Abstract Paintings

Vintage modernist still life painting. Oil on canvas. Image size, 18L x 24H.

"Little Blue" (1960) by Jack Youngerman is a captivating oil on canvas measuring 25 x 26 inches, signed, titled, and dated on the reverse. This remarkable piece is from a pivotal mom...

Oil on canvasboard. Framed. Image size, 20H x 30L. Signed.

Shabbat Evening Large Israeli masterpiece painting. Hand signed lower right Provenance: Sara Kishon Gallery Naftali Bezem (Hebrew: נפתלי בזם‎‎; born November 27, 1924) is an Israel...

Antique Canadian modernist landscape oil painting. Oil on board. Framed. Measuring 15 by 17 inches overall and 10 by 12 painting alone.

Stamped, verso, with certification of authenticity for Suzanne Gertz (American, 1938-2003) and painted circa 1985, partial signature lower right. Suzanne Gertz first studied at the...

Antique European modernist landscape painting. Oil on board, circa 1930. Unsigned. Image size, 20.5L x 17.5H. Housed in a period giltwood frame.

Composition is an original contemporary artwork realized in the mid-20th Century by Mario Asnago. Mixed colored oil painting. Hand signed on the lower margin. Includes frame: 90x5...

Nice modernist American school painting. Oil and watercolor and gouache on board. Signed. Framed. Image size, 18L x 23H.

Original oil paint on heavy archival paper abstract by the American artist, Martin Rosenthal. Bold, vibrant colors. Signed lower right by the artist and dated 1965. Condition is ver...

Abstracted cityscape painting on paper in blue, black, grey and white oil wash of an industrial New York City rooftop "Untitled I," painted by Ricardo Mulero in 2018 7.5 x 5 inches, oil wash on paper 16.5 x 13.5 inches in a soft white wood frame with an 8-ply window mat and non-glare glass Excellent condition, ready to hang as is Ricardo Mulero is fascinated with capturing the brilliance of light and the contrast of natural beauty with utilitarian landscapes. Here, Mulero focuses on an abstracted New York City rooftop where water towers stand in the distance. Contrasts in light and shadow accentuate the urban landscape's geometric forms and highlight bold color palettes of blue, black, and grey. The piece is in excellent condition and ready to hang. About the Artist: Growing up in Puerto Rico, I observed how people and nature could co-exist in harmony. Today, that principle guides my design and artistic work. My paintings are expressions that draw upon my life experiences, traditions, and surroundings. These unique environments inspire my oil paintings: Puerto Rico, where I grew up, New York City, Fire Island Pines...

Clarence Holbrook Carter (American, 1904-2000) Quadratic, 1979 Acrylic and collage on textured paper Signed and dated lower right 30 x 22 inches 31.5 x 23.5 inches, framed A surreal...

Flowers on green background is an artwork realized by an unknown artist in 2013. Mixed colored oil painting. Includes frame. Signature by the artist and dediation on the lower mar...

Antique American modernist flower still life oil painting by Samuel Brecher (1897 - 1982). Oil on board. Signed. Framed. Measuring 28 by 30 inches overall and 22 by 24 inches painti...

Vintage modernist harbor view by Aksel Jorgensen (1883 - 1957). Oil on board, circa 1957. Signed. Displayed in a period frame. Image size, 24"L x ...

Modern abstract landscape painting by the iconic Houston based artist David Adickes. The work features a group of green, pink, and blue trees set against a light aqua background. Sig...

Antique American modernist oil painting. Oil on board, circa 1950. Housed in a vintage frame. Image size, 16L x 11H. Signed.

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Clarence Holbrook Carter (American, 1904-2000) Torso No. 5, 1967 Acrylic on paper Signed and dated upper right 25 x 20 inches A mid-century figural abstract painting. Clarence Hol...

Sidney E.Zimmerman USA (1926-2007) studied at the Brooklyn a Museum of Art after returning from Europe during WWII. In 1950, he studied with Morris Kantor and Vaclav Vytlacil at the ...

Impressionistic style landscape painting of a street in Galveston, Texas. The painting is framed in a silver frame. The artist signed the work in the bottom corner. Dimensions without Frame: H 20in x W 16in. Artist Biography: René Wiley...

Original Modernist / Minimalist Acrylic & Copper Metallic Painting on Linen Canvas / MDF Wood Panel. *This Artwork is being SOLD UNFRAMED! - the additional Virtual Image of the fr...

Flowers in a blue vase Cardboard, author's technique, 29x21.5 cm

Clarence Holbrook Carter (American, 1904-2000) King Tut No. 2, 1968 Gouache on paper Signed and dated upper right 11.25 x 8.25 inches 25.5 x 20.5 inches A surrealist mid-century fig...

This Modern abstract oil painting on canvas by Modernist artist Stanley Bate features a geometric composition and a soft palette. The white and creme colors are complemented by earth...

36X30 framed, 31X26.5 unframed. Ezio Gribaudo was born in Turin on January 10, 1929. He trained at the Accademia di Brera, Milan (1949–52), and attended the Faculty of Architecture ...

Wonderful large abstract painting by Betty Weiss. Oil on canvas. Signed with her married name "Betty Perez". Measuring 56 by 56 inches. Artist Bio: Betty Weiss has been a Ne...

Compelling abstract figurative oil painting in bold, primary colors of a man and the moon by J. Gold (American, 20th Century). Signed "J. Gold" lower right. Presented in a Maple woo...

Wonderful expressionist painting of abstracted flowers in vase by Robert Henry Hurdle, RWA (English, b. 1918), 1970. Signed and dated lower right corner. Presented in rustic frame: Condition: Very good; painting had been glued into frame which is now restored. Image size: 16"H x 12"W. Framed size: 18.50"H x 22.50"W. Robert Henry Hurdle, Royal West of England Academy (RWA) was born in London on 9th August 1918. He first trained at the Richmond School of Art and then after distinguished war service during World War 2 he studied painting at Camberwell School of Art under Sir William Coldstream and was later senior lecturer at the West of England College of Art ( later called Bristol Polytechnic ). He has exhibited widely across the British lsles and most notably in Hong Kong and the South of France. His most recent solo show was at the Art Room at Topsham, Devon in 2013. His work is featured in many public and private collections including Bristol City Art Gallery and the Royal West of England Academy. Selected One Man Exhibits: 1969 Faculty of Fine Art, University College, Swansea. 1977 'Land and Water' City Art Gallery, Bristol 1978 'Land and Water' Pao Sui Loong Galleries, Hong Kong Arts Centre. 1981 'Reflections on Bristol 1950-81' King Street Gallery, Bristol. 1983 Farnham Maltings, Kiln Gallery, Farnham. 1987 Peter Sands Gallery, Bristol. 1989 Clevedon Bridge Gallery, Bath 1995 'Retrospective' Royal West of England Academy, 1998 'Robert Hurdle at 80' Fedden Gallery, Royal West of England Academy 2003 'Meeting with Tress' New Gallery, Royal West of England Academy 2009 'Selective Retrospective' New Gallery Royal West of England Academy 2012 'Paintings' The Art Room Group Exhibits: 1949-65 London group exhibitions 1950 Royal Academy Summer Exhibition, London. 1959-2015 Royal West of England Academy, Annual Exhibition 1959 Artists of Fame and Promise, Leicester Galleries 1960 New Arts Centre, London 1964 Frost and Reed Galleries, Bristol 1966 William Ware Gallery, London 1974 Courages Coronation Exhibition, City Art Gallery, Bristol. 'Accent on Colour', The Albany Gallery, Cardiff. 1976 Westward TV Exhibitions, Plymouth. 1978 Frost and Reed Galleries, Bristol. New Ashgate Gallery, Farnham. 1980 'Art in the making', King Street Gallery, Bristol and the City Art Gallery, Bath. 1985 '3 West Country Painters' Hunstrete House, Near Bath. 1988 'Recent paintings' Peter Sands Gallery, Bristol. Anthony Rossiter and Robert Hurdle. 2003 Innocent Fine Art, Bristol. 2004 'Western Approaches' Six members of the Royal West of England Academy: Derek Balmer, John Huggins, Robert Hurdle, Neil Murison...

INTERSECTIONS OF GREY Size: 65 x 85 cm (including frame) Oil on board A very large mid century modernist abstract composition, painted in oil onto board. Almost monochrome in its p...

Clarence Holbrook Carter (American, 1904-2000) The Mayor, 1979 Acrylic and collage on scintilla Signed lower right 30 x 22 inches A surrealist mid-century figural abstract painting....

Modern light blue, brown, and black geometric abstract circle pattern painting by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin. Dimensions Without Frame: H 32.75 in. x W 35.63 in. Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School. John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950. In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory. In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...

Robert Glick (American, born 1950) "Summer" 2024 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom right and back of the painting. 'Summer' by Robert Glick is a viv...

FLECK Size: 31 x 34.5 cm Oil on Canvas A small but very engaging and brilliantly executed abstract composition, painted in oil onto canvas and dated 1973. Set against a tranquil b...

Antique French modern painting of a fall forest. Oil on board, circa 1950. Signed. Image size, 15.5L x 9.75H. Housed in a period giltwood f...

Impressive early American modernist landscape painting. Watercolor and gouache on paper. Framed. Signed. Image size, 14 by 18 inches.

Maurice Estève (1904-2001) Le Boischaut 1960 oil on canvas 65 x 100 cm signed and dated ‘Estève 60’ (lower left) Price: €276,000 EUR (inc. 20% UK VAT) Provenance: Galerie Villand-Galanis, Paris Sonja...

Work on canvas

This captivating oil on board painting by Paul Kauvar Smith (1893–1977) showcases a vibrant American Modernist still life featuring zinnia flowers in hues of red and orange. Set with...

Composition 18 is an original painting realized by Clément Kons (1879-1956). The artwork is on tempera and in very good conditions. Image Dimensions: 36...

Signed and dated lower left: "Ben Norris / 29 - XII - 50". With label verso: "Landscape Variations II - Sardonic Interlude / by Ben Norris". From the Estate of the Artist. Exhibite...

Stunning and expressive large scale oil painting by mid-century San Francisco artist Louis Earnest Nadalini (American, 1927-1995). Signed "Nadalini" lower right. Unframed. Image size...

Richard Anuszkiewicz Old Door, 1953 Watercolor on paper Signed and dated by the artist on the lower right front 20 × 14 inches Unframed This unique and extre...

Alan Davie (1920-2014) Queen Emma June 1968 oil on canvas (triptych) 213.5 x 404 cm signed, dated and titled (on the verso) Price: £300,000 GBP (inc. 20% U...

Abstract Composition is an Original tempera and watercolor on Paper applied on wood realized by Lucian in the 20th century. Hand-signed , also the stamp of Atelier Montmartre.

Antique American modernist abstract landscape painting by Ann Anderson. Oil on canvas, circa 1961. Signed. Displayed in a period modern frame. Image, 16"L x 20"H.

Modern orange, brown, yellow, and black geometric abstract composition by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin. Dimensions Without Frame: H 35.5 in. x W 33.5 in. Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School. John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950. In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory. In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...

This Modern Abstract Expressionist painting by Stanley Bate features a vibrant and unique palette. Made with oil paint on canvas, the painting is modeled after the famed painting by ...

Clarence Holbrook Carter (American, 1904-2000) Caged, 1971 Acrylic on paper Signed and dated lower right 24 x 20 inches A surrealist mid-century figural abstract painting. Clarenc...

Oil on canvas 1979 Large cat peering out window Framed 45.25x55.5 Unframed 36x47

Amitabh Sengupta - Inscription (Dyptich) Acrylic on Canvas, 72 x 36 inches (Unframed Size) , 2008 ( Unframed & Delivered ) Style : In Amitabh Sengupta's works TIME is depicted in va...

"Leave Me Alone" is a manifesto of inner freedom and the beauty of personal emotions. Painted in vivid, lively colors, the work captures the richness of feelings that arise when one ...

"I'll Call You in the Midnight" captures a moment of silence and inner focus. A woman slowly brushes her hair, savoring the rare time spent alone. In her gestures, there is a sense o...

This vibrant work by noted 20th century American artist, Joel Durand, employs a bold palette and sophisticated approach in this dramatic and abstracted sti...

Antique American modernist signed original oil painting. Oil on canvas, circa 1930. Signed illegibly. Image size 20L x 16H. Housed in a period giltwood frame.

Impressive early American modernist abstract still life oil painting. Framed. Oil on canvas board. Signed. Image size, 24H by 18L.

Really impressive mid 1900s American school painting of Central Park. An amazing piece with hints of abstraction. Framed. No signature found.

Genre: Modern Subject: Abstract Medium: Oil Surface: Canvas Country: United States Sabina Teichman: (1905-1983) Studied at Columbia Univ. (BA, MA), also with Charles J. Martin and Arthur J. Young. Exhibits include WMAA, Art USA, 1958, PAAM, Butler Institute Amer. Art, Audubon Artists Ann., Womens Westchester Center. Sabina Teichman's paintings have a touch of fauvist vitality and responsiveness and color. Her Lyrical Paintings convey the great joy of life which is hers. the joy is so profound that it cannot be obtained in traditional art forms and so it has become necessary for Sabina to create new forms to express the euphoria. As the dynamic colors emerge from her luxuriously coated brush, she surrenders to a newly realized adventure in abstract expressionism. A boldness belies he femininity which yields an exciting style and a joyful freshness. Sabina Teichman illuminates the canvas with strokes of color that affect the very soul of the viewer , for she feels that color inspires the inner being of man. Her response to color elation. Dynamic colors emerge from the luxuriously coated brush of this artist, surrendering to her newly realized adventure in abstract impressionism. A boldness belies her femininity which yields an exciting style and a joyful freshness. Sabina Teichman illuminates the canvas with strokes of color that affect the very soul of the viewer, for she knows as did Goethe, that color inspires the inner being of man. Sabina Teichman's own response to color is elation. Widely known as a figurative painter, one reviews her earlier style only to find that all shapes lived within the surrounding of abstract settings which now dominate her most recent paintings. The Vatican Museum's collection of contemporary art has acquired Sabina Teichman's painting The Prophet given in response to an expressed desire of a representative of Pope Paul VI, who said that, to the best of his knowledge, it was the first painting by a living American to become part of the Vatican. Member of Audubon Artists, Provincetown Art Association Argent Galleries, New York, 1947. Salpeter Gallery, New York, 1949, 1952, 1954. Shore Galleries, Boston, 1955. A C A Gallery, New York, 1957, 1960, 1963, 1969. A C A Gallery, Rome, 1965. Orpheus...