 8 3/4 inches (254 x 222 mm). Uniform age tone, scattered surface soiling, and handling wear. One pea-sized area of skinning in the top-center sheet ...
Category
French School 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Laid Paper, Pencil
17th Century French sanguine drawing of maiden's harvesting flowers
By (Circle of) Nicolas Poussin
Located in Petworth, West Sussex
Circle of Nicolas Poussin (French, 1594-1665)
Maiden’s harvesting flowers
Sanguine on paper
8. ¾ in. (22 cm.) tondo
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper
Portrait of Lady, 18th Century English Pen and Ink
By Ozias Humphry
Located in London, GB
Ozias Humphry
1742-1810
Portrait of Frances Abington
Pen and brown ink on paper
Image size: 7 1/2 x 5 3/4 inches
Giltwood frame
The actress Frances (Fanny) Barton, better known as M...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Ink, Pen
Study of a Fate at mid-body, a red chalk attributed to Giovanni da San Giovanni
Located in PARIS, FR
This spectacular red chalk drawing depicts an elderly woman, her eyes bulging, her hand stretched out towards the sky. This disturbing character, who seems close to dementia, and the elongation of her arm with its Mannerist overtones, plunge us into the Florentine artistic milieu of the first half of the 17th century. The proximity of this drawing to some characters in the fresco in the Pitti Palace representing The Muses, Poets and Philosophers chased from Parnassus, the last masterpiece of Giovanni da San Giovanni, leads us to propose an attribution to this artist and a dating of around 1635-1636.
1. Giovanni da San Giovanni, the painter of contradiction
We take here the title of the monography dedicated to the artist by Anna Banti in 1977, which remains the reference book for this artist. The son of a notary, Giovanni Mannozzi, known as Giovanni da San Giovanni, abandoned his studies to go to Florence at the age of sixteen, where he entered the studio of Matteo Rosselli (1578 - 1650) around 1609 and enrolled in the Academy of Drawing Arts in 1612. Around 1615 he produced his first known works, mainly frescoes for the city's tabernacles. He became famous in Florence for his originality, combining an obsessive application to the study of drawing and the reading of poetry and history with a disheveled appearance. Between 1619 and 1620 he decorated the facade of the Antella Palace in Piazza Santa Croce, a decoration that still partly survives today.
The death of Cosimo II in 1621 put an end to the Florentine building activity and Giovanni da San Giovanni left for Rome to find other sponsors with the painter Francesco Furini...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Chalk
William Payne (1760-1830) - 1798 Watercolour, Village By The River
By William Payne
Located in Corsham, GB
Signed to the lower left. Presented in a gilt frame with foliate detailing. On paper.
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Watercolor
$542 Sale Price
20% Off
Verse 1 through Verse 60
Located in Fairlawn, OH
Verse 1 through Verse 60
From: Leyli o Majnun by Nizami Ganjavi (1141-1209CE)
This folio comprises the first 60 verses of the epic Persian poem
“The masnavi of Leyli va Majnun (4,60...
Category
Other Art Style 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Pigment
Head of a Cheerful Man Wearing a Cap
Located in New York, NY
Watermark: the arms of Amsterdam
Provenance:
Christie’s, Amsterdam, 1 December 1986, lot 46; where acquired by:
Private Collection, New York
Literature:
Roger Adolf d’Hulst, “Jordaens Drawings: Supplement II,” Master Drawings, vol. 28, no. 2 (1990), pp. 153-156, no. A237a, fig. 17.
Matías Díaz Padrón, Jacob Jordaens...
Category
Baroque 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Paper, Chalk
Framed 18th Century Pen and Ink Drawings - Designs for Capital & Base Supports
Located in Corsham, GB
Framed 18th-century pen and ink drawings of elaborate capital and base supports, inspired by Ancient Greek architecture and design. Well presented in a fluted gilt-effect frame. Unsi...
Category
18th Century and Earlier Drawings and Watercolor Paintings
Materials
Pen
A dazzling Venetian Regatta Boat Study attributed to Alessandra Mauro
Located in PARIS, FR
This stunning Baroque study depicts a regatta boat, a type of vessel developed in eighteenth-century Venice for the regattas organized by the Serenissima during visits by royalty and princes. We propose to link this drawing to the work of Alessandro Mauro, an artist who specialized in this type of composition, as illustrated by a drawing from him at the Metropolitan Museum.
1. Description of the boat
The greatest decorative fantasy reigns in this preparatory study, which blends mythological and exotic elements with references to ancient Egypt. Our drawing is probably an initial thought, destined to be refined and clarified later in pen and ink (as evidenced by the ink stain in the lower right). A quadriga of seahorses guided by Neptune stands at the stern of the boat, shown well above the waterline (perhaps to outline its empty volume). One of the seahorses is ridden by a newt, while Amphitrite lies at the feet of the sea god.
The center of the boat is occupied by a vast baldachin resting on four atlantes and surmounted by a figure riding an animal (a dragon?). Three figures sit beneath the canopy, one of them on a griffin-shaped seat. This allusion to Egyptian antiquity echoes the winged sun (sometimes a symbol of the god Horus, as in the temple of Edfu in Egypt) that adorns the sides of the promontory on which this baldachin rests.
Another flag-bearer figure crouches at the stern of the boat on a raised seat, on the reverse of which is a crowned mermaid whose arm, extended backwards, rests on a mascaron decorated with a radiant face (Helios?) and whose torso surmounts an elephant's head. The heads of the rowers and their oars are sketched all along the boat, whose sides are embellished with elongated naiads.
2. The Venetian regatta boats
An exhibition held in 2013 at the Ca' Rezzonico (the Venetian eighteenth-century museum) paid tribute to these regatta boats through studies and prints depicting them. The regattas organized by the Serenissima in honor of visiting princes and sovereigns were among the most spectacular ceremonies in Venice. Some important artists of the 18th century contributed to the creation of these extravagant boats which were given exotic names such as bissona, malgarota or peota.
The specialists in this field were Andrea Urbani and the brothers Alessandro and Romualdo Mauro. They were born into a family of theater decorators in Piedmont, but little is known about their detailed biography. Alessandro was the architect of the Dresden opera house and of the St. Samuel Theater in Venice (in collaboration with his brother Romualdo), but also worked as stagehand and set designer in Vienna, Rome and Turin. A drawing produced around 1737 from the Metropolitan Museum (7th photo in the gallery) bears witness to his activity as a regatta boat designer.
This drawing is a much more elaborate version than the one presented here, having been entirely reworked in brown ink. However, a figure at the bow of the boat, executed solely in black chalk, still bears witness to a technique similar to that of our drawing.
It is difficult to know whether the boat depicted in our drawing was a project for an actual boat or whether it remained in the planning stage, but the front of our boat (Neptune and the quadriga of seahorses ridden by a newt) bears several similarities to that of a parade boat depicted in the print published by Michele Marieschi entitled Regatta on the Grand Canal, between the Foscari and Balbi Palaces (last photo in the gallery). This print is dated 1741, which could confirm that our work dates from around 1740.
The area between Neptune and the quadriga that precedes him on this strange paddle-boat appears to be partially submerged, confirming that the waterline of our boat was probably intended to be much lower than the one shown in our drawing.
The Correr Museum’s collection holds one of the most important collection of engravings and drawings devoted to these specifically Venetian Baroque productions. These boats were intended to last the duration of a festival. Today, they are only documented by preparatory drawings or prints that testify to the sumptuousness of their decoration. This taste for regatta boats lasted throughout the Venetian eighteenth century, and the conception of regatta boats also attracted great masters such as Giambattista Tiepolo, Francesco Guardi or Giambattista Piranesi...
Category
Old Masters 18th Century and Earlier Drawings and Watercolor Paintings
Materials
Chalk
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