Bride Drawings and Watercolor Paintings

Oil on canvas Image size: 24 x 20 inches (61 x 51 cm) Original silver frame With her back turned to us, the viewer look across to a female artist facing us, whose gaze is fixed on t...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by John Whorf (1903 - 1959). Watercolorist John Whorf was born in Massachusetts in 1903. At age 14, Whorf attende...

VFD #1 is a watercolor painting of a California industrial site where fire training drills take place. It is 11x8 unframed. Ferdinanda Florence was born in Washington, DC, and grew...

"Abstraction #56" is a colorful abstract painting featuring hues of blue, mauve, green and red. The framed dimensions are 11 by 13 inches. Eilis Crean is inspired by the works of Honoré-Victorin Daumier, Evie Hone, Patrick Pye, Milton Avery, William Kentridge, Joan Snyder, Jennifer Bartlett, Judy Pfaff and Sarah Sze...

Ira Moskowitz, Polish/American (1912 - 2001) - Wedding - II, Year: 1989, Medium: Ink and Pastel on Paper, signed, Size: 13 in. x 10 in. (33.02 cm x 25.4 cm), Description: This soft...

In Whispers and Porcelain, Hector Caffieri unveils an intimate world of silence, beauty, and refinement. Two young women inhabit a richly decorated interior, surrounded by houseplant...

This is a hand painted oil and mixed media artwork on canvas by internet sensation mad charcoal He is represented by Krause Gallery NYC Ships rolled in ...

Original mid-century illustration for the children's book "Good Work" by John G. McCullough, Young Scott Books, N.Y. It depicts a busy harbor filled with commercial and leisure traffic. Notice all the charming little people, busy at work - dotting the docks and boats. Ipcar masterfully designed the work so that your eye effortlessly travels from more prominent foreground elements to more minor elements in the distance. But her color scheme limited only to two colors sets "Harbor Scene" apart from the humdrum and elevates it to a sophisticated children's book illustration. The suspension bridge in the back of the composition is modeled after the Golden Gate. The illustration bears the hallmarks of modernism with its flat shapes and quick painterly style. "Harbor Scene" represents the artist's early style. By the '60s and '70s, her work began to take on a new direction with intricate patterns and depicting animals. Signed lower right with the artist's label on verso. Dahlov Ipcar...

Poupee Espagnole. Costume design for the entertainer Mistinguette for her production at the Moulin Rouge in Paris. Watercolor. Signed Zig. Ca 1928, . Framed. Provenance: Nephew of M...

Watercolor on heavy paper realized by Carlo Ravagnan in 1970s. Hand signed lower left. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, died in Venice i...

Artist: Philip Pearlstein (American, 1924-2022) Title: "Male and Female Nudes on a Sofa" *Signed and dated by Pearlstein in pencil lower left Year: 1970 Medium: Original Graphite Pen...

Watercolor on heavy paper realized by Carlo Ravagnan in 1960s. Hand signed in the top right corner. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, die...

Signed with stamp, J.V. 7-5/8" x 4-3/4" art 19" x 15-1/4" frame Jacques Villon (French, 1875 - 1963) French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...

White Roses in a Glass Stem Vase by Henri Miloch (1898-1979) signed lower left watercolour painting on artist's paper, unframed sheet: 13.5 x 9.75 inches Very pretty still life pa...

Adolf Arthur Dehn Haitian Scene A, ca. 1951 Watercolor gouache on board Signed on the front Frame included: held in vintage modern frame Measurements: Framed: 11 inches vertical by 13 inches horizontal by .75 Painting 4.5 inches by 6 inches Watercolor gouache, hand signed; framed with AAA Gallery label verso Signed on the front bearing the original label on the verso of Dehn's longtime gallery, the prestigious Associated American Artists Gallery, New York City. Provenance Associated American Artists Frame included: held in vintage frame with original label as provenance Dehn, an influential artist and teacher (and author of the definitive textbook of his era on watercolor painting) joined Associated American Artists gallery in 1941. Although this painting is undated, it is likely circa early 1950s, as in 1951 Dehn won a Guggenheim Fellowship, which enabled him to travel to Haiti -- the subject of this work. It was part of a series inspired by Dehn's visit to Haiti. Dehn, an influential artist and teacher (and author of the definitive textbook of his era on watercolor painting) joined Associated American Artists gallery in 1941. Although this painting is undated, it is likely circa early 1950s, as in 1951 Dehn won a Guggenheim Fellowship, which enabled him to travel to Haiti. ADLOF DEHN Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere - not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic "little magazines" such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895 - 1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...

Chaim Goldberg (Polish-American, 1917-2004) Untitled, 20th century Ink and gouache on paper Sight: 11 1/4 x 14 in. Framed: 19 1/2 x 22 1/4 x 7/8 in. Signed lower left: Chaim Goldberg...

Gouache, pastel & oil on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi St...

Standing Woman in Profile Pen and ink drawing, c. 1900 Unsigned Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see photo) Condition: Excellen...

SHIPPING FEES INCLUDE SHIPPING CHARGE, PACKAGING & **INSURANCE** Rose Tattoo Luis Alfonso Jimenez 1940-2006 Color pencil on Arches paper 22 x 30.25 inches Provenance: The original drawing was owned by Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". An original Drawing by Luis Jimenez, 1983, 22 x 30.25 inches. A stone lithograph edition was made from this drawing. There was a PBS documentary showing Jimenez drawing on the stone with the drawing in front of him and the making of the lithograph with Sette Publishing. Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimnez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimnezs works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimnez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimnez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo photography...

Cannes is a city located on the French Riviera. It is a commune located in the Alpes-Maritimes department, and host city of the annual Cannes Film Festival, Midem, and Cannes Lions I...

Wheeler Williams (American, 1897-1972) Untitled Study, 1931 Pencil on paper 8 3/4 x 11 3/4 in. Each signed: Wheeler Williams, 1931 A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors...

Watercolor over pencil strokes Dedicated to Madame Mossler / Respectful memories, signed and dated 188... bottom right. Provenance: • France, private collection.

Underweigh the ship moves through the inky waters with the full moon to guide its way. Watercolor on watercolor paper. :: Painting :: Impressionist :: This piece comes with an offi...

Charcoal on paper Unique work Hand-signed by the artist

Signed lower right: Henry B. Snell Provenance Private collection Born in Richmond, England, on September 29, 1858, Henry Bayley Snell was the son of Edward and Elizabeth Snell. At ...

Oak Leaf Peace Wreath with Dove and Serpent Around 1700 Black chalk on thin, brownish paper 39,8 x 52,7 cm Inscribed "N" in the centre left This drawing is probably by an Italian Ar...

MARINO MARINI 1901-1980 Pistoia, Italy 1901-1980 Viareggio, Italy (Italian) Title: Jugglers and Horse Giocolieri e Cavallo, 1943 Technique: Double-sided Hand Signed and Dated Pencil, Watercolour and Gouache on Thin Card Paper size: 49 x 34.5 cm. / 19.3 x 13.6 in. Additional information: This pencil, watercolour and gouache work is hand signed and dated in pencil by the artist "Locarno 1943 Marino" in the lower left image. It is also signed in ink "Marino" in the lower right image. The drawing was created in Locarno in 1943. Furthermore, there is a sketch of Horse...

The drawing perfectly conveys the individual originality of the character of the king's favorite with a lively mind and a kind heart, as evidenced by the royal mantle thrown over the naked body from above. The grace of the pose and the cold courtesy of the lady's smile indirectly reflected her playful temperament and refined coquetry. The drawing is built on the harmony of colors used by the artist. By an unidentified professional painter, vintage pastel drawing...

"Lake Michigan Bathers" is an original pencil sketch by Francesco Spicuzza. The artist signed the piece in the lower right. On the reverse is a silver gelatin photo print...

Live life as a Mermaid! Made with passion and golden embroidery details, mixed media drawing. The Perfect Artdeco Gift! Female Fashion Figure of Mermaid with Porcelain Tea Cup. ...

William Zorach, 1887-1966 Redwoods, Yosemite Valley, 1920 Watercolor and pencil 15 ¾ x 13 ⅜ inches Signed (at lower right): William Zorach WZorach-7 Provenance: Estate of William Zorach Exhibited: William Zorach, 1887-1996, Sculpture, Drawings and Watercolors, Zabriskie Gallery, New York; Feb. 10 – March 14, 1998. William Zorach was born in Lithuania in 1889, and immigrated to the United States with his family in 1893. Settling in Cleveland with his parents, he worked as a lithographer from 1902- 1908, making enough money to study painting with Henry G. Keller at the School of Art. In 1910, Zorach traveled to Paris to study in La Palette, where he was encouraged to develop his own unique style rather than adhere to traditional teachings. Zorach once said, “I began to be conscious of the various modern influences that were invading the art world…I was disturbed and confused, and yet I felt that I was a very young man entering a new age. The forces creating modern art seemed more alive to me than anything I had known or anything being done in America.” 1 Together with his wife Marguerite, William Zorach produced a number of Cubist- style paintings for the American Armory Show of 1913, and the Forum Exhibition in New York in 1916. Around 1917, Zorach followed the lead of cubist artist Pablo Picasso and began experimenting with wood and stone carvings. By 1922, he devoted himself entirely to sculpture, and like Picasso, became fascinated in “primitive art”—the ritual objects and sculpture pieces of Oceanic, Native American and African tribes. Zorach’s work developed in its use of block-like forms with progressive suppression of detail—drawing elements from sources as disparate as the contemporary cubist and modernist movements, and combining them with forms seen in early African sculpture. Though the forms of his sculpture were often abstract, Zorach primarily focused upon a traditional subject matter, producing such well-known sculptures as Young Girl, now in the Whitney Museum of American Art, and Mother and Child, in the collection of the Metropolitan Museum of Art. Today, William Zorach is known as one of the earliest and most influential American artists dedicated to direct carving. Zorach also made an impression as a teacher and writer, facilitating a major change in the aesthetic philosophy and technique of sculpture in the United States. During the summers from 1913 to 1922, Zorach and his wife Marguerite painted...

Preparatory Drawing (sanguine on paper, 42 x 28 cm) by Francesco Furini for the making of the Saint Sebastian, ordered by the prince Lorenzo de' Medic...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surreal mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates r...

Watercolor on heavy paper realized by Carlo Ravagnan in 1991. Hand signed and dated lower right. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, died i...

PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...

'Portrait of Jean', pencil on art paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his larger oil paintings ...

is a visual meditation on the existential solitude of the self, ceaselessly turned toward the shadows of meaning. The work emerges from the silence between question and answer, betwe...

“DEVI.” 50X70 CM. WATERCOLOR, PAPER. SERIES "MANIFESTATIONS OF DIVINE." “Devi” in Sanskrit means Goddess, celestial, divine. Among the world’s religions, Hinduism has upheld the conc...

A charming late 19th century watercolour by the artist George Goodwin Kilburne (1839-1924) depicting a tender moment between mother and child. The figures sit at the dining table pee...

Original Graphite and Pen Sketch on Paper 12 1/4″ x 15 5/8″ Viewable 26″ x 29 1/2″ Framed Circa 1960’s

Conditions : Very good original Conditions including a beautiful frame. Framed under glass, this rare composition for sale is an exceptionnel piece for Art collectors. Signed and d...

A stunning charcoal drawing by French artist Etienne Poirier (1919 - 2002). This rare artwork is a charcoal-on-paper composition depicting an interpretation of the proud rooster. Thi...

The painting is signed and dated 1858 Felix Schlesinger (1833-1910) was a German painter known for his charming and detailed portrayals of domestic ...

Sullo sfondo di un paesaggio dai tratti centro-settentrionali europei-in cui si riconoscono una cappella e il profilo di una città dagli alti pinnacoli-si svolge una scena di svago, ...

Watercolor on heavy paper realized by Carlo Ravagnan in 1975. Hand signed and dated lower left. Hand signed, titled and dated on rear. Excellent condition. Carlo Ravagnan was bor...

6016 Modernist nude ink drawing the puppet maste Silver gilt frame signed image 16,5x13.5"

Jean La Forgue (French 1901-1975) signed watercolour on paper, unframed inscribed verso painting: 10.5 x 7 inches provenance: the artists estate, France condition: very good and sou...

Wonderful Fauve Landscape with blocky areas of punchy bold reds and yellows. This was done the same year of the Armory Show in which both William Zor...

Did Bendiner ever miss a performance, show, concert, play? Was there anyone he didn't know? This double-side drawing in blue crayon shows Johnny Hodges (jazz saxophonist extraordina...

A romantic late 18th-century pastel portrait, attributed to the German portraitist Johann Heinrich Wilhelm Tischbein (1751-1829). Exquisitely presented in its original giltwood frame...

Reginald Hallward (1858-1948) Sketch for window in Earls Barton Church Northampton Pencil and gouache on paper 9 x 12.5cm Signed lower right. Reginald ...

Sandu Liberman (1923-1977) Untitled, c. mid-20th century Watercolor on paper Sight: 13 3/4 x 9 3/4 in. Framed: 22 1/2 x 19 3/4 x 3/4 in. Signed lower right: Sandu Liberman Sandu Lib...

Pioneering English Female Illustrator Helen Stratton masterfully renders in pen and ink a scene from "The Little Mermaid" in George Newnes's 1899 editi...

Title: French Impressionist Watercolor of Beachgoers at Leisure By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 5 x 8 inches (Height x Width) Signe...

Watercolor on paper realized by Mino Maccari in 1960s. Hand signed lower right. Very good condition.

China ink drawing realized by Mino Maccari in 1960s. Hand signed in pencil lower right. Very good condition.

Artist: Clemente Pujol de Guastavino (1850-1905) Origin: Spanish Signature: signed C. Pujol (lower right) Medium: oil on canvas Dimension: 25 1/2 in x 19 3/4 in. Framed 34 by 2...

"Heah's a Few Little Trinkets I Picked Up," or "Phil and the Judge" Probable book or magazine illustration showing the character named Phil in front of a judge. Artwork Dimension...

Watercolor on heavy paper realized by Carlo Ravagnan in 1960s. Hand signed and dated lower right. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, died ...

Black market drawing realized by Mino Maccari in 1950s. Hand signed lower right. Very good condition.