Photography Drawings and Watercolor Paintings

Unique, one of a kind original gouache on paper from Harper's Bazar series. Hand signed lower front by Erte; titled with studio catalog number on verso. Sheet size 15 x 10.5 inch...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to...

Acquired by the gallery directly from the artist UNFRAMED: 15.75" x 11" FRAMED: 23.375" x 18.5" x 1.125" Artist Statement “‘Tinker Bell’ is one of my series of pictures for a fort...

Painted in the style of Frederick Appleyard. Initialed lower left, 'FR.A' and created circa 1925. Bearing signature, verso. An elegant and psychologically-penetrating pastel study of a fashionable young brunette with gray-green eyes, shown standing and gazing to the viewer's left. This notable British landscape and portrait artist attended Scarborough School of Art where he studied under the genre and landscape painter Albert Strange. He then proceeded to the National Art Training School at South Kensington and from there, on the recommendation of the artist John Sparkes, to the Royal Academy. At the Royal Academy, he was met with immediate success, first receiving the Turner Gold Medal, followed by the Creswick Prize and the Landseer Scholarship. Frederick Appleyard was a painter of landscapes, portraits and allegorical compositions of the decorative kind frequently associated with English Impressionism. Over the course of a long and storied career, he received a number of prestigious public commissions that included mural decorations for the Royal Academy of Art. He exhibited for many years at the Royal Academy (1900-1935), the Walker Art Gallery in Liverpool and the Glasgow Institute of Fine Arts. From 1918-1950, he was also a regular exhibitor at the Royal West of England Academy of which he was elected a full member in 1926. Appleyard's work is well-represented in private and public collections including in the permanent collection of the Tate Gallery which holds 'A Secret', a Chantrey Bequest purchase from the Royal Academy Exhibition...

Ernst Ludwig Kirchner ( Germany 1880-1938 ) Expressionist Female Women Dancing Mixed Media on Paper Drawing or Painting Expressionism Dimensions: 20" L 16" H in This bore a sticker from Christies auction house and another collection sticker verso but they have been inadvertently removed. I do have the photo. Ernst Ludwig Kirchner (1880 – 1938) was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century art. He volunteered for army service in the First World War, but soon suffered a breakdown and was discharged. His work was branded as "Entartete Kunst" or "degenerate" by the Nazis in 1933, and in 1937 more than 600 of his works were sold or destroyed. Ernst Ludwig Kirchner was born in Aschaffenburg, Bavaria. His parents were of Prussian descent and his mother was a descendant of the Huguenots, a fact to which Kirchner often referred. As Kirchner's father searched for a job, the family moved frequently and Kirchner attended schools in Frankfurt and Perlen until his father earned the position of Professor of Paper Sciences at the College of technology in Chemnitz, where Kirchner attended secondary school. Although Kirchner's parents encouraged his artistic career they also wanted him to complete his formal education so in 1901, he began studying architecture at the Königliche Technische Hochschule (royal technical university) of Dresden. The institution provided a wide range of studies in addition to architecture, such as freehand drawing, perspective drawing and the historical study of art. While in attendance, he became close friends with Fritz Bleyl, whom Kirchner met during the first term. They discussed art together and also studied nature, having a radical outlook in common. Kirchner continued studies in Munich from 1903 to 1904, returning to Dresden in 1905 to complete his degree. In 1905, Kirchner, along with Bleyl and two other architecture students, Karl Schmidt-Rottluff and Erich Heckel, founded the artists group Die Brücke ("The Bridge") later to include Emil Nolde, Max Pechstein and Otto Mueller. From then on, he committed himself to art. The group aimed to eschew the prevalent traditional academic style and find a new mode of artistic expression, which would form a bridge (hence the name) between the past and the present. They responded both to past artists such as Albrecht Dürer, Matthias Grünewald and Lucas Cranach the Elder, as well as contemporary international avant-garde movements. As part of the affirmation of their national heritage, they revived older media, particularly woodcut or woodblock prints. Kirchner's studio became a venue which overthrew social conventions to allow casual love-making and frequent nudity. Group life-drawing sessions took place using nude models from the social circle, rather than professionals, and choosing quarter-hour poses to encourage spontaneity. In 1911, he moved to Berlin, where he founded a private art school, MIUM-Institut, in collaboration with Max Pechstein with the aim of promulgating "Moderner Unterricht im Malen" (modern teaching of painting). This was not a success and closed the following year, when he also began a relationship with Erna Schilling that lasted the rest of his life. In 1917, at the suggestion of Eberhard Grisebach [de], Helene Spengler invited Kirchner to Davos where he viewed an exhibition of Ferdinand Hodler paintings. "When I was leaving, I thought of Vincent Van Gogh's fate and thought that it would be his as well, sooner or later. Only later will people understand and see how much he has contributed to painting". In 1921 Kirchner visited Zurich at the beginning of May and met the dancer, Nina Hard, whom he invited back to Frauenkirch (despite Erna's objections). Nina Hard would become an important model for Kirchner and would be featured in many of his works. Kirchner began creating designs for carpets which were then woven by Lise Gujer. In 1925, Kirchner became close friends with fellow artist, Albert Müller...

Francis Luis Mora was considered one of America's finest "sketchers". A collection of his Sketchbooks are at the Smithsonian and this work came out of one in the early 1990's from t...

V JORDAN (19th Century) A Warwickshire Cottage, watercolour heightened with white, signed, inscribed mounts, size overall 23 x 19 inches approx. painting 9 1/2" x 13 1/2", The waterc...

A fine full-length portrait of John Cornwall of the Scarborough rifle corps, dressed in full uniform with musket. Presented in an oval gilt metal frame w...

Edmond Xavier Kapp (British, 1890 – 1978) The Flicks Ink on paper Signed and inscribed ‘Kapp The Flicks’ (Lower left) 8.3/8 x 12.7/8 in. (21.2 x 30.1 cm.) Provenance: From the estate...

Wonderful 18th century English gouache on paper of a 18th century English scene of a man on his horse with his dog in a landscape One of a set of five all framed in Hogarth frames. ...

Lucien-Victor Guirand de Scevola (1871-1950) Portrait of a young woman Pastel on paper 38 x 28 cm (oval) Framed under glass in a vintage framing : 45 x 35 cm A label on the back "1928 Portrait de femme Etude au pastel de Guirand de Scévola" (see photographs please) This pastel study is of course not signed, as the label on the back of the frame gives its attribution to Guirand de Scévola and, equally interestingly, the date 1928, but in fact the artist's style and execution are immediately recognisable without the need for a signature. This type of woman with a bun is typical of the models the artist loved. Her mysterious air recalls his Symbolist period, and pastel is hisr preferred medium because it lends itself to all the characteristics typical of his art. Lucien-Victor Guirand de Scévola ( 1871 – 1950) was a French painter. He was student of Fernand Cormon and Pierre Dupuis...

Aeron’s Gift Oil on panel 24 x 18 inches Framed: 32.5 x 26.5 inches

This is one of a number of drawings that was accompanied by a signed letter from Augustus Edwin John which read as follows `Alderney Manor/ Nr Parkstone, Dorset / Dear Hodge, I send ...

Charles Kinghan: 1895-1984. Unlisted American artist with auction results over $2100. That’s fantastic watercolor of a beach in Corona Del Mar California was probably done mid 20th c...

Fisherman is an original modern artwork realized in the early 20th Century by the italian painter and illustrator RIV (Carlo Rivalta). Black and white china...

"Don't Want You" (2020) by SarahGrace Watercolor and Ink on Paper; Blue, White & Black, Contour Sketch, Woman Posing, Face, Pose, Portrait, Nude, Figurative Study, Pastel palette, Self Portrait, Women Artists, Women in Art...

Artist: (Romain De Tirtoff) Erte (Russian, 1892-1990) Title: Sylvia Year: Circa 1935 Medium: Gouache on paper Paper size: 14.5 x 10.5 inches Signature: Signed lower rig...

20th Century "Coastal Church on Sunday" Original Watercolor by Burchfield Beautiful watercolor of a Presbyterian church on Sunday Watercolor dimensions 25" wide x 17" high The fra...

A striking Victorian portrait in an unusual mix of watercolour and graphite, finished with delicate scraffito work, giving a hazy, almost ghostly appearance to the sitter. The artist...

A charming charcoal study of a young girl wrapped in a shawl. The artist uses white chalk to heighten the delicate folds in the girl's clothing. Signed and dated to the lower right. ...

Raymond Bertrand (born 1945) Sauvage and Les Âmes sœurs (2) Ink on paper, 19.5 x 14 cm and 26 x 15.5cm Signed Provenance: Private collection Ray...

Firmado en la parte inferior por el artista Se presenta sin enmarcar la obra Medidas obra: 50 cm. de altura x 32,5 cm. de ancho Buen estado de conservación el de la obra ::::::::...

Lovely early 20th century colored pencil landscape sketch of Shoreham Downs by an unknown artist (United Kingdom, 20th Century). Signature i...

This one-of-a-kind watercolor landscape painting was created in 1910 by artist E.J. The artist perfectly captures the tranquility of the scene, featuring a palette of pastel colors, ...

Sea Life is an original contemporary artwork realized in the 1970s. A beatuful mixed colored tempera artwork realized with brilliant silver and gilded colors...

Bryanna Marie's "Almost There" is an original, handmade graphite drawing on Bristol paper that depicts a portrait of a female model. About the Artist: Bryanna Marie draws her inspi...

Jenna Ringuette's "Girl Look Up" is an original, handmade charcoal drawing that depicts a female model in a striped robe looking upwards beyond the composition.

Signed watercolor In good condition measures 14x11 international buyers must cover shipping expense

Figures is an original modern artwork realized by Mino Maccari in the mid-20th Century. Mixed colored charcoal and watercolor drawing. Hand signed on the lower margin. Includes fr...

John Thomas Young Gilroy (English, 1898-1985), "Untitled: Sideview of a Gentleman", Charcoal/Pencil on Paper signed and matted to original card stock, 20.75 x 12.75 (22 x 14), Early 20th Century, 1920 Colors: White, Black John Thomas Young Gilroy (30 May 1898 – 11 April 1985) was an English artist and illustrator, best known for his advertising posters for Guinness, the Irish stout. He signed many of his works, simply, "Gilroy". Born in Whitley Bay, Northumberland, England, Gilroy attended Durham University until his studies were interrupted by World War I, during which he served with the Royal Field Artillery. He resumed studying at the Royal College of Art in London, where he remained as a teacher. He taught at Camberwell College of Arts.[1] In 1925, he gained employment at S.H. Benson's advertising agency, where he created the iconic advertisement art for Guinness featuring the Zoo Keeper and animals enjoying Guinness.[2] He worked with Dorothy L. Sayers.[3] He was also an accomplished portrait painter, numbering Royalty, Politicians, Actors and many others amongst his sitters. He worked in his large studio at 10 Holland Park, London, the former home and studio of Sir Bernard Partridge. He was a long-standing and much loved member of the Garrick Club...

Small paintings are intimate and personal, a form of self expression. In this artwork on paper, attention to detail captures a chic and timeless sense of glamour. Expressive brush an...

A delicate portrait miniature of a Victorian girl wearing a puffed blouse and beaded red necklace. The girl stands with her back to the viewer, peering ...

Watercolor on archival paper 23 x 17 inches in white-painted custom wood frame with 8ply mat 19 x 13 inches unframed This whimsical watercolor drawing on archival paper was made by the creative duo Nicholas Kahn & Richard Selesnick as part of their series "Madame Lulu's Book of Fate", wherein the artists celebrate the carnivalesque with a cast of peculiar costumed characters. In this illustration, a humble wagon, humorously dubbed a "chariot", is transporting an assortment of theatrical props and trunks. A close look will reveal yet another curiosity: a pair of bare feet supporting and propelling the chariot. A subdued palette of sienna, beige, rose and umber unifies the composition, and the artists' highly stylized approach adds an almost vintage...

Portrait of Giorgio Morandi is an original oil on board realized by the painter Mino Maccari, depicting his friend the painter Giorgio Morandi.

Portrait of Man is an Original Drawing, ink pencil and white lead on ivory paper realized by Antoine Alphonse Monfort. Hand signed on the lower margin. Passpartout cm 36x31 Good co...

Signed bottom right 'G. Distefano' and dated 1965. An exploration of tonality using airbrush techniques and negative space, sweeping lines define a figure.

Artist: (Romain De Tirtoff) Erte (Russian, 1892-1990) Title: La Fonctionaire, Elle. Year: February 26 1962 Medium: Original gouache Paper: Canson Mongolfier Size paper: 14.75 x ...

A splendid depiction of a New Orleans jazz funeral (sorry for the reflection on the glass). Typically a crowd of mourners will follow the band, walking and swaying slowly at first to...

Mathieu (Matei) ROSIANU (1897-1969) Surrealist composition, ca. 1935 Pencil on paper Studio stamp on verso 6,7 x 5,5 inch. Frame : 12 x 12 inch. Born in Bucharest in 1897 to an offi...

John Livzey Ridgeway (American, 1859-1947) Signed: J. L. Ridgway Imperial Woodpecker, aka Ivory Billed Woodpecker, c. 1898 Gifted to Doris B...

20th Century Miniature Oil Painting of an English River Scene by British Artist, Linda D Brooks Art measures 10 x 7 inches Frame measures 15 x 12 inc...

A fine oval portrait of a well groomed Victorian gentleman with handsome features and piercing blue eyes. The artist has used directional hatching and fine line to create plumpness i...

This is a pencil and watercolor drawing of a male figure by Pol Anglada offered by CLAMP in New York City. Untitled 2023 Pencil and watercolor on paper ...

Unsigned. Presented in a gilt frame with an acanthus running course and washline mount. On paper.

This charming portrait depicts a man in fine clothing drawn in charcoal and chalk. Label verso titles the painting 'Orlando Montague of Bridgton, Maine' Signed under the mount. Prese...

A charming 19th Century watercolour depiction of the dramatic slaying of the dragon by Saint George. The artist's use of vibrant colour and delicate line work make this a true feast ...

A charming watercolour scene depicting a sleeping boy on the verge of a lake. Unsigned. Well presented in an oval frame with a beaded running pattern and acanthus details. On paper.

Romain de Tirtoff, called Erte (French/Russian, 1892-1990) A set design featuring a tree for Une Noce chez les nudists (A nudist wedding) Gouache on paper Signed with atelier stamp (...

Unknown/ Unidentified Artist, "Untitled: Seascape Watercolor", Landscape/Seascape Watercolor on Paper, 4 x 9.25, Mid to Late 20th Century Colors:...

MALCAH ZELDIS Circus, Trapeze Artists, Horse rider and Acrobats gouache on paper Hand signed and dated bottom right. titled in pencil on paper verso. Fr...

Original Graphite on Paper Dimensions 12.5″ x 8″ Viewable 27″ x 22.5″ Framed. Signed by Artist. Circa 1962.

Henry MIRANDE (1877-1955) Self-portrait, circa 1940 Graphite pencil and charcoal on paper Anotated "L'Indien du haut Orénoque qui me réclame 4 femmes blanches pour lui seul" upper ri...

A very fine mid 19th century watercolour study of two young boys ,dressed in fine gowns and Scottish tartan. Well presented in an cream oval mount and gilt effect frame. Unsigned. On...

Ernest Procter Wonderful classical drawing of a nude torso. Ernest Procter ARA was an English designer, illustrator and painter, and husband of the famous British artist Dod Procte...

FRANK DOBSON, R.A. (1886-1963) Nude Signed l.l.: Frank Dobson Red chalk Framed 35.5 by 25.5 cm., 14 by 10 in. (frame size 62 by 51 cm., 24 ½ by 20 in.) Provenance: Collection of Peter Ward-Jackson, curator of the Victoria & Albert Museum, London. A sculptor, draughtsman and painter in oil and watercolour. Born in London, Dobson first studied at Leyton School of Art and later at the City and Guilds School, Kennington. During World War I he enlisted in the Artists’ Rifles...

Presenting a rare, early original drawing, "The French Model", by American artist Robert McIntosh(1916-2010) McIntosh was extremely prolific and exhibi...

Susan Kiefer Canray and BoisSec Pastel on paper Year: 2004 Size: 19x25in COA provided Ref.: 924802-1664 Framed pastel portrait of beloved Creole musicians Canray Fontenot and BoisSe...

Portrait is a beautiful drawing in pastel and charcoal on paper realized by Fernand Renault (1865-1909) In good condition. Stamped on the lower right. The artwork represents the p...