Bride Drawings and Watercolor Paintings

This artwork "Untitled, Woman in Costume" c. 1960 is a watercolor and gouache on beige thin paper by French artist Vincent Breton, b.1919. It is hand ...

Born in New York, Paul Shimon (1919 - 2011) was both an accomplished artist and composer. Considered by some to be an Early Outsider artist, Shimon studied at the Art Students Leag...

Portrait of a Gentleman of the Renaissance is an original drawing in Pencil and Ink on paper realized by an anonymous artist in the early 20th Century. Good Conditions but aged with...

Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives give his artistic heritage to publicity. “I am 58, and in five Years my c...

Untitled  is a drawing, realized in  Mid 20th Century,  by the French post-impressionist painter and illustrator Louis André Berthommé Saint-André (1905-1977).  Black and white penc...

AGNIESZKA ZAKRZEWSKA (born in 1974) Agnieszka Zakrzewska graduated from the Faculties of Painting and Graphic Arts of the Academy of Fine Arts in Warsaw. She paints, makes illustrati...

Raúl Anguiano belongs to the “Third Generation” of post-revolutionary painters, with Juan O’Gorman, Jorge González Camarena, José Chávez Morado, Alfredo Zalce...

Hand signed and titled. Matting included. Very good condition.

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Portrait is an original drawing in Pencil realized by Alfred Grévin in the Late-19 Century. Applied on a Passeprtout:49x 32 cm. With the stamp of atelier "Grevin" on the lower righ...

Amy Londoner Musical Conductor, 1922 Signed and dated lower right Pastel on paper Sight 18 x 23 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Il va l'apaiser is an original watercolored etching realized in the first quarter of the 19th century by the French artist Philibert-Louis Debucourt (1755 – 1832). The artwork is...

Allegory of a Bird is an original artwork, pencil, pastel, gouache and watercolor on paper. Is not signed and dated but we can attribute the period late 19th Century. The artist p...

Eden is a pencil drawing realized by Max Theron ( 1873-1936) in the early 20th Century. The artwork represents a sketch of a woman in a garden. Good conditions. Signed by the ar...

Unexpected Gift is an original drawing in pencil realized by Leo Guida in 1972. Good condition. Leo Guida (1992 - 2017). Sensitive to current issues, artistic movements and histor...

Pornography is a china ink Drawing realized by Mino Maccari (1924-1989) in 1970s. Hand-signed on the lower margin. Good condition on a cream colored paper. Mino Maccari (Siena, 19...

The Winner is a drawing artwork realized by Yus in the 1980s.  Watercolour and ink drawing on paper.  Hand-signed on the lower right.  The state of preservation is good.  Th artw...

PHILIPPE NOYER "AU BAR" WATERCOLOR, SIGNED FRANCE, C.1960S 25.5 X 19.5 INCHES Philippe Henri Noyer 1917-1985 Philippe Henri Noyer was born on June 28, 1917 in Lyons, France. After a traditional education at the elite Ecole des Roches, Noyer enrolled in the Ecole des Beaux Arts in Lyon. Next he moved to Paris, where he worked in decorative arts and advertising. It was during this time, he discovered his talent for oil painting, officially starting his painting career in 1943. That same year, Noyer met the famed Parisian art deal, Emmanuel David, who would promote his work and career. Noyer produced many portraits, for which he quickly gained an international reputation, but he also painted dream figures in rural or maritime settings, compositions that were classical in technique but surreal in concept. In 1947, Noyer held his first one-man show at the prestigious Drouant-David Gallery in Paris. In 1949 the gallery consigned twenty of Noyer’s paintings to an American art dealer who had agreed to organize an exhibition of them in the United States. However the American dealer sold the paintings at cost, in order cover a gambling debt, to Robert Goldstein...

The Boy is a Drawing in pencil, watercolor, and white lead realized by Augusto Monari in the Early-20th Century. Monogrammed on the lower. Good conditions, including a creamy-colo...

Houses is an original drawing in pencil on paper, realized by Maxime Juan (1900-?). Hand-signed on the lower left. The State of preservation is good. The artwork represents houses ...

BIAŁY MIRO (Mirosław Biały, born in 1966) He graduated from Artistic High School in Lublin and moved to Denmark in order to graduate from Higher School of Graphics in Denmark. He liv...

Figure in Interior is an original drawing in pencil on paper realized by Jeanne Daour in 1940, Hand-signed and dated on the left inside of drawing. The state of preservation is good...

Signed and dated indistinctly under the mount. Presented in a gilt frame and wash-line mount. On paper.

An interesting watercolour wash study by the artist Ricardo Marin. The artist has depicted unusual figures in a side alley with street performers in the background. Signed to the low...

Artist/Designer; Manufacturer: Karl Lagerfeld (German, 1933-2019) Marking(s); notes: marking(s) Materials: mixed media on paper Dimensions (H, W, D): 19"h, 14"w (work is not framed) ...

With an immediately clean and elegant impact, we already know that this drawing can be counted among the valuable range of Ademollian early graphic art for two reasons: the subject, ...

Nudes is a pencil drawing realized by Paul Emile Colin (1867-1949). Good condition. Stamped signature. Passepartout. Paul-Émile Colin born onAugust 16, 1867 in Lunéville ( Meurth...

The Posing Nude is a drawing in pencil on ivory-colored paper realized by An anonymous artist in the early 20th century. Good conditions with some foxing. The artwork is represent...

Woman and Snakes is an original China drawing realized by an Italian artist oin the Early 20th Century. Good condition on a blue cardboard. The artwork represent a woman with big w...

Study of Figures is original drawings on ivory paper, realized by Marcel Mangin (French, 1852 - 1915), with the stamp of artist "Marcel Mangin" on the lo...

Soldiers is an Original Drawing in pencil realized by Victor Adam ( 1800-1866) in the 1850s. Included a blue Passepartout: 2431 x 33 cm Good conditions. ...

The Kiss is an original drawing in Pencil realized by Alfred Grévin in the Late-19 Century. Applied on a Passeprtout: 50 x 32 cm. In good conditions. Alfred Grévin (1827- 1892),w...

This artwork titled "Danseuses Espagoles" (Spanish Dancers) is a watercolor, pastel and crayon on paper by noted French artist Jean Target, 1910-1997 It is hand signed at the lower r...

Portrait of Pierre-Jean de Béranger is an original drawing in Pencil realized in the Early 19th Century. Good conditions. The artwork is depicted through soft strokes in a well-bal...

Woman is an Original Pencil Drawing realized by Henry Somm (1844-1907). Good condition on a cream colored paper, included a grey cardboard passpartout (31.5x25 cm). Not signed. Fr...

Au Cimetière Monsieur... is a black pencil and watercolor drawing realized by Francis Picabia in 1931. Hand signed lower left, with title lower right. A certificate of inclusion in the Catalog Raisonné being prepared by the Picabia Committee, dated 30 October 2019, will be delivered in original along with the work. Drawing originally realized by Picabia to illustrate the important volume "Le Peseur d'Ames" by André Maurois, published by Editions Antoine Roche in 1931. Though specifically realized for the volume, the drawing was not selected for publication and remained in the artist's personal collection. Cm. 27,4x22. Good conditions. Francis Picabia (1879-1953) was born in Paris to a french mother and a Spanish father who was chancellor at the Cuban embassy in Paris. He had a comfortable childhood, even though he was emotionally troubled. He studied at the École nationale supérieure des beaux-arts. At the beginning of his career, from 1908 to 1913, he was strongly influenced first by the Barbizon School and by Alfred Sisley and Camille Pissarro, then by impressionism, cubism and finally abstractionism. Around 1911 he joined the Puteaux Group which he met in the studio of Jacques Villon in the village of Puteaux. He then became friends with the artist Marcel Duchamp. Some members of the group were Apollinaire, Albert Gleizes, Roger de La Fresnaye, Fernand Léger and Jean Metzinger. From 1913 to 1915 Picabia was often in New York. These years can be identified as the proto-Dada period, which consists mostly of the so-called mechanical portraits (portraits méchaniques): these works ironically proposed mechanistic themes of random tangles of metal parts, paintings and drawings of machines. All these mechanisms on the one hand mocked the cult of the machine, on the other they alluded to sexual intercourse...

Mark McCrum Clare Bridge Watercolour 29 x 39 cm Signed and dated to lower right Mark McCrum, born in Cambridge, England, is a distinguished author and artist known for his diverse...

A Draped Woman is a drawing realized in 1920s,  by the Artist Ernest Fouard (1883- 1959) .  Mixed media on paper. Hand Signed on back. The work is glued on ivory cardboard. Total ...

Female figure is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawings in pencil on paper. Fair conditions with ...

own technique, collage on paper PAULINA MAKSJAN (born in 1982) She studied at the Academy of Fine Arts in Gdańsk under the guidance of prof. Maciej Świeszewski at the Faculty of Pai...

Figure Studies is an original artwork realized by an artist of the 20th Century. The drawing was composed through the use of the pencil and the watercolor . Good condition apart th...

"Porcelain Lumen" 1890s is an original china ink and watercolor drawing on ivory-colored paper by Anonymous French Artist of 19th Century. In excellent conditions: As good as new. ...

A charming watercolor portrait depicting a lady in profile wearing a lace bonnet. Unsigned. Well presented in a gilt frame with ornate foliate details. On paper.

The Posing Nude  from Back is an original Drawing in pencil on ivory-colored paper realized by an anonymous artist in the early 20th century. Good conditions with some foxing. The ...

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Nude Study Year: circa 1963 Medium: Original drawing on vélin Strathmore paper Size: 23 x 18 inches Condition: Good Provenanc...

Crucifixion is an original artwork in mixed media -pencil and oil pastel- on cardboard realized by an Anonymous artist of the XX century. The State of preservation is very good. S...

Gregoire Est Mort! is an original hand-watercolored lithograph on ivory paper by Edmé-Jean Pigal. In excellent condition. Hand-signed on the lower right margin. Titled on the botto...

Martyrdom of Saint Bartholomew is a precious original drawing (black and red chalk, pen and China ink on laid paper, laid down on canvas) realized by...

English School early 19th century, Portrait of two children, Pencil and light heightenings of white and red gouache 29.5 x 23 cm In quite good condition : the pape is yellowed by t...

Oil pastel and watercolor on paper realized by Sirio Pellegrini in 1975. Hand signed and dated. Includes a wooden frame realized by the Artist cm. 49x39. Sirio Pellegrini, born in...

Mr Mercadet for pour le Ballet is an original artwork realized by Sergio Barletta (Bologna, 1934) in 2012. China Ink drawing and watercolor. Image Dimensions: 43.9x32.9 cm. The p...

18th to 19th Century "Art Presentation" Old Master Drawing Remarkable old master pen, ink and wash drawing of an art presentation Dimensions 14" wide x 8.5" high The lightly distr...

Figure is an original Drawing on paper realized by the painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions except for aged ma...

A vintage watercolor capturing a statue of an ascetic in a garden by Theodore Ernest Langguth (German-American, 1861-1952). 1915-20. Signed "T. Langguth" in lower left. Presented in ...

Gigantic Birds is a modern artwork by Gabriele Galantara (1865-1937) in the early 20th century. The artwork has been realized in Ink, Tempera, Watercolor, and White Lead on paper. ...

The Posing Nude is an original Drawing in pencil on ivory-colored paper realized by an anonymous artist in the early 20th century. Good conditions with some foxing. The artwork is ...

Women of the Eastern Village. Andrée Karpelès (Paris, 1885 - Grasse, 1956). A charcoal drawing on paper, from the beginning of the 20th century, representing 3 peasant women dresse...

Nude figure study of a seated female model by an unknown artist (American, 20th Century). Circa 1940. Unsigned. Unframed. Image size: 25"H x 19"W.

Sailors is an original pencil drawing on ivory-colorated cardboard by Herta Hausmann in 1950s. In excellent conditions: As good as new. Image Dimensio...

A delightful Edwardian portrait depicting a lady in lace with a heart shaped pendant. Signed 'E.L.' and dated to the upper right quadrant. Presented in a gilt frame. On paper.