20th Century Mixed Media

A Night in Paris is an original decorative object realized by Pietro Scoppetta in 1911. Mixed media on paper. Hand-signed and dated on the lower left corner: Pietro Scoppetta 1911. A frame is included. Very good conditions. Very elegant, beautiful impressionistic work realized in the first years of the XX Century by the important Italian artist Pietro Scoppetta. The work is characterized by a very impressionistic stroke and touch and depicts a scene during a Parisian night. The figures of the woman in the streets are only sketched but we can feel the elegance and the beauty of the Paris during the fin du siècle. The work has been realized by Pietro Scoppetta (Amalfi, 1863 - Neaples, 1920) an Italian artist. He dedicated himself initially to architectural studies, he abandoned them to form artistically, under the guidance of Giacomo Di Chirico. Resident in Naples, he had the opportunity to live in a climate of strong movements of cultural evolution. Scoppetta decided to leave Italy for abroad, and stayed a long time in London and Paris. In Paris, where he lived between 1897 and 1903, he joined the large group of Neapolitan painters, attracted by the bourgeois suggestions of the Belle Époque, including Lionello Balestrieri...

Loren Munk (American, b. 1951), mixed media painting "Romulus & Remus", signed "Munk '89", 13" x 19" inches sheet, framed 20.25" x 26" inches. This one is African American kids in a park at the water fountain. The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements, Lois Dodd, Michelle Grabner, Colin Prahl, Peter Saul, Barbara Takenaga, and Stanley Whitney 2014 "Some Artists" curated by Matthew Deleget at Minus Space. David Diao, Mary Beth Edelson, Alfred Jensen, George Maciunas, Loren Munk, Ward Shelley, John Zinsser 2013 "Coming Together: Surviving Sandy Year 1" curated by Phong Bui for the Dedalus Foundation, "The Decline and Fall of the Art World: Part I" curated by Nick Lawrence at Freight+Volume, N.Y. "Reticulate" at McKenzie Fine Art Inc., N.Y. "The Pyramids Along the Nile" at English Kills Gallery 2012 "When We Were Ancient" organized by Ethan Petitt at Teddy's Bar, Williamsburg "Heroes" curated by Julie Torres at Small Black Door, Ridgewood Queens, N.Y. 2011 "ABC123" curated by Janet Goleas at Eric Firestone Gallery, East Hampton, N.Y. "6 Who Paint" curated by Fred Valentine at Big & Small/Casual, Long Island City, N.Y. "It's All Good: Apocalypse Now" curated by Richard Timperio, Side Show Gallery, Brooklyn, N.Y. "Paper 2011" at Janet Kurnatowski Gallery, Brooklyn. "NEW year NEW work NEW faces" by Jason Andrew and Deborah Brown at Storefront Gallery. "Unfinished Pictures" curated by Kristin Calabrese...

John Wood (b. 1945, Utah) is a Bay Area artist who currently resides in Emeryville, CA. He received his BFA in painting from the University of Utah in 1971, and an MFA from the Cranb...

Domenick Capobiano (American, b. 1928), Celestial Composition, Mixed Media Collage on Board, 1963, pastel, acrylic, newspaper, signed and dated lower right, inscribed to verso "To El...

A very striking and stylish 1970s black and white collage work by the prominent St. Ives artist Trevor Bell. The details of the work are as followS: TREVOR BELL (BRITISH, 1930-2017...

Joan Miró vinyl album art: set of two, 1966 & 1979: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró des...

Micro picture, gouache on paper mounted on black leather. Belonging to the serie “Microbes”. Interestingly, it is unusually mounted on a black leather surface whose shape reminds th...

An extraordinary work from an extraordinary mind expressed through unique imagery, poetry and calligraphy. Simon Lewty (1941-2021) Visions of a non-resident Signed and dated 1988 an...

Judith Yellin Ginat is one of the most prominent artists working in Israel today. She was born in Jerusalem and is a fifth generation Israeli. Her work has a naive, folk art quality...

Robert Indiana Classic Love, 1995 Hand Woven Wool Tapestry 182.5 × 182 cm (71.9 × 71.7 in) Signed and numbered on label Edition of 150 In excellent condition Provenance: acquired from publisher Accompanied by certificate of authenticity With this particular four-letter arrangement of L.O.V.E, Robert Indiana has created an image so powerful that it has been adopted all over the world. A pop image, with its mix of the top and bottom lines is now presented in the form of the hand-woven wool tapestry. MoMA historian Deborah Wye has said that "[T]he word love was connected to Indiana´s childhood experiences attending a Christian Science...

Keith Haring Paris, 1987: Well-suited for framing, this vibrant oversized illustrated bag was designed by Keith Haring during his lifetime for the P...

Al Hirschfeld (1903-2003) "Beat the Band" 22 x 26 1/2 inches ink on board published in The New York Times, October 11, 1942 The unframed work comes directly from the Al Hirschfeld F...

Large modern abstract mixed media sculpture featuring a finely sanded piece of wood twisted in coiled rebar. The organic wood entangled in the manmade metal offers subtle commentary ...

"#24-80D Color Climb" is an exemplary work of Paul E. Maxwell's "stencil casting" works. This abstract but grid-like work employs a thickly textured and layered surface that has also...

Dramatic mixed media composition of fabric, inlaid wood veneers, paint and gold leaf laid down on masonite. Circa 1950. Condition is very good. Ran Su Studio l...

Martha Wahlert Hand-signed and titled in pencil

Fracture is an original mixed media painting on panel, realized by the Italian artist Marco Amici in 1990. Original Title: Frattura Title, Signature, date and monograms are written...

Title: Bullfighting Scene Artist: Roberto Domingo Technique: Gouache on paper Dimensions: 7 x 10 in (14 x 17.3 in with frame) Period: 1930s Style: Spanish Impressionism with Post-Impressionist influence Condition: Framed in a classic wooden frame Theme: Bullfighting scene Description of the Artwork "Bullfighting Scene" by Roberto Domingo is a vibrant and dynamic depiction of a typical moment in a bullring. The composition captures the drama and intensity of the moment, with a mounted picador on a striking white horse as the centerpiece, flanked by a matador and assistants preparing for the spectacle. The artwork radiates energy through swift and loose brushstrokes, imbuing the scene with movement and vitality. Domingo’s style emphasizes visual synthesis, focusing on color and form rather than meticulous detail to convey the atmosphere of the bullfighting arena. Warm tones dominate, with vibrant yellows and reds contrasting against the grays and whites of the horse and costumes, creating a captivating chromatic interplay. The classic frame adds sobriety and balance to the piece, further highlighting the expressive power of the gouache. Biography of the Artist Roberto Domingo Fallola (1883-1956), born in Paris, was a renowned painter and illustrator of Spanish descent. The son of the celebrated bullfighting painter Vicente Domingo, he inherited a passion for bullfights and became one of the leading exponents of bullfighting art...

Laughter is an original collage artwork on paper realized by Segio Barletta in 1975. Hand-signed on the lower left and dated. The state of preservation is very good with small foldi...

Very well executed mixed media post modern original artwork by the well known Russian/American artist, Nahum Tschacbasov. The artwork is composed of watercolor, gouache, pen, ink on...

In 1985, Warhol teamed up with Keith Haring to make a wedding gift for their friend Madonna before her marriage to Sean Penn. They replaced a New York Post image on the front page wi...

Important work on paper by French artist Jean Halion. Ink, watercolor and colored pencil study done in 1952. Signed top right in ink and dated in pencil 15-9-52. Jean Hélion was ...

"Wild in the Woods" fiber, wood, mixed media, 40 x 11 x 16, 1997. This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing te...

Sex Is the Power is an original collage artwork, realized by Sergio Barletta in 1978. Hand-signed on the lower right, and titled on the lower center "Sex is the Power". From the ser...

This artwork "Two Women with Chess" 1977 is a mixed media by German artist Adam Niemczyc, 1914-2009. It is signed at the lower right corner by the artist. The artwork size is 24 x 20...

Original Collage on Wooden Panel by Tommaso Cascella, 1989. On rear of the work title, date and signature. Excellent conditions.

Marlene Tseng Yu (Taiwanese-American, b. 1936) Untitled, 1971 Mixed media Framed: 37 x 48 in. Marlene Tseng Yu was born in Taiwan in 1937 and came to the U.S. in 1963. From 1969 to...

Dramatic mixed media composition of fabric, inlaid wood veneers, paint and gold leaf laid down on masonite. Circa 1950. Condition is very good. Ran Su Studio l...

Beautiful mixed media abstracted landscape evoking the elegant beauty of the first snow in winter by Grace Eichholz (American, b. 1927). Warm neutrals with highly abstracted landscap...

Born in 1918 in Fordyce, Arkansas and raised in Louisiana, Fearing first studied art at Louisiana Tech University, and later earned a master’s degree at Columbia University in New Yo...

The Buildings in the night is an original mixed media, realized by Bernadette Kelly in about 1980 s. Hand signed on the lower right margin. The artist depicts the night city, where ...

This large, vibrant work exemplifies Richard Smith’s mastery of early British Pop Art, showcasing his iconic interlocking red shapes and joyful use of color and abstract form. Richa...

Geometric Landscape is an original mixed colored painting realized by Danilo Bergamo in 1970s. Hand signed on the lower center. Danilo Bergamo (1938) after starting his artistic tr...

This artwork titled "Black and White Leprechaums" 1976 is a mixed media and collage on hardboard by noted Australian artist Oscar Edwards, 1905-1996. It is signed, titled and dated i...

Genre: Modern Subject: Abstract Medium: Mixed Media Surface: Paper Dimensions: 19 1/2" x 19 1/2" Dimensions w/Frame: 29 1/4" x 29 1/4" Simon, an award-winning mixed media artist with four Best Of Show honors, and numerous other distinctions, has been featured in over a dozen one-woman shows and many group exhibits. She has a master's of fine arts degree from the University of Iowa, and has divided her time between Colorado, Iowa and New Zealand. The prestigious Southwest Art magazine a few years ago featured Simon on its cover along with a profile in a two-page spread. "Mine is a happy-go-lucky world where everyone gets along, cares for one another and celebrates the day," Simon remarks. "I am hoping to refine my images to the elegance of a simple Haiku, the short poem that captures a single perfect moment in time — a peaceful kingdom. "In much of my work, I enjoy thinking about what goes on in the canyons, the seas and the nighttime, when no one is watching, perhaps joy and playfulness and even deep thoughts occur during those unseen hours," she says. Simon draws on the past's creative techniques and designs to put her works into action on canvas. "Although my inspiration comes from far and wide, light, nature and the Native American Ancients are the strongest aspects in my works," Simon says...

Serene winter landscape by Grace Eichholz (American, b. 1927). Signed "G. EICHHOLZ" in the lower left corner. Artist info and title on verso. Presented in a double mat of cream and w...

Known for her painting and sculpture as well as printmaking. Nancy Randall’s work is featured in collections at the Smithsonian Institution, the Walker Art Center, the Nelson Atkins ...

This depicts KIng David reciting Psalms, Hallelujah in Hebrew Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David Hotel in Jerusalem, the VIP room at Ben Gurion Airport, the Kfar Saba theatre and the Plaza Hotel in Tel Aviv. Israel has had a Vibrant Folk Art, Naive art scene for a long time now artists like Israel Paldi, Nahum Guttman, Reuven Rubin had naive periods. The most well know of the strict naive artists are Shalom of Safed, David Sharir, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Exhibitions: 1995 The Knesset Jerusalem 1988 Temple Beth Shalom Miami, Florida 1988 University of Jewish Studies Los Angeles 1987 Israel Congregation on the Northern Coast Chicago 1985 Jerusalem Theatre Jerusalem 1984 Tenafly New Jersey 1983 Horace Richter Gallery Old Jaffa 1974 Jerusalem Theatre Jerusalem 1974 Delson Richter Gallery Old Jaffa 1972 University of Jewish Studies Miami, Florida 1971 Jewish Museum New York 1970 Norman Gallery Canada 1970 Sharei Tzedek Congregation Winnipeg, Canada 1970 Gallery of the Year Los Angeles 1970 Gallery of the Year Scottsdale 1969 Gleeman Gallery Chicago 1969 Israel Congregation of the Northern Coast Chicago 1967 Maskit 6 Tel Aviv Prizes: 1971 First Independence Day poster 1971, 23 yeaes of the State of Israel 1969 Second International Tel Aviv poster...

Wonderful mixed media placard with Chinese woodblock prints from San Francisco's legendary 1920s Chinese-American restaurant and nightclub The ...

Project is an artwork realized byLucio Del Pezzo, 1988. Mixed Media on paper. Hand signed in the lower part. cm. 50x70. Good conditions! Lucio Del Pezzo (Naples, December 13,...

The idea of Ben Nicholson and his circle was to apply constructivist principles to public and private art. Especially, they were against ornaments and advocated for clean lines. Artworks were created with mathematical precision. “Geometric shapes...

Taos Series Mixed media on handmade paper Signed and dated by the artist lower right Archival framing with Conversation Glass Frame size: 29 3/4 x 34 inches Image size: 19 1/2 x 19 1/2 inches Provenance: Peter Marciniak, New Hampshire Distinguished Midwest Private Collection Regarding the artist: Select Exhibition: 1991 Franz Bader Gallery, Washington, D.C. (solo) 1980 Guggenheim Museum, New York, NY 1974 Bertha Schaefer Gallery; New York, NY (solo) 1972 Childe Hassam Purchase Show, National Institute of the Arts and Letters 1971 "The Turkish Bath of Ingres,” Louvre Museum, Paris, France 1971 Guest Artist, Tamarind Institute; Albuquerque, NM 1970 “American Drawings of the Sixties,” New School Art Center; New York, NY 1966 Dorsky Gallery, New York, NY (solo) 1962 Dwan Gallery...

Abstract Mid 20th Century WPA Non Objective American Modernism New Hope Modern.mixed media. 21 x 16 (sight). Housed in a hand carved frame. Louis King Stone ...

This envelope was produced as part of "International Volunteer Day", a human right's cause created by the World Federation of the United Nations. This mailer includes stamps, the art...

Paper and Adhesive collage by Wayne Timm. Image or mat opening measures 11 x 13 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and ...

Harald Dry Schmidt (1933 - 1979) Outsider Art San Francisco Still Life Mixed Media on Paper Affixed to Masonite 1977 14" x 17" unframed

Mixed media Painting on plaster and resin with various materials like iron wood etc ...

Yaacov Agam Tactile Bleu, 1964 Oil on board with springs and 40 painted metal discs 55.9 x 78.7 x 2.5 cm 22 x 31 x 1 in

With its extra-large dimension and joyful composition this painting by American artist Martha Holden is a rare piece. It is a contemporary abstract that ...

Regarded as an early exponent of politically committed realism in Spain, he left Francoist Spain for Paris at age 21. He dominated the major post-Franco exhibition of Spanish Art at...

"Measuring Blue" is a mixed media 3-dimensional collage with creatively hand-made oversized objects of a school ruler, dominos, and matches. These objects were hand crafted by the ar...

Night Landscape is an original mixed colored painting by Danilo Bergamo in the half of XX century. Hand signed on the lower right margin. Danilo Bergamo (1938) after starting his ...

The Physichromie is a structure designed to reveal certain circumstances and conditions related to color, changing according to the movement of the viewer and the intensity of the li...

'Abstract in Orchid and Jade' by Kevin Keaney. San Francisco Art Institute, Large Bay Area Oil ---- Signed verso, 'Kevin Keaney' (American, born 1962) and painted circa 1995. This S...

Player is an collage artwork, realized by Sergio Barletta in 1975. Hand-signed on the lower center and dated. In very good conditions, except for some diffused small yellowish stai...

Charles Green Shaw Montage, circa 1935 Labeled on verso Pipes, antique playing cards 19 x 16 inches Charles Green Shaw, born into a wealthy New...

Maroon Carborundum Robe (C. 47), 1991 Published by Pace Editions, New York Jim Dine (American, b. 1935) Woodcut Print Hand Signed, Dated, and Numbered Lower Left Edition 1/12 Lower L...

MODERNIST DRAWING New Hope Mid-Century WPA Abstract Non-Objective Jazz Modern. Signed with a "Ramstonev" stamp lower right. RAMSTONEV Cooperative Art Project (1937-1939). In the late 1930s, Charles Ramsey became close friends with Charles Evans and Louis Stone. He persuaded them to join him teaching his New Hope summer classes in non-objective painting. Soon, a history-making collaboration began. In 1937, meeting in Evans' studio at the rear of Cryer's Hardware store on Main Street in New Hope, a decision was made to establish the Co-Operative Painting Project. They were intrigued by the cooperative ad-lib process by which jazz musicians created their music. Believing this to be the quintessential American contribution to music, they theorized that a similar result might be obtainable with art, a "visual jam session." This particlarly fascinated Ramsey, who was a jazz buff and had a large collection of jazz records. The objective was to jointly collaborate in the creation of a painting as well as applying collective criticism during its creation. By creating forward movement by general consent, they believed they could produce a higher level of beauty. By consensus it was decided that subject matter would be non-objective. Up to eight people would participate and stop when the painting "felt" finished by common agreement. These co-operative works were done in several different mediums- the majority in pastel, but some in watercolor, gouache, graphite or cut paper collage. On occasion, the group would create a series, as opposed to a single work, created in steps by three or four artists. One of the occasional participants was famed New Hope poet, Stanley Kunitz. These series could range in number from four to sixteen paintings in each. The first of a series would be very basic and the last a fully finished work. In the scope of importance among the New Hope Modernist...

American School, unsigned and painted circa 1975. A vivid and upbeat oil abstract comprising discrete areas of golden-yellow, coral and aqua-turquoise composed to evoke a sunlit lan...

Artist's proof numbered 2/4 measuring 127cm x 87cm.