Bride Drawings and Watercolor Paintings

Study for Scenography is a painting in watercolor realized in the 1920s by Erminio Loy. Hand-signed on the lower right. Good conditions. The artwork represented through harmonious...

Ink & acrylic on paper

Landscape with men and horses is a beautiful ink and pencil drawing. Due to the concerned subject matter and the typology of the image, it is assumed th...

"Group of Women" is an original drawing in pencil on paper, realized by Gabriel Guèrin. The state of preservation of the artwork is very good. Sheet dimension: 14.6 x 19 cm. The artwork represents beautiful group of nude women in a forest. Hand-signed "G.G", on the lower left. GUERIN GABRIEL (1869 - 1916, Paris): Born in 1869 in Boubonne-les-Bains (Haute-Marne). Died in 1916 in Paris XIX-XX centuries. French. Painter. He was educated by Bouguereau, Gabriel Ferrier...

This wonderful watercolor on board by Amedeo Simonetti (1874-1922) is signed lower left “A. Simonetti - Roma, 1900.” Measures 22 by 14 7/8 in. Frame measures 27 3/4 by 20 3/8 in. The...

Oriental Lamps is a beautiful original drawing on paper realized by Anonymous French artist of XIX century. Mixed media watercolor and china ink drawing. Good conditions except f...

Wagons in the Field, Poland

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surreal mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates r...

Portrait of Arab is an interesting drawing realized by the French artist Jean Louis Plumet. It is in very good conditions, except for some tiny stains and a fold on the lower part of...

Many of you clicking on this pen-and-ink of a pretty Edwardian-era lady are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the...

Inscribed: front, brown ink, bottom left, F. Imperiali pinx…; bottom right, R. Rol..(?). Back, brown ink, top left, Roma, Gune(?) 1742 / F. Impeririali ping…;[illegible] R. deline..(...

William Glackens, 1870-1938 Criticizing Ernest Lawson’s Art Class, ca. 1907 Watercolor and pencil on paper Signed (at lower left): Glackens Inscribed ...

The Forum is an original artwork realized by a French artist between the end of the XIX and the beginning of the XX Century. Original drawing on paper. Mint conditions. Fresh and...

Passageway North Africa was executed during Walter’s extensive travels throughout Spain, Northern Africa, and the Dalmatian coast. These works are magnificent snapshots –pictorial po...

Signed with estate stamp, J.V. double sided. 6-3/4" x 4-3/4" art 18" x 15-1/4" frame Jacques Villon (French, 1875 - 1963) French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by John Whorf (1903 - 1959). Watercolorist John Whorf was born in Massachusetts in 1903. At age 14, Whorf attende...

Awret, Azriel (Polish Israeli, 1910-2010), Rainy Street in Jerusalem, Woodblock print, 9.75 x 7.5 inches, pencil hand signed and numbered 35/60, framed measuring 19.5 x 14.25 inches. Azriel Awret was born in Lodz, Poland, and moved to Belgium where he lived in Brussels. He married an Aryan woman, Anna Louisa Bonhiere, which saved him from deportation. But in January 1943 he was interned in Malines camp. Awret was an engineer, so he was given employment as an electrician. While in Malines he met Irène Spicker, who was working in the Mahlerstube (art workshop). They married after the war and moved to Israel, settling in Safed and continuing their artistic activity. Today they divide their time between Israel and the United States. The Beit Lohamei Haghetaot (The Ghetto Fighters’ House Museum) art collection includes works by Awret from his time in Malines. These works depict various aspects of life in Malines, including figures of internees. They were donated by the artist. He collaborated with his wife in a naif, folk art style. Irène Awret...

This beutiful unique edition is framed on a custom black box frame, all archival materials. Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...

Original mid-century illustration for the children's book "Good Work" by John G. McCullough, Young Scott Books, N.Y. It depicts a busy harbor filled with commercial and leisure traffic. Notice all the charming little people, busy at work - dotting the docks and boats. Ipcar masterfully designed the work so that your eye effortlessly travels from more prominent foreground elements to more minor elements in the distance. But her color scheme limited only to two colors sets "Harbor Scene" apart from the humdrum and elevates it to a sophisticated children's book illustration. The suspension bridge in the back of the composition is modeled after the Golden Gate. The illustration bears the hallmarks of modernism with its flat shapes and quick painterly style. "Harbor Scene" represents the artist's early style. By the '60s and '70s, her work began to take on a new direction with intricate patterns and depicting animals. Signed lower right with the artist's label on verso. Dahlov Ipcar...

This late 19th-century watercolour by Scottish artist George H Hay RSA (1831-1912) depicts four young ladies, wearing outfits synonymous with the 1820s, spinning wool within a simple...

Gouache, pastel & oil on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi St...

Robert Peterson, "Flower," pastel on paper, 19 x 26 1/4 inches paper size, 27 1/4 x 35 inches including white mat and frame. The artwork is floated in the mat and only hinged at the...

Norman Basil Town (British, 1915 – 1987) Covering sorrow Ink on paper 7 x 11.3/4 in. (17.8 x 29.5 cm.) Norman Basil Town (1905–1984) was a British artist known for his evocative rel...

Norman Basil Town (British, 1915 – 1987) A biblical allegory Black and white gouache on paper 7.1/4 x 11.3/8 in. (18.4 x 29 cm.) Norman Basil Town (1905–1984) was a British artist k...

Norman Basil Town (British, 1915 – 1987) The Deposition Gouache on paper 9.1/2 x 6.1/8 in. (24.2 x 15.5 cm.) Norman Basil Town (1905–1984) was a British artist known for his evocati...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Sandu Liberman (1923-1977) Untitled, c. mid-20th century Watercolor on paper Sight: 13 3/4 x 9 3/4 in. Framed: 22 1/2 x 19 3/4 x 3/4 in. Signed lower right: Sandu Liberman Sandu Lib...

'Chez Maxim's', pastel and gouache on fine art paper, by André Meurice (circa 1950s - 60s). The artist depicts the glamorous clientele at the entryway to...

Antoine Calbet présente ses œuvres, principalement des portraits et scènes de genre, aux Salons de la Société des artistes français à partir de 1881 et jusqu’en 1940, ainsi qu’aux ex...

The subject illustrated here is one of the moments that mark the centuries-long history of Genoa's glorious Maritime Republic, when the ashes of St. John the Baptist, one of the city...

William Gould (American, 1930-2017) Bridge in the Flats, 1990 Watercolor on Arches paper Signed and dated lower right 21 x 28.5 inches 28 x 35.5 inches, framed Cleveland Arts Prize ...

9 3/4"H x 6 3/4"W

Wheeler Williams (American, 1897-1972) Untitled Study, 1931 Pencil on paper 8 3/4 x 11 3/4 in. Each signed: Wheeler Williams, 1931 A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors...

Children Amongst Foxgloves - Female Illustrator of The Golden Age by a female illustrator of The Golden Age Watercolor on paper, signed 'A. Bowerley' lower left. 11 x 20 in. (sight)...

"Nativity Procession" Water Colors & Pencils on Paper 19" x 12" inch by Ragheb Ayad signed & dated Water Colors & Pencils on Paper Ragheb Ayad was born i...

French School, Portrait of a Lady, Rococo, 18th Century, Fine drawing in Pastel/ Oil Pastel on Paper in the style of Vivien. The Lady might be a woman from Marie Antoinette's Court. It is part of a Pendant (see the other listing with the portrait of Queen Marie Antoinette...

Formally trained at the Pennsylvania Academy of Art, Cockrill is well know and respected for his use of the watercolor medium. Watercolor lends itself to melting, fluid brush stroke...

Artist/School: After Filippo Lippi, Italian 1406-1469. The work is most likely by an English hand, late 19th century Title: The Adoration of the Christ ...

Eugène Devéria (1805-1865) The children of the painter Portrait in an oval, study for a portrait Black pencil on paper 23 x 19 cm Stamp of the worksh...

Date: 1933 Medium: Pencil on Paper Dimensions: 16.00" x 13.00" Signature: Signed and Titled For the Broadway play "Young Sinners" Dianne starred in the play “Young Sinners” in 1933.

Presented in a good broad craved and antiqued giltwood frame in the Spanish Baroque style. Each corner boldly carved with a stylized anthemion mantled by foliate scrolls. The beauti...

"Twelve Miles To Go" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece lower right. This piece features a lone figure walking through...

Sullo sfondo di un paesaggio dai tratti centro-settentrionali europei-in cui si riconoscono una cappella e il profilo di una città dagli alti pinnacoli-si svolge una scena di svago, ...

Signed lower left

Pierre Jacquemon (French-American, 1936-2002) Untitled, c. late 20th century Mixed media with ink, pencil, wash, and metal leaf on paper Sight: 16 1/4 x 12 1/4 in. Framed: 17 1/3 x 1...

Ink and gouache with gold heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on the recto, 12 1/2 x 9 inches (318 x 230 mm). Toning, handling c...

Reginald Hallward (1858-1948) Sketch for window in Earls Barton Church Northampton Pencil and gouache on paper 9 x 12.5cm Signed lower right. Reginald ...

Drawing Pencil on paper, 17.7 x 26.7 inch; with gilded frame 28.3 x 37 inch The scene is set on the seashore, in the part were the stormy sea is licking the land, made of a rocky an...

Medium: Mixed Media on Paperboard Signature: Unsigned This piece was an advertisement for Lowney's Crest Chocolates. Edward Nudelman, Jessie Willcox Smith expert and biographer describes Merry Christmas: Two Children Before the Fireplace, “A wonderful mixed media painting by Jessie Willcox Smith, published as an advertisement for Lowney's Crest Chocolates, reminiscent of her paintings for Twas the Night...

A sanguine coloured watercolour, gouache and ink drawing of a stylised head with intricate floral and head motifs on the hand drawn mount. The work is initial signed bottom right 'AE...

John Richard Flanagan was born in Sydney, Australia. At the age of thirteen Flanagan left school to help support his family as an assistant to a lithographer producing advertising co...

Ruth Schloss (1922 Nuremberg - 2013 Kfar Shmaryahu), Man in a wheelchair, around. 1990. Mixed media on watercolor paper, 38.5 cm x 33 cm, signed “Schloss” lower left and again in Heb...

“DEVI.” 50X70 CM. WATERCOLOR, PAPER. SERIES "MANIFESTATIONS OF DIVINE." “Devi” in Sanskrit means Goddess, celestial, divine. Among the world’s religions, Hinduism has upheld the conc...

9 3/4"H x 6 3/4"W

Medium: Watercolor on Board Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, Dec. 16, 1961 The Post described, “Put That Old Gang of Mine in ...

"In the Artist's Studio" was painted in the realistic style in the late 19th century by the Scottish artist, George Clark Stanton. Stanton was a painter, watercolorist, goldsmith and...

Award winning artist David Walker works in both oil paints and watercolours. Before concentrating on illustration and fine art painting David trained and practiced as an architect. A...

"Lake Michigan Bathers" is an original pencil sketch by Francesco Spicuzza. The artist signed the piece in the lower right. On the reverse is a silver gelatin photo print...

Very well executed original gouache on archival paper by the well known American artist Benjamin Kopman. The scene depicts three figures admiring a picture. Signed lower left. Circa ...

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 9.75 (height) x 9 (width) Stamped Verso Condition: Good P...