Framed Animal Paintings

Ornamental Fowl Fighting, circa 1700 circle of MARMADUKE CRADOCK (1660-1716) Large circa 1700 Scene of ornamental fowl defending the hen and chicks, oil on canvas circle of Marmadu...

"Silent Waters, Psalms 33:22" (2025) by Thomas Kegler is an original, handmade oil painting that depicts a serene landscape with a moose drinking from the quiet waters. About the a...

Attributed to Morten Müller (1828-1911) and Olaf Christopher Dahl (1842-1895), signed lower right, this extraordinary antique oil painting captures the timeless beauty of 19th century Norwegian pastoral landscape. This exceptional collaborative masterpiece, painted circa 1870-1880 during the golden age of Norwegian landscape art, depicts an enchanting countryside scene where a young shepherd boy guides his cattle to a tranquil watering hole. The composition unfolds like a gentle poem of rural life, with lush vegetation embracing rolling hills while an ancient windmill stands majestically on the distant hillside, creating striking focal point and masterful perspective. Rich oil painting technique reveals the artists' shared vision of Norway's serene countryside, where peaceful pastoral tranquility below contrasts dramatically with gathering storm clouds above. This romantic Norwegian landscape tradition showcases nuanced brushwork and atmospheric effects that exemplify the peak of Scandinavian art movement. Both renowned Norwegian artists are prominently featured in National Museum Oslo permanent collection, confirming their significant contribution to Nordic artistic heritage. This rare antique oil painting represents sublime testament to 19th century collaborative artistry, where two masters united their talents to create lasting vision of Norway's natural beauty. Size app.: 46 x 69 cm (roughly 18.1 x 27.2 in), with frame 60 x 84 cm cm (roughly 23.6 x 33.1 in). Good condition with wear, tiny losses to paint in minor areas and craquelure. So it needs minor care and conservation. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.4 kg is going to measure some 6 kg volume weight packed for shipment. Morten Müller began his art studies with Adolph Tidemand and Hans Gude in Düsseldorf, Germany, from 1847 to 1848. From 1850 he was again a student at the Kunstakademie Düsseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850 to 1851, Müller painted with the Swedish landscape painter Marcus...

Follower of Dirck van Berghen (Dutch School, 17th Century) Pastoral Landscape with a Shepherdess and Livestock Oil on canvas, framed in a French Empire period gilt frame canvas dimensions: 18 x 22 inches framed dimensions: 22.5 x 26 inches This charming pastoral scene, rendered in oil on canvas, is attributed to a follower of the 17th-century Dutch painter Dirck van Berghen, who was known for his bucolic landscapes featuring cattle and rural life. The composition reflects the influence of van Berghen’s mentor, Adriaen van de Velde...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 17 INCHES X 20 INCHES** Godfrey Douglas Giles British, (1857-1941) Wild Boar & her Young in a Landscape & Pursuit of a Wild...

Jess Kellner is a multi disciplinary artist who’s work has a strong focus on exploring the human condition. It’s a theme that you see in his artwork as well as his filmmaking. While ...

"Leery Deeries" an oil landscape of deer is painted by Hans Guerin, a descendent of the founder of the respected Schuler School of Fine Arts which trains s...

This wonderful painting features a loyal dog watching over a napping baby in a sunny courtyard. It is an oil on board and features a period, possibly original, frame and is signed in...

In the fish tank is al modern artwork realized in the 1970s-. Mixed colored oil and enamel on cardboard. Monogrammed CB on the lower margin

Returning from the General Store William Henry Dethlef Koerner (German, American, 1878-1938) Oil on Panel Signed Lower Right 24 x 30 inches 27 x 33 inches with frame William Henry D...

This large original painting by Ceravolo measures 66x80". it is painted with oil and acrylic on canvas with spray painted lettering and a rusted metal grid installed approx 1 inch i...

Beautiful 19th century oil painting, attributed to Austrian master Caspar Jele (one of the most important representatives of the Nazarenes in Tyrol), bearing inscription 'Jele 838' l...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Highland Companions by A. J. Blackie (British, 20th century) signed oil on canvas, framed framed: 23 x 30.5 inches canvas: 20 x 28 inches Provenance: private collection, England Con...

The goldfinch is an modern artwork realized by the artist Enotrio in the half of 20th Century. Mixed colored oil on masonite Hand signed on the lower m...

20 x 24 (canvas size) 25.5 x 29.5 (w/ frame) Signed and Dated Lower Left Paul Harney (1850-1915) Born in New Orleans on October 21, 1850, he was a landscape, portrait and still-li...

Greg's witty and charming oil painting on aluminum comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomize...

Framed dimensions: 17 x 20 inches. Signed "C Ruvalcaba" lower right hand corner in orange paint.

Walter J Watson British, (1877-1963) On the Llugwy, North Wales Oil on canvas, signed & dated 1922, further inscribed verso Image size: 15.5 inches x...

Artist: Slonem, Hunt Title: Lilliana Date: 2023 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed verso Edition: Unique Hunt S...

Panther in the Grass is by artist Jeff Slemons .There is the use of the palette knife which builds up a texture of the oil paints used in this landscape...

Ria Koreman Kingfisher 30 x 20 cm (framed included in price 35 x 25 cm) Ria Korenman paints what many people overlook: the magic in everyday life. Especially birds, with a soft spot...

Work on canvas Gray wooden frame 67.5 x 87.5 x 6.5 cm

Elizabeth Nelson Fairchild (American, Born 1910) Signed: E. Fairchild (Lower, Left) " Portrait of a Horse ", c. 1940 Oil on Board 9" x 7" Housed in a 2" Gold Leaf Frame Overall...

The raven is often thought of as a connection between the spiritual and physical world. In this painting, a wise young girl holds a raven in her hands up to her eye as if searching for some great meaning. A clock and a burning candle in the foreground suggests a symbolic connection between the two. The peaceful mountain landscape...

Conditions : Excellent overall with a genuine canvas stamped by DEFORGES PARIS. The unique little restoration on the tree by the house (as seen on picture under UV light). The signa...

Claudia Griesbach- Martucci's "Timeless Dreamer" is an original, handmade oil painting that depicts a mouse perched atop a clock with a crescent moon in the background. About the A...

Sir Alfred James Munnings, P.R.A., R.W.S. (1878-1959) 'The hunt' Signed and dated 'A.J. Munnings. 1913.' (lower right) pencil, watercolour and bodycolour on a prepared sheet of paper...

Oil on board Signed within painting (on bucket): AFT Provenance Private collection Why We Love It Tait’s animal paintings were hailed for their masterful realism. Moreover, he capt...

Signed and dated divisionist landscape oil on canvas by Belgian post impressionist painter Modest Huys. This stunning piece is titled "Radiant Autumn - Wak...

Charles Hunt, Jr. was born in Kensington, London, in 1829 and was part of a dynasty of painters. He was the son of the genre painter Charles Hunt (1803-1877) and father to four sons ...

Medium: Oil on Canvas Signature: Signed Lower Left Styles for Men: The House of Kuppenheimer, Spring and Summer 1914, cover illustration. This piece was published as the cover illu...

"El Toro" (FRAMED) Painting 14.5" x 20" inch by Antonio Pelayo Medium: Pencil on Paper, Acrylic Ink & Paint on Animation Acetate Size: 12" x 17" inch Size framed: 14.5" x 20" inch ...

The New Forest Foxhounds, 19th Century by E G Chapman (19th Century British) 19th Century English portrait of the New Forest Foxhounds, oil on canvas by E G Chapman. Excellent qual...

"Saratoga stables", is a 24x36 oil painting on canvas by artist Dahl Taylor featuring a brown horse being led back to the stable after morning workouts at Saratoga Race Course. Bright sun saturates the side of the green structure while a canopy of trees provide shade. About the artist: Over 30 years Taylor has worked on a wide variety of projects. Taylor has concentrated on illustration assignments for national corporate & publishing clients and museums. Commissioned portraits include the official portrait of a former NYS Attorney General, which hangs in the N Y State Capitol, and portraits for major institutional & corporate collections. Taylor has created paintings for limited edition prints for the National Law Enforcement...

Petals on the Water by Jeff Slemons shows the beauty of nature with Koi and Waterlilies .There is the use of the palette knife which builds up a texture o...

George Cole British, (1810-1883) Waiting for a Treat Oil on canvas, signed & dated 1857 Image size: 19.5 inches x 29.5 inches Size including frame: 26.25 inches x 36.25 inches A cha...

J. F. Herring Snr. (British, 1795-1865), A carriage horse partly tacked in a stable 1845 Oil on canvas Signed and dated middle right With an old inventory number verso Property of a...

Frederick E. Cohen (American, born England, c. 1818-1858) Boy in a Dog Sled, 1853 Oil on canvas, 25 x 30 inches Framed: 35 x 40 inches (approx.) Signed and inscribed: (on side of sle...

This Painting, "Yellow Horses", is a 20x20 oil painting on canvas by artist Trip Park. Featured in the painting is a repeating and overlapping pattern of a rider and horse in various...

Gouache and ink on paper artwork of horses by Alexander Calder framed under glass in gold leaf frame. Signed and dated "Calder 76" in lower right corner....

This gorgeous oil on canvas Victorian Old Master painting is by British artist Henry Jutsum. Painted circa 1850 the painting depicts a drover on horse back bringing up the rear behin...

The oil painting size is 13"x9.75". Classic work of Sarkis Diranian, with very smooth and artistic brush strokes. It is signed in the lower right corner. ...

Jef Louis Van LEEMPUTTEN Oil on canvas Painting Size: 14 x 19" (36 x 49cm) Outside Frame Size: 21 x 26" (53 x 66cm) Jef Louis Van Leemputten, or Joseph Louis Van Leemputten, was a...

Painted with such exacting detail it is hard to believe a human hand can be so exacting. This piece is framed in a simple wooden frame measuring 15 x 18 inches. Rick Pas The Surprised Wood Duck acrylic on panel 12h x 15w in 30.48h x 38.10w cm 15h x 18w x 1d in (framed) RPA023 ARTIST'S STATEMENT Creating is an addiction. With all the highs and lows you would expect. I am interested in the surface textures and creating paintings that portray them in realistic detail. Hopefully a viewer will feel they can run a hand over the feathers and moss, or grasp an object in the painting. This detail is usually composed in an abstract design. The design can occur naturally or be arranged by me. RESUME Rick Pas b. 1958, Flint, MI Education Eastern Michigan University, Ypsilanti, MI - Bachelor of Fine Arts - Pearson Art Scholarship SELECTED EXHIBITIONS 2022 Gallery Victor Armendariz, Chicago, IL, Take Flight William Baczek Fine Arts, Animal Kingdom & Winter National Museum of Wildlife Art, Jackson, WY, Western Visions Lovetts Gallery, Tulsa, OK, Braveheart 2021 William Baczek Fine Arts, 25th Anniversary Exhibition 2020 William Baczek Fine Arts, Landscape Exhibition & Summer Gallery Victor Armendariz, The Palette of Pride 2019 The James Museum, St. Petersburg, FL, Environmental Impact II Lovetts Gallery, Realism, Reveries, & Rhapsody Gallery Victor Armendariz, New Work 2018 Gallery Victor Armendariz, Front and Center Corporate Art Advisory, Chicago, IL, Portraits and Places: Redefining Realism William Baczek Fine Arts, Animal Kingdom Lovetts Gallery, Rear Window 2017 William Baczek Fine Arts, Winter, Animal Kingdom, Summer Lovetts Gallery, The Good, the Bad, and the WTF? & Red 2016 William Baczek Fine Arts, 20th Anniversary Exhibition, Summer, & Landscape Exhibition Monroe Community Church, Grand Rapids, MI, ArtPrize Ann Nathan Gallery, Chicago, IL, Group Exhibition Lovetts Gallery, Cauldron 2015 William Baczek Fine Arts, Landscape Exhibition & Summer JW Marriott, Grand Rapids, MI, ArtPrize Handwright Gallery, New Canaan, CT, Small Works Ann Brierly Gallery, Winnetka, IL, Ann Nathan Gallery Satellite Exhibition RJD Gallery, Sag Harbor, NY, A Magical Menagerie 2014 William Baczek Fine Arts, Spring & Landscape Exhibition 2013 Canton Museum of Art, Canton, OH, Environmental Impact Gallery Project, Ann Arbor, MI, Interspecies 2012 Alden B. Dow Museum of Science & Art, Midland, MI, The Nature of Art: An Invitational Exhibition William Baczek Fine Arts, Landscape Exhibition & Summer Exhibition Ann Nathan Gallery, Group Exhibition Twisted Fish Gallery, Elk Rapids, MI, A Natural Selection Dennos Museum Center, Traverse City, MI, Art and the Animal Gallery Project, Extremes & Umvelt 2010 William Baczek Fine Arts, Landscape Exhibition & Summer Group Exhibition Crooked Tree Arts Center, Petoskey, MI, Juried Fine Arts Exhibition San Diego Natural History Museum, San Diego, CA, Art and the Animal 2009 West Michigan Center for Arts & Technology, Grand Rapids, MI, ArtPrize William Baczek Fine Arts, Landscape Exhibition Birmingham Bloomfield Art Center, Birmingham, MI, Michigan Fine Arts Competition Gallery Project, Shrines and Altars Ann Nathan Gallery, Fall Group Exhibition 2008 William Baczek Fine Arts, Landscape Exhibition & Summer Group Exhibition Gallery Project, Animal Intelligence Holland Area Arts Council, Holland, MI, The Natural Eye Neville Public Museum, Green Bay, WI, Art and the Animal 2007 William Baczek Fine Arts, Landscape Exhibition & Summer Group Exhibition 2006 WARD Gallery, Harbor Springs, MI, New Dimensions in the Natural World Bennington Center for the Arts, Bennington, VT, Art and the Animal Gallery Project, Nature Reperceived 2005 Light Street Gallery, Baltimore, MD, Animal House Bennington Center for the Arts, Bennington, VT, Art of the Animal Kingdom The Wildlife Experience, Parker, CO, AMERICAN BIRDS: A Flight Through Time WARD Gallery, Summer Celebration 2004 Fraser Gallery, Washington, DC, Contemporary Realism Hiram Blauvelt Art Museum, Oradell, NJ, Art and the Animal Washington Street Gallery, Ann Arbor, MI, Fifth Year Celebration 2003 Fraser Gallery, Georgetown International 2001 Sioux City Art Center, Sioux City, IA, 57th Juried Exhibition Wild Wings, Lake City, MN, Fall Festival 2000 Leigh Yawkey Woodson Art Museum, Birds in Art (Also 1983-85, 1987, 1992, 1994) Center for the Visual Arts, Wausau, WI, Midwest Winter Cooperstown Art Association, Cooperstown, NY, National 2000 1993 Leigh Yawkey Woodson Art Museum, Wildlife: the Artist's View (Also 1990) 1992 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks (Also 1990) 1989 College of DuPage, Glen Ellyn...

Oil on panel Panel size: 6.25 x 5.75 inches Framed size: 10.75 x 10.25 inches Signed lower right

America Martin "Cat & Bird" Oil & Acrylic on Canvas 24 x 24 in. ; 25.5 x 25.5 in Framed ______________ Exploring the identity of both her namesake and country, LA-based America Mart...

Decorative, antique oil painting, dog portrait, 19th century, signed and dated. Dimensions including frame.

Edwin Douglas (1848-1914) Guarding the flock signed 'ED(in ligature)ouglas' (lower left) Oil on canvas Painting size 24 x 20 in Framed size 29 1/2 x 25 1...

Paul Bartlett has created a eye catching collage with colours of orange, blue and green to capture nature. Collage on board Framed Signed Frame w 51.6cm x h 37.3cm Image w 37cm x h ...

Hunt Slonem - Pale Blue Hutch Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and h...

This is a diptych of a new series - Over The Moon with Little British Birds. This Diptych include Little Kingfisher, Over The Moon and Little Blue Tit 4, Over The Moon, We are so bl...

study of a seated clumber spaniel, oil on canvas, signed and dated 1929 lower left. Housed in a new gilt frame. Paintings of these beautiful dogs are...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 22.25 INCHES x 18.25 INCHES** Edward Armfield British, (1857-1935) The Rat Trap & Under the Wheelbarrow Oil on canvas, pair...

"As a human exercising what little political power I might have, I struggle to campaign for nature and to remind all humans of our responsibilities as stewards of this planet. Art be...

A 65 million year old sea creature is captured here through the art of Gyotaku by Jeff Conroy. After inking and taking impressions of a reproduction fossil Ammonite shell and combini...

Hunt Slonem "Untitled" Red Heart Bunny A single rabbit gestured in red on a light red background with Diamond Dust in a vintage frame. Unframed: 14 x 14...

Hall is a highly respected contemporary artist. It is framed in a contemporary lacquered off white float frame. The surface of the board is slick and almost photographic in feel. The...

Heading due west from NYC to escape the hustle and bustle of city living and arrive in time for the afternoon milking was quite a trek for the American aristocrats who built the estates of the New Jersey Somerset Hills during the Great Depression. Whether arriving by horse and carriage, train or motorcar, the festivities never ceased once there, overlooking the bucolic farms and farmland, resplendent with with some of the most elaborate homes and estates in the country. A popular arrival spot was Bernardsville, with it's horse and carriage manufacturing plant, car repair and train station, still home to a dairy farm just outside of the town center. Artist Joseph Sundwall...