20th Century Mixed Media

1983 Keith Haring Dancing Figures drawing on Keith Haring World Tour hat: A rare, historic Keith Haring collectible featuring a sharply executed black mar...

Jack Hooper "Women with Colored Blanket" January 1, 1970 Gouache and marker on paper 12"x14" unframed Signed and dated in pencil lower left In this 1970 artwork by Jack Hooper, an enigmatic figure takes center stage. Rendered in gouache and marker, the woman, devoid of facial features, stands draped in a vivid, oversized blue coat that highlights her distorted form. Her long black hair adds a sense of mystery to the composition. In the foreground, a multi-colored blanket with a striking bright pink edge provides a captivating contrast. Hooper's minimalist approach invites viewers to ponder questions of identity and perception through this subtly compelling piece. Jack Meredith Hooper (August 26, 1928 - January 24, 2014) was an American painter, muralist, sculptor, printmaker and art educator. Hooper was a major figure on the Southern California art scene, belonging to that generation of Los Angeles painters...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Max Bucaille ( 1906 -1996 ) . French artist . Surrealist collage realized in 1938-1939 . 10 x 16 cm image 16 x 23 cm feuille 39 x 45 cm vintage liege ...

Rem Raymond Coninckx (1904 - 1974) Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also creat...

Discover a captivating piece of nature with this unique section of a vintage herbarium. Crafted with meticulous care, this botanical press on paper c...

Keith Haring Untitled drawing inscribed to David, 1988 Original drawing on paper bound in historic monograph, inscribed to David Copley Boldly signed, inscribed and dated in black marker above the drawing This is a unique work Iconic, unique radiant baby drawing...

Work on wood 110x90 cm, don't need frame. Yvan MOCATELLI is an artist born in Italy in 1944. His works have been sold at public auction 15 times, mostly in the Painting category. Be...

Alan Shields Lonely Night, 1969 Screenprint and Pochoir with collage on perforated paper Pencil signed, numbered and dated from the limited edition of 100 Unframed Mixed media colla...

Composition is an artwork realized by Leo Guida in 1970s.  Fabric, 120 x 78 cm; framed. Good conditions.

Jack Hooper "Nude in Bubble" c. 1960 Gouache and pastel on paper 15"x18" unframed Signed in pencil lower left Jack Hooper's abstract artwork, featuring a figure outlined in bold bla...

Fritz Riedl war der Superstar der Textilkunst, der auch international reüssierte und ganz wesentlich dafür verantwortlich ist, dass dieses Genre in Österreich diesen Stellenwert erla...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

Discover a captivating piece of nature with this unique section of a vintage herbarium. Crafted with meticulous care, this botanical press on paper c...

Jack Hooper "Three Muses" 1987 Gouache and ink on paper 21.25"x15.5" unframed Signed and dated in pencil lower left In this minimalist composition on black paper, Jack Hooper expert...

Tribute to Bix Beiberbecke Mixed media collage, 1974 Signed and titled in ink; lower right recto (see photo) Signed and dated ’74 in red crayon verso Image size: 32.5 x 22.75 inches ...

THOMAS BROWNELL ELDRED Untitled Mid Century Modern Abstraction, 1941 Gouache on paper Hand signed and dated 1941 on the front 14 3/4 × 21 inches Unique Provenance: Acquired from the estate of Thomas Brownell Eldred Unframed This gorgeously colored gouache painting on thick paper was created at a time when the Guggenheim Museum (Museum of Non-Objective Painting) was collecting Eldred's work, alongside works by Kandinsky and Bauer. Unique works like this by Eldred are very desirable in the marketplace. It typifies the artist's eclectic style, reflecting his involvement with Surrealism and the New York School. It also highlights Eldred’s excellent draftsmanship through the characteristic bright colors and patterns that he developed during his time as a naval wood pattern maker in the merchant marines...

Joe Brainard Eucalyptus Leaves/Bolinas, 1971 Collage on thin board (with original labels from Fischbach Gallery, The Denver Art Museum and University...

Landscape is an artwork realized by Mario Sinisca, 1970s.  Mixed media on canvas, 143 x 245 cm; not framed. Hand signed lower left. Good conditions. 

DEREK BOSHIER "Culture Carriers Stamp Out Art", (Hand Signed), from the Collection of Art Critic Anthony Haden-Guest, 1971 Lithograph mounted on franked envelope of wove paper (Hand Signed) 6 × 9 in 15.2 × 22.9 cm Limited Edition of 250; hand signed and numbered 24/250 Signed in ink lower left of the lithographic stamp affixed to the envelope, and hand numbered 24/250. From the series The Post Office Worker's Strike Commemoration Stamps Unframed The artwork consists not just of the signed, limited edition Boshier postage "stamp", but also the franked envelope, which it is affixed to, with the stamps as described above. The entire mixed media piece is far more desirable than the stamp alone. As a consequence of the prolonged strike by the Royal Mail postal workers in the United Kingdom, Derek Boshier along with a group of British artists including Allen Jones, David Hockney, Christopher Logue, Eduardo Paolozzi and Richard Hamilton, published ''Culture Carriers Stamp Out Art''to raise funds for the striking workers. The "stamps" were published in a limited edition of only 250, with Derek Boshier signing each by hand in black ink with his initials on the lower left. This particular stamp is also numbered 24/250. The stamp itself measures 3.25 by 2.75 inches, and it is affixed to a franked (postmarked) envelope which measures 6 inches by 9 inches, bearing the stamped text "Culture Carriers 23 Feb 1971" on the top left, and the stamp "CULTURE CARRIERS STAMP OUT ART" on the lower left (front). and the stamp "STRIKE ISSUE" lower right front of the envelope. Very desirable as an ensemble. these were known as The Post Office Worker's Strike Commemoration Stamps. This particular piece has superb and interesting provenance, as it came from the private collection of the American art critic Anthony Haden-Guest. As additional provenance, we will furnish the buyer with a xerox copy of the receipt from Flair Magazine...

Modern pop art 3 dimensional silkscreen serigraph by contemporary artist Charles Fazzino. The work features a variety of vignettes that have been combined to create a larger hospital...

This striking Abstract Expressionist sixties composition is by Danish artist Erling Andersen. Painted in 1969 it is a mixed media composition on canvas...

Alcune lettere respinte al mittente  is an artwork realized in 1987 by Gianfranco Baruchello . Mixed media on paper (China ink and enamel on cardboard). Hand-signed and dated on the...

This striking Abstract Expressionist sixties composition is by Danish artist Erling Andersen. Painted in 1969 it is a mixed media composition on canvas...

Jack Hooper "Side Stretch Nude 3" 9/7/1984 Gouache and pastel on paper 20"x26" unframed Signed and dated in pencil lower right In this exemplary work of modernist art, Jack Hooper e...

Max Bucaille ( 1906 -1996 ) . French Surrealist Artist . born in Normandy in 1906 . Image : 12 x 18 cm Page : 21 x 30 cm Framed : 38 x 52 cm Max Bucaille prend une paire de ciseaux et de colle , il se munit de vieux ouvrages illustrés et , pour notre plaisir , rêve éveillé ! auteur de poèmes et de collages surréalistes...

Larry Zox Study for Scissors Jack Series, 1965 Mixed media and colored ink drawing on draft paper Hand signed and dated on lower right recto (front). Bears Forager House Collection s...

Christo and Jeanne-Claude: Wrapped Reichstag, Berlin, 1971-1995, 1996 Hardback monograph with slipcase (hand signed and numbered - Hors Commerce edition, reserved for artists and contributors) Signed by Christo, Jeanne-Claude and photographer Wolfgang Volz and numbered numbered HC-694/HC-700 on the colophon. Also has an encased piece of the actual Reichstag wrapping! fabric! 12 × 12 × 1 1/2 inches Makes a memorable gift! It's hand signed and numbered - with a piece of the actual Reichstag wrapping fabric laid in. Signed by Christo, Jeanne-Claude and Wolfgang Volz and numbered numbered HC-694 on the colophon page (an Hors Commerce [not for sale] edition reserved for artists and collaborators) Original textured silver cloth with blue lettering on spine, housed in matching photo-illustrated slipcase, black lettering on spine. Contains an example of the original aluminum mesh used to wrap the Reichstag, framed in white cardboard (9 x 9") at inside back cover. Documentation of one of the startling and most stunning public art projects, representing the essence of conceptual art on a scale unmatched in the 20th century, one might say. 100 rock climbers abseiling down the facade of the Reichstag, without cranes or machinery being used in the project. This publication provides vivid documentation and a perspective of the extent of the project by the Bulgarian artist. His personal view, as expressed in The Guardian: "Artist - and above all architects - seek permanence," he said. "I don't. I like leaving nothing. That takes courage." His projects were funded mainly by selling preparatory drawings, always refusing sponsorship. Christo forbade the Three Tenors...

Painting measures 18" x 24" and framed 22 ⅝" x 28 ¾" x 1 ¾". Frame is original and all original labels are intact. This piece was likely exhibited in the artist's first show at Willa...

JACQUES LIPCHITZ Study for a Lesson from a Disaster, ca. 1952 Black and Blue Crayon on Paper Signed in graphite pencil lower right front Unique work of art Framed: held in original v...

Jack Hooper "Side Stretch Nude" 9/7/1984 Gouache and pastel on paper 20"x26" unframed Signed and dated in pencil lower left In this intriguing modernist artwork, Jack Hooper's minim...

Original acrylic painting on canvas. Hand-signed in acrylic on front by Peter Max. Peter Max studio catalog number on canvas side. Canvas size 60 x 60 inches. Canvas is stretched....

Judy Pfaff Untitled, 1994 Collage, Mixed media, Gouache and Leaves on paper, in Artist's Frame. Signed with Andre Emmerich & Bellas Artes Gallery Labels - accompanied by original shi...

Red Grooms The Daily Arf, 1974 Embossed Silkscreen and Blind Intaglio Hand signed and numbered: Pencil signed and dated 1974 lower right; pencil numbered from the edition of only 12 ...

Enamel on metal attached to wood frame

CARL ANDRE Untitled Drawing, 1984 Felt tip pen, marker and stamp on Postmarked (franked) card to Lynn Charles Foster 3 3/5 × 6 1/10 inches Hand-signed by artist, Hand signed by Carl ...

Max Bucaille ( 1906-1996) , né à Sainte-Croix-Hague.FRANCE poèmes et collages surréalistes depuis 1930 . " les Cris de la Fée " 1939 . ce collage d...

Keith Haring Party of Life 1986 (Keith Haring birthday invite 1986): 
Rare original silkscreened t-shirt invitation to Keith Haring’s third ...

Screen print on waxed paper plate. Unsigned from an unknown edition. Published by Bert Stern, New York. Plate size 10 x 10 inches. Frame size approx 17 x 17 inches. Stamped "Roy Lichtenstein On First Inc, 1969" on plate verso. Excellent condition. All reasonable offers will be considered. Lichtenstein made the paper plate for the well-known fashion and advertising photographer Bert Stern, who had set up an uber-chic New York boutique called “On First Store”. Located in Manhattan, Stern’s idea was to commission stylish yet affordable objects for the home and wardrobe from notable fashion designers and artists. Unfortunately, the shop did not last long and most of the plates were left undistributed. About the Artist: Roy Lichtenstein (American, 1923–1997) was an artist known for his paintings and prints which referenced commercial art and popular culture icons like Mickey Mouse. Composed using Ben...

American Artist 1922 – 2012 Served his country as a Sergeant in World War II, both stateside and in the Philippines. After the war, native Chicagoan Ronald Ahlström graduated from the School of the Art Institute, He became a prominent Abstract Expressionist collage assemblage maker working in a style similar to some of the New York school assemblage artists such as Robert Goodnough. Utilizing cutout letters in a concrete poetry style. He frequently exhibited his collages and paintings in the Chicago and Vicinity exhibits of the 1950s and 1960s. He worked as the curator of the Tacoma Art Museum in Tacoma WA during the early 1960s. He showed at Exhibition Momentum in the ’60s, and was selected for the Corcoran Biennial. Together with his colleagues and fellow-abstractionists Robert Nickle, Morris Barazani, Harry Bouras, George Kokines, and George Waite, he exhibited at McCormick Place in an independently produced survey of contemporary Chicagoans, circa 1962, under the banner 12 Chicago Artists. An adept and sensitive painter, Ahlström’s most personal work is as an abstract expressionist collage maker. Using strips of paper, sometimes weathered and beaten into rough hewn surfaces, he creates immaculately layered, lively, gestural compositions. He was the recipient of many art awards and prizes throughout his long career. His works are part of numerous private, corporate and museum collections. His work was published in many national and international art publications including Who's Who in America and Who's Who in American Art. he taught art at both high school and college level. His other passions included history, literature and music. He was an accomplished base fiddle and guitar player and often played professionally in clubs during the late 1940s and 1950s. In 1958, he was awarded the William H. Bartels Prize of five hundred dollars at the Art Institute of Chicago. Education: Art Institute of Chicago University of Chicago DePaul University Exhibitions: Art Institute of Chicago Annuals, Corcoran Biennial in Washington DC, 12 Chicago Artists 50 Chicago Artists European Exhibit at the US Information Agency Collage and Construction, Hyde Park Art Center, Chicago Tacoma Art Museum, Washington Henry Gallery, University of Washington, Seattle 50th Northwestern Annual, Seattle Art Museum, Chicago Invitational, University of Illinois One Man Exhibits: Rockford College, Rockford Il. Barat College, Lake Forest Il. Rodger Wilson Gallery, Chicago, Il. Touchstone Gallery, New York, NY. Joseph Faulkner, Main Street Galleries, Chicago, Il. Zriny Galleries, Chicago Il. Awards: Clyde Carr Prize, Art Institute of Chicago William H. Bartels Prize, Art Institute of Chicago James Broadus Clark Prize, Art Institute of Chicago Alumni of Art Institute Prize Singer and Sons Prize, Navy Pier, Chicago Abel Fagan Prize, Festival of Fine Arts, Lake Forest, Il. Ford Foundation Purchase Prize, Seattle, Wa. Collections: Art Institute of Chicago Barat College Tacoma Art Museum, Wa. Phibrook Art Center, Tulsa, Ok. Blue-Cross Collection, Chicago, Il. Atlantic Richfield Collection Illinois Bell Telephone Collection Container Corporation of...

Mickey Mouse Original Comic Strip Art C.1967 Original pen and ink with mixed media Dimensions 24.25" wide x 16.5" high The frame measures 2...

Benjamin SPaRK is a Franco-Belgian artist born in 1969, who lives and works in Brussels. The painting was made as a gift for a friend, as it says on the back 'to my friend Alick'

This superbly handcrafted abstract wooden wall art sculpture panel was designed by French artist Maxime Tendero (1927-1998) in 1973. Mounted o...

Rare Vintage 1980s Keith Haring Record Cover Art: (Set of 4: 1983-1987): Four individual 7 inch albums - all illustrated by Haring during his lifetime - making for standout 1980s Ke...

Jean-Michel Basquiat Beat Bop Record Art & Poster: This Basquiat Beat Bop record was published c.2005 featuring a rare limited edition 24 x 24 inch (61 x 61 cm) double-sided large fo...

The swimmer. Marco Silombria (Savona, 1936 - Albissola, 2014) Painted on paper, mixed technique Hand signed lower right "Silombria". Painting represent...

Colourful decoupage harlequin portrait by Colobesa? '89 Art Sz: 8 1/2"H x 5 1/2"W Frame Sz: 13 1/4"H x 10 1/4"W w/ chrome frame w/ red & yellow mat

Kenny Scharf ‘Fun’ 2009: A highly decorative 2009 Kenny Scharf mixed media work, employing screen-print & acrylic - signed by the artist on the lower right. Framed. Mixed media col...

Jean Picart Le Doux, French (1902 - 1982) "Au Rendez Vous Des Oiseaux" Larger handmade wool Aubusson tapisserie Produced by Maison M. Berthaut Aubusson Atelier, France. Signed Lower left corner woven with firm's monogram and lower right with artists full name. Bears stitched label attached en verso. Original documents included with the lot. Measures 71-1/2" x 50". Jean Picart Le Doux, born in Paris in 1902 and died in 1982, was a French painter and painter-cartonnier the revival of contemporary flat weave tapestry. He is the son of the painter Charles Picart Le Doux (1881-1959). His first tapestry dating from 1943 after winning the Grand Prix of the theater poster exhibition in the imaging. He met Jean Lurcat and, and Marc Saint-Saëns,and together they founded the Association of painters cardboard tapestry in 1947. In 1950, he comes up with the idea for ​​the Alliance Graphique Internationale, during the meeting with exhibitors of an exhibition of their work in Basel, Switzerland along with two other French designers Jean Jacques Colin and Nathan, and two Swiss graphic designers, Fritz Buhler and Donald Brown. AGI is officially founded November 22, 1952 and Picart Le Doux will be its first president. Picart Le Doux was a French artist noted for his role in the revival of contemporary hand woven Aubusson tapestry. Picart Le Doux's first tapestry cartoon was a diptych entitled The Four Seasons. Made in 1943...

Keith Haring, Run DMC Christmas: Run DMC "Christmas In Hollis": A rare sought after Vinyl Art Cover featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art and a unique vintage Keith Haring collectible. *1st Pressing 1987 (not a re-issue). Medium: Off-Set Lithograph on vinyl record cover. Dimensions: 7 x 7 inches. 1987 Keith Haring printed signature featured on lower left. Cover: Good to very good overall vintage condition with sharp colors. Includes original record in very good condition. Literature: Taschen: Art Record Covers pg. 216. Run DMC: To this day A Very Special Christmas remains one of the best-selling holiday albums on the market, thanks in part to the album's sole original track: Run-D.M.C.'s "Christmas in Hollis." With Jam Master Jay scratching up the main groove to R&B great Clarence Carter's "Back Door Santa" from the 1968 Atlantic Records compilation Soul Christmas, Rev. Run and the Devastating Mic Controller deliver bars of yuletide cheer that take the listener...

Robert Morris (1931-2018) Study for Copper Sculpture, 1980 Screenprint with Metallic Ink, signed and numbered in pencil Pencil signed, dated, and numbered PP1/7 by Robert Morris on t...

Robert Lepper (1906-1991) . Cubist composition, 1931. Cut copper, brass and steel sheeting tacked to masonite panel. Panel measures 14.5 x 24 inches. Total framed measurement 20 x 29...

A delightful study of fishing boats at low tide in oil with ink details. Signed to the lower right. Presented in a wooden frame with a cotton slip. On paper laid to board.

Charming decoupage "Amarylis" floral still life by BM (Bobby Livingston) signed (LL) & dated April- 1987 on verso Art Sz: 12 3/8"H x 8 5/8"W Frame Sz: 16 3/8"H x 12 3/8"W w/ gilt ba...

ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing Irene Rice Pereira (1902-1971) Abstract 8 1/2 x 5 1/2 inches Watercolor, gouache, and ink on black pap...

Jack Hooper "Woman on Red" 1/2/1970 Gouache, ink and pencil on glossy, red paper 11"x8.5" unframed Signed and dated in ink lower right In the year 1970, Jack Hooper's artistic prowe...

Jean-Michel Basquiat Skateboard Deck: Highly decorative Jean-Michel Basquiat Skateboard Deck licensed by the Estate of Jean-Michel Basquiat in conjunction with Artestar in 2021, feat...