Carl Robert Holty

Carl Holty Abstract Oil Painting "Riviera" in Primary Colors

1950

"Don't Cry Long" is a self-portrait of the artist and an unusual one at that in which the artist portrays herself shedding tears. Perhaps it is an expression of some grief experienced by Ms. Woodlock, but it also admonishes her to not "Cry Long" while at the same time poking fun because of her elongated face and the one lone "long" tear tracing a pattern down her face. In addition to self-portraits, Ethelyn painted commissioned portraits. In this painting her head is cocked and her famous bangs hang down her forehead. Compare two self-portraits, “Up From Under”, and “M’Eyes" to "Don't Cry Long." The major differences are the close facial view and the brilliant blood red paint that fills the entire canvas. This painting is included in the book, "Dreams Have Wings: An Artist's Journey into Magic and Mystery" printed in the United States, 1985. She describes "Don't Cry Long" as showing how funny looking we are, if we cry too long. Ethelyn Woodlock...

SALE ONE WEEK ONLY "Falling Squares" is a rich gouache painting by William Antonow. Though the colors are muted they blend in a harmony that contrasts slightly with the falling squares that bring a movement to the piece. One of the original Cass Corridor artists from the 1960s William Antonow studied at the School of the Detroit Society of Arts and Crafts (now the College for Creative Studies) and at Wayne State University, where he received his BFA (1967) and MA (1970.) Other well-known individuals who taught or studied at Wayne State University and are connected with the arts are Arthur Danto, Dr. Wayne Dyer, Susan Aaron-Taylor, Tyree Guyton, Hughie Lee-Smith, Philip Levine, Casey Kasem, Helen Thomas, Sergio DeGuisti, Stanley Rosenthal...

SALE ONE WEEK ONLY "Obturator Fascia" is a contemporary oil painting depicting relationships between nature, science, technology, and pattern that has always fascinated Brian. A sister piece that is strongly similar, "Epithelium", is owned by The Detroit Institute of Arts. Brian Fekete is an American visual artist, formerly a Brooklyn expat, now living and working in the Mid-Hudson Valley. He received his BFA and MFA from Wayne State University, Detroit, Michigan. Other well-known individuals who taught or studied at Wayne State University and are connected with the arts are Arthur Danto, Dr. Wayne Dyer, Susan Aaron-Taylor, Tyree Guyton, Hughie Lee-Smith, Philip Levine, Casey Kasem, Helen Thomas, Sergio DeGuisti, Stanley...

This small multicolor abstract is an exemplary work of Mexican-American artist Nora Chapa Mendoza. This vibrantly colorful landscape is oil on canvas and exhibits the cool colors that evoke images of a Mexican or American Southwest desert sunset. The painting is signed by the artist and this work comes with the metal easel that is seen displayed in the photos. Nora Mendoza...

Robert's brilliant abstract paintings are easily identified with energized aspects of the universe as in sun burst, nebula, black hole, or far away. His Zen practice allows him release from earthly concerns to soar amongst the stars. Robert Piatek...

Robert's brilliant abstract paintings are easily identified with energized aspects of the universe as in sun burst, nebula, black hole, or far away. His Zen practice allows him release from earthly concerns to soar amongst the stars. Robert Piatek...

Amish Farmscape #3, 1984, oil on canvas, 40 x 30 inches, signed and dated lower right; signed, dated, and titled verso About the Painting Amish Farmscape #3 is part of a multi-painting series of barns completed in the early 1980s for an exhibition at New York’s prestigious Sid Deutsch Gallery. Lewandowski painted this work at an important point in his career. It was the first major project undertaken by Lewandowski after his retirement from serving as the Chairman of Winthrop University’s Art Department, the last academic position he held after teaching for nearly thirty years. Lewandowski had been inspired to work on the series by a visit to Lancaster County, Pennsylvania. Like his friend and mentor, Charles Sheeler, Lewandowski had always been fascinated by vernacular architecture and the Amish barns of Pennsylvania brought back memories of rural scenes Lewandowski had painted in the Midwest much earlier in his career. Amish Farmscape #3 is a strong example of Lewandowski’s late precisionist work. The complexity of the composition and Lewandowski’s technical acumen are on full display. Being relieved of the burdens of teaching and administering a university art department likely allowed Lewandowski greater freedom and most importantly more time to complete the Amish Farmscape series. Although Lewandowski’s brand of precisionism changed throughout the years, he never deviated from the core tenets of the Immaculate School artists. In this work, we see simplified and flattened forms, the use of ray-lines to define light and space, the elimination of extraneous details, a polished almost machine-like finish, and the complete lack of visible brushstrokes, all hallmarks of the precisionist painters. Lewandowski was the last of the 20th century precisionists and in Amish Farmscape #3, we see just how successfully he continued to work in this style until his death in 1998. About the Artist Edmund Lewandowski was among the best of the second-generation precisionist painters. He was born and raised in Milwaukee, Wisconsin and studied at the Layton School of Art with Garrett Sinclair. Lewandowski achieved early success when in 1936 two of his watercolors were shown at the Phillips Collection as part of a Federal Art Project exhibition. Then, in 1937, his work was first exhibited at Edith Halpert’s Downtown Gallery which represented Lewandowski into the 1950s. Under Halpert’s guidance, Lewandowski continued to explore watercolor as his main medium during the 1930s and 1940s, since the gallery already represented Charles Sheeler, who worked primarily in oils. Sheeler became Lewandowski’s major influence as the primary leader of the ill-defined, but very recognizable Immaculate School artists, which included other Downtown Gallery painters, Niles Spencer, George Ault, and Ralston Crawford, as well as Charles Demuth and Preston Dickinson, both of whom died at a young age and had been represented by the Charles Daniel Gallery. Sheeler is credited with giving Lewandowski technical advice on how to make his paintings more precise and tightly rendered and by all accounts, Sheeler was a fan of Lewandowski’s work. Through the Downtown Gallery, Lewandowski’s paintings were accepted into major national and international exhibitions and purchased by significant museums and collectors. Franklin and Eleanor Roosevelt and Nelson Rockefeller acquired works by Lewandowski. He was included in the Museum of Modern Art’s important 1943 exhibition, American Realists and Magic Realists as well as juried exhibitions at the Whitney Museum of American Art, the Pennsylvania Academy of Fine Arts, and the Art Institute of Chicago. Lewandowski also completed commissions for magazines during the 1940s and 1950s, including several covers for Fortune. Throughout his career, Lewandowski explored urban and rural architecture, industry, machinery, and nautical themes. Looking back on his career, Lewandowski wrote, “My overwhelming desire as an artist through the years has been to record the beauty of man-made objects and energy of American industry on canvas. For as far back as I can recall, the cityscapes, farms and depictions of industrial power and technological efficiency has had a great attraction for me. I try to treat these observations with personal honesty and distill these impressions to a visual order.” Lewandowski is credited with extending precisionism to the Midwest and successfully continuing the style into the 1990s, three decades after Sheeler’s death and six decades after Demuth’s passing. Late in his career, Lewandowski enjoyed a resurgence of popularity as he was represented during the 1980s by New York’s Sid Deutsch and Allison Galleries...

An original oil on canvas painting by American artist James Koenig created in 1944.

You are viewing a modern abstract painting by Robert Blair. Robert Noel Blair (American, 1912-2003) was an American artist, painter, sculptor, printmaker and teacher. He is best k...

"Harvest" is a 30 x 25 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is painted in a vibrant reds and orange, and estate s...

"Orbs" is a 38 x 50 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is estate stamped 202141 on verso. The painting has been...

"Untitled - Yellow and Blue" is a 46 x 34.25 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. This abstract work is painted in a vibra...