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18th Century and Earlier Drawings and Watercolor Paintings

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Period: 18th Century and Earlier
Study of a Man, Old Master Drawing, Figure, Roman Study, Lombard
Located in Greven, DE
Old Master Drawing by the Circle of Lambert Lombard. Drawing/ Study of a Man in Renaissance Style, later signed "F. Floris". Study of a Man Lombard li...
Category

Renaissance 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Handmade Paper

17th C Dutch Old Master Ink & Wash Painting Biblical Figures Rembrandt Pupil
Located in Cirencester, Gloucestershire
Figure being Comforted (Job?) circle of Willem Drost (Dutch 1633-1659) *See notes below ink and wash drawing on paper (Arms of Amsterdam watermarked) Dutc...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink, Watercolor

Antique French Miniature Portrait of Lady Biographical details with painting
Located in Cirencester, Gloucestershire
Miniature Portrait French School, late 18th/ early 19th century framed: 5.5 x 5.5 inches board: 2 x 2 inches provenance: private collection, France condition: very good and sound c...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

Screaming Face
Located in Paris, Île-de-France
DENYS CALVAERT (Antwerp c. 1540 – 1619 Bologna), ATTRIBUTED TO Screaming Face Red chalk on paper 17.5 x 14.5 cm After 1608 Provenance: Unidentified collection (Lugt L.2339 / 3578 [p...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Chalk

18th Century Pastel Portrait of a Gentleman
Located in Cotignac, FR
Late 18th Century pastel portrait on paper of a bearded gentleman. Presented under glass in a fine period gilded carved wood frame. A cha...
Category

Rococo 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Pastel, Paper

Fine 18th Century French Old Master Ink Wash Drawing Cain & Abel Fighting
Located in Cirencester, Gloucestershire
'Cain et Abel' Circle of Franois Devosge (1732-1811) French pencil drawing with watercolour wash on paper size: 12.25 x 9 inches private collection, France The painting is in overall...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Washi Paper, Color Pencil

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Magnaminita
Located in Cirencester, Gloucestershire
'Mgnaminia' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink, Watercolor, Archival Paper

Interior of the Nieuwe Kerk, Amsterdam
Located in Paris, Île-de-France
Jan Goeree (Middelburg 1670 – Amsterdam 1731) Interior of the Nieuwe Kerk, Amsterdam (c. 1724) Red chalk for the architecture, pen and black ink, grey wash on paper Composition reve...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Chalk, Ink

Rococo Portait, French Rococo, Marie Baudouin, Daughter of Francois Boucher
Located in Greven, DE
Portrait of the daughter of Francois Boucher, Marie-Emilie Baudouin, holding a basket of flowers. Pastel on Parchment. The work is related to an oval portrait painting...
Category

Rococo 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Pastel

Dutch Men o War Setting Sale In A Fresh Breeze
By Ludolf Bakhuisen
Located in Brecon, Powys
Ludolf Bakhuizen 1631 - 1708 Dutch Men oWar Setting Sale in a Fresh Breeze Provenance Christies 1998 Pen and Grey Ink and Grey Wash. Image 5 x 7.25". Fr...
Category

Dutch School 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink

Venus
Located in London, GB
Richard Westall, R.A. (1765-1836) Venus signed and dated ‘R. Westall 1794’ (lower right) pencil and watercolour, with white heightening image 11 ⅞ x 15 ¼ in. (30.2 x 38.7 cm.) frame 22 ⅛ x 26 in. (56.3 x 66.1 cm.) Provenance: Private Collection, UK. Venus (1794) was produced during a highly creative and defining period of Richard Westall’s career and artistic development, when from 1790-95 the ambitious young artist was sharing a house at 57 Greek Street, Soho, with his friend Sir Thomas Lawrence, the future President of the Royal Academy. Whilst lodging together, Lawrence became an Associate of the Royal Academy in 1791, Westall the following year, and both were elected full-members in 1794 – the year Lawrence was appointed Painter-in-Ordinary to His Majesty King George III. Westall was to become Queen Victoria’s first Drawing Master, before her ascension to the throne. It was in this very year, 1794 - as the two young artists became Royal Academicians - that the present watercolour was executed, and it is exciting to speculate that Lawrence would have examined and given his thoughts on the work. Highly comparable to The Wallace Collection’s Nymph and cupids (c.1793, cat. P757), acquired by Francis Seymour-Conway (1777-1842), 3rd Marquess of Hertford, (who hung it in his bedroom), the mid-1790s saw Westall exhibiting and returning to similar subject-matter on a number of occasions. Two works with titles that could be applied to the present picture were exhibited at the Royal Academy, in 1794 (no. 341 Nymph and Cupids) and 1795 (no. 620, A Wood–nymph and Cupids). However, a print after the watercolour, engraved by F. Screen, entitles the piece Venus. Westall is regarded as a great virtuoso watercolourist, and Venus is evidence of the young artist’s mastery of the medium. Indeed, it is unusual to find a watercolour of comparable age so well preserved, and retaining such vibrancy - the superb condition providing an insight into his exceptional brushwork and use of colour. Venus languishes luxuriously on her woodland bed, the trunk of a tree resembling a curtain, while three winged putti play beside her, seeming to gesture to someone in the woods. Cupid draws back his bow and aims an arrow of love, perhaps about to pierce the heart of a hunting nobleman, or unsuspecting woodcutter. The striking contrast between the almost luminescent nymph, with the deep, rich, luxuriant forest, gives the glade an alluring sense of mystery – perhaps an allusion to the mysteries of the heart, a pre-occupation with Romanticism, central to the emerging thought of the time. Westall can be classified as one of the great Romantic artists, and even painted Lord Byron’s portrait...
Category

Romantic 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Pencil

Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames, Set of 6
Located in Richmond, GB
A group of mezzotint engravings of flowers from: "Phytanthoza Iconographia", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-174...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Mezzotint

Landscape with Trees and a Fisherman walking, a drawing by Jan Van Goyen
By Jan Josefsz Van Goyen
Located in PARIS, FR
No Dutch draughtsman ever captured the atmosphere of the rural countryside of Holland with the same atmospheric and engaging simplicity that Van Goyen achieved in drawings such as this. Indeed, his landscapes were seminal in the development of the genre. The present sketch conveys a striking sense of movement within the natural landscape, conveyed by the deftly applied strokes of chalk, from which the artist’s hand can be sensed. The composition is characteristic of his work, with the low horizon affording significance to the broad sky and the soaring birds within. This feeling of windswept motion powerfully evokes the expansive Dutch farmland with which he was evidently preoccupied. 1. Jan van Goyen...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Chalk, Ink, Laid Paper

La Femme Muse /// Allegorical Symbolism Romantic Old Masters European Drawing
Located in Saint Augustine, FL
Artist: Unknown (Likely French, 18th Century) Title: "La Femme Muse" *No signature found Circa: 1780 Medium: Original Pastel Drawing on heavy laid paper Frami...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Pastel, Laid Paper

Seaman in petticoat breeches and slops, smoking a pipe, carrying a carpetbag.
Located in Middletown, NY
English School, 18th century Pen and black ink with gray wash on cream laid paper, 9 1/4 x 5 inches (238 x132 mm). 1/4 inch repaired loss, top center, to the left of the figure’s h...
Category

Realist 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink, Watercolor, Laid Paper, Pen

The Fish - Pencil on Paper by J. P. Verdussen - 1775 ca.
Located in Roma, IT
The Fish is a beautiful drawing in pencil on paper realized by Jan Peter Verdussen in 1755 ca. Hand-signed and dated on the lower in pencil. In good condition, and aged. The artwo...
Category

Modern 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Pencil

Portrait Old Master, Joseph Vivien, Mme Silvestre, French Rococo, Pastel
By Joseph Vivien
Located in Greven, DE
The portrait shows Mme Silvestre. Born in Paris, Silvestre was the daughter of Charles-Antoine Hérault and his wife Marie-Geneviève, who were her first teachers. In 1706 she married the painter Louis de Silvestre, moving with him in 1716 to Dresden. The couple's daughter Marie-Maximilienne became a pastellist. Silvestre died in Dresden, the year before her husband retired and returned to Paris. Her surviving pastels show the influence of Rosalba Carriera...
Category

Rococo 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Gouache, Oil Pastel

A dazzling Venetian Regatta Boat Study attributed to Alessandra Mauro
Located in PARIS, FR
This stunning Baroque study depicts a regatta boat, a type of vessel developed in eighteenth-century Venice for the regattas organized by the Serenissima during visits by royalty and princes. We propose to link this drawing to the work of Alessandro Mauro, an artist who specialized in this type of composition, as illustrated by a drawing from him at the Metropolitan Museum. 1. Description of the boat The greatest decorative fantasy reigns in this preparatory study, which blends mythological and exotic elements with references to ancient Egypt. Our drawing is probably an initial thought, destined to be refined and clarified later in pen and ink (as evidenced by the ink stain in the lower right). A quadriga of seahorses guided by Neptune stands at the stern of the boat, shown well above the waterline (perhaps to outline its empty volume). One of the seahorses is ridden by a newt, while Amphitrite lies at the feet of the sea god. The center of the boat is occupied by a vast baldachin resting on four atlantes and surmounted by a figure riding an animal (a dragon?). Three figures sit beneath the canopy, one of them on a griffin-shaped seat. This allusion to Egyptian antiquity echoes the winged sun (sometimes a symbol of the god Horus, as in the temple of Edfu in Egypt) that adorns the sides of the promontory on which this baldachin rests. Another flag-bearer figure crouches at the stern of the boat on a raised seat, on the reverse of which is a crowned mermaid whose arm, extended backwards, rests on a mascaron decorated with a radiant face (Helios?) and whose torso surmounts an elephant's head. The heads of the rowers and their oars are sketched all along the boat, whose sides are embellished with elongated naiads. 2. The Venetian regatta boats An exhibition held in 2013 at the Ca' Rezzonico (the Venetian eighteenth-century museum) paid tribute to these regatta boats through studies and prints depicting them. The regattas organized by the Serenissima in honor of visiting princes and sovereigns were among the most spectacular ceremonies in Venice. Some important artists of the 18th century contributed to the creation of these extravagant boats which were given exotic names such as bissona, malgarota or peota. The specialists in this field were Andrea Urbani and the brothers Alessandro and Romualdo Mauro. They were born into a family of theater decorators in Piedmont, but little is known about their detailed biography. Alessandro was the architect of the Dresden opera house and of the St. Samuel Theater in Venice (in collaboration with his brother Romualdo), but also worked as stagehand and set designer in Vienna, Rome and Turin. A drawing produced around 1737 from the Metropolitan Museum (7th photo in the gallery) bears witness to his activity as a regatta boat designer. This drawing is a much more elaborate version than the one presented here, having been entirely reworked in brown ink. However, a figure at the bow of the boat, executed solely in black chalk, still bears witness to a technique similar to that of our drawing. It is difficult to know whether the boat depicted in our drawing was a project for an actual boat or whether it remained in the planning stage, but the front of our boat (Neptune and the quadriga of seahorses ridden by a newt) bears several similarities to that of a parade boat depicted in the print published by Michele Marieschi entitled Regatta on the Grand Canal, between the Foscari and Balbi Palaces (last photo in the gallery). This print is dated 1741, which could confirm that our work dates from around 1740. The area between Neptune and the quadriga that precedes him on this strange paddle-boat appears to be partially submerged, confirming that the waterline of our boat was probably intended to be much lower than the one shown in our drawing. The Correr Museum’s collection holds one of the most important collection of engravings and drawings devoted to these specifically Venetian Baroque productions. These boats were intended to last the duration of a festival. Today, they are only documented by preparatory drawings or prints that testify to the sumptuousness of their decoration. This taste for regatta boats lasted throughout the Venetian eighteenth century, and the conception of regatta boats also attracted great masters such as Giambattista Tiepolo, Francesco Guardi or Giambattista Piranesi...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Chalk

Set of Twelve 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Engraving

Johann Weinmann: 18th Century Engravings of Sunflowers, Set of 4, Framed
Located in Richmond, GB
A complete set of four hand-coloured mezzotint engravings of sunflowers from: "Phytanthoza Iconographia", c1739, presented in hand-made, parcel-gilt, ebonised and decalcomania frame...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Mezzotint

"Three Herons" - Hand Watercolor Engraving
Located in Soquel, CA
"Three Herons" - Hand Watercolor Engraving "Three Herons" from a collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational History of the Different Bird...
Category

French School 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Engraving

FINE 18th CENTURY OLD MASTER CHALK DRAWING - ROMANESQUE FIGURES INTERIOR SCENE
Located in Cirencester, Gloucestershire
Artist/ School: French School, 18th century Title: Classical figures within an interior. Medium: chalk on paper, mounted. Size: drawing: 11.5 x 13.5 inches Provenance:...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Chalk

Mercurio / Mercury
Located in Middletown, NY
A lovely, early drawing of the Roman god Mercury. Pen and brown ink on cream laid paper, with a partial crown and shield watermark, 7 1/4 x 4 7/8 inches (184x 123 mm) (matrix). In go...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink, Handmade Paper, Laid Paper

18th Century Old Master pencil study of cows by French artist Jean Baptiste Huet
Located in Petworth, West Sussex
A rare and charming study of cows by 18th Century French painter, engraver and designer Jean-Baptiste Huet. The details are: Jean Baptiste Huet (French, 1745 – 1811) Study of cows P...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Pencil

Jan Cornelis Sylvius, Preacher by Rembrandt Van Rijn
Located in New Orleans, LA
Rembrandt van Rijn 1606–1669 Dutch Jan Cornelis Sylvius, Preacher New Hollstein Dutch and Flemish (Rembrandt) 235, state 2/2 Bartsch 280 Printed by Rembrandt Signed and dated "Rem...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Etching

Rome, The Countryside- China Ink Drawing by Jan Pieter Verdussen - 1742
Located in Roma, IT
Rome is a beautiful artwork realized by Jan Peter Verdussen in 1742. In good condition except for some pencil marks and traces of sealing wax on the back and some diffused foxings. ...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Ink

Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Mezzotint

A pair of oval drawings for Ovid, Metamophoses
By Charles Joseph Natoire
Located in Fairlawn, OH
A pair of oval drawings for Ovid, Metamophoses Left: The Triumph of Amphitrite (Book I) Right: Diana and Actaeon (Book III) From: Ovid, Metamophoses These mythological studies are after paintings by Simon Vouet (1590-1649) that decorated the Chateau de Chilly. They were commissioned by the Marquis D'Effiat in 1630-31. The scholarly record documenting the commission are a series of engravings by Michel...
Category

Baroque 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink, Pen

A sketch of children climbing a fence
Located in Maidenhead, GB
Peter de Wint OWS (1784-1849) A sketch of children climbing a fence Watercolour and graphite on paper 7 x 17.8 cm; (within frame) 26.7 x 36.5 cm. Provenance: Bequeathed by the a...
Category

English School 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

George Edwards : A Set of Twelve 18th Century Etchings of Hummingbirds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Etching

French Art, Rococo Portrait, Oval, Pastel, Portrait of a Lady, Circle of Vivien
Located in Greven, DE
French School, Portrait of a Lady, Rococo, 18th Century, Fine drawing in Pastel/ Oil Pastel on Paper in the style of Vivien. The Lady might be a woman from Marie Antoinette's Court. It is part of a Pendant (see the other listing with the portrait of Queen Marie Antoinette...
Category

Rococo 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Oil Pastel, Gouache

Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Mezzotint

George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Engraving

Study for a standing man
Located in Paris, Île-de-France
Sir Anthony van Dyck (Antwerp 1599 - 1641 London) STUDY FOR A PORTRAIT OF A STANDING MAN Black and white chalk on blue-green paper 25,4 by 13,5 cm Provenance Prof. Julius S. Held (...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Chalk

Figure of Woman - Original Ink Drawing - 18th Century
Located in Roma, IT
Figure is an original drawing in china ink on paper. Good Conditions. Applied on a Passepartout. The artwork represents a figure of a woman through deft and smooth strokes, delica...
Category

Modern 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink

Sacred Scene - Original Ink and Watercolor - 18th Century
Located in Roma, IT
Sacred Scene is an original watercolor, realized by an Anonymous artist of the XIX century. There is The state of preservation of the artwork is very good. Sheet dimension :32x31.5 ...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink, Watercolor

Drawing Ink 16th 17th Flemish DE VOS Religious Martyrdom of James The Great
Located in PARIS, FR
Flemish school from the beginning of the 17th century (Circle of Martin DE VOS) Drawing Pen and wash 38 x 32 cm (58 x 52 cm with the frame) Inscription "Martin de Vos" Excellent cond...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Handmade Paper

George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Engraving

Portraits of the Hon. Mary Shuttleworth and Anna Maria, 9th Baroness Forrester
Located in London, GB
THE HON. MARY SHUTTLEWORTH, NÉE COCKBURN (D. 1777) and her sister ANNA MARIA, 9TH BARONESS FORRESTER (D. 1808) Pastel and gouache on paper laid on canvas, on their original backb...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Pastel, Gouache

Study after Farnese Hercules
Located in Paris, Île-de-France
Study after the Farnese Hercules Giovan Ambrogio Figino (1548-1608) Black chalk on blue-prepared paper 33 x 23 cm Provenance: Tajan, Drouot Paris, 23 November 2001, lot 11; Private ...
Category

Renaissance 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Chalk

Hercules vanquishing a drakaina (half‑woman, half‑serpent)
Located in Paris, Île-de-France
Circle of Giovanni Domenico Tiepolo (Venice 1727 – Madrid 1804) Hercules vanquishing a drakaina (half‑woman, half‑serpent) – interpreted either as Echidna or a personified Hydra c. ...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink

William Payne (1760-1830) - 1798 Watercolour, Village By The River
By William Payne
Located in Corsham, GB
Signed to the lower left. Presented in a gilt frame with foliate detailing. On paper.
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

Landscape - Watercolor and Pencil by Jan Peter Verdussen - 18th Century
Located in Roma, IT
Landscape is a beautiful dranwing in watercolor and pencil on ivory-colored paper realized by Jan Peter Verdussen. In good condition; only a sma...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Pencil

18th century English scene of a man on his horse with his dog in a landscape
Located in Woodbury, CT
Wonderful 18th century English gouache on paper of a 18th century English scene of a man on his horse with his dog in a landscape One of a set of five all framed in Hogarth frames. ...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Gouache

Stage design of Mausoleum. Entourage Galli Bibbiena.
Located in Firenze, IT
The Galli Bibiena Dynasty and European Courts. The Galli Bibiena family, renowned Italian artists and scenographers, served the most distinguished European courts, including those ...
Category

Baroque 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Ink

La Porcellana (A Market Scene of Porcelain Vendors)
Located in Greenwich, CT
An old master drawing that can live in a very contemporary environment! Remarkable use of line and expression - should be enjoyed in an important spot - can grace a kitchen or livin...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink, Handmade Paper, Graphite

"Collection Of The Most Rare Birds" - Hand Watercolor Engraving
Located in Soquel, CA
"Collection Of The Most Rare Birds" - Hand Colored Engraving Collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational Histor...
Category

French School 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Engraving

Studies of a kneeling female figure, an arm, a hand, and a head in profile
Located in Paris, Île-de-France
Studio of Carlo Maratti (or Maratta) Camerano 1625 – Rome 1713 Studies of a kneeling female figure, an arm, a hand, and a head in profile Red chalk on paper 43.4 x 26.6 cm Provena...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Chalk

A bridge over river Oil on canvas British Inscribed William Marlow
Located in London, GB
William Marlow (1740 - 1815) A bridge over river Oil on canvas  Inscribed, 'William Marlow' to old label verso Provenance: J. Palser & Sons, 27 King Street, London Dimensions: (Fra...
Category

English School 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Oil

Putti in a Landscape, Putti playing, flowers, Berchet, French Art, Old Master
By Pierre Berchet
Located in Greven, DE
Pierre Berchet, Drawing of Putti playing in a landscape, Painter of decorative history subjects; trained under La Fosse; worked in France and during the 1690s...
Category

Baroque 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Handmade Paper

18th Century Roman School , A Palazzo with antiques, drawing
Located in Paris, FR
18th Century Roman School A Palazzo with antiques Brown ink and pen, brown ink wash on paper 12.5 x 20 cm Framed : 28,5 x 35.5 This nice drawing represents a genre scene, with a nobleman, priests, a mother and her children...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink

France 18th Century, Pastorale (Arcadian Landscape), original drawing
Located in Paris, FR
France 18th Century, Pastorale (Arcadian Landscape) Black chalk and heightenings of white gouache on blue-grey paper 19 x 31 cm Framed : 34.5 x 46.5 cm The atmosphere and the subje...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Chalk

Grimace - China Ink and Watercolor Drawing - 18th Century
Located in Roma, IT
Grimace is a beautiful brown and black China ink drawing and watercolor on wire rod paper, made by an anonymous artist of the late 18th century. A precious old master's original dra...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink, Watercolor

A landscape drawing by Claude Lorrain, with a preliminary sketch on the verso
Located in PARIS, FR
This study presents a typical Roman countryside landscape: an ancient mausoleum in front of which a cart is passing by followed by two peasants. If the technique (a pen drawing on graphite lines, completed with a wash of brown and grey inks) and the signature inevitably evoke the art of Lorrain, we find on the verso of this drawing additional evidences that lead us to consider this unpublished drawing as a work by the master. The motif of the mausoleum has been taken up in pen on the verso in a technique that can be found in several other drawings by Lorrain. There is also a study of three characters, which can be considered as preparatory to Lorrain’s painting entitled The Port of Ostia with the Embarkation of Saint Paula, leading us to claim this attribution with a dating of around 1639. 1. Claude Lorrain or the perfection of classical landscape in Rome in the 17th century Claude Gellée was born in 1600 in Chamagne in Lorraine. Orphaned at the age of twelve, he spent a year with his brother in Freiburg, where the latter was a woodcarver. Claude Gellée then probably arrived in Rome in 1613, where he joined the workshop of Agostino Tassi (1580 - 1644) in 1617. Between 1619 and 1620 he studied for two years in Naples in the workshop of Goffredi Wals (who was himself a former pupil of Tassi). In 1625 he returned to Lorraine for two years where he worked alongside Claude Deruet. He then returned to Rome, a city he never left for the rest of his life (except for short trips to the surrounding countryside). From 1627 to 1650 he lived in Via Margutta. From 1635 onwards he became a renowned painter and commissions started to pour in. Considered during his lifetime as the most accomplished of the classical landscape painters, his reputation never faded. Between 1629 and 1635 Le Lorrain often went to the Roman countryside to draw with his friend Joachim von Sandrart (1606 - 1686). He became a member of the Academy of Saint Luke in 1633, while being closely acquainted with the Bentvueghels, this guild which brought together the young Nordic painters active in Rome. In 1643 he joined the Congregation of the Virtuosi. In 1650 he moved to Via Paolina where he lived until his death. Little is known of his intimate life. He seems to have had a daughter, Agnes, from an ancillary love affair. In 1657/ 1658 she moved in with him. Stricken with gout in 1663, he died in 1682. 2. Description of the drawing; the technique of nature studies Two peasants are walking behind a horse-drawn cart on a road that winds through ancient tombs. While a rectangular tomb with a columned facade can be seen in the distance, the cart passes an important ancient building. It has a circular shape and its partially ruined façade is decorated with columns. The start of a second floor can...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Ink, Pen, Graphite

Three studies executed in the Pitti Palace in 1761 by Jean-Honoré Fragonard
Located in PARIS, FR
This brilliant study sheet, of which we present here a counterproof, is a souvenir of Fragonard's return journey from Italy. Between April and September 1761, he accompanied the abbot of Saint-Non on his way back to France. Three studies after the masters taken from the Pitti Palace’s gallery in Florence are gathered on this sheet. Although The Ecstasy of Saint Margaret...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Carbon Pencil

Sleeping Boy - Drawing by Giovanni Fontana - 16th Century
Located in Roma, IT
Sleeping Boy is an original modern artwork realized in the 16th century by Giovanni Fontana. Ivory colored sheet attached on an ivory colored cardboard (...
Category

Old Masters 18th Century and Earlier Drawings and Watercolor Paintings

Materials

Paper, Pencil

George Edwards: 18th Century Engravings of Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor, Engraving

Attrib. William Hamilton RA (1751-1801) Watercolour, The Little Fortune Teller
By William Hamilton
Located in Corsham, GB
A delightful watercolour study depicting a young woman wearing a dress and smock. She points to her left hands showing her palm to the viewer. The artist captures her with a delicate...
Category

18th Century and Earlier Drawings and Watercolor Paintings

Materials

Watercolor

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